Local artist opens new gallery in Georgetown

 From the Georgetown Dish:

Washington DC based artist Robin Sutliff has opened her own gallery in Canal Square at 1054 31st St NW, #006.

She has been producing art for a majority of her life. Using acrylic and resin on multiple mediums that include metal, canvas, glass and paper, she favors rich colors, abstract minimalism, compositions that evoke the essence of nature and creations that evoke a unique spirit and response from each individual.

GREAT NEWS for the DMV art scene! As many of you may recall, Canal Square at one point three decades ago was the epicenter of the Georgetown art scene as it was the home of seven art galleries!

TWILIGHT by Robin Sutliff

DC ART NEWS wishes the best success for the new space - hopefully it will re-magnetize the Square and bring more galleries there! 

Read the full article here.

About Robin Sutliff:

Washington DC based artist Robin Sutliff has been producing art for a majority of her life. Using a mixed medium platform she used acrylic and resin, inks and powdered pigments to create extraordinarily textured pieces, Robin puts forth her emotional perspective as it manifests at the time of creation and the outcome has been a series of moving and visually compelling works of art. 

As an artist, she favors rich colors, abstract minimalism, compositions that evoke the essence of nature and that triggers a response from viewers. 

Visit her website here. 

2023 Baker Artist Awards winners to be highlighted

2023 Baker Artist Awards winners to be highlighted
during January 19 MPT Artworks special

Six Maryland artists earn prestigious award as part of annual program

Maryland Public Television (MPT) will profile the six winners of the 2023 Baker Artist Awards competition during a special Artworks episode airing on Friday, January 19 at 7:30 p.m. on MPT-HD and online at mpt.org/livestream. The program will also be available to watch on the free PBS App and MPT’s online video player.

 

A preview of Artwork’s 2023 Baker Artist Awards special and individual artist profiles can be found at mpt.org/programs/baker-artist-awards.

 

Now in its 15^th year, the Baker Artist Awards celebrates the Baltimore region’s creative vitality and recognizes individuals with outstanding talent. Artists who create an online Baker Artist Portfolio and reside in Anne Arundel County, Baltimore City, Baltimore County, Carroll County, Harford County, or Howard County are eligible for awards. The 2023 winners were announced by the Greater Baltimore Cultural Alliance and the William G. Baker Jr. Memorial Fund in June, 2023.

 

Prizes are awarded to artists who exemplify a mastery of craft, commitment to excellence, and a unique and compelling vision across six creative disciplines: visual arts, inter- and multi-disciplinary work, music, performance, film/video, and literary arts.

 

The Baker Artist Awards has distributed $1.3 million in annual prize money since its launch in 2009. In 2023, one artist from each of the six artistic disciplines received a $10,000 Mary Sawyers Baker Prize. One of the six selected artists was also honored with the additional $30,000 Mary Sawyers Imboden Prize, taking home a total of $40,000.

2023 Baker Artist Award winners:

Elizabeth Evitts Dickinson (literary arts; Baltimore City – Mary Sawyers Imboden Prize winner) – Dickinson’s writings span multiple genres, including narrative nonfiction, journalism, short fiction, and memoir. Her work has been featured in The New Yorker, The New York Times, Harper’s, The Washington Post Magazine, and The Southern Review, among other publications. Dickinson has earned numerous awards and accolades for her work, and was named a 2018 National Endowment for the Arts Creative Writing Fellow.

Jordan Tierney (visual arts; Baltimore City) – Tierney’s experiential found-objects art is made mostly from trash collected from Maryland’s natural spaces. Her work has been featured in exhibitions at the Smithsonian Institution, Baltimore Museum of Art, and American Visionary Art Museum.

Abdu Ali (music; Baltimore City) – Ali is a musician, producer, poet, and multidisciplinary artist who works in sound, video, and live performance. Ali has performed at MoMa Ps1, The Andy Warhol Museum, The Carnegie Museum of Art, and The Kennedy Center, and has had work featured in The New York Times, The Fader, and Elephant Magazine.

Oletha DeVane (inter- and multi-disciplinary work; Howard County) – DeVane’s multi-disciplinary work includes sculpture, mixed-media visual art, and video installations. Her work is on display in permanent collections of the Corcoran Gallery of Art, Baltimore Museum of Art, Museum of the Bible, and Museum of the Americas, and has been featured in publications including B’more Art Magazine, The Baltimore Sun, and The Washington Post.

Colette Krogol (performing arts; Baltimore City) – Krogol is a choreographer, director, performer, and filmmaker. She is co-artistic director and co-founder of Orange Grove Dance, whose dance and film works have been produced and presented by The Finlandia Foundation, The Jerusalem Academy of Music and Dance, Lönnström Taidemuseo, Museum of Zhang Zhidong, Raumars AIR, Officina Creativa, CerCCa, and Klaustrid at Skriduklaustir.

