Monday, January 06, 2020

On the anniversary of a hero's death

Five years ago my father died on this day... here's my eulogy from that date:
"Hoy se ha caido otro roble en la selva del amargo exilio" is how I always thought that my father's eulogy would begin once he died.

"Today another oak falls in the jungle of bitter exile," began the eulogy for the man whose bloodlines my children and I carry on.

Florencio Campello Alonso died today at age 90 in Miami, the heart of the bitter Cuban Diaspora. Like many Cubans of his generation, he was the son of European immigrants to Cuba. His Galician parents left the scraggy mountains of northern Spain's ancient Celtic kingdom and in the first decade of the 1900s migrated to the new nation of Cuba upon its liberation from Spain.

Galicians have always been uneasy subjects of the Spanish crown, stubbornly hanging on to their ancient Celtic traditions, to their own language and to their bagpipes, so it is no historical surprise that they left their mountain homelands en-masse and headed to the new tropical paradise of Cuba, free from the heavy hand of the Spanish monarchy.

And thus it was never a surprise to me that my father was both a fighter against heavy-handed rulers, a lover of freedom, and one who was never afraid to re-start a life for the better, even if it involved discarding the old. 
My father could have been one of the privileged few who currently rule  atop the food chain of Cuba's Workers' Paradise. But instead of accepting the benefits of oppression, this most valiant of men chose the harsh path of right over wrong.

And he paid for it dearly (he spent years in Concentration Camps), but when he died, his soul was clean.

In his youth, my dad worked the brutal hours of the son of an immigrant who was slowly building a small financial empire in eastern Cuba. My father was pulled from school as soon as he learned to read and write, and like his two other brothers and eight sisters, he was expected to work and contribute to building a familial empire.

And he did, as my mother relates the stories of my father's childhood in the fields of eastern Cuba, a blond creole in a land of jingoist natives... he trying to out-Cuban the "real Cubans"... how he organized a labor union of the exploited Haitians who worked almost as slaves at the Los Canos Sugar Mill, how he joined a group of bearded rebels in the mountains of the Sierra Maestra in the fight against a tyrant, how he ran for the leadership of the Sugar Workers' Union and beat the Communists to the post, and how he spent years in a Castro Concentration Camp, jailed for the crime of refusing to join the Party, because he believed in Democracy and not Communism. 
And because of that stubbornness, in the 1960s he was offered the bitter pill of exile, and this brave man decided to choose family... and left his birth place, and thus became another immigrant within two familial generations and brought his wife and child to another new land.

And it is to him that I owe the greatest gift that a father can give a son: the opportunity to grow in freedom in the greatest nation in the history of this planet.

It is because of my father's courage that I was raised in this country and not in a land bloodied by brutality and oppression.

It is because of my father's teachings that I was raised with the conviction that freedom is not free and never to be taken for granted; after all, he fought for freedom and then Castro, the man who inspired  the fight, ended up being a worse dictator, eventually destroying all notions of freedom for all of his people.

It is because of my father that I was taught that every citizen owes his  nation some form of service, and that's the main reason that I signed (at age 17) to serve in the US Navy.

It is because of my father that I despise anyone who hides behind the mask of victimism to excuse failures and shortcomings.

When our family arrived in New York in the 1960s, my father began to work in a factory three days after he landed at the airport; my mother (who came from a privileged Cuban family and had never worked a day in her life) found a job as a seamstress five days later. That pattern was repeated for decades as they worked their way in a new nation.

"We thought we'd be back within a few years," was the answer given to me when I once asked the question about leaving their birthplace. When that didn't materialize, they became fierce Americans in the "United States of Americans" sense... these were the "America None Better!" set of immigrants, and in my Dad's case, you better be ready to fight if you dissed the USA.

"Americans"!

Always a fighter he was... and always for the right reasons.

Cubans are archaic immigrants... we love this great nation because we  recognize its singular and unique greatness; perhaps it is because our forebears had the same chance at greatness and blew it.

And my Dad loved this nation even more than he once loved Cuba... perhaps it is the genetic disposition of the serial immigrant. After all, his father had left his own ancient Celtic lands and kin for a new land... which he learned to love dearly.

My father always wanted to make sure that I knew that I was an "Americano" and not another forced-on label.

"Labels," he'd say, "are just a way to separate people."

