Tim Tate to be Included in GLASSTRESS During Venice Biennale!

Huge news for DMV area uberartist Tim Tate!

He reports:

Such good news to report! I will be one of the few Americans representing the USA in the upcoming Glasstress show during the Venice Biennale. The show has amazing artists, such as Ai Wei Wei, Tony Oursler, Karen Lamonte and Dustin Yellin and is being curated by Vic Muniz and Koen Vanmechelen. This represents a huge step forward in my career. You can read all about it below. 

I want to be your ambassador to the United States! Its so expensive to get there though! If you want to help me out, I put together an Indiegogo campaign to raise monies. Even just sharing this link would do me a huge favor! I am honestly just happy to report that I will be one of those artists! Thank you all for supporting me over the years! I appreciate every one of you!

Here is my iniegogo link... click here.

This a monster of a huge step for one of the DMV's most visible and hardest working artists! Here's the news release from GLASSTRESS:

Returning for the 58th Biennale di Venezia, the sixth edition of GLASSTRESS brings together a new line-up of leading contemporary artists from Europe, the United States, Latin America, India, and China in an ambitious exhibition exploring the endless creative possibilities of glass.

Tim Tate; “The Endless Cycle”; 36″ x 36″ x 4″Glass, Aluminum, Poly-Vitro, electronics

GLASSTRESS is a project by Adriano Berengo dedicated to supporting his mission of marrying contemporary art and glass. Since its debut in 2009 as a collateral event of the Venice Biennale, GLASSTRESS has revived the traditional craft of Murano glassblowing by forging new alliances with internationally renowned artists and designers and has since become an unparalleled platform showcasing ground-breaking new works in glass.

To celebrate 10 years of GLASSTRESS and 30 years of , the exhibition goes back to its historical roots on the island of Murano. An old abandoned glass furnace is now an evocative exhibition space for striking new works and installations by returning artists Ai Weiwei, Tony Cragg and Thomas Schütte as well as first time participants Prune Nourry, José Parlá, Tim Tate and Xavier Veilhan, amongst others.

 For this section, Brazilian artist Vik Muniz has invited all artists to explore ‘how glass redefines our perception of space’. In another section of the exhibition, curated by Belgian artist Koen Vanmechelen, highlights from the past ten years will also go on display, including Mutter (2016/17) by Erwin Wurm, Laura’s Hands (2011) by Jaume Plensa and A Different Self (2014) by Mat Collishaw. Referring to the making of glass works, Vanmechelen says: ‘the world of the unknown and unseen becomes visible and tangible through beautiful accidents in time.’

With little or no prior experience working with glass, these artists have embraced the challenge of creating extraordinary works in this very delicate medium in collaboration with Muranese artisans. The output of this unusual encounter defies the stereotypes associated with this ancient craft, ultimately pushing the boundaries of both contemporary art and glass. This year’s edition of GLASSTRESS will also provide visitors with the opportunity to watch Murano glass masters at work at the adjacent glassblowing studio and learn more about Fondazione Berengo’s preservation efforts of this centuries-old artistry of Venetian glass-making. 

GLASSTRESS 2019 – PARTICIPATING ARTISTS

GLASSTRESS runs from May 9 to November 24, 2019

New artists :

Saint Clair Cemin (Brazil), Pedro Friedeberg (Mexico), Carlos Garaicoa (Cuba), Artur Lescher (Brazil), Prune Nourry (France), José Parlá (USA), Pablo Reinoso (Argentina), Valeska Soares (Brazil), Tim Tate (USA), Janaina Tschäpe (Germany), Xavier Veilhan (France), Robert Wilson (USA).

Returning artists :

 Ai Weiwei (China), Monica Bonvicini (Italy), Tony Cragg (UK), Shirazeh Houshiary (Iran), Alicja Kwade (Poland), Karen LaMonte (USA), Paul McCarthy (USA), Vik Muniz (Brazil), Jaume Plensa (Spain), Laure Prouvost (France), Thomas Schütte (Germany), Sudarshan Shetty (India), Koen Vanmechelen (Belgium), Erwin Wurm (Austria).