Margaret Rorison (film/video; Baltimore City) – Rorison’s work has shown at festivals including The Ann Arbor Film Festival, Edinburgh International Film Festival, Images Festival, SF CROSSROADS, Open City Documentary Film Festival, and Mono No Aware Cinema Arts Festival. Her experimental short films have earned her the ORWO Award for Best Cinematography at the Ann Arbor Film Festival and a special jury prize at the New Orleans Film Festival.

Registration is NOW OPEN for the 37th Annual Northern National Art Competition

The 37th annual Northern National Art Competition will be held at the Nicolet College Art Gallery nestled among the trees in Rhinelander, WI.

More than $8500 will be awarded in prizes including three, $1000 awards of excellence. Open to US artists 18 years of age and up. $35 entry fee entitles the artists to submit one or two pieces for consideration. There is no theme and artwork must be 2D and hang-able.

Began in 1987, this show is a cooperative venture between Nicolet College Arts & Enrichment and the Northern Arts Council (NAC). The Northern National Art Competition strives to showcase a cross section of contemporary art in a variety of two-dimensional mediums. Each year, hundreds of artists nationwide submit work to be considered for inclusion by a judge, and the art is always both visually exciting and intellectually stimulating.

WPA: Open Call for Artwork: Collectors' Night 2024

Open Call for Artwork: Collectors' Night 2024

Deadline: Monday, January 29, 2024

Submission Portal Here

Collectors’ Night raises money for WPA’s artist-organized exhibitions, programs, and projects. Taking place each spring, this annual benefit sale includes more than one hundred artworks by artists living throughout the United States. Proceeds from the sale are split between the artists and WPA.

The auction will take place during the last week of April into the first week of May. We plan to hold the auction online on Artsy, and install all the artworks onsite in Washington, DC, for the closing gala event, Collectors' Night, on Saturday, May 4 (SVTD! subject to change).

There is no submission fee.

On the anniversary of a hero's death

 Nine years ago my father died on this day... here's my eulogy from that date:

"Hoy se ha caido otro roble en la selva del amargo exilio" is how I always thought that my father's eulogy would begin once he died.

"Today another oak falls in the jungle of bitter exile," began the eulogy for the man whose bloodlines my children and I carry on.

Florencio Campello Alonso died today at age 90 in Miami, the heart of the bitter Cuban Diaspora. Like many Cubans of his generation, he was the son of European immigrants to Cuba. His Galician parents left the scraggy mountains of northern Spain's ancient Celtic kingdom and in the first decade of the 1900s migrated to the new nation of Cuba upon its liberation from Spain.

Galicians have always been uneasy subjects of the Spanish crown, stubbornly hanging on to their ancient Celtic traditions, to their own language and to their bagpipes, so it is no historical surprise that they left their mountain homelands en-masse and headed to the new tropical paradise of Cuba, free from the heavy hand of the Spanish monarchy.

And thus it was never a surprise to me that my father was both a fighter against heavy-handed rulers, a lover of freedom, and one who was never afraid to re-start a life for the better, even if it involved discarding the old. 

My father could have been one of the privileged few who currently rule  atop the food chain of Cuba's Workers' Paradise. But instead of accepting the benefits of oppression, this most valiant of men chose the harsh path of right over wrong.

And he paid for it dearly (he spent years in Concentration Camps), but when he died, his soul was clean.

In his youth, my dad worked the brutal hours of the son of an immigrant who was slowly building a small financial empire in eastern Cuba. My father was pulled from school as soon as he learned to read and write, and like his two other brothers and eight sisters, he was expected to work and contribute to building a familial empire.

And he did, as my mother relates the stories of my father's childhood in the fields of eastern Cuba, a blond creole in a land of jingoist natives... he trying to out-Cuban the "real Cubans"... how he organized a labor union of the exploited Haitians who worked almost as slaves at the Los Canos Sugar Mill, how he joined a group of bearded rebels in the mountains of the Sierra Maestra in the fight against a tyrant, how he ran for the leadership of the Sugar Workers' Union and beat the Communists to the post, and how he spent years in a Castro Concentration Camp, jailed for the crime of refusing to join the Party, because he believed in Democracy and not Communism. 

And because of that stubbornness, in the 1960s he was offered the bitter pill of exile, and this brave man decided to choose family... and left his birth place, and thus became another immigrant within two familial generations and brought his wife and child to another new land.

And it is to him that I owe the greatest gift that a father can give a son: the opportunity to grow in freedom in the greatest nation in the history of this planet.

It is because of my father's courage that I was raised in this country and not in a land bloodied by brutality and oppression.

It is because of my father's teachings that I was raised with the conviction that freedom is not free and never to be taken for granted; after all, he fought for freedom and then Castro, the man who inspired  the fight, ended up being a worse dictator, eventually destroying all notions of freedom for all of his people.

It is because of my father that I was taught that every citizen owes his  nation some form of service, and that's the main reason that I signed (at age 17) to serve in the US Navy.

It is because of my father that I despise anyone who hides behind the mask of victimism to excuse failures and shortcomings.

