Here's my March article in the Old Town Crier...
Tuesday, April 27, 2021
Monday, April 26, 2021
Our City, Ourselves: Women Photograph Washington
The DC Commission on the Arts and Humanities now has an exhibition on view in their virtual gallery space, Our City, Ourselves: Women Photograph Washington.
I highly encourage you to spend some time in the exhibition; it celebrates not only the talented and perceptive women photographers working in the District over the past 40 years, but also the history and evolution of the city itself.
You can see the exhibition webpage here: http://bit.ly/CAHOurCityOurselves or you can go directly to the virtual gallery here: http://bit.ly/OurCityOurselves.
Monday, April 12, 2021
Sunday, April 11, 2021
My gift to the "woke" crowd: the racist Che Guevara
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"The black is indolent and lazy, and spends his money on frivolities, whereas the European is forward-looking, organized, and intelligent."
-- Che Guevara
"The black is indolent and a dreamer; spending his meager wage on frivolity or drink; the European has a tradition of work and saving, which has pursued him as far as this corner of America and drives him to advance himself, even independently of his own individual aspirations." -- Che Guevara
"Mexicans are a band of illiterate Indians" -- Che Guevara
Saturday, April 10, 2021
Anderson's top 6 - OK six and a half - picks for the upcoming NFL draft
Anderson's top 6 - OK six and a half - picks for the upcoming NFL draft:
1. Trevor Lawrence
2. Zach Wilson
3. Mac Jones (possible Trey Lance)
4. Kyle Pitts
5. Penei Sewell
6. Ja'Marr Chase
Things that are not OK - and I'm going to start calling them out
One of the most common ingredients of the artworld, and sometimes a formidable tool for emerging artists to build a resume (if you want to know what it is sooooooo important that you develop a valid and sustainable artistical resume, then you need to take my next "Bootcamp for Artists" seminar) is to respond to call for artists, art competitions, etc.
There's always a set of deadlines.
A deadline for entries to be in - the most important deadline for the artist.
A deadline for the hosting entity to respond with notifications of acceptance or rejection.
A deadline for delivery of accepted artworks
A deadline for pick up of exhibited/unsold artwork at the end of competition (if local delivered)
Three of the four key deadlines fall on the artists - and generally speaking, if you miss any of the first two (entry deadline and delivery deadline), then you are OUT!
If you miss the last deadline, there's often a daily "storage charge" until the artwork is picked-up.
One thing that I have been noticing more and more lately, is that hosting venues are often - anecdotal data seems to indicate most of the time - Missing THEIR deadline to notify artists and respond with notifications of acceptance or rejection.
This is not only unprofessional, but puts an extra burden on the shoulders of the artists, who may only have a tight window for decision-making related to the submitted artwork.
What is up with that? Why are we allowing the hosting venues to simply (often without a reason) go silent as deadlines pass and then ad hoc notify artists?
I have been on the jurying end of this process dozens if not hundreds of times, and thus as the poet Marti wrote: "I know the monster well, for I have lived in its entrails."