775 works in miniature at Strathmore

Beginning the weekend of the 17th, the 85th Annual Exhibition of Fine Art in Miniature features 775 works in miniature—handmade pieces as small as a thumbnail or postage stamp—created by 274 artists from eight countries, as far away as Australia, Israel, and South Africa. 

Local artists also found inspiration on the grounds of Strathmore in Montgomery County Plein Air Artists, and Baltimore painter Nick Eisele blends techniques of Old World masters with chiaroscuro techniques (experimenting with light and shadow). 

Girl with Golden Earrings by Michael W. Coe

Related Events

Opening Reception Fine Art in Miniature and Oil + Light, Sun, Nov 18, 2pm
Opening Reception Montgomery County Plein Air Artists, Sun, Nov 25, 12pm
Kids Talk and Tour Sat, Nov 24, 10:15am
Recorrido de Arte para Niños en Español Sa, 24 de nov, 11:30am
Curator’s Tour Sat, Nov 24, 1pm
Visita del Curador en Español Sat, 24 de Nov, 2pm
Miniature Painting Workshop Sun, Dec 9, 10am

First Joint Acquisition Between the Two Smithsonian Museums!

I didn't even know that this was an option - but makes sense!

The Smithsonian American Art Museum and the Smithsonian's Hirshhorn Museum and Sculpture Garden have jointly acquired Arthur Jafa's (b. 1960) iconic video "Love is the Message, The Message is Death" (2016). Considered a breakout work when it debuted in 2016, the single-channel video signaled a shift in approach to contemporary American discourse on race and politics through the use of CCTV, documentaries, YouTube and social media footage alongside Jafa's own personal home movies.

This is the first joint acquisition between the Smithsonian's two museums most active in collecting contemporary art. Both museums have a long-standing commitment to the acquisition and presentation of contemporary moving-image works. "Love is the Message, The Message is Death" was recently on view as a highlight of the Hirshhorn's exhibition "The Message: New Media Works," which closed in September.

"Jafa stands as one of the most provocative artists working today, and we are delighted to partner with our colleagues at the Smithsonian American Art Museum to acquire this seminal work for the museums' permanent collections," said Hirshhorn Director Melissa Chiu. "Unapologetically bold, his work has the unique ability to resonate with viewers of all backgrounds, and it is a testament to the potential of new media to reflect and respond to the issues of our time."

"By jointly acquiring Jafa's majestic video, SAAM and the Hirshhorn will build on the unique opportunities for understanding the work that each collection provides to visitors to the Smithsonian," said Stephanie Stebich, the Margaret and Terry Stent Director of the Smithsonian American Art Museum. "As part of SAAM's collection, Jafa's piece resonates powerfully with more than three centuries of artists engaging with America's racial complexities. Within the context of the Hirshhorn's international contemporary art galleries, it stands as a defining work of 21st-century media art."

"Love is the Message, The Message is Death" is a moving montage of original and appropriated footage, exploring the mix of joy and pain, transcendence and tragedy that characterize the African American experience at this historical moment. Set to Kanye West's gospel-inflected song "Ultralight Beam," the seven-and-a-half-minute piece swells with spiritually uplifting but candid lyrics; the music occasionally recedes allowing poignant snippets of dialogue to come to the fore. This tightly controlled editing echoes the intricate rhythmic structures of jazz, soul and hip-hop, while the source selection perfectly captures the range of mediation through which contemporary viewers experience and understand race in America. Getty-watermarked footage nods to the commercial afterlife of civil rights leaders and riots; silent-era film and sensationalized news clips link constructions of blackness across a century of moving images; and camera-phone-recorded YouTube-distributed videos highlight how personal moments can now become shockingly public, whether through choice or necessity.

About the Artist

For 20 years, Jafa has straddled the worlds of filmmaking and fine art. Since serving as director of photography on Julie Dash's groundbreaking Daughters of the Dust in 1991, Jafa has worked as a cinematographer on major films, such as John Akomfrah's Seven Songs for Malcolm X (1993), Spike Lee's Crooklyn (1994) and Nefertite Nguvu's In the Morning (2014), as well as on music videos for artists such as Jay-Z and Solange. He started showing work in art contexts in 1999, and was included the Whitney Museum of American Art's Biennial in 2000.A recent solo exhibition entitled "A Series of Utterly Improbably, Yet Extraordinary Renditions" debuted at the Serpentine Gallery in London in 2017 and is currently touring in Europe. A solo exhibition featuring new, commissioned work opens at the Berkeley Art Museum and Pacific Film Archive Dec. 12. Jafa's work is in private and public collections worldwide, including The Metropolitan Museum of Art, the Museum of Modern Art, The Studio Museum in Harlem, the High Museum in Atlanta, the Dallas Museum of Art, the Museum of Contemporary Art in Chicago and the Stedelijk Museum in Amsterdam.

