Maryland State Arts Council - professional webinar series

The Maryland State Arts Council presents its first ever professional webinar series! Their Winter 2020 series will begin January 13th, and they will host multiple webinars each week until the end of February. All webinars are one hour long and free to the public. There will be a Q and A session after each webinar. If you have any questions you would like to submit before attending a webinar, please send them to msac.commerce@maryland.gov. Registration is required for each session.

January 13th: Welcome to MSAC! 

An overview of the Maryland State Council including what we do, ways to get involved and where to find information.

 Led by MSAC Executive Director, Ken Skrzesz and Deputy Director Steven Skerritt-Davis. Register here.

January 15th: Maryland Traditions: What is the Folklife Network?

MSAC will fund three new regional folklife centers in 2021: one in Baltimore City, one in mid-Maryland (Carroll, Frederick, and Howard counties), and one on the Upper Eastern Shore (Caroline, Cecil, Kent, Queen Anne's, and Talbot counties). Organizations interested in learning how to become a regional folklife center should join this webinar to learn more about the Folklife Network, which funds activities supporting Maryland's living cultural traditions. 

Led by State Folklorist, Chad Buterbaugh. Register here.

January 16th: Public Art 101 for Organizations

For communities interested in developing public art, this webinar will guide administrators/project managers from visioning and planning, through the artist selection process, artwork design, fabrication and installation. We will also review the Public Art Across Maryland grant program and address specific application questions to ensure your organization is prepared to apply. This webinar is also informative for artists seeking to enter the public art field.

Led by MSAC Public Art Program Director, Liesel Fenner. Register here.

January 22nd: Folklife Opportunities for Independent Artists

MSAC supports folklife artists with direct grants, resources at regional folklife centers, professional development, and consultation. Independent artists working in folklife, or community-based living cultural traditions handed down by example or word of mouth, should join this webinar to learn more about opportunities through MSAC's folklife program, Maryland Traditions. 

Led by State Folklorist, Chad Buterbaugh. Register here.

January 28th: Understanding and Marketing Arts & Entertainment District Property Tax Incentives 

(for A&E District Managers)

Maryland’s A&E Districts legislation allows local jurisdictions to enact property tax credits, but implementing and marketing the credits can be tricky. Join MSAC staff and A&E District Managers Stuart Eisenberg (Gateway) and Jennifer Merritt (Crisfield) for an interactive discussion about creating, implementing, and marketing A&E District property tax credits. 

Led by MSAC Deputy Director Steven Skerritt-Davis. Register here.

February 6th: Smart Simple Tutorial

Smart Simple is MSAC's new grants platform. Learn how to navigate the platform and how to complete applications such as the Creativity Grants application and the Maryland Touring Grants application.

Led by MSAC Program Directors Emily Sollenberger and Laura Weiss. Register here.

February 10th: MSAC Grantwriting 101

Learn basic do's and don'ts in writing grant narratives for MSAC and what our panelists look for in describing yourself as an individual artist, teaching artist, and/or organization.

Led by MSAC Director of Grants and Professional Development, Dana Parsons. Register here.

February 21st: Equitable and Accessible Regranting for County Arts Agencies

Maryland’s 24 county arts agencies help extend the reach of MSAC, in part by distributing grant funds to local nonprofits and independent artists. This webinar will review strategies local arts agencies can employ to distribute grant funds equitably and to make grant processes accessible and transparent. 

Led by MSAC Director of Grants and Professional Development, Dana Parsons. Register here.

February 26th: Canva Tutorial

Learn how this free tool can help with your print & digital marketing. Walk through the basics on how to utilize this website to make flyers, social media posts, brochures, presentations and more. 

Led by MSAC Program Director, Emily Sollenberger and Marketing & Communications Manager, Amelia Rambissoon. Register here.

Child prodigy? Feh!

Mikail Akar doesn't flinch as the cameras click around him. Born in 2012, the German artistic prodigy has spent half his life in the limelight.

With his striped jumper, goofy grin and dreams of becoming a professional footballer, Akar seems just like any other seven-year-old boy.

Yet the Cologne-born youngster is actually an expressionist whizz kid who has taken the international art scene by storm.

Dubbed the "pre-school Picasso" by German media, Akar's paintings now sell for thousands of euros (dollars) to buyers from across the world.

Read the full article in Yahoo News here. 

This cycle of "child prodigies" seems to recycle itself ever few years... anyone remember child prodigy Alexandra Nechita from a few years ago?

To me this is the standard for dubbing someone a child prodigy in art - see the master here.

