Irina Lawton and Clara Young Kim at MEG

MULTIPLE EXPOSURES GALLERY

presents 

"INTERNAL LANDSCAPE"

a New Member Exhibition featuring artists
 Irina Lawton and Clara Young Kim

 

Exhibition Dates
 April 25 - May 21, 2023

Opening Reception & Artist Talk
April 29, 2023  2 - 4 pm

The Exhibition INTERNAL LANDSCAPE, a new fine art photography exhibition at Multiple Exposures Gallery (MEG), introduces Irina Lawton and Clara Young Kim, MEG's two newest members. Accomplished fine art photographers, each has a keen eye and an affinity for conveying connections between the natural world and our inner selves. Though very different in style, the duo's 23 images in INTERNAL LANDSCAPE explore these connections and bear witness to the beauty to be found in the space between inner experiences and the landscapes of the natural world.  INTERNAL LANDSCAPE is on display at Multiple Exposures Gallery from April 25 - May 21, 2023. An opening reception and artist talk will be held on Saturday, April 29, from 2pm-4pm (artist talk at 3pm). Multiple Exposures Galley is located in the Torpedo Factory Art Center, #312, in Alexandria, Virginia.

The Artists Irina Lawton Irina Lawton is a visual artist living and working in the DC Metro area. Born in Latvia and educated in Moscow, Irina’s work reflects a wide range of influences and artistic styles. Her interests include the psychological intensity of portraiture, the sensibility and pictorial aesthetics of the turn of the 20th century, and the complex political and social consequences of change in post-communist Russia. Irina’s photography across these diverse areas of interest is linked in style and method by use of multiple layers of meaning to convey a complex narrative in a single frame. Clara Young Kim Through her photography, Clara Young Kim enjoys creating and sharing moments that strike a chord in viewer's souls. Born in Seoul, Korea, Clara began her study of music at age 4 and majored in voice at Yongsei University. Today, this musical background plays a strong role in Clara's way of capturing images and moments. She believes the elements of an image, including the colors, lines, shapes, brightness, and contrast, each contain their own notes and beats. When they work together in harmony, a beautiful image and work of art results.

Copyright Law and Public Performance

WALA/GMU “Copyright Law and Public Performance" Online Fireside Chat and Legal Clinic

Tuesday, April 18, 2023
2pm

Discover what to consider when publicly performing your own work or the work of others. Explore the life cycle of a work, from creation to licensing and earning royalties. 

When do I need a license, and how can I get one? 

How do I get paid when others use my work? 

What constitutes infringement? 

… And more! 

Join the Student Advocates from the George Mason Arts & Entertainment Advocacy Clinic for a conversation with producers from Mason’s Green Machine. Event co-sponsored by Washington Area Lawyers for the Arts. 

The event will be held over Zoom on Tuesday, April 18th, from 2:00 to 3:30 EDT. Participants will be sent a Zoom link in advance of the meeting. 

Please send questions about performing works publicly in advance when registering on Eventbrite, or to legalservices@waladc.org. 

Sharing your questions in advance will help the Clinic cater to the live audience and better prepare for an active discussion. Register here.

DWIGHTMESS Opening coming up

D W I G H T MESS is looking forward to the arrival this week of their first Swekt & Drang Artist Resident, Max Huffman!

Max will be inking there at the compound in addition to conducting fellowship with area artists & cartoonists over the course of his stay.

Max is a cartoonist & illustrator based in Carrboro, NC.

Join them on Friday, April 21st from 7-8:30pm for a One-Night Exhibition of Max's work completed during his residency + Artist Talk! Free Admission!

Stay with them from 8:30-10pm for a Special Dinner in honor of the artist!

$15 for a Carnivore or Vegan/Gluten-Free home-cooked meal -- Space is limited, Get your ticket now !!

https://dwightmess.bigcartel.com/product/swekt-drang-registration

DWIGHTMESS

Cartooning & Comic Arts

805 Silver Spring Ave.

Silver Spring, MD 20912

[entrance on Ripley Street]

Art scam

I often alert readers to art scammers, those nasty trolls that prey on the good will of artists eager to make a sale. 

As soon as I out them, I often get an email or two from people who were about the ship the work to the scammer – “He paid me with an international money order” or “He paid me with several credit cards” – so how does the scam work. 

First and foremost, be suspicious of any email that comes out of the blue offering to buy your artwork (without any specificity to “what artwork”) and offering to pay for all shipping (usually overseas). Ask for a phone number to talk to the person – the scammer will usually avoid this and stop communicating. If you’ve been taken and received an international check and taken it to your bank, wait for the check to clear – not just with your bank, but also with the foreign bank where the check is drawn – that’s the usual part that bites back with fakes. 

With credit cards, call the issuing bank and express your concerns; if the emailer offers to send you several credit cards and have you run them until one clears… well then, red alert! 

Visit http://www.artscams.com for more details and info: Be aware! 

A guerrilla technique for saving money on framing costs

There are some steps that artists can take to reduce significantly the cost of framing. I will try to list the most common mistakes, how to avoid them, and more importantly, how to get your artwork framed for a lot less than taking it to a framing shop to get it framed.

