Monday, August 15, 2022

"Paint the Town" Labor Day show in Kensington

 I will be the judge for this year’s "Paint the Town" Labor Day Show sponsored by the Montgomery Art Association

The Paint the Town Labor Day Show is one of the region’s largest and longest-running art shows composed of all local artists. The show will be open to the public Saturday-Monday, September 3-5, and I will do both the closed-door judging and then and on Saturday, September 3, I will also judge the plein air competition and then present the awards. 


About the Plein Air Competition: As you walk around Kensington on the Saturday of the show weekend, you'll see dozens of artists painting and drawing all over town. Those are participants of the annual Plein Air Competition. From 7 am-3 pm, adults and children complete paintings with a Kensington theme and submit them for prizes awarded by me. The competition is open to all adults and children. Free for children under 18 and current MAA members; adults pay $10 per person. Registration opens July 15.

Details here.

Schedule 

FRIDAY, JULY 15: Call for entries opens (members only)

SATURDAY, SEPTEMBER 3: Exhibit floor open 11 a.m.-5 p.m. and Plein air art competition, 7 a.m.-3 p.m. -- Awards ceremony, 6-8 p.m.

SUNDAY, SEPTEMBER 4: Exhibit floor open, 11:00 a.m.-5:00 p.m. 

MONDAY, SEPTEMBER 5: Exhibit floor open, 10:00 a.m.-5:00 p.m. Pick up purchased artwork, 5:00-8:00 p.m.

Dear artists: Go to an art fair!

Many times via this blog - the 11th highest ranked blog on the planet - I’ve discussed how the the founders and organizers of a European art fair called Art Basel (which of course, takes place in Basel, Switzerland), decided to try an American version of their successful European model and started an art fair in the Miami Beach Convention Center a couple of decades ago, and they called it Art Basel Miami Beach or ABMB for short.

And I’ve also told you how that one mega art fair spawned a few satellite art fairs in Miami at the same time and how by now there are over two dozen art fairs going on around the Greater Miami area each December, and art collectors, artists, gallerists, dealers, curators and all the symbionts of the art world descent on America’s coolest hot city in December and art rules the area.

I’ve also pointed out that if you are a visual artist in 2022 and are not aware of these events, and are not trying to get there (get your artwork there is what I mean), then something really big is missing from your artistic arsenal (unless you’re happy just painting or drawing or photographing or sculpting, etc. and could care less who sees and possibly acquires your work – if that’s the case, then skip the rest of this column and more power to you!).

But, if like some of us, the commodification of your artwork doesn’t bother you, and the fact that when you or your gallery sell one of your pieces, you feel honored and pleased that someone laid out their hard earned cash to simply add one of your creations to their home or collection, then Miami in December should be in your radar.

But how to get there? The fairs are mostly gallery-based – that means that galleries are invited or juried to exhibit; not usually individual artists --- more on that later – but there are some other ways to begin to crack the Miami art fair presence, and today I want to share some of my ideas.

Let’s start with gallery-based artists.

If you are already represented by a gallery, why not discuss Miami with them? The enormous expenses associated with the art fair scene are the main reason that most art galleries do not consider them. And this is a darn good reason, as most galleries are run by the skin of their teeth and the expense associated with doing an art fair are enormous and could wreck an entire financial plan in less than a week.

But, what does it hurt to bring it up to your gallerist? Who knows where that may lead?

I am still shocked at how many art dealers are not even aware of the potential financial and exposure rewards of doing an art fair.

Let me be clear: I don't want to hype this issue as a surefire path to moving artwork. But, this much I know… for roughly the same amount of money that a gallery spends on a full page ad in a national art magazine, you can get a small booth in some of the satellite fairs and the return on their investment has a lot more avenues than taking a chance with an ad.

Gathering information is the key thing… bring the subject up to your dealer, and if they want more info, have them email me… the best thing for art is more art.

How about if you are a cooperative gallery? Why not consider applying to one of the art fairs and spreading the cost of the booth amongst the exhibiting artists? A word of warning: the better fairs are juried and that means that someone gets always rejected. But the same key that allows cooperatives to survive for decades (spread the expenses) should and must be the key to give them a presence at the art fairs!

And many, many co-ops are routinely showing now at art fairs in Miami, NYC, LA, London, Madrid, etc. The fact that they are returning to the fairs means that they’re having a positive experience there.

The look and feel of the fairs is different as well. Many of them are booth fairs – that means that a white cube booth of plain white walls, ready to be drilled and hung with art, is the main model.

Fairs such as the original Art Basel Miami Beach, Volta, Scope, Art Miami, Untitled, etc. are on this model. There are also hotel fairs. These are fairs that essentially take place in a local hotel, where the room is often emptied out and turned into a temporary gallery by the out of town galleries. The best hotel art fair in the world, according to many, is the Aqua Art Fair, held at the Aqua Hotel in Miami Beach, and having participated in it many times in the past, add my name to the list of people who thinks that this is the best hotel art fair on the planet. And at Aqua I’ve seen cooperative galleries, and universities, and artists’ leagues, etc.

