Wednesday, May 03, 2017

Call

Art Impact USA's 2017 Juried Art Exhibition at Pepco Edison Place Gallery is now ready to receive your art entry.  You are invited to submit up to eight works for "Climax: The Best of the Best."  There is no entry fee and over $850 in cash awards and prizes.  


Submission deadline is June 16, 2017, 9:00 pm firm.  Don't wait until the last minute.

The chief juror is Prof. Curlee Holton, Executive Director of the David C. Driskell Center,  at the University of Maryland.  Fewer artists will be chosen and more of their work will be exhibited - four pieces.

Visit this page for all the details:  
http://www.artimpactusa.org/climax-call. 

Tuesday, May 02, 2017

Victor Ekpuk solo at MFA


These Moments
A solo exhibition of mixed media artwork by VICTOR EKPUK
Friday, May 12th - May 29th, 2017
OPENING DAY RECEPTION
Friday, May 12th, 6pm-8pm
The artist will be in attendance. 

EXHIBITION LOCATION
Morton Fine Art (MFA)
1781 Florida Ave NW (at 18th & U Sts)
Washington, DC 20009
HOURS
Tuesday - Saturday 11am - 6pm
Sunday 12pm-5pm

About VICTOR EKPUK & These Moments


What can one say about an artist like Victor Ekpuk? Graphically stunning, with a carefully crafted use of color, and evincing a commitment to the power of the line, Ekpuk's work in These Moments applies Ekpuk's enviable skill, theoretical grounding, and consistent engagement with what it means to be human in a more figurative approach. These Moments highlight thirteen works all grounded by the form, structure, and strength of the bold line's arc through space. Inspired in part by a four-month residency in Nigeria, the country of his birth, Ekpuk was struck by how central the head was in daily life in Lagos. Ekpuk explains that he was "struck by people carrying things on their heads, metaphorically or otherwise."
-
Izetta Autumn Mobley, 2017



These Moments marks VICTOR EKPUK's third solo exhibition at Morton Fine Art.  His artwork is included in the permanent collections of the
Smithsonian Institution Nation Museum of African Art, Brooks Museum,
Krannert Art Museum, US Department of State, Newark Museum, Arkansas Art Center, Fidelity Investments,  The World Bank, and University of Maryland University College Art Collection.

Monday, May 01, 2017

Call for Proposals

One month left to submit your proposals for an exhibition at artspace in the first half of 2018

APPLY ONLINE

Entry Fee: $25
Deadline: June 1, 2017

Sunday, April 30, 2017

Frida Kahlo Show... and?

Over 20 years ago, The Washington Post called me "A Kahlophile since age 17", and even after all these years, that description still fits me to a tee.


Subsequently, I was lucky enough to curate two (in partnership with the Mexican Cultural Institute for the first one, and with the same Institute and the Frida Kahlo Museum in Mexico City for the second) worldwide "Homage to Frida Kahlo" shows - the first one at Georgetown's iconic Fraser Gallery, and the second one online with art.com.
Campello's works are more than one-liners, though. They're also explorations of one of Campello's pet topics: race. In Las Siete Fridas (The Seven Fridas), he's envisaged Kahlo as Nordic, Arab, African, punk, Native American, Vulcan, and Beatle. The drawing was inspired by the 1980 census, the first to offer a complex menu of ethnicities for each American's self-identification. "This was my way of poking fun at the census and our governmental need to put labels on people," Campello explains on a nearby card. Las Siete Fridas was recently acquired by Seeds of Peace, an organization that promotes cross-cultural understanding.   ---  Pamela Murray Winters, Washington City Paper
Over the years, as documented here, I've done hundreds, if not thousands of works inspired, related or obsessed by Frida Kahlo, the Champagne Communist, pain-ridden lead for the title of most famous and influential Latin American artist... ever. And soon, very soon, I will be announcing another major Kahlo-related project... stay tuned!