Jafa was born in Tupelo, Mississippi, studied at Howard University in Washington, D.C., and currently resides in Los Angeles. He is represented by Gavin Brown's enterprise.

The Hidden Censorsip of Public Art

The FaceBookian Empire exploded last week when this happened (as detailed in WaPo article):

On Monday, the city’s arts agency added sweeping language to already approved grants requiring that artists and arts organizations avoid producing work that could be considered lewd, vulgar or political or be at risk of losing their funds.

The arts community protested, saying the amended contract infringed on their First Amendment rights. The DCCAH capitulated.

Read the whole article by Peggy McGlone here.

As I noted in several social media responses to this "reversal",  the censorship decision may be rescinded on paper... 

But... couhc, cough...

This isn't really much of a change... In fact - as noted in at least a trillion times in multiple posts over the decades in this blog, this censorship was already being done on the down low for decades and decades by arts commissions and arts organizations all over this great nation.

I suspect that the last time that DC as a city (Arts Commission, City, Federal, 1% for the Arts, Airport, etc.) - or for that fact, just about any other American city or state, or federal government arts entity - museums notwithstanding - acquired (for example) a nude work of art was probably during and by the WPA! 

Can you imagine what the reaction would be today, if anyone today designed naked statues such as the Roman Legionnaires in Union Station? 

Or the Sappho statue in Arlington cemetery? 

Prudes of all kinds would throw a moral fit! The PC crowd would go mad!

Feh! Betcha that nothing changes...

Del Ray Artisans' Holiday Market

Del Ray Artisans' 23rd Annual Fine Art & Fine Craft Holiday Market

First 3 Weekends in December 2018

(November 30-December 2, December 7-9

December 14-16)

Del Ray Artisans annual Holiday Market offers unique handmade fine arts and crafts from local artists. Different artists each weekend! Choose from wall art, pottery, photography, jewelry, glass, and much more! 

Plus FUNdraising 2019 wall calendars, cookbooks, and upcycled tote bags to support Del Ray Artisans. 

Free admission. 

Market is Nov 30-Dec 2, Dec 7-9, and Dec 14-16. Fridays 6-9pm and Saturdays & Sundays 11am-6pm. 2704 Mount Vernon Avenue, Alexandria. 

Details: DelRayArtisans.org/event/holiday-market-2018

15th Anniversary Transformer Silent Auction & Benefit Party

15th Anniversary Transformer Silent Auction & Benefit Party Saturday, November 17, 2018 Corcoran School of the Arts & Design PURCHASE TICKETS HERE!

In celebration of their 15th Anniversary Auction on November 17, artists from Transformer's past, present, and future discuss their art practices and the role Transformer has played in their work and the art community at large. Video featuring interviews with Amy Hughes Braden, Maps Glover, Rex Delafkaran, David Ibata, Carolina Mayorga, Joseph Orzal, Johab Silva, Naoko Wowsugi, and Georgie Payne, Exhibitions & Programs Manager at Transformer. Performances by Maps Glover, Khari Malik, Sifu Sun & guests. Produced in partnership with 2018 Auction Media Sponsor, Brightest Young Things. Video & Editing by William Sarmiento.

PURCHASE TICKETS HERE! 2018TRANSFORMERAUCTION.EVENTBRITE.COM Early bird discount ticket pricing of $175 through Saturday, November 10.

Call to artists and curators

The Howard County Arts Council is seeking artwork in all media to include in upcoming exhibits. Individual artists, aged 18 & older, as well as curators and arts groups interested in presenting a group show, are encouraged to apply. The Exhibits Committee meets quarterly to review applications and select artists for the exhibit space.

Detailed entry guidelines are available at https://www.hocoarts.org/explore/opportunities-artists-arts-groups/exhibit-opportunities-apply/ongoing/. 

The next deadline for submissions is Tuesday, January 1, 2019.

Art Basel’s parent company cuts regional art fairs amid major losses

Naysayers have been incorrectly predicting the demise of the art fair for years... but in my opinion art fairs have "expanded" too rapidly and there are too many of them... when December comes to Miami, there will be around 26 art fairs around the area.

MCH Group, the Swiss fair conglomerate that owns the Art Basel fairs, announced significant cost-cutting measures on Friday, including that it will abandon its two-and-a-half-year-old initiative to acquire regional art fairs around the globe. The move was announced by interim CEO Hans-Kristian Hoejsgaard, who took over direction of the live marketing giant in September amidst significant declines in revenue from its once-marquee Baselworld watch and jewelry fair.

MCH will consolidate its focus on the three Art Basel art fairs in Basel, Miami Beach, and Hong Kong, as well as Masterpiece London; Design Miami, with editions in Basel and Miami Beach; Baselworld; its car fair, Grand Basel; and a further, unspecified “large number of exhibitions focused on the Swiss market,” according to the announcement.

 Read the Artsy article here.