Museum Call for Artists

Deadline: November 26, 2018. 

The Ormond Memorial Art Museum is accepting submissions from artists in a variety of styles and media for exhibitions in late 2018 and 2019. Individual and small group submissions are welcome.  The museum is not able to cover shipping costs of work.   

Details for submitting can be found at www.ormondartmuseum.org.  Follow the “get involved” tab on the top right to the Call for Artist link. Submissions are needed by mail by Nov. 26, 2018 and are nonreturnable.  You will be notified of outcome.

Call for exhibition proposals

Deadline: January 15, 2019. 

The Peninsula School of Art is currently accepting exhibition proposals for 2020 and 2021 in their Guenzel Gallery. 

Exhibitions of all media will be considered. Exhibitions will be chosen by the Director of Public Programs with support from PenArt’s Gallery Committee. Exhibitions are awarded based on criteria including, relevance to their educational mission and overall artistic quality. Artists, curators, groups, and/or organizers are welcome to apply and will be notified approximately one month after the deadline. 

No submission materials will be returned. 

Exhibition Proposals should include: 

• Cover letter including description of proposed exhibition 
• Digital portfolio of 15-20 images, or a single link to a maximum five minute video of current artwork, representative of work proposed for the exhibition. 
• Include artwork title, medium, size, and year. 
• Resume Artist statement and biography 
• Contact information including: telephone, address, and email

Please email question and all submissions to Kendra Bulgrin: exhibit@PeninsulaSchoolofArt.org.

Call for Solo & Group Exhibition Proposals - Ohio

Deadline: September 7, 2018.  

The Fitton Center for Creative Arts is accepting proposals in all visual art media for solo and group exhibitions for the 2019-2020 schedule.  A community art center on the Great Miami River in arts-driven downtown Hamilton, Ohio, the Fitton Center provides experiences in the arts through exhibitions, classes, performances and other events.  Four galleries provide 2,600 square feet of space.  

Solo artists generally are asked to exhibit 10 to 30 works, depending on scale, media and available space.  They also offer group shows of existing guilds or alliances and to individuals willing to be selected into a curated group show.  A completed Online Submission Form that includes file uploads of 150-word Artist Statement, 150-word Presentation Statement, CV, 10 artwork JPEGS with corresponding Image List and $25 non-refundable fee are required for gallery proposals.  

Get full requirements and submit your proposal online here.  Early submissions are welcome. 

Questions? Please contact Cathy Mayhugh, cathy@fittoncenter.org, (513) 863-8873 ext. 122, Fitton Center for Creative Arts, 101 S. Monument Ave., Hamilton OH 45011.

The 37th Annual Smithsonian Craft Show 2019

The 37th Annual Smithsonian Craft Show 2019 National Building Museum, 401 F St., NW, Washington DC April 11, 2019 to April 14, 2019

The Smithsonian Craft Show is a most prestigious juried exhibition and sale of contemporary American craft in art and design, held annually in Washington DC. Three jurors who are experts in the field and newly selected each year choose 120 artists from a large pool of applicants. Previous exhibitors must re-apply each year. No one is grandfathered into the show. There is no quota for any category of Craft Art. Artists are selected on the basis of the originality, artistic conception, and quality of their work. The show is produced by the Smithsonian Women's Committee. Proceeds from the Show fund grants that benefit the Smithsonian's education, outreach, research, and conservation  programs.

Application Dates: May 23, 2018 - Sep 14, 2018 Application Fee: $50.00

Late App. Dates: Sep 15 - Sep 21, 2018 Additional Late Fee: $25.00

APPLY NOW!

The Craft Show does not charge sales commissions. However, accepted artists are encouraged to donate an item for the Show’s on-line auction, raffle, or other fund-raising initiatives, the proceeds of which benefit the Smithsonian. ACCEPTABLE MEDIA CATEGORIES: Basketry, ceramics, decorative fiber, furniture, glass, jewelry, leather, metal, mixed media, paper, wearable art, and wood. The artist should apply in the category that best describes their medium. For instance, a jewelry artist using metal should not apply in the metal category. Other media not listed above may be included in the mixed media category when it is combined with one of the Show's established media. If applying under mixed media, please explain in your artist statement why mixed media is the appropriate category for your work. AWARDS: The Smithsonian Women's Committee recognizes outstanding work exhibited at the Craft Show by presenting a number of awards. The awards include Gold, Silver and Bronze levels of distinction, Excellence within select categories (such as jewelry, glass, ceramics, etc.), as well as several Exhibitors' Choice Awards. Cash awards range from $500 to $1500. "Honoring the Future Sustainability Award" of $1,000 will be offered for the fourth year. The purpose of this award is to educate the public about climate change and to inspire and model sustainable responses to this problem.

Making Waves: Paintings by John Aquilino

DMV artist John Aquilino's  seascape paintings will be on exhibit at the National Institutes of Health (NIH) Clinical Center Galleries this fall. This will be his second exhibit at NIH this year.

Low Tide, oil on canvas, 14" x 36"

"Making Waves: Paintings by John Aquilino"
NIH Clinical Center (Building 10), West Gallery
Bethesda, Maryland
September 14 - November 2, 2018

The mission of the Clinical Center's Fine Art Program is to pair art with medicine to promote healing, and benefits patients, caregivers, and employees. For the artwork that is available for sale, 20% of the proceeds will benefit the Patient Emergency Fund. The NIH Clinical Center Galleries are open to the public, but there will be a security check (see NIH map).

How to price your artwork

This article has some good advice and some bad advice --- but the key rule is: NEVER, EVER compete with yourself -- that means that you MUST keep your prices consistent and not all over the place... that only hurts you (and if you're represented by a gallery or dealer, their reputation, and thus yours...).

There is a well-known Oscar Wilde quote that goes, "When bankers get together for dinner, they discuss art. When artists get together for dinner, they discuss money.”

As an artist, you understand the making part of your job like the back of your hand. You could probably paint blindfolded and come up with a decent-looking piece. You have spent thousands upon thousands of hours honing your craft. What we often struggle with is the part that comes after we put that last final touch on an artwork—pricing.

Pricing is awkward. Setting a price on something that is so deeply personal and doesn't have a set market value is even more awkward. 

Especially at the start of your career, or if you don't have a nest egg to fall back on, you want (and need) to make sales, but you also don't want to sell yourself short. 

So, how do you start setting the prices for your artwork so you can get the salary you deserve? If you don't have a consistent history of selling your art in a particular price range or in a particular market, follow these seven rules to get started. 

Ways to Diversify Your Income and Make More Money as an Artist

If you want to make a full-time living as an artist or creative, it's not enough to rely solely on online sales or gallery representation. If you have been a professional artist for any number of years, you are probably already familiar with the slow seasons, with flopped shows, and rained out art fairs. It can be difficult to count any single income source. 

You don't put all your money on one horse, or all your eggs in one basket, so why do you want to get all of your income from one place?

The good news is that there are so many different ways for artists to make a living today. The better news is that most of these ideas require some work up front, but minimal ongoing labor. The best news is that as an artist, you already have the creativity to think of unique ways to grow your business.

Read the whole article here.