Sunday, June 04, 2023

On the anniversary of a superwoman's death

 Seven years ago my courageous mother died... this is my eulogy from that day:

When my father died last year, I began his eulogy by noting that another oak had fallen.

This morning, around 1:25AM, Ana Olivia Cruzata Marrero de Campello, his wife of over 60 years, and my beloved mother, passed on on the day of her 97th birthday.

If my father was an oak, then my mother was an equally strong, but also very pliable, and elegant tree.  When hurricanes attack the main lands of the world, the strong tall trees often fall, but the pliable ones, like plantain trees, always give with the wind, and survive the storms, and thrive in the drenching rains.

My mother was like a an aged plantain tree, not only immensely strong and pliable, but also giving and nurturing.

Like many Cuban women of her generation and her social-economic background, she had never worked for a living in Cuba, and yet within a few days of our arrival in New York in the 1960s, she was working long hours in a sewing factory, putting her formidable seamstress skills, honed in the social sewing and embroidery gathering of young Cuban girls, to use in the "piece work" process of the New York sewing factories.

As soon as we saved the money, one of the first things that my mother bought was an electric sewing machine - a novelty to her, as she had always used one of the those ancient Singer machines with a foot pedal.

I remember as a child in Brooklyn, that women used to bring her fabric and a page from a magazine with a woman wearing a dress. Without the benefit of a sewing pattern, my mother would whip up a copy of the dress that was more often than not probably better made than the original. As the word of her skills spread, so did her customers and soon she was making more money working at home than at the factory - but she kept both jobs.

I once noted to her that I admired the courage that it must have taken  her to leave her family and immigrate to the United States. "We didn't come here as immigrants," she corrected me. "We came as political refugees, and I initially thought that we'd be back in Cuba within a few years at the most."

When the brutal Castro dictatorship refused to loosen its stranglehold on her birth place, she became an immigrant, and from there on an American citizen from her white-streaked hair down to her heel bone (that's a Cuban saying). Like my father, she loved her adopted country with a ferocity, that I sometimes feel that only people who have been bloodied by Communism can feel for a new, free homeland.

As as I've noted before, Cubans are archaic immigrants... we love this great nation because we recognize its singular and unique greatness; perhaps it is because our forebears had the same chance at greatness and blew it.


I remember as a teenager, once I started going out to parties and things at night on my own (around age 16 or so), that my mother would wait up for me, sitting by the third floor window of our Brooklyn apartment, where she could survey the whole neighborhood and see as far as the elevated LL subway station a few blocks away, to watch me descend the station stairs and trace my way home.

My mother was always fit and, as once described by my father, "flaca como un fusil" (as slim as a rifle). She was strong and fast. She was also quiet, but never silenced, and when needed, could and would command attention.

My mother was always well dressed and superbly coiffed. When we'd go to parties and events, women would always ask her where she'd gotten that dress! The answer was always the same: she'd made it!

At least once a week, to my father's dismay, and in spite of his demands that my mother stop it, she'd get her hair done at the nearby peluqueria (hair dresser).

My dad knew, and respected his limits with my mother. 

I remember one time that my father and I were returning from shopping at the supermarket, dragging one of those wheeled folding carts that could carry four full paper grocery bags. It had been snowing, so the Brooklyn streets were wet and muddy.

When we got to our apartment my father opened the door. He then stood there.

"Go in!" I demanded.

"We'll have to wait," he said gloomily, "Your mother mopped the floor and it's still wet." This giant, tough, street-brawling Galician then looked at me sheepishly, "I'd rather walk through a mine field than step on your mother's wet floor."

I learned a lesson there.

She used to delight in telling stories how, as a child, she would often win the horse races that kids staged around the small country towns where she was raised in Oriente province, where her father was a Mayoral.

"I almost always won," she'd say, and then would add: "Even though I was a skinny girl."

Once, in her seventies, back in the days where you could actually accompany people to the departing gates at airports, we were escorting my oldest daughter Vanessa, who had come to visit, and we were running late. As we got to the airport, we ran to the gate, and to everyone's surprise, Abuela got there first. I still remember how delighted my daughter was that her grandmother could still run like a gazelle.


When I joined the Navy at age 17, my first duty station was USS SARATOGA, which at the time was stationed in Mayport in Florida, and thus my parents decided to migrate south to Florida and moved to Miami... just to be close to me.

They spent the next 40 years in the same apartment while I was stationed all over the world.

The mostly Cuban-American families that lived over the years in that apartment loved my mother, and would always tell me stories about my mother, ever the nurturer, bringing them food when she knew that they were going over tough times, or riding the buses with them, just to show them the routes.

This week, when I arrived in Miami, already somewhat knowing that this was approaching the end, I saw her with tubes coming out of her mouth and her eyes closed. When I spoke to her she opened her eyes, and in spite of the visuals that my eyes were seeing she somehow still managed to look strong. 

I showed her photos and movies of her grand children, and talked to her for a long time.

I thanked her for having the courage to leave her motherland and afford me the opportunity to grow as an American.

When she was being extubated, a young woman came into the room with a guitar and played and sang the haunting free prose of Guajira Guantanamera (The peasant girl from Guantanamo); a most fitting song, since my mother was from Guantanamo, and she came from strong Cuban peasant stock.

"Guajira pero fina (A peasant, but a very refined woman)", noted a neighbor and loving caretaker. 

The song, which can start with just about any prose, started with the Jose Marti poem:
 Yo quiero, cuando me muerasin patria, pero sin amo, tener en mi tumba un ramo de flores y una bandera
I want to, when I die, without my motherland, but without a master, to have on my tomb a bunch of flowers and a flag.
She died without a master, a strong and pliable woman who not only gave me the gift of life, but also the gift of freedom.