GLASSTRESS Anniversary highlights :

Jean Arp (Germany), Ayman Baalbaki (Lebanon), Miroslaw Balka (Poland), Fiona Banner (UK), Mat Collishaw (UK), César (France), Jake and Dinos Chapman (UK), Tracey Emin (UK), Jan Fabre (Belgium), Kendell Geers (South Africa), Francesco Gennari (Italy), Abdulnasser Gharem (Saudi Arabia), Michael Joo (USA), Ilya & Emilia Kabakov (Russia/USA), Michael Kienzer (Austria), Hye Rim Lee (South Korea), Oksana Mas (Ukraine), Hans Op de Beek (Belgium), Tony Ousler (USA), Javier Pérez (Spain), Antonio Riello (Italy), Bernardì Roig (Spain), Joyce Jane Scott (USA), Wael Shawky (Egypt), Lino Tagliapietra (Italy), Fred Wilson (USA), Dustin Yellin (USA).

“I Am Offended”: Art & Free Expression

Should art offend? Does it matter if people are offended? Should offensive art be displayed? Should it be censored? Who decides what is offensive or appropriate? Join us to hear a discussion of these questions and more.

A discussion panel featuring Philip Kennicott, Chief Art and Architecture Critic, the Washington Post; Janis Goodman, Panelist, WETA Around Town, Associate Professor of Fine Arts, Corcoran School of the Arts and Design, George Washington University; Lenny Campello, Author, Daily Campello Art News; and Jason Kuznicki, Research Fellow, Cato Institute and Editor, Cato Books; moderated by Caleb O. Brown, Cato Daily Podcast host, Director of Multimedia, Cato Institute.

REGISTER HERE

May 22, 2019 
6:30PM to 8:00PM EDT

Cato Institute
1000 Massachusetts Ave, NW
Washington, DC 20001-5403

Phone (202) 842 0200

Hedieh Javanshir Ilchi at Hemphill

One of my fave DMV area artists is having a solo at Hemphill:

HEMPHILL is pleased to announce the exhibition, HEDIEH JAVANSHIR ILCHI: I surrender to you, ashen lands and blue skies, opening on Saturday, May 11, 2019 with a reception from 6-8pm. The exhibition will remain on view through June 29, 2019.

Moving to an aerial view, observing from a distance, there may be no such thing as a cultural war. There may only be a process, a moment in an ever-evolving world of cultural forces. Although this viewpoint does not champion good or evil, it does acknowledge movement and outcome. The paintings of Hedieh Javanshir Ilchi arise from cultures often portrayed at war. Each culture measures itself by a different clock. Each respective clock sometimes runs faster than the other, then slower, sometimes backward and then again forward. The clocks rarely synchronize, until the conflicts are spent and the two clocks merge. Ilchi’s work takes us to an aerial viewpoint where we see traditional Persian imagery merging with modernist American painting techniques. The content is not in conflict, but there is sense of broken parts coming together and things from a past appearing in a present. Contrary to our times, where a speeding flow of expedient information engulfs everything, Ilchi asks us to step back, slow down, take the aerial view. From this vantage point we see intricately executed tazhib patterns, sometimes floating over and at other times captured within scenes of organic chaos. Chaos created by the layering of translucencies, controlled pours and the topographical accumulations of paint. It is as though we are witnessing the reactions of chemical components. It takes time to comprehend the dazzling luminosities of her paintings, to see the merging of two cultures. Yet Ilchi’s work is not of an ideal state, there is a sense of trouble in her pictures, an apprehension of beauty, and a pining wishful-ness for the outcomes we are moving towards.

Hedieh Javanshir Ilchi was born in 1981 in Tehran, Iran and currently lives and works in the Washington DC area. Ilchi received a BFA with honors from the Corcoran College of Art + Design in 2006 and an MFA in Studio Art from the American University in 2011. She has been awarded residencies at the Ucross Foundation, Vermont Studio Center, The Jentel Foundation, and the Kimmel Harding Nelson Center for the Arts. She has exhibited in New York, Switzerland, Washington DC and Winston- Salem, NC and her work is included in several private and public collections. HEDIEH JAVANSHIR ILCHI: I surrender to you, ashen lands and blue skies is the artist’s second exhibition at Hemphill Fine Arts.