A little Googlin’ of Miami art fairs (or just art fairs in general) will reveal just how many fairs there are and where.

The key thought to leave you with: think art fairs and think Miami, New York, LA, Chicago... and think of a way to get there.

Wednesday, August 10, 2022

Continuum: Artists Teaching Artists

McLean Project for the Arts to Open Continuum: Artists Teaching Artists September 16, 2022

Opening Exhibition Reception set for September 22, 2022 at 7pm 

McLean Project for the Arts will open its fall 2022 exhibition, Continuum: Artists Teaching Artists, on September 16, 2022. An invitational exhibition highlighting work by artists who give significant time to teaching, mentoring, and community-building, while continuing to sustain and develop strong and innovative personal bodies of work, Continuum will run September 22 through November 10, 2022, with an Opening Exhibition Reception on September 22, 2022 from 7-9pm. RSVP here (https://tinyurl.com/continuumreception). 

"We are delighted to bring this group together as we celebrate sixty years of exhibitions at MPA,” said MPA Curator and Artistic Director Nancy Sausser. “Each individual featured is both an amazingly accomplished artist and a beloved educator. Continuum honors their important and continuing contributions to our vibrant arts community." 

Continuum includes the work of artists and educators from most of the area colleges and universities, including George Mason University, George Washington University, Georgetown University, Northern Virginia Community College, the University of Maryland, and the Maryland Institute College of Art. Also represented are some non-profit teaching institutes such as the Washington Glass School. All of the participants are as dedicated to their on-going artistic practice as they are to their students, and vice versa. 

Continuum featured artists include: David Carlson, Patrick Craig, Robert Devers, Kate Fitzpatrick, Helen Frederick, Janis Goodman, Rene Gower, Michael Janis, Maria Karametou, Steven Prince, John Ruppert, Foon Sham, Judy Southerland, Tim Tate, Erwin Timmers, Stephanie Williams, Sue Wrbican, and Peter Winant.  

In addition to the September 22 Opening Exhibition Reception, an Artist Talk is planned for Thursday, October 13, 2022. Additional details to follow. 

The Atrium Gallery portion of Continuum will be available for viewing during McLean Community Center operating hours. The Emerson Gallery portion of the exhibit will be open for visitors Tuesdays through Fridays from 1-4pm and Saturdays from 10am – 3pm. Online exhibitions will also be available for viewing at a future date. 

Tuesday, August 09, 2022

The curious case of John Leguizamo, Fidel Castro, and Latino Horror Vacui in Hollywood

John Leguizamo, the talented Colombian-born actor who once erred about his own ancestry by claiming that he was Puerto Rican on his father's side (I wonder how his Colombian dad feels about that) and once even carried the charade as the Puerto Rican Day Parade Global Ambassador of the Arts, has an issue with the casting of the upcoming Indie film “Alina of Cuba.”

Specifically with the casting of actor James Franco to play the murderous Cuban dictator Fidel Castro Ruz. The not Puerto Rican actor writes in Instagram:

“How is Hollywood excluding us but stealing our narratives as well?” “No more appropriation Hollywood and streamers! Boycott! This F’d up! Plus seriously difficult story to tell without aggrandizement which would b wrong!” “I don’t got a prob with Franco but he ain’t Latino!” 

The "boycott" was quickly joined in by such luminaries as Nicaraguan-American political strategist and commentator Ana Navarro, and the casting made fun of by Carolina A. Miranda, a really good and influential Wyoming-born Los Angeles Times art critic.

Have not heard of anyone of Cuban ancestry complaining... cough... cough...

Background:

Ángel Castro y Argiz
Fidel Castro Ruz, known to many Cubans as "La Bestia de Biran", was born in 1926 out of wedlock in Biran, Cuba. He was the son of Ángel Castro y Argiz, an immigrant to Cuba from Galicia, the former ancient Celtic kingdom in the north of Spain, and Lina Ruz González, his Cuban-born maid who was the daughter of immigrants from Spain. 

That's Castro's father to the right and his mother to the left below.

Fun fact: A lot of Galicians left their rugged mountain villages in northern Spain and settled in Cuba in the early 1900s (including both my paternal grandparents). 

So many in fact, that Cubans routinely refer to all Spaniards, regardless of which region of Spain they come from (Andalucia, Castille, Catalonia, etc.) as "gallegos", which I suspect pisses off most non-Galician Spaniards.  

In my experience, Galicians are a very clannish people, have their own language, customs, etc. and in Cuba even their own community centers, separate from others. In Guantanamo, for example, there used to be a Centro Español and a separate Centro Gallego.

Fidel Castro as a child with his siblings
Fidel Castro as a child with his two of his four siblings

Back to the tempest of Franco being cast to play Castro in the film and not being of Latino ancestry, however widely and confusing that classification is.