And as my mother died in her sleep in the early hours of the morning, in the capital city of the bitter Cuban Diaspora, all that I could gather to say to her was mostly the same that I said to my father when he passed last year: "Thank you for your courage... from me, and from my children... and soon from their children. You opened a whole new world for them."

I love you Mami... Un Abrazo Fuerte! Thank you for your gifts to me and my children, and happy birthday in Heaven!

Saturday, June 03, 2023

Swan by Swanson

"Splash Landing" by James Swanson and part of the 36th Annual Northern National Art Competition at Nicolet College in Rhinelander,  Wisconsin.

"Splash Landing" by James Swanson and part of the 36th Annual Northern National Art Competition at Nicolet College in Rhinelander,  Wisconsin


Friday, June 02, 2023

Art Bank Call for Artists

Art Bank is the District of Columbia's art collection with works by metropolitan artists installed in District offices and buildings - open to DMV artists as well!

Deadline: June 30, 2023, 9 PM.

For more information, please click here.

Thursday, June 01, 2023

DC Commission on the Arts and Humanities new Executive Director

On Tuesday, May 2, 2023, CAH was thrilled to announce the appointment of Aaron Myers as its new Executive Director. 

Myers, a renowned jazz vocalist, pianist, educator, and activist, brings a wealth of experience in the arts and a passion for community engagement to his new role. Myers was nominated for appointment by the Commission in February 2023 following an extensive four-month search. The Council of the District of Columbia voted unanimously to confirm his appointment at the May 2 legislative meeting.

Aaron Myers Executive Director DC Arts Commission

As a DC-based artist, Myers has a deep understanding of the city's cultural landscape and its diverse communities. He has been an active member of the DC arts community for over a decade, serving as the Artist-in-Residence at the Black Fox Lounge, Mr. Henry’s Restaurant, The Eaton and performing at venues across the city. He is the founding Board Chair of the Capitol Hill Jazz Foundation, serves on the Board of Governors of the DC Recording Academy and has been recognized for his work in arts education. 

DC Art News sends a warm welcome (back) to the ED!

Wednesday, May 31, 2023

Wanna go to a Bethesda gallery opening this Friday?

Bethesda Painting Awards! Opening Reception, June 9, 2023 --  6-8pm

Nine artists from Maryland, Virginia, and Washington, D.C. have been selected to exhibit and compete in the Bethesda Painting Awards, a fine art competition founded by the amazing Carol Trawick, who is truly, and has been for years one of the great jewels of the DMV art scene!

The Best in Show winner will be awarded $10,000.

Paintings will be exhibited at Gallery B from June 8 – July 2.  Gallery B is on the space of the former Fraser Gallery at 7700 Wisconsin Avenue, Suite E.

Gallery hours: Thursday-Sunday from 12 – 5pm

Please attend the opening on Friday, June 9, 6-8pm - Details here.

The finalists are here... now for my awards!

This year it is going to be hard - there are some superbly talented artists in this group of finalists - my kudos to the jurors (Lillian Hoover, Hedieh Javanshir Ilchi, and John Lee).

Stephanie Cobb of Washington, D.C., Grace Doyle of Baltimore, MD, Jeffrey Deane Hall of Richmond, VA, Rachel Rush, also of Baltimore, MD and Nicole Santiago, of far away Williamsburg, VA are all immensely skilled artists!

This is a hard one - even for The Lenster! I am attracted to the natural skills of Grace Doyle - she has a mastery with the brush that is enviable for someone so young. And probably because she is so young, some crusty jurors may have snotty issues with some of her early subject matter (not me)... but she is growing in leaps and bounds!

Grace Doyle - Within 2023 oil on linen 28" x 20"
Grace Doyle - Within 2023 oil on linen 28" x 20"

Jeffrey Deane Hall's trompe-l'œil  paintings are breath-taking! - again such mastery for someone sooooo young is indescribably delicious! 

Nicole Santiago - Second Time Around, 75 x 60, oil on canvas
Nicole Santiago - Second Time Around, 75 x 60, oil on canvas

And Nicole Santiago (who has been a previous finalist) is really good at packing a decent psych angle to her work, while Rachel Rush can rock a lush landscape.

Who? Either Doyle or Santiago will win.

Best in Show winner: Nicole Santiago

Tuesday, May 30, 2023

National Small Works at WPG

 

National Small Works
including work from 36 artists,
representing the DC and 17 states

Opening: Saturday, July 8, 2:00-5:00 pm
It is with great pleasure that Washington Printmakers Gallery announces the 23rd year of the National Small Works Show: the first since 2019, due to Covid cancellations. This year’s exhibit honors Peggy Doole (1934-2021), long-time resident of the DC area who shared her love of art by giving lectures, sponsoring exhibits, and leading tours at the Hirshhorn, the National Gallery of Art, and other museums throughout Europe and the U.S. Her post-graduate museum work led her to a focus on, and a special passion for, printmaking.
The exhibition includes 36 pieces – fine art prints, photographs, and artist books chosen by  juror LuLen Walker, Art Curator for Georgetown University.

The Washington Printmakers Gallery is a members-owned cooperative dedicated to fine-art printmaking, photographs, and artists books. The Washington Print Foundation, sponsor of this exhibition, supports this mission through education, exhibitions, and community outreach programs.

Washington Printmakers Gallery ● 1675 Wisconsin Ave. NW ● (202) 669-1497
info@washingtonprintmakers.com ● www.washingtonprintmakers.com

Monday, May 29, 2023

Memorial Day 2023

Have a grand Memorial Day! Our grateful thanks to all those who have served and their families, and our gratitude to all the soldiers, airmen/women, marines, and sailors currently serving all over the world and at sea.

We've got your back!



Jasper Johns Flag in MOMA