When our family arrived in New York in the 1960s, my father began to work in a factory three days after he landed at the airport; my mother (who came from a privileged Cuban family and had never worked a day in her life) found a job as a seamstress five days later. That pattern was repeated for decades as they worked their way in a new nation.

"We thought we'd be back within a few years," was the answer given to me when I once asked the question about leaving their birthplace. When that didn't materialize, they became fierce Americans in the "United States of Americans" sense... these were the "America None Better!" set of immigrants, and in my Dad's case, you better be ready to fight if you dissed the USA.

"Americans"!

Always a fighter he was... and always for the right reasons.

Cubans are archaic immigrants... we love this great nation because we  recognize its singular and unique greatness; perhaps it is because our forebears had the same chance at greatness and blew it.

And my Dad loved this nation even more than he once loved Cuba... perhaps it is the genetic disposition of the serial immigrant. After all, his father had left his own ancient Celtic lands and kin for a new land... which he learned to love dearly.

My father always wanted to make sure that I knew that I was an "Americano" and not another forced-on label.

"Labels," he'd say, "are just a way to separate people."

By labels he meant "Hispanic" or "Latino" or anything with a "-" between two ethnic words.

I also remember as a kid in New York, when he bought a huge Hi-Fi record player-color-TV console... that thing was huge. He bought it "lay-away" and he'd pay $10 a week to the store and him and I would walk all the way from our house on Sackman Street to the store on Pitkin Avenue to make the payments every Saturday - he never missed a single payment, and that taught me a lesson.

It was soon playing my Dad's favorite music, which oddly enough was Mexican music (Cuban music was a close second)... and he knew all the words to every charro song.

Guadalajara en un llano, Mejico en una laguna... 

Guadalajara en un llano, Mejico en una laguna...Me he de comer esa tuna 

Me he de comer esa tuna.... aunque me espine la mano.

That Jorge Negrete song... being shouted often on weekends at the top of his lungs from our apartment in a mostly Italian neighborhood in East New York in Brooklyn must have raised some eyebrows.

My dad and I watched Neil Armstrong land on the moon on that TV set... we also watched loads of Mets games... and in 1969 and 1972 went to Shea Stadium to see the Mets win in '69 and lose in '72. He really loved baseball and he really loved those Mets!

When I joined the Navy at age 17, my first duty station was USS SARATOGA, which at the time was stationed in Mayport in Florida, so my Dad decided to migrate south to Florida and moved to Miami... just to be close to me.

He and my mother spent the next 40 years in the same apartment while I was stationed all over the world.

When I visited him today in Miami, he looked good and freshly shaven... this is a good thing, as my father was a freak about hygiene... and that's a common "creole" trait.

The Hospice nurse almost teared up when I told her that my parents have been married for 60 years.

I looked at this old "gallego"... his skin as white as paper, his eyes as blue as the sky, and his head (once full of blond hair) as bald and shiny as the old Cuban sing song ("Mira la Luna, mira al Sol... mira la calva de ese.....") and I saw the generations of Neanderthals, Denisovans and Gallego Homo Sapiens that led to my bloodlines... the generations of fighters, of strugglers, and of tough guys who didn't take no for an answer and who made a better place for others. 

And I felt at peace and grateful.

And as my father died tonight, after an extubation,  all that I can think  to say to him is "Thank you for your courage... from me, and from my children... and soon from their children. You opened a whole new world for them."

I love you Dad... Un Abrazo Fuerte! Thank you for your gifts to me and my children and it is no coincidence that you died on El Dia de Los Reyes.

Artist Talk this coming Saturday

The very super talented Steve Wanna will be giving an artist talk this Saturday, January 6, at 11AM in conjunction with an outdoor group show at the Kreeger Museum in Washington DC. 

Ferns, scrawned black
(Installation view at the Kreeger Museum. Image by Anne Kim Photography).

He will be discussing his sound installation Ferns, scrawned black. The event is free to attend but registration is required. Hot drinks will be served. Dress warmly!

Multiple Exposures Gallery Presents WINTER

Multiple Exposures Gallery (MEG) has announced WINTER, a new fine art photography exhibition juried by Tim Anderson, publisher and editor of acclaimed photography magazine, Shadow & Light. 

On display at MEG through January 28, 2024, the exhibition features 24 images that reflect the beauty and complexities of winter. "Upon first viewing, I almost felt an icy shudder course through my body," juror Tim Anderson says. 

"The challenge was not to select those that would be in the gallery show, it was which ones to not include. All are worthy." 

Exhibition Artists: Soomin Ham, Eric Johnson, Clara Young Kim, Irina Lawton, Sandy LeBrun-Evans, Matt Leedham, Francine B. Livaditis, Maureen Minehan, Van Pulley, Sarah Hood Salomon, Alan Sislen, Tom Sliter and Fred Zafran

Exhibition hours: 11am-5pm daily

Location: Multiple Exposures Gallery | Torpedo Factory Art Center | #312