Just found out that a new Kahlo-inspired show is about to make its debut in the DMV:





Exhibit:
Frida en Nosotros
Artworks inspired by Frida Kahlo
May 5- May 29

DMV area artists pay tribute to Frida Khalo as a transcendent Latin American cultural icon. Each artist has taken her image or imagery related with her as a starting point to explore how she relates to their own ethnic traditions and customs. Featured artist are Marily Mojica, Osbel Susman-Peña, Nicole Oxendine, Ric Garcia, Marla Mclean, David Amoroso, Gus Rodriguez, Kate Heneghan, Jobi Jovanka Magana, Juliana Vallejo, Shyama Kuver, Cluadio Olivos, Eloy Areu, Sergio Olivos 

Reception:
Opening Night and Cinco de Mayo Celebration
Friday, May 5
5 pm-12 midnight

Happy Hour
Tapas, Vino y Margaritas

Location:
2309 18th Street, NW
Washington, DC 20009
An artistic culinary initiative in Adams Morgan, where art, music and Spanish food traditions fuse into a cultural experience. Patrons can enjoy art exhibits in the restaurants' basement gallery space and then pair the experience with a good glass of wine and a variety of  tapas or a dinner that samples Spanish and Cuban cuisine traditions.

Saturday, April 29, 2017

Guerrilla Framing Techniques - Number One

Me: Custom framing is expensive!

You: Everybody knows that Lenster!

The average price for custom framing around the DMV is brutal - and sometimes complicated (or made complicated by frustrated designers posing as framers or artists who have seen too many Roccoco framing in museums.

Unless you're Frida Kahlo, generally speaking, the job of a frame for a work of visual art is first and foremost to protect the art.

Period.

And in the 21st century, and most of the 20th, the simpler the better; the less noticeable the frame, the more that the art is noticed.

If you have plenty of sheckels, then a good framer will do a great job. The best and least expensive framer around the DMV is Apex (703/914-1000, ask for Khalid and tell him Lenny sent you)

For the vast majority of artists, a frame should not cost as much as repairing your car's transmission.

You: Can you get to the technique part already?

Most artwork is done on geometric substrates; even if you cut paper or stretch your own canvas, most of the times it is either a square or a rectangle; ovals went out ages ago; in fact they were never really in... cough, cough.

In the USA, these art substrates come in standard sizes that apply not only to the substrates (paper, canvas, board, wood, etc.), but also to mats, frames, and glass.

Thus, if you work on a standard size substrate to start with, you're almost home, because then you can eliminate the middle man to getting your work on a wall: the custom framer.

An 8x10 substrate will fit into an 11x14 pre-cut mat and into an 11x14 pre-cut frame; and 11x14 substrate will fit into a 16x20, a 16x20 into a 20x24 and so on.

Around the DMV, both Ikea and AC Moore's have ridiculously affordable prices for acceptable, minimalist frames. With AC Moore's if you sign up for sales alerts, you'll be bombarded with coupons (the best one is their 25% off for your purchase - including sales items; otherwise you get their 55% off regular price coupon emailed to you every 30 seconds).  Practically every frame at Ikea is a minimalist frame, but be careful because many of them are European size standards, which are different from US; however, Ikea frames generally come with acid-buffered mats, with is a nice "bennie" to have.

By the way, if you need a lot of frames in the same size - let's say two dozen frames, then I suggest that you find the ready made frame that you like and that will accommodate your work (this usually works for photographers), turn it over and see who makes the frame and then contact the manufacturer (if it's in the USA) and see if they will sell you the frames directly. There's usually a minimum order to "qualify" for this option, and thus situations may vary according to your needs.

If you want to do artwork in other than standard sizes, then more power to you, and framing just got a little pricier, but there's also a technique.

First find a ready made frame that is bigger than your odd shaped artwork and visualize the artwork inside the frame. If the proportions are agreeable to you (let's say you have a rectangular work which can be matted with both sides and top the same and bottom "heavy" - that is perfectly acceptable.

Once you have the frame, go to a framer and have them cut you a mat that has the outside dimensions of your frame and have them cut a window that fits your work. Now you are only paying them to cut a custom mat, rather than paying them to do that as well as creating a custom frame and glass from scratch. It should reduce your costs by about 80%.

Then just bring your matted work home, pop it into the frame and as the Brits say: "Bob's your uncle."

Friday, April 28, 2017

Frida Kahlo at a steal!!!

C'mon blogosphere! You're making me look bad!


Anybody like Frida? This very cool painting that I did in art school and which sold originally almost 15 years ago, showed up at an auction house a while back and it is almost over and as of this morning it was available for around $120!


This painting sold for $1200 in the 1990s!


Follow the link! And bid already!

http://www.invaluable.com/catalog/searchLots.cfm…


Frida Kahlo: Picasso Style  Oil on Board, c. 1980  F. Lennox Campello
Frida Kahlo: Picasso Style
Oil on Board, c. 1980
F. Lennox Campello

#fridakahlo #frida #picasso #pablopicasso #fridapainting #lennycampello #artauction

Found in a thrift shop