Read the whole article here.

Talking To Amanda Coelho

The Chronicles of Piercing Ken was in attendance at the Spring 2023 edition of the Affordable Art Fair in New York and he stopped by the Alida Anderson Art Projects booth and talked to artist Amanda Coelho about her work.  Shot by site founder Ken Pierce with the Canon Powershot! See it here.

The $200,000 Capital Art Prize

I first offered this idea in 2003 - it was completely ignored! I've updated it a little for 2023.

The Universities

There are several important, major universities in and around the DMV area. In most cases each is working, as most universities do, their own, individual visual arts exhibition program, which is normally mix of exhibitions by their students, faculty and invited artists.

Almost without exception there is very little coordination between the different venues, which in some cases boast some of the nicest exhibition spaces in town. This is not unusual, as I imagine that in most cities this is also the same case, as the focus of the university gallery is in fact the university.

And here is where we can make a major change, and use the extraordinary resources afforded to our area by these venues, and their academic standing, to help Washington expand its worldwide visual art standing.

What we need to happen is for one of the local university art school chairs, or college deans, or even university gallery directors, to take the initiative to start coordinating a joint effort to create one annual combined, joint exhibition that synchronizes a focused exhibition that is spread throughout the Greater Washington area.

Imagine a national survey of art, with a good title and perhaps even a good, donated chunk of money as a prize. Say we call it “The Capital Art Prize” (OK, OK we’ll have to work on the title) and because good ideas sometimes attract funding, maybe we can convince a major local company like Lockheed Martin, or AOL or Booze Allen and Hamilton, or (be still my beating heart), The Washington Post, or Amazon, to help fund it on an annual basis.

This synchronized event can be modeled somewhat on what the Whitney does, but better. The Whitney Biennial’s Achilles heel is its over-reliance on hired curators. Unless an artist lives and works in NYC, LA or SF or is already in the local radar of one of the curators for that particular year, chances are slim to none that the artist will come to the attention of those Biennial curators. Hence great art and potentially great artists may be ignored.

In addition to the use of invited curators, also imagine that this event puts forth a national call for artists, independent and museum curators, schools, art organizations and galleries to submit works for consideration. Send us your slides, CD ROMS and photographs (and a self addressed, stamped envelope for their return) your images online.

Anyone can submit and in a fair selection process, since art is truly in the eyes (and agenda) of the beholder, anyone can be selected to exhibit. A truly American concept for a national American art survey that will leave the Whitney and other continental Biennials in the dust.

And because the exhibition venues are spread around the capital area region, in galleries at Georgetown, George Mason, George Washington, American, Catholic, Howard, University of Maryland, Montgomery Community College, Northern Virginia Community College, and the many others I am sure to be forgetting momentarily, we could put up one of the largest, most diverse, and influential American art surveys in the nation.

This will take a lot of work to set up initially, as one key university person needs to take the lead and emerge from the pack of largely unknown, anonymous group of academics currently running our area’s university art programs. On the other hand, this could be an exhibition that can and will put names and faces on the international art world map, much like the Whitney Biennial sometimes elevates its curators a notch above the rest

Some universities will resist, as the easiest thing to do is to do things as they have always been done, and not really create “new” work. But given that a strong leader among our academic community emerges and takes the lead for this idea, then even if we start with a set of four or five venues, in a joint, coordinated effort, others will follow.

This will not be an easy job to do, and as it grows, so will the bureaucracy around it. But starting it up will be the hardest part, and as momentum grows, things will become easier. Whoever, if anyone, takes this idea and runs with it, will face many huge obstacles and many negative people. He or she will need to convince other university/college gallery directors to participate. They in turn, will have to convince their superiors, who will, in turn have to approve (and perhaps help kick-start the funding) the joint project.

This leader will also have to coordinate the approach to get a local giant to fund this effort, but I suspect that once he/she/them has aligned a few colleges and universities, this may become easier (it’s never easy) as the “buzz” and need for the event develops.

This is all a lot of work, and initially, until a bureaucracy is established around the annual event, many, many volunteers will be needed. I hope that some of these can be drawn from the school’s student body, alumni who are artists, and other local artists, much like Art-O-Matic draws from the collective muscle of our area’s significant artist population.

Our area universities and colleges already have significant media resources at their disposal, to help spread the word. They run school newspapers, radio stations, etc. and also provide a constant flow of new blood to our major mainstream media.

The goal (or perhaps “the dream”) would be a national level survey of art, which may look, review and/or jury the work of maybe 50,000 artists around the nation, and select perhaps 100 each year, showcase their work around a dozen academic galleries, and award a $100,000 $200,000 cash award as the Capital Art Prize, plus various other awards (Emerging Artist, Young Artist, etc.). Art of a nature and scale that will attract visitors to the university galleries, attention to our area, piss some people off, excite others, create interest, discussion and buzz around Washington and our art scene.

There’s nothing more empowering than an idea whose time has come.