Kahlo at auction

This monoprint just showed up at auction - it's from 2002 and was originally sold in NYC... Good starting bid price! See it here.

Jacobson on Campello

Lou Jacobson pops in with a nice mention in the Washington City Paper of my current solo show... read it online here.

Free Online webinar

A Free Online webinar that will teach you methods to find Patrons and Sponsors for your art. You will learn how one artist got Apple Computers and Bose Sound to sponsor art work and art projects and also how individual donors and Patrons can be solicited. There is also an option to extend your education in other areas. All those who register for the free webinar get a free booklet right away on how one artist got invited to the Whitney Biennial. No Entry Fee.  

Details: http://yourartmentor.com/patronsandsponsors2

Art Scam Alert!

Stay away from this mutant trying to rip off artists!

From: Squarespace <no-reply@squarespace.info>
Date: Sun, Jun 18, 2017 at 12:45 PM
Subject: Form Submission - contact

Name: john davidson
Email Address: johndavidson5050@gmail.com
Message: Hello
Hope you are fine? Pardon my manners, i'm John Davidson from NC. You are doing a really great job in your artworks. I observed my wife has been
viewing your site on my laptop and i see she has an interest in your art piece
,well I was also amazed after seeing your various works too. I would love to receive further information about your piece of work and what actually inspires your imagination so vividly. Very much interested in purchasing a piece to surprise my wife. So kindly confirm the availability for immediate sales. Thanks and my best regards. John Davidson

Call for proposals

Deadline September 1, 2017


The Fitton Center for Creative Arts is accepting proposals in all media for solo and group exhibitions for their 25th anniversary year, 2018-2019.  A community art center on the Great Miami River in arts-driven downtown Hamilton, Ohio, the Fitton Center provides experiences in the arts through exhibitions, classes, performances and other events.  Four galleries provide 2,600 square feet of space.  Solo artists generally are asked to exhibit 10 – 30 works, depending on scale, media and available space.  They also offer group shows of existing guilds or alliances and to individuals willing to be selected into a curated group. 


For full requirements, please contact Cathy Mayhugh, cathy@fittoncenter.org or visit www.fittoncenter.org , click on Exhibitions and download the Solo/Group Show Proposal Form.  101 S. Monument Ave., Hamilton OH 45011, (513) 863-8873 ext. 122. 

Chesapeake Gallery Call for Entries 2018-2020

Deadline: August 15th, 2017


The Chesapeake Gallery at Harford Community College, located in Bel Air, MD, is inviting artists, artist groups and curators working in any medium or format to apply for their 2018-2020 exhibition seasons! Artists and/or curators are responsible for the transportation or shipping of all artwork to and from the Chesapeake Gallery.


There is no application fee or commission on sold work.


Please visit the website below for more details on how to apply!


www.harford.edu/chesapeakegallery.aspx (OR) Google Search: Harford Community Chesapeake Gallery; E-mail questions to Brad Blair: bblair@harford.edu

WaPo

Mark Jenkins has a cool review today in the Washington Post about my solo show at Artists and Makers Studios II in Rockville.

Nudes, superheroes, language, autobiography, art history and biblical tales are among “The Obsessions of F. Lennox Campello,” as summarized by the title of his show at Artists & Makers 2. Rather than pack lots of these interests within a single frame, the local artist and critic disperses them across more than 50 drawings, prints and mixed-media pieces. The individual works are often spare, with a single small figure isolated on a vast sheet of paper or a shard of broken pottery. The subjects, mostly female, include painter Frida Kahlo and Lilith, Adam’s pre-Eve gal pal (according to the Talmud). 

His technique is classical, but he sometimes incorporates a contemporary technology: embedded video. “Portrait of You” features a live feed of the picture’s viewer, and “Cuban by Ancestry, but American by the Grace of God” (seen last year at the American University Museum) chronicles his family history on a video loop. The combination of drawn and electronic images can be gimmicky, notably in a piece that places flickering video on the forehead of (who else?) Frida Kahlo. But a man who nurses so many fixations must commandeer many channels to broadcast them all.

Read the whole Galleries column here.