By labels he meant "Hispanic" or "Latino" or anything with a "-" between two ethnic words.

I also remember as a kid in New York, when he bought a huge Hi-Fi record player-color-TV console... that thing was huge. He bought it "lay-away" and he'd pay $10 a week to the store and him and I would walk all the way from our house on Sackman Street to the store on Pitkin Avenue to make the payments every Saturday - he never missed a single payment, and that taught me a lesson.

It was soon playing my Dad's favorite music, which oddly enough was Mexican music (Cuban music was a close second)... and he knew all the words to every charro song.
Guadalajara en un llano, Mejico en una laguna... 
Guadalajara en un llano, Mejico en una laguna...Me he de comer esa tuna 
Me he de comer esa tuna.... aunque me espine la mano.
That Jorge Negrete song... being shouted often on weekends at the top of his lungs from our apartment in a mostly Italian neighborhood in East New York in Brooklyn must have raised some eyebrows.

My dad and I watched Neil Armstrong land on the moon on that TV set... we also watched loads of Mets games... and in 1969 and 1972 went to Shea Stadium to see the Mets win in '69 and lose in '72. He really loved baseball and he really loved those Mets!

When I joined the Navy at age 17, my first duty station was USS SARATOGA, which at the time was stationed in Mayport in Florida, so my Dad decided to migrate south to Florida and moved to Miami... just to be close to me.

He and my mother spent the next 40 years in the same apartment while I was stationed all over the world.

When I visited him today in Miami, he looked good and freshly shaven... this is a good thing, as my father was a freak about hygiene... and that's a common "creole" trait.

The Hospice nurse almost teared up when I told her that my parents have been married for 60 years.

I looked at this old "gallego"... his skin as white as paper, his eyes as blue as the sky, and his head (once full of blond hair) as bald and shiny as the old Cuban sing song ("Mira la Luna, mira al Sol... mira la calva de ese.....") and I saw the generations of Neanderthals, Denisovans and Gallego Homo Sapiens that led to my bloodlines... the generations of fighters, of strugglers, and of tough guys who didn't take no for an answer and who made a better place for others. 

And I felt at peace and grateful.

And as my father died tonight, after an extubation,  all that I can think  to say to him is "Thank you for your courage... from me, and from my children... and soon from their children. You opened a whole new world for them."

I love you Dad... Un Abrazo Fuerte! Thank you for your gifts to me and my children and it is no coincidence that you died on El Dia de Los Reyes.

Sunday, January 05, 2020

Photographs by Frank Van Riper at Waverly

WAVERLY STREET GALLERY

A TALE OF FOUR CITIES — New York, Paris, Venice and Washington

Photographs by Frank Van Riper

January 5 - February 8, 2020  

Opening Reception: Friday, January 10th, 6 - 9 pm
Artist’s Talk: Sunday, January 19th, 1 - 3 pm
Journalist and documentary photographer Frank Van Riper will present work spanning four great cities and more than five decades in this solo exhibition.
“In these photographs, I have tried to avoid visual clichés,” Van Riper said. “For me, a photo of any beautiful or dramatic place always is improved by the people who are in it.” The earliest photos are from Van Riper’s hometown of New York City, followed by images he made during extended visits to Paris in the 1980s. The New York-Paris work is featured in his new book of photographs and essays, Recovered Memory: New York and Paris 1960-1980 (Daylight Books). His Venice photos were made over six years beginning in 2000 during a documentary photography project with his wife, photographer and sculptor Judith Goodman, that ultimately produced their bestselling book Serenissima: Venice in Winter (Grafiche Vianello Libri).
Waverly Street Gallery
4600 East West Highway
Bethesda, MD 20814
301-951-9441

Open Wednesday-Sunday, 12-6 pm
Ample parking in the county lot next door: park free on the weekends.
The Bethesda Metro takes you almost to their door.