Call for local artists

Spotlight Art Series@Touchstone Gallery 2020
CALL FOR LOCAL ARTISTS
JURIED SOLO EXHIBITION OPPORTUNITY
Spotlight Solo Exhibition Dates: June 3 – 28, 2020
Juror: Adah Rose Bitterbaum, Owner and Director, Adah Rose Gallery

Deadline: Monday, February 3, 2020 11:59 PM Eastern Time
Entry fee: $45

Spotlight Art Series 2020 is an opportunity to have a solo exhibition at the Touchstone Gallery. A successful applicant will enjoy a front window 90 sq. ft. wall exhibition space in our street level gallery located in downtown Washington DC. If you don’t get selected for solo exhibition, you still get to exhibit one artwork, no larger than 12” in any dimension, in 2020 as part of Local Guest Artists Group show at a date to be specified.

For a full prospectus and to apply visit www.touchstonegallery.com/spotlight

Touchstone Gallery is an artist-owned gallery located at 901 New York Ave NW, Washington DC, close to several major national galleries. Since its founding in 1976, Touchstone has maintained a reputation for exhibiting contemporary work of high quality and innovation. Touchstone’s mission is to exhibit diverse contemporary visual art and to promote artistic talent in the DC region.

Scientists Have Solved One of History's Weirdest Leonardo da Vinci Mysteries

Scientists may have solved one of the great Leonardo da Vinci painting mysteries – why the glass orb in the Salvator Mundi painting (dated to around 1500 CE) shows no signs of the refraction and reflection of light that might be expected.

The answer, according to computer models run by a team from the University of California, Irvine, is that in the painting Jesus is holding a hollow rather than a solid orb, which would have appeared the way that da Vinci depicted it.

Details here. 

Cuban actress to play Monroe

Then this...

Collider reports that Ana de Armas (Blade Runner 2049, Knock Knock, War Dogs) is in early talks to star in the film, which could begin shooting as early as this summer. The Cuban actress would be taking over the role last attached to Jessica Chastain, then Naomi Watts before her.

On the anniversary of a hero's death

Five years ago my father died on this day... here's my eulogy from that date:

"Hoy se ha caido otro roble en la selva del amargo exilio" is how I always thought that my father's eulogy would begin once he died.

"Today another oak falls in the jungle of bitter exile," began the eulogy for the man whose bloodlines my children and I carry on.

Florencio Campello Alonso died today at age 90 in Miami, the heart of the bitter Cuban Diaspora. Like many Cubans of his generation, he was the son of European immigrants to Cuba. His Galician parents left the scraggy mountains of northern Spain's ancient Celtic kingdom and in the first decade of the 1900s migrated to the new nation of Cuba upon its liberation from Spain.

Galicians have always been uneasy subjects of the Spanish crown, stubbornly hanging on to their ancient Celtic traditions, to their own language and to their bagpipes, so it is no historical surprise that they left their mountain homelands en-masse and headed to the new tropical paradise of Cuba, free from the heavy hand of the Spanish monarchy.

And thus it was never a surprise to me that my father was both a fighter against heavy-handed rulers, a lover of freedom, and one who was never afraid to re-start a life for the better, even if it involved discarding the old. 

My father could have been one of the privileged few who currently rule  atop the food chain of Cuba's Workers' Paradise. But instead of accepting the benefits of oppression, this most valiant of men chose the harsh path of right over wrong.

And he paid for it dearly (he spent years in Concentration Camps), but when he died, his soul was clean.

In his youth, my dad worked the brutal hours of the son of an immigrant who was slowly building a small financial empire in eastern Cuba. My father was pulled from school as soon as he learned to read and write, and like his two other brothers and eight sisters, he was expected to work and contribute to building a familial empire.

And he did, as my mother relates the stories of my father's childhood in the fields of eastern Cuba, a blond creole in a land of jingoist natives... he trying to out-Cuban the "real Cubans"... how he organized a labor union of the exploited Haitians who worked almost as slaves at the Los Canos Sugar Mill, how he joined a group of bearded rebels in the mountains of the Sierra Maestra in the fight against a tyrant, how he ran for the leadership of the Sugar Workers' Union and beat the Communists to the post, and how he spent years in a Castro Concentration Camp, jailed for the crime of refusing to join the Party, because he believed in Democracy and not Communism. 

And because of that stubbornness, in the 1960s he was offered the bitter pill of exile, and this brave man decided to choose family... and left his birth place, and thus became another immigrant within two familial generations and brought his wife and child to another new land.

And it is to him that I owe the greatest gift that a father can give a son: the opportunity to grow in freedom in the greatest nation in the history of this planet.

It is because of my father's courage that I was raised in this country and not in a land bloodied by brutality and oppression.

It is because of my father's teachings that I was raised with the conviction that freedom is not free and never to be taken for granted; after all, he fought for freedom and then Castro, the man who inspired  the fight, ended up being a worse dictator, eventually destroying all notions of freedom for all of his people.

It is because of my father that I was taught that every citizen owes his  nation some form of service, and that's the main reason that I signed (at age 17) to serve in the US Navy.

It is because of my father that I despise anyone who hides behind the mask of victimism to excuse failures and shortcomings.

