Saturday, October 30, 2004

Congratulations to Washington area artist and co-founder of the Washington Glass School, Tim Tate who has been announced as one of New York City's Out Magazine 100 Most Remarkable People of 2004.

Tim will be hanging out in NYC next month gathering his award and hanging with celebrities like Ellen deG and others.

This is an important recognition no doubt based on Tate’s string of artistic accomplishments in the last couple of years, such as being recognized as the 2003 Mayor’s Arts Awards Washington Artist of the Year, two sold out shows at our two Fraser Galleries, major reviews in both national and international newspapers and magazines and his selection as the design winner for the International AIDS Monument to be built in New Orleans.

Friday, October 29, 2004

New Arts Based TV Show

GPV Group is an organization that provides assistance to program networks looking to expand.

They have started an arts news television program called ArtsMedia News. The program is starting off initially as newsbreaks airing seven times a week on MHz Networks in the DC area with further distribution to public television stations nationwide.

Starting in January they will be expanding to a half hour weekly program to air at 8:30 PM on Thursday nights on MHz with further distribution nationwide as well.

They've approached me to introduce some of the art newsbreaks that focus on DC-based art news and I will be doing my first one next week. This newsbreak will focus on the current exhibition Tradition in Transition: Russian Icons in the Age of the Romanovs currently on display at the Hillwood Museum and Gardens through December 31.

This is good news for our area's cultural tapestry!

Andrew Noyes has an excellent article in today's Voice of the Hill on the subject of the public art project that DC artist Marsha Stein has been organizing for the last few weeks.

The article is on page 32, and describes Stein's project as well as generous comments from the Washington Post's Chief Art Critic Blake Gopnik and from myself.

A novel concept that Stein has introduced to the world of art is the fact that she has a videographer working with her, and documenting everything in a reality TV approach. The videographer hopes that this project will be the seed of an art-based Reality TV series to pitch to the networks.

Interested artists should contact Marsha Stein at Marshasart@aol.com.

Venezuelan photographer Luis Gomez makes his DC area debut with "Cities," a 32-photo exhibit at Candida’s World of Books at 1541 14th Street N.W. (14th and Q).

The exhibit runs through November 15 and focuses on inner, urban cores —one of Gomez’s favorite subjects— and offers glimpses of architecture and streetscapes, as well as their people. The photos will take viewers to cities that include Amsterdam, Chicago, Havana, Madrid, Prague, Santiago, Sydney and others.

Thursday, October 28, 2004

Cynthia Young defends the "grubs" in a passionate letter in this week's Washington City Paper.

And Jeffry Cudlin writes another really good review (why isn't Cudlin writing more often in the WCP?).

This time he reviews "Inventions: Recent Paintings by Caio Fonseca" at the Corcoran and damned near convinced me that Fonseca was not just another hack painting the kind of safe, unintelligible art that cannot remotely offend anyone and that one routinely sees in hotels, airports and furniture stores. Not really art but "wall decor."

Thusday is the day the Style section of the Post reviews galleries and today Glenn Dixon reviews Kenny Hunter: Works in Colour at Conner Contemporary Art.

There's also a theatre review and a music review in today's Style.

The Washington Post finally picks up the story of Philip Barlow's woes with the WAP/C first reported here over two weeks ago.

The Arts Beat column adds little to the story that hasn't been discussed to death already by DC Artnews, J.T. Kirkland, Tyler Green, MetroBlogging and others.

Other than this great quote from the new OPTIONS 2005 curator:

"I've been forgiving of artists who've painted dreadful cows in my part of the country," adds Lumpkin, "so I can be forgiving of artists who've painted dreadful pandas in your part of the country." "