Wednesday, August 17, 2022

Paint the Town Labor Day Show 2022

 I'm sooooooooooo excited to jury this show coming up Labor Day weekend!

The three-day Paint the Town Labor Day Show & Sale. This is one of the longest-running and largest art shows in the region, with hundreds of works by 175 local artists, all members of the Montgomery Art Association. The event is free and open to the public.

All works are for sale. In addition, the Artist Marketplace will have small works, prints and notecards available for purchase. A portion of all sales proceeds goes to support MAA's arts mission.

Walk around Kensington on Saturday, and you'll see dozens of artists painting and drawing. Those are participants in our annual Plein Air Competition!

From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes. The competition is open to all adults and children. It's free for kids under 18 and current MAA members; adults pay $10.

Full three-day schedule here.

Participating Artists

Sasa Aakil

Laura Aikman

Anne Albright

K. Lin Allen

Nataliya Andreyeva

Peijisan Art

Ken Bachman

Matthew Baker

Jennifer Barlow

Jennifer Lynn Beaudet

Marcia Bhorjee

Nancy Blacker

Walt Blackwell

Elissa Borzilleri

Regina Boston

Rick Bowers

Blandine Broomfield

Susan Fitch Brown

Virginia Browning

Holly Buehler

Sandra Cane

Sandra Cepaitis

Jing-Jy Chen

Pat Coates

Carol Cober

Shannon Cockett

Amanda Coelho

Meredith Coffey

Deborah Cohen

Deborah Cole

Lou Ann Collins

Jean Cooper

Mari Craig

Susan Crawford

Jennifer Crouch

Kellie D.

