WOW Mr. Gopnik!

"That makes her show one of the best I've ever seen in a commercial gallery in Washington."

Read the Washington Post's chief art critic do something he rarely does, review a local DC gallery as he raves about the photographs of Terri Weifenbach at Civilian.

Read it here.

More please Mr. Gopnik.

Studio Visiting...

At the end of the day I had some time to sneak a quick visit to Red Dirt Studio, Flux Studios and the Washington Glass School.

At Red Dirt my real reason was to hope to meet little Kyle, the newest addition to the studio, but the cute two-month old was asleep in the middle of a noisy, creative artmosphere. He did look very handsome in his blue hat and mom Margaret Boozer should be justifiably proud of the little feller.

At the Washington Glass School I sneaked a preview of Tim Tate's newest videos, as well as Michael Janis' latest work (Janis was the star of the recent SOFA Chicago, where Maurine Littleton Gallery sold nine of his pieces). I also saw the newest Erwin Timmers' works as he pursues his "green art" line of work.

At Flux Studios, I chatted with the very talented Novie Trump, whose recent solo at MPA so impressed me. There were huge clay bones being created for what sounds like an amazing installation in support of a performance. More on that later.

I also saw the really cool new work, a very minimalist work that boasts loads of elegance, by Elena Patiño, the newest member of Flux, and also discovered the newest work of Mia Kagan, which was also quite impressive and then went gaga over the amazing Laurel Lukaszewski, whose current solo show at Project 4 is a significant and intelligent new conceptual work for this very talented artist and a show that I will review soon..

Wanna go to an opening tomorrow?

Wanna go to an opening this Sunday?


Friday, November 20 – Sunday, January 10
Where: DCAC, 2438 18th St. NW Washington, DC 20009
Opening Reception: Friday, November 20, 7:00 pm-9:00 pm
Artists Talks/Closing Reception: Sunday, January 10, 5:00 pm-7:00 pm

Jurors: Renee Stout, Blake Kimbrough, and Marvin Bowser
Curator: Amber Robles-Gordon
Co-Curator: Daniel T. Brooking
Judges: Teresia Bush and Eugene R. Vango

Featuring work by John Earl Cooper, Arcmanoro Niles, Cedric Baker, Jacqueline Lee, Valentina Andaya, Akili Ron Anderson, Viola Leak, Bruce McNeil, Gloria C. Kirk, Stanley Squirewell, Claudia Gibson-Hunter, Michael Platt, Sonya Clark, Ann Marie Williams, Alec Simpson, Daniel T. Brooking, Amber Robles-Gordon, Prelli Williams, Kristen Hayes, Serinity Knight, Anne Bouie, James Brown, Jr., T. H. Gomillion, Adjoa J. Burrowes, Deidra Bell, Willard Taylor, Carlton Wilkinson, Constance Porter Uzelac, and Juilett Madison.

Emerging Arts Leaders Symposium Networking Social

Thursday, November 19, 2009
6:00pm - 9:00pm
Blackfinn Restaurant & Saloon
4901 Fairmont Ave, Bethesda, MD

Join other emerging arts leaders for a networking event at Blackfinn of Bethesda.

For a suggested $10 donation to the Emerging Arts Leaders Symposium, you will be able to schmooze and socialize with other area young professionals who share a passion for the arts. All while enjoying great free appetizers and specials. To RSVP join the event on Facebook.

Blackfinn is located near the Bethesda Metro stop along the red line. Walk north on Old Georgetown Road, take a right onto Fairmount and join the party! Street and garage parking are available in the area as well.

The Emerging Arts Leaders Symposium, now in its third year, is an annual meeting for young professionals who work in the arts, held at American University. It is an opportunity to discuss the issues, unique or universal, that affect arts organizations, with students, peers, and experienced professionals. For more information click here.

New DC gallery

Artists/Owners Natasha Mokina and Victor Pakhomkin envision their recently opened gallery, Winter Palace Studio, as "a sanctuary for realist art that combines classical craftsmanship and contemporary concepts." The gallery will exhibit paintings by Mokina and Pakhomkin and group shows by local and international artists who share the gallery's philosophy. It will also hold realistic painting and drawing classes, workshops and seminars.

The two artists have worked in the Washington, DC area for nearly twenty years creating highly realistic oil paintings, murals, portraits by commission and teaching academic painting and drawing in their studio in Bethesda. Natasha Mokina is also on the faculty of the Corcoran College of Art and Design.

“It still feels like a dream to see ourselves and our paintings in this beautiful historic courtyard, says Natasha Mokina. This is the prettiest place in Georgetown. I just cannot get over the sense of this fantastic mix of times and places: the C&O Canal reminiscent of canals in St. Petersburg (our birth place), old brick buildings of Georgetown evoking “The Little Street“ by Vermeer… ”

Winter Studio Contemporary Realism gallery is located at “Galleries 1054” in Canal Square at 1054 31st Street NW. The gallery hours are Tuesday - Saturday 12:00 to 6:00 pm.

The opening reception for a new exhibition ”Black Kitchen Magic, Etc” featuring the paintings by Natasha Mokina and Victor Pakhomkin is Friday, November 20, 2009 from 6 pm to 8 pm.

Staged History

It's the iconic photo that captures the essence of the Spanish Civil War: a soldier falling to his death, arms splayed out behind him, gun still in hand, after being shot on a grassy hill.

But new evidence now claims to prove once and for all that the camera does lie - and Robert Capa's famous Falling Soldier was faked.

Read the fascinating detective story in the Daily Mail here and then read George Will's take on the whole issue in the WaPo here; Will writes:

Capa was a man of the left, and "Falling Soldier" helped to alarm the world about fascism rampant. But noble purposes do not validate misrepresentations. Richard Whelan, Capa's biographer, calls it "trivializing" to insist on knowing whether this photo actually shows a soldier mortally wounded. Whelan says that "the picture's greatness actually lies in its symbolic implications, not in its literal accuracy."

Rubbish. The picture's greatness evaporates if its veracity is fictitious. To argue otherwise is to endorse high-minded duplicity -- and to trivialize Capa, who saw a surfeit of 20th-century war and neither flinched from its horrors nor retreated into an "I am a camera" detachment. As a warning about well-meaning falsifications of history, "Falling Soldier" matters because Capa probably fabricated reality to serve what he called "concerned photography."

I'm still debating what side to take on the whole issue... it does seem to deflate the whole image a bit... any thoughts on the subject? Leave me some comments.

And speaking of comments, like almost everything in the nation these days, this photographic issue has become a barbarous debate between the vast right wing conspiracy and the equally vast kooky left wing nuttery. Read the WaPo's comments to Will's point of view here and have fun with the kooks from the extreme right and the nuts from the extreme left.