Part of me understands that Leguizamo means well, but as often happens when one is too passionate about a debatable issue, he mixes apples mangoes and oranges when making this argument.  Passion is an unforgivable mistress - witness my own conversion when I complained about a Spaniard (Javier Bardem) being cast to play a Santiaguero (Desi Arnaz) - for all the non-Cubans who have jumped into this Franco boycott: A Santiaguero is someone from Santiago de Cuba, which is where Arnaz's family was from.

But distilled to the simplest fact:

  • Latinos don't get enough roles in Hollywood films
    • THEREFORE
  • ALL, repeat, ALL roles where the subject is Latino, must be cast to a Latino/a actor
    • HOWEVER
  • Latino/a actors must also be eligible to be cast to play any and other roles regardless of the racial or ethnic background of the role
A great example of the last rule is the recent (and great) casting of Cuban-born actress Ana de Armas to play American icon Marilyn Monroe - as far as I know, neither Leguizamo, or Miranda, or Navarro bitched about that.

Are Leguizamo, Navarro, and Miranda hypocrites? Maybe, but I don't think so.  What I think they are, is a combination of passionate dogma plus misguided (maybe misfired) good intentions... the alleged Leguizamo trying to pass for a boricua episode bothers me -- sort of like when H.G. Carrillo spent years passing as a Cuban.

Here are better Campello rules to achieve the same goal:

  • Latinos don't get enough roles in Hollywood films
    • THEREFORE
  • Hollywood casting must be sensitive that Latino/a actors come from every racial and ethnic background and must be eligible to be cast to play any and all roles regardless of the racial or ethnic background of the role AND should make an effort to increase Latino/a casting.
    • HOWEVER
  • The casting should go to the best actor for the role.

In this particular case, some points which destroy the Leguizamo effect:


Almost done... now for my own complaining: 

I am having a hard time swallowing an Argentinean actress (Mia Maestro) playing a Cuban woman (she plays Naty Revuelta Clews - Alina's mom - that's Naty to the left).

And Ana Villafañe (she plays Alina): I'm keeping my eye on you! You're only half Cuban! Cough... cough...

Campello out.

Monday, August 08, 2022

Toxic seeds

I hope that the future can handle the seeds planted by the Justice Department in Mar-a-Lago today.

Sunday, August 07, 2022

Paid opportunity for artists: revising the Independent Artist Award program

Paid opportunity for artists: revising the Independent Artist Award program.

Deadline: Friday, November 11, 2022

This fall, MSAC is facilitating a public-led revision of the Independent Artist Award (IAA) program, which has recognized achievement by Maryland artists making work independent of institutions or organizations. This revision effort is based on data collected since 2020 from applicants, panelists, and award winners, who have made suggestions on how to improve the IAA program’s service to the public. The next step of this process is to identify a panel of editors who will work with MSAC staff to further refine the suggestions into clear policy recommendations, which will be carefully considered as MSAC further develops the IAA program.

Consider completing an application to serve as an editor in this process. All selected editors will be expected to:

  • Become familiar with previously collected data and current MSAC efforts to support artists through the IAA program.
  • Work with MSAC staff to consider how to improve the service of the IAA program to Maryland artists in light of other MSAC opportunities, including the Grants for Artists program, set to pilot in winter 2023.
  • Participate in at least two virtual meetings discussing the above issues and developing procedure and policy recommendations for further consideration by MSAC staff, council, and Department of Commerce leadership.

What they are looking for:

Maryland artists with backgrounds in a variety of disciplines (e.g., literary, performing, visual, media, and traditional arts, etc.), or who are interested in learning how changes are considered and implemented within MSAC.

IAA winners, applicants, and panelists from the past three years are strongly encouraged to apply.

How to apply:

Click here to log in or create a free account in SmartSimple. You must be registered as an “Independent Artist” to apply to be an editor. 

Under Funding Opportunities, select "Public Call."

Select "Program Editor" from the first drop down option. 

Select “Independent Artist Awards” as the Grant Program from the second drop down option.

Click "Save Draft" at the bottom to populate the application.

Complete the application and click “Submit.”

Editors will receive a minimum of $400 upon completion of assigned tasks, with the possibility of additional compensation if more than two virtual meetings are needed.

Saturday, August 06, 2022

This morning: Art Clinic Online

On Saturday, August 6, 10:30 - 11:30am, the ACO hosts DC Digital Printer, Ric Garcia

Art Clinic Online

ZOOM Link:

https://us02web.zoom.us/j/84149389951?pwd=QkNqUU1ZMFJ5SXpSU1dFOVFTeXZZZz09

I'm  happy to announce that today's Art Clinic Online meeting is with artist Ric Garcia. 

Ric is a painter and digital printmaker with work that builds on the tradition of pop art and is infused with references to various cultures in America. These references are "a meditation about identity rather than a cultural primer." Ric’s perennial favorite is Latino culture and its consumer branded products.