Beth Daly

Arindam Dasgupta

Sarah Clayton Davis

Nan Dawkins

Amelia De Silva

John Dillon

Paul DiVito

Grace Dobrow

Jamie Downs

Jennifer Dreyfus

Sandra Edmonson

Lynn Faiola

Rosemary Fallon

Stephanie Fernandez

Jean Finkleman

Elisabeth Fletcher Nicholson

Susan Friend

Susan Sinclair Galego

Kalpana Goel

Susanna Goldman

Ann Gordon

Madeleine Greenwald

S. J. Hadley

Jack Hammond

Christina Haslinger

Samantha Hecox

Nadia Hewchuck

Christopher Hoppe

Carrie Horton

Jeffrey Human

Beverley Hunter

Margaret Ingram

Monica Ingudam

Jonathan Jaeger

Benita Kane Jaro

Edward Johanson

Bill Johnson

Hiral Joshi

Anastasiya Kavalenka

Elielle Kayomb

Rajendra KC

Cecile Kirkpatrick

Jim Klumpner

Edward Knight

Joyce Koeneman

Alan Kolnik

Galina Kolosovskaya

Mary Kosterlitz

Joanne Lamm

Ruth Lampi

Karen Lantner

Maria Elena Lazarte

Robin Lazarus-Berlin

Margo Lehman

Elissa Leibowitz Poma

Robert LeMar

Carol Leo

Judith Levine

Lynn Lewis

Nancy Loomis

Marta Lopez Teigeiro

John MacArthur

Lalleh Mahlouji

Rahela Majidi

Barbara Mandel

Gale Marcus

Isabella Martire

Mark McAlister

Karen Merkin

Christine Merry

Debbie Miller

Audrey Moog

Ally Morgan

Laura Myers

Sara Niles

Maedeh Noroozi

Barbara Novak

Elizabeth Ochoa

Melissa Ou

Laura-Leigh Palmer

Simin Parvaz

Dora Patin

Robert Pearlman

Terry Pellmar

Sandra Pérez-Ramos

Yik Chek Phan

Ann Pielert

Deborah Pollack

Judith Prevo

Maria Quezada

Pauline Rakis

Nancy Randa

Ting Rao

Sharon Reinckens

Cindy Renteria

Amy Rice

Teresa Rizzo

Faye Ross

My-Linh Rouil

Myra Ryan

Raya Salman

Eve D. Sandmeyer

Alden Schofield

Michael Schoppman

Sandra Schraibman

Martina Sestakova

Lian Sever

Ruja Shemer

Diane Shipley

Sanford H. Shudnow

Patrick Sieg

Teresa Sites

David Sommers

Pritha Srinivasan

Carol Starr

Julie Steinberg

Emily Strulson

Jeanne Sullivan

Vicky Surles

Eleanor Tanno

Antonia Tiu

Alexandra Treadaway-Hoare

Tena Turner

Kathleen Tynan

Andrea van den Heever

Mary Vinograd

Twila Waddy

Anastasia Walsh

Christina Webber

John Weber

Jenny Wilson

Helen Wood

Ellen Yahuda

Rosemary Yue

Lis Zadravec

Paula Zeller

Vicky Zhou

Michelle Zugrav



Tuesday, August 16, 2022

Summertime in the Swamp…

 An easy way to spend most of a summer rainy afternoon is a visit to the Torpedo Factory, host to many art studios and some key galleries. While you’re there, go check out the current Open Exhibit, juried by artist Jessie Boyland.

According to the Art League’s press release, Boyland “is a painter and has a BFA from VCU School of the Art, Painting and Printmaking. Jessie plans and curates all the exhibits at Art Works. She arranges for the Thriving Artist Exchange workshops engaging talented and knowledgeable speakers and demos.”

For the show awards, the juror gave the Art League Award for Best in Show to Wendy Donahoe for “Traveler”, and Honorable Mentions to Mary Elizabeth Gosselink “Twister”, Cindy Grisdela “Color Grid”, Hyesuk Kong “In City”, Craig Nedrow “At the Classic Car Show”, Susan O’Neill “Transposition”, and Beverly Ryan “Starlet.”

Read the whole article here. 

Monday, August 15, 2022

"Paint the Town" Labor Day show in Kensington

 I will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards. 


About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

Dear artists: Go to an art fair!

Many times via this blog - the 11th highest ranked blog on the planet - I’ve discussed how the the founders and organizers of a European art fair called Art Basel (which of course, takes place in Basel, Switzerland), decided to try an American version of their successful European model and started an art fair in the Miami Beach Convention Center a couple of decades ago, and they called it Art Basel Miami Beach or ABMB for short.

And I’ve also told you how that one mega art fair spawned a few satellite art fairs in Miami at the same time and how by now there are over two dozen art fairs going on around the Greater Miami area each December, and art collectors, artists, gallerists, dealers, curators and all the symbionts of the art world descent on America’s coolest hot city in December and art rules the area.

I’ve also pointed out that if you are a visual artist in 2022 and are not aware of these events, and are not trying to get there (get your artwork there is what I mean), then something really big is missing from your artistic arsenal (unless you’re happy just painting or drawing or photographing or sculpting, etc. and could care less who sees and possibly acquires your work – if that’s the case, then skip the rest of this column and more power to you!).

But, if like some of us, the commodification of your artwork doesn’t bother you, and the fact that when you or your gallery sell one of your pieces, you feel honored and pleased that someone laid out their hard earned cash to simply add one of your creations to their home or collection, then Miami in December should be in your radar.

But how to get there? The fairs are mostly gallery-based – that means that galleries are invited or juried to exhibit; not usually individual artists --- more on that later – but there are some other ways to begin to crack the Miami art fair presence, and today I want to share some of my ideas.

Let’s start with gallery-based artists.

If you are already represented by a gallery, why not discuss Miami with them? The enormous expenses associated with the art fair scene are the main reason that most art galleries do not consider them. And this is a darn good reason, as most galleries are run by the skin of their teeth and the expense associated with doing an art fair are enormous and could wreck an entire financial plan in less than a week.

But, what does it hurt to bring it up to your gallerist? Who knows where that may lead?

I am still shocked at how many art dealers are not even aware of the potential financial and exposure rewards of doing an art fair.

Let me be clear: I don't want to hype this issue as a surefire path to moving artwork. But, this much I know… for roughly the same amount of money that a gallery spends on a full page ad in a national art magazine, you can get a small booth in some of the satellite fairs and the return on their investment has a lot more avenues than taking a chance with an ad.

Gathering information is the key thing… bring the subject up to your dealer, and if they want more info, have them email me… the best thing for art is more art.