When our family arrived in New York in the 1960s, my father began to work in a factory three days after he landed at the airport; my mother (who came from a privileged Cuban family and had never worked a day in her life) found a job as a seamstress five days later. That pattern was repeated for decades as they worked their way in a new nation.

"We thought we'd be back within a few years," was the answer given to me when I once asked the question about leaving their birthplace. When that didn't materialize, they became fierce Americans in the "United States of Americans" sense... these were the "America None Better!" set of immigrants, and in my Dad's case, you better be ready to fight if you dissed the USA.

"Americans"!

Always a fighter he was... and always for the right reasons.

Cubans are archaic immigrants... we love this great nation because we  recognize its singular and unique greatness; perhaps it is because our forebears had the same chance at greatness and blew it.

And my Dad loved this nation even more than he once loved Cuba... perhaps it is the genetic disposition of the serial immigrant. After all, his father had left his own ancient Celtic lands and kin for a new land... which he learned to love dearly.

My father always wanted to make sure that I knew that I was an "Americano" and not another forced-on label.

"Labels," he'd say, "are just a way to separate people."

By labels he meant "Hispanic" or "Latino" or anything with a "-" between two ethnic words.

I also remember as a kid in New York, when he bought a huge Hi-Fi record player-color-TV console... that thing was huge. He bought it "lay-away" and he'd pay $10 a week to the store and him and I would walk all the way from our house on Sackman Street to the store on Pitkin Avenue to make the payments every Saturday - he never missed a single payment, and that taught me a lesson.

It was soon playing my Dad's favorite music, which oddly enough was Mexican music (Cuban music was a close second)... and he knew all the words to every charro song.

Guadalajara en un llano, Mejico en una laguna... 

Guadalajara en un llano, Mejico en una laguna...Me he de comer esa tuna 

Me he de comer esa tuna.... aunque me espine la mano.

That Jorge Negrete song... being shouted often on weekends at the top of his lungs from our apartment in a mostly Italian neighborhood in East New York in Brooklyn must have raised some eyebrows.

My dad and I watched Neil Armstrong land on the moon on that TV set... we also watched loads of Mets games... and in 1969 and 1972 went to Shea Stadium to see the Mets win in '69 and lose in '72. He really loved baseball and he really loved those Mets!

When I joined the Navy at age 17, my first duty station was USS SARATOGA, which at the time was stationed in Mayport in Florida, so my Dad decided to migrate south to Florida and moved to Miami... just to be close to me.

He and my mother spent the next 40 years in the same apartment while I was stationed all over the world.

When I visited him today in Miami, he looked good and freshly shaven... this is a good thing, as my father was a freak about hygiene... and that's a common "creole" trait.

The Hospice nurse almost teared up when I told her that my parents have been married for 60 years.

I looked at this old "gallego"... his skin as white as paper, his eyes as blue as the sky, and his head (once full of blond hair) as bald and shiny as the old Cuban sing song ("Mira la Luna, mira al Sol... mira la calva de ese.....") and I saw the generations of Neanderthals, Denisovans and Gallego Homo Sapiens that led to my bloodlines... the generations of fighters, of strugglers, and of tough guys who didn't take no for an answer and who made a better place for others. 

And I felt at peace and grateful.

And as my father died tonight, after an extubation,  all that I can think  to say to him is "Thank you for your courage... from me, and from my children... and soon from their children. You opened a whole new world for them."

I love you Dad... Un Abrazo Fuerte! Thank you for your gifts to me and my children and it is no coincidence that you died on El Dia de Los Reyes.

Photographs by Frank Van Riper at Waverly

WAVERLY STREET GALLERY

A TALE OF FOUR CITIES — New York, Paris, Venice and Washington

Photographs by Frank Van Riper

January 5 - February 8, 2020  

Opening Reception: Friday, January 10th, 6 - 9 pm
Artist’s Talk: Sunday, January 19th, 1 - 3 pm

Journalist and documentary photographer Frank Van Riper will present work spanning four great cities and more than five decades in this solo exhibition.

“In these photographs, I have tried to avoid visual clichés,” Van Riper said. “For me, a photo of any beautiful or dramatic place always is improved by the people who are in it.” The earliest photos are from Van Riper’s hometown of New York City, followed by images he made during extended visits to Paris in the 1980s. The New York-Paris work is featured in his new book of photographs and essays, Recovered Memory: New York and Paris 1960-1980 (Daylight Books). His Venice photos were made over six years beginning in 2000 during a documentary photography project with his wife, photographer and sculptor Judith Goodman, that ultimately produced their bestselling book Serenissima: Venice in Winter (Grafiche Vianello Libri).

Waverly Street Gallery
4600 East West Highway
Bethesda, MD 20814
301-951-9441

Open Wednesday-Sunday, 12-6 pm
Ample parking in the county lot next door: park free on the weekends.
The Bethesda Metro takes you almost to their door.