Saturday, January 04, 2020

The Lillian Orlowsky and William Freed Grant

The Lillian Orlowsky and William Freed Grant is awarded annually to under-recognized American painters over the age of 45 who demonstrate financial need. The mission of this grant is to promote public awareness of and a commitment to American art and to encourage interest in artists who lack adequate recognition.
WHO: U.S. painters aged 45 years or older at the time of application. A need for financial support must be clear and demonstrated. Applications must be submitted by an individual working artist or collaborators in an artist group; organizations cannot apply.
FIELD: Painting. For the purposes of this grant, painting is considered the application of various wet media (oil, acrylic, gouache, ink, tempera, watercolor, egg tempera, casein) on paper, canvas, fabric, or wood. This excludes mixed media, encaustic, collage, pastels, digital paintings, prints, and work in graphite or drawings. The use of multiple paint mediums is allowed (i.e. mixing acrylics with oil paints).
AMOUNT: Awards include a cash grant, ranging from $5,000 to $35,000 and an exhibition at PAAM.
DEADLINE: April 1, 2020
Full grant information and the online application is available at www.paam.org/grant.

Friday, January 03, 2020

Wanna go to an artist talk on Sunday?

Artist Talk featuring Eve Stockton and Kyujin Lee
Sunday, January 12
2-4pm

Join MPA on Sunday, January 12 from 2-4pm as they kick off the New Year with an artist talk featuring Eve Stockton and Kyujin Lee. 

Ms. Stockton and Ms. Lee will discuss the thoughts and processes behind Eve Stockton: Origin Stories and Replay and Reshuffle: Paintings by Kyujin Lee, currently on display in MPA's Emerson and Atrium Galleries, respectively. 

This event is FREE and open to the public. 

RSVP now.

About Eve Stockton and Kyujin Lee

Known for large-scale woodcut prints, Stockton's works are inspired by a close observation of nature and an eclectic interest in science. Combining her prints and stone sculpture, she works to create an atmosphere that can subtly envelop the viewer. 

Combining the spontaneity of surrealist automatism with refined illustrative skill, Kyujin Lee draws on the world of fairy tale to compose paintings exploring dreams, identity and personal transformation. 

Origin Stories and Replay and Reshuffle run through February 29, 2020 at MPA@MCC.

Thursday, January 02, 2020

“The Year of the Woman” in Maryland

Our great Governor Larry Hogan recently proclaimed 2020 as “The Year of the Woman” in Maryland, as the state prepares to celebrate the 100th anniversary of the ratification of the 19th amendment, which gave women the right to vote. 

“Our state’s history has been shaped by extraordinary women leaders, and our administration remains committed to empowering and advocating for women in Maryland,” said Governor Hogan at the announcement, held at The Lightbox Studio in Annapolis. “I look forward to the many events taking place statewide to commemorate the Year of the Woman.”

Wednesday, January 01, 2020

Happy new decade

My son was born in 2009 - that means that he has now lived in three decades... sounds weird uh?

Let me start 2020 with some questions:

Dear artists who read this blog: this is the year to stop whining about lack of opportunities and do something! For art sake's! (Your art) - if you live in the DMV then come to one of my free seminars (thank you PG County) and revolutionize how you make sure that your artwork ends up in other people's walls! The next free seminar is April 18 - details here.

Dear Art League, Greater Reston Art Center, Rockville Art League, Fill-in-the-blank artists' group/league: I keep giving you hint after hint: When are you guys gonna reach out to me and ask: "Hey Lenster, how do we take this artist group to the next level in this new century?" (instead of still operating in the 20th century model). 

Dear DMV museum directors and curators (except for the Katzen): I've been asking this question since 1992: "When are you going to look at your own backyard for some museum shows for area artists?" Does anyone recall that last time that a DMV area art museum (other than the Katzen) had a full museum show for a DMV artist?

Dear art fair organizers: Thank you for trying to make an art fair work in the DMV - in the last decade the people who run Art Miami and the Superfine! people, as well as the (e)merge art fair stint, all tried to make a successful art fair around the DMV - after all, this area is the second highest concentration of wealth on the planet... and yet. But there are a few key things to try which no art fair organizer has ever tried.

"What about you Lenster?", you might be asking... "whatcha got goin' in 2020"?

For 2020 I'm planning to be doing the Art on Paper fair in NYC, then one of the two Affordable Art Fairs also in NYC, and then the Pulse Art Fair in Miami Beach during Art Basel week.  I've also got two major curatorial projects brewing - one will revisit the theme of Superheroes in art, and the second one (to open during January 2021 actually) will curate a three-gallery show on the 20th anniversary of my Survey of Washington Artists show that I organized in 2001 and which was one of the most popular shows of that year and one which marked a key point in my curatorial trajectory.

More on both of those later... meanwhile, have a great 2020!