How about if you are a cooperative gallery? Why not consider applying to one of the art fairs and spreading the cost of the booth amongst the exhibiting artists? A word of warning: the better fairs are juried and that means that someone gets always rejected. But the same key that allows cooperatives to survive for decades (spread the expenses) should and must be the key to give them a presence at the art fairs!

And many, many co-ops are routinely showing now at art fairs in Miami, NYC, LA, London, Madrid, etc. The fact that they are returning to the fairs means that they’re having a positive experience there.

The look and feel of the fairs is different as well. Many of them are booth fairs – that means that a white cube booth of plain white walls, ready to be drilled and hung with art, is the main model.

Fairs such as the original Art Basel Miami Beach, Volta, Scope, Art Miami, Untitled, etc. are on this model. There are also hotel fairs. These are fairs that essentially take place in a local hotel, where the room is often emptied out and turned into a temporary gallery by the out of town galleries. The best hotel art fair in the world, according to many, is the Aqua Art Fair, held at the Aqua Hotel in Miami Beach, and having participated in it many times in the past, add my name to the list of people who thinks that this is the best hotel art fair on the planet. And at Aqua I’ve seen cooperative galleries, and universities, and artists’ leagues, etc.

A little Googlin’ of Miami art fairs (or just art fairs in general) will reveal just how many fairs there are and where.

The key thought to leave you with: think art fairs and think Miami, New York, LA, Chicago... and think of a way to get there.

Wednesday, August 10, 2022

Continuum: Artists Teaching Artists

McLean Project for the Arts to Open Continuum: Artists Teaching Artists September 16, 2022

Opening Exhibition Reception set for September 22, 2022 at 7pm 

McLean Project for the Arts will open its fall 2022 exhibition, Continuum: Artists Teaching Artists, on September 16, 2022. An invitational exhibition highlighting work by artists who give significant time to teaching, mentoring, and community-building, while continuing to sustain and develop strong and innovative personal bodies of work, Continuum will run September 22 through November 10, 2022, with an Opening Exhibition Reception on September 22, 2022 from 7-9pm. RSVP here (https://tinyurl.com/continuumreception). 

"We are delighted to bring this group together as we celebrate sixty years of exhibitions at MPA,” said MPA Curator and Artistic Director Nancy Sausser. “Each individual featured is both an amazingly accomplished artist and a beloved educator. Continuum honors their important and continuing contributions to our vibrant arts community." 

Continuum includes the work of artists and educators from most of the area colleges and universities, including George Mason University, George Washington University, Georgetown University, Northern Virginia Community College, the University of Maryland, and the Maryland Institute College of Art. Also represented are some non-profit teaching institutes such as the Washington Glass School. All of the participants are as dedicated to their on-going artistic practice as they are to their students, and vice versa. 

Continuum featured artists include: David Carlson, Patrick Craig, Robert Devers, Kate Fitzpatrick, Helen Frederick, Janis Goodman, Rene Gower, Michael Janis, Maria Karametou, Steven Prince, John Ruppert, Foon Sham, Judy Southerland, Tim Tate, Erwin Timmers, Stephanie Williams, Sue Wrbican, and Peter Winant.  

In addition to the September 22 Opening Exhibition Reception, an Artist Talk is planned for Thursday, October 13, 2022. Additional details to follow. 

The Atrium Gallery portion of Continuum will be available for viewing during McLean Community Center operating hours. The Emerson Gallery portion of the exhibit will be open for visitors Tuesdays through Fridays from 1-4pm and Saturdays from 10am – 3pm. Online exhibitions will also be available for viewing at a future date. 

Tuesday, August 09, 2022

The curious case of John Leguizamo, Fidel Castro, and Latino Horror Vacui in Hollywood

John Leguizamo, the talented Colombian-born actor who once erred about his own ancestry by claiming that he was Puerto Rican on his father's side (I wonder how his Colombian dad feels about that) and once even carried the charade as the Puerto Rican Day Parade Global Ambassador of the Arts, has an issue with the casting of the upcoming Indie film “Alina of Cuba.”

