Kuba Kuba in Richmond: Fail!

I had heard a lot of good things about this restaurant from my Richmond friends, so a while back, while delivering some artwork to a local collector, I dropped by and had dinner.

The atmosphere is very trendy and somewhat hip, which is something different from most Cuban restaurants outside of NYC. It looked like a very cool restaurant which happened to serve (I was told) great Cuban food.

I knew that something was wrong when I was served a basket of chips and salsa as soon as I sat down.

I rationalized it as the fact that in Richmond, even a Cuban restaurant has to "normalize" and come down to the fact that a lot of people think that Mexico starts south of the border and there are no other culinary traditions elsewhere in the twenty-something other nations in the Americas... maybe they got tired of people asking for chips and salsa.

Notice to Kuba Kuba: Cuban food does not include chips and salsa... perhaps a serving of mariquitas (fried, thin chips made out of plantains), but not Mexican tortilla chips - in a Cuban cuisine, a tortilla is an omelet.

I ordered the most basic of Cuban dishes, which of course, came with the staple of Cuban food: white rice and black beans.

There is a long cultural tradition assigned to this dish, and even its Cuban Spanish name (moros y cristianos or "moors and christians") tell you something about the dish (rumored to honor the 100th anniversary in 1592 of Queen Isabella's final victory over the Moors in 1492).

I was horrified when my moros y cristianos was brought to me with the black beans piled atop the white rice.

HUGE cultural gaffe! These two parts of this key Cuban dish are always, always, always served in separate dishes and only the eater can mix them, if he/she desires to mix it.

When cooked together, a different dish, called "congri" is the result: Different dish, different flavor, different recipe.

Overall, the food was acceptable, but far from stellar or memorable, although it is probably one of the few variants of Latin American food available to Richmonders... too bad the owners (I am willing to bet they're not of Cuban ancestry) miss the rich cultural tradition that goes along with proper Cuban food.

Fail!

New Drawings

Woman Resting at Last. 4x20 inches. Charcoal on Paper, c. 2011

Woman Resting at Last. Detail
Queen of Tarts. 4x20 inches. Charcoal on paper, c. 2011.

Swinger: The Lifestyle. 36 x 8 inches. Charcoal on Paper, c. 2011

Swinger: The Lifestyle (detail).

Back Cover



Here is the back cover of my 100 Artists of Washington, DC book.

I am told that Amazon has been telling all those of you who pre-ordered the book that it will arrive to you either (1) this weekend or (2) mid August. Not sure what the deal is, but it is available now directly from the publisher and they ship it right away.

I will have 20 copies that I've ordered (and received right away) for sale at the book opening party (July 23rd from 3-5 at Conner Contemporary, RSVP required), and some of those have already been reserved, so if you'd like me to reserve one for you for the opening so that you can get it signed by the attending artists, send me an an email.

Things we see in Ebay

This seller has lucked out in discovering a trove of "after" unknown works by most dead blue chip artists on the planet.

He does state in bold words:

SELLER DOES NOT ASSUME ANY LEGAL LIABILITY OR RESPONSIBILITY FOR THE AUTHENTICITY, QUALITY, ACCURACY, COMPLETENESS, OR USEFULNESS OF ANY ITEM

I know what Richard Pryor would have said...

Goldstein on (e)merge

This city long recognized for art that is old and historic is, it appears, becoming a hub for art that is bold and new.

The WaPo's Jessica Goldstein writes about (e)merge; read it here.

Anderson's first ever painting

Bethany Beach Impressions. Watercolor on paper. 6x10 inches, c. 2011 by Anderson Lennox Campello.

Why D.C. Needs an Emerging Art Fair?

Why start a new fair for emerging art in Washington, D.C.? As collector Mera Rubell puts it, "Politics is not the only game in D.C., just like Hollywood isn't the only game in L.A. Washington spends more money on art than any other place on earth. Culture is a monster industry here, and D.C. is poised to become a powerful art destination. This city is a diamond in the rough."

As the creators of the (e)merge art fair, which will debut in D.C. this September 22-25, we believe that the nation's capital is a burgeoning market for contemporary art. In recent years, D.C.'s art community has grown and diversified, while strengthening its interconnections and forging new relationships with the business community. Along with artistic advancement, the region's private business and tech sectors have expanded. The mutually reinforcing factors of creative artistic energy, entrepreneurial innovation, and economic growth provide a stimulating environment for emerging art. With enthusiastic support from D.C.'s museums, galleries, collectors, nonprofit spaces, city officials, and residents, this event is positioned to tap directly into the region's evolution.

Read the whole article in ArtInfo here.