I'm heading down to Miami this morning. I'll be posting later tonight. Y'all come back now, hear?

Do not however, forget that this coming Friday is the third Friday of the month, and thus the five Canal Square Galleries (Alla Rogers, Parish, Fraser, MOCA and Anne C. Fisher) in Georgetown's Canal Square will be having their opening nights and extended hours. From 6-9 PM.

We will be having an exhibition of my recent charcoal drawings. About 20 new figurative charcoal nudes.

Warning: More self promotion coming.

I've had the December show since 1997, not just one of the bennies of co-owning the gallery, but also because of the curious fact that December (at least in Georgetown) is a very dead month for art in general, and my past shows have sold well and even generated some press.

My 1997 show consisted of portraits of porn stars. Several of the women attended the opening, as well as a few thousand men! The Washington Post's review called that show "irritating."

The 1998 show was based on my interest in Celtic history and legend. The Potomac News wrote that I was a "throwback... but in tune with the times." It was also reviewed by The Bowie Blade.

The 2000 show was "Literary Drawings," and consisted of drawings inspired by some of my favorite books and literary characters. It was reviewed by The Georgetowner

The 2002 show was "27 Years of Frida Kahlo" and it consisted of my work about Kahlo since I first came across her work in 1977. It was reviewed by The Washington City Paper and was a "Hot Pick" in the Washington Times.

Last year's show was Pictish Nation and it was reviewed by The Washington Times and The Georgetowner.

Pictured above is "La Llorona" (The Crying - or Weeping - Woman), one of the new drawings in the exhibition. Learn more about the legend of "La Llorona" here. It is based on a photograph by the great Danny Conant.

Openings are from 6-9 PM. See ya there!

Studio Visits!

Blake Gopnik, the Chief Art Critic of the Washington Post is now making studio visits and writing a terrific and highly readable plug of the artist and his art. This is great news!

Read his first studio visit here. This character Jonathan Grossmalerman sounds like a Peter Sellers who can also paint.

By the way, Blake went to Brooklyn for his studio visit.

I am sure that LA is next, but I am also sure that will soon be making studio visits to DC artists as well. After all, it's easier to catch a cab to a DC area artist studio than the train to New York and then the cab to Brooklyn. Unless Blake subways to Brooklyn.

When I was a kid growing up in Brooklyn, my house was within a couple of blocks of the Atlantic Avenue stop of the LL subway line and by the time I was 12 or 13 I was a master of the New York subway system.

Betcha he took a cab.

Anti-OPTIONS 2005

As J.T. noted over at Thinking About Art, photographer J.W. Bailey, in response to the whole recent controversy of the WPA/C's OPTIONS 2005 show, has created his entry for the new OPTIONS curator Libby Lumpkin in the form of an Anti-OPTIONS 2005 website detailing his extensive and deep correspondence and research and battle (still ongoing) caused by the firing of Philip Barlow as the original curator.

This is either brilliant or demented. I am not yet sure which, but it is certainly interesting and certainly shows what can be fused when you mix talent, passion and a human pit bull like Bailey.

See Bailey's site here.

Fridaphiles of the World: Unite!

I am curating an online exhibition for Art.com on the subject of an "Homage to Frida Kahlo."

There is no entry fee and Art.com is funding the following prizes:

1st Prize: Airfare, hotel and expenses for 3-day/3-night trip for two to the Frida Kahlo Museum in Mexico City, Mexico. (Total package valued up to $2,500)

2nd Prize: $1,000

3rd Prize: $150 towards a Print on Demand order through Art.com Original Art & Photography

Work is uploaded online and there is no entry fee. The work must in some way relate to Frida Kahlo and her life, work, etc. No reproductions of Frida's own paintings will be considered, unless they introduce a new idea or vision or concept to the Kahlo phenomenom. To enter, click here.

Connie Imboden to Jury Annual Bethesda Photography Prize

The 2005 juror for our annual photography competition has been selected and it is acclaimed photographer Connie Imboden. You can read about the juror here. Her work is represented in the permanent collections of The Museum of Modern Art in New York, The San Francisco Museum of Modern Art, The National Museum for Women in the Arts, The National Museum of American Art, Washington D.C., Bibliotheque Nationale in Paris, France, and many other public and private collections in Europe and the Americas.

This is our annual juried opportunity for photographers. The deadline for entries is February 3, 2005. In addition to cash prizes, the Best in Show winner will be offered a solo show in 2006. Other award winners will also be included in some of our future group shows.

To look at the prospectus for the competition, click here.

Washington City Paper reviews Aimee Garcia Show in Georgetown

Louis Jacobson reviews our current exhibition of Cuban artist Aimee Garcia Marrero in our Georgetown Gallery.

This is a very young Cuban artist and perhaps one of the most intelligent and talented painters pushing the ancient medium forward. Her show runs until December 15, 2004.

Want an Interest Free Loan to Buy Artwork?

You spot a Chris Ofili print and think it would look lovely in the front room. You simply must have that Tracey Emin drawing to hang above your fireplace. Then you see the four-figure price tag and think again.

Those frustrations are over, if the Arts Council England gets its way. It is planning to offer interest-free loans of up to £2,000 to aspiring contemporary art collectors, aiming to encourage uninitiated buyers into galleries.

I don't know how I missed this story, but I guess the British, with their 17% Value Added Tax (VAT) on top of things can come up with ideas such as this.

Of course don't forget to add 17% VAT to the Chris Ofili print or Tracey Emin drawing. So the loans appear to be a way to gather some new tax revenues in the form of loans.

Ha! Those devious British taxmen! The Beatles were right!

Let me tell you how it will be
There's one for you, nineteen for me
'Cause I'm the taxman, yeah, I'm the taxman