Specifically with the casting of actor James Franco to play the murderous Cuban dictator Fidel Castro Ruz. The not Puerto Rican actor writes in Instagram:

“How is Hollywood excluding us but stealing our narratives as well?” “No more appropriation Hollywood and streamers! Boycott! This F’d up! Plus seriously difficult story to tell without aggrandizement which would b wrong!” “I don’t got a prob with Franco but he ain’t Latino!” 

The "boycott" was quickly joined in by such luminaries as Nicaraguan-American political strategist and commentator Ana Navarro, and the casting made fun of by Carolina A. Miranda, a really good and influential Wyoming-born Los Angeles Times art critic.

Have not heard of anyone of Cuban ancestry complaining... cough... cough...

Background:

Ángel Castro y Argiz
Fidel Castro Ruz, known to many Cubans as "La Bestia de Biran", was born in 1926 out of wedlock in Biran, Cuba. He was the son of Ángel Castro y Argiz, an immigrant to Cuba from Galicia, the former ancient Celtic kingdom in the north of Spain, and Lina Ruz González, his Cuban-born maid who was the daughter of immigrants from Spain. 

That's Castro's father to the right and his mother to the left below.

Fun fact: A lot of Galicians left their rugged mountain villages in northern Spain and settled in Cuba in the early 1900s (including both my paternal grandparents). 

So many in fact, that Cubans routinely refer to all Spaniards, regardless of which region of Spain they come from (Andalucia, Castille, Catalonia, etc.) as "gallegos", which I suspect pisses off most non-Galician Spaniards.  

In my experience, Galicians are a very clannish people, have their own language, customs, etc. and in Cuba even their own community centers, separate from others. In Guantanamo, for example, there used to be a Centro Español and a separate Centro Gallego.

Fidel Castro as a child with his siblings
Fidel Castro as a child with his two of his four siblings

Back to the tempest of Franco being cast to play Castro in the film and not being of Latino ancestry, however widely and confusing that classification is.

Part of me understands that Leguizamo means well, but as often happens when one is too passionate about a debatable issue, he mixes apples mangoes and oranges when making this argument.  Passion is an unforgivable mistress - witness my own conversion when I complained about a Spaniard (Javier Bardem) being cast to play a Santiaguero (Desi Arnaz) - for all the non-Cubans who have jumped into this Franco boycott: A Santiaguero is someone from Santiago de Cuba, which is where Arnaz's family was from.

But distilled to the simplest fact:

  • Latinos don't get enough roles in Hollywood films
    • THEREFORE
  • ALL, repeat, ALL roles where the subject is Latino, must be cast to a Latino/a actor
    • HOWEVER
  • Latino/a actors must also be eligible to be cast to play any and other roles regardless of the racial or ethnic background of the role
A great example of the last rule is the recent (and great) casting of Cuban-born actress Ana de Armas to play American icon Marilyn Monroe - as far as I know, neither Leguizamo, or Miranda, or Navarro bitched about that.

Are Leguizamo, Navarro, and Miranda hypocrites? Maybe, but I don't think so.  What I think they are, is a combination of passionate dogma plus misguided (maybe misfired) good intentions... the alleged Leguizamo trying to pass for a boricua episode bothers me -- sort of like when H.G. Carrillo spent years passing as a Cuban.

Here are better Campello rules to achieve the same goal:

  • Latinos don't get enough roles in Hollywood films
    • THEREFORE
  • Hollywood casting must be sensitive that Latino/a actors come from every racial and ethnic background and must be eligible to be cast to play any and all roles regardless of the racial or ethnic background of the role AND should make an effort to increase Latino/a casting.
    • HOWEVER
  • The casting should go to the best actor for the role.

In this particular case, some points which destroy the Leguizamo effect:


Almost done... now for my own complaining: 

I am having a hard time swallowing an Argentinean actress (Mia Maestro) playing a Cuban woman (she plays Naty Revuelta Clews - Alina's mom - that's Naty to the left).

And Ana Villafañe (she plays Alina): I'm keeping my eye on you! You're only half Cuban! Cough... cough...

Campello out.

Monday, August 08, 2022

Toxic seeds

I hope that the future can handle the seeds planted by the Justice Department in Mar-a-Lago today.