Museum call for artists

Sightlines, 2019-2021

Deadline: May 12, 2019

The South Bend Museum of Art (SBMA) is seeking large-scale 2D and 3D artwork for long-term display in Sightlines, a collaborative project between SBMA and Century Center. The two year exhibition will highlight the work of six new artists. Indoor and outdoor sites for the work are available and will be considered for accepted work. 

Artist submission review and selection will be done by representatives from SBMA and Century Center. There is a $10 entry fee to apply. $1000 stipend for each selected artist. A modest printed piece will also be produced. 

For full details and to apply securely online, please visit www.southbendart.submittable.com. 

For more information on the South Bend Museum of Art, please visit this site.

Trawick Prize Deadline: 8 April!

The Bethesda Arts & Entertainment District is inviting regional artists to submit work to the annual Trawick Prize!

This juried art competition awards $14,000 in prizes to four selected winners. The deadline for submissions is Monday April 8, 2019. Up to eight selected finalists will be chosen to display their work at Bethesda’s Gallery B in September 2019.

The competition will be juried by Jonathan Monaghan, Assistant Professor of Digital Art & Studio Art Advisor, Catholic University, and the 2015 Trawick Prize Best In Show Winner; Foon Sham, Professor of Sculpture, University of Maryland, and Sue Wrbican, Associate Professor of Photography & Director of Photography Program, George Mason University.

Submission requirements:

• Artists must be 18 years of age or older
• Residents of Maryland, Virginia or Washington, D.C.
• All original 2-D and 3-D fine art including painting, drawing, photography, sculpture, fiber art, digital, mixed media and video will be accepted.
• Artwork must have been completed within the last two years and must be available for the duration of the exhibition.
• Selected artists must deliver their artwork to the exhibit site in Bethesda, MD.
• Each artist must submit five images, an application and a non-refundable entry fee of $25

The Best in Show will be awarded $10,000; second place will be honored with $2,000 and third place will be awarded $1,000. A “young” artist whose birth date is after April 8, 1989 may also be awarded $1,000.

Apply here.

Bethesda Fine Arts Festival Returns May 11 and 12

The Bethesda Urban Partnership has announced the 16th annual Bethesda Fine Arts Festival, a two-day event highlighting more than 120 contemporary artists selling their original fine art and craft. The festival will take place Saturday, May 11 from 10am – 6pm and Sunday, May 12, 2018 from 10am – 5pm. 

The festival will once again welcome artists from across the country to showcase and sell their original painting, drawing, photography, furniture, jewelry, woodwork, ceramics and more in downtown Bethesda.

The event will be in Bethesda’s Woodmont Triangle along Norfolk and Auburn Avenues and will be held rain or shine. The festival will also feature live entertainment, children’s activities and local restaurants. Admission to the Bethesda Fine Arts Festival is free. The festival is located six blocks from the Bethesda Metro station and free parking is available adjacent to the event in the parking garage located on Auburn Avenue.

LeafFilter Gutter Protection, Sunrise Senior Living, Bethesda Blues and Jazz Supper Club and Bethesda Magazine are serving as event sponsors.

For more information, please visit www.bethesda.org or call 301/215-6660.

Washington Sculptors Group Annual Members Image Show

2019 ANNUAL MEMBERS' IMAGE SHOW
Sunday, April 14, 2019, 4-7pm

Presented by Washington Sculptors Group at:

Harvard’s Center for Hellenic Studies – House A
3100 Whitehaven St NW
Washington, DC 20008
www.chs.harvard.edu

Free and open to the public
Parking on premises and street

The Washington Sculptors Group cordially invites you to attend the Annual Members Image Show! Join WSG members as they offer insight into some of the best work being done by sculptors in the DC area.

WSG’s Annual Members Image Show aims to support the talent and highly diverse work of Washington area sculptors. The Image Show gives member artists the opportunity to present images and videos of their work, and artists have the opportunity to discuss the artwork while it is being shown. New members are strongly encouraged to participate, and all members receive feedback from the audience.

WSG will also invite DC area gallerists, curators, collectors, reviewers, and other art representatives to attend this important member event. Refreshments provided by WSG will be served during intermission; WSG members are also welcome to bring food to share.

Harvard’s Center for Hellenic Studies is graciously hosting the WSG Annual Members Image Show again this year. Join us for an informative evening at the CHS campus, located in the Embassy Row neighborhood of NW Washington, DC.

RSVP to programs@washingtonsculptors.org