Showing posts sorted by date for query wake. Sort by relevance Show all posts
Showing posts sorted by date for query wake. Sort by relevance Show all posts

Wednesday, April 05, 2023

The wake effect

If you read this blog regularly, then you know what I mean when I talk about an art fair's "wake effect."  If you don't, then read all about it here.

And the wake effect just resulted in another sale for the immensely talented prodigy named Dora Patin as "New Journey" is heading to a private collection in Philadelphia after a Philly collector discovered Patin's work at the Affordable Art Fair NYC last week.


My advice: Buy Patin now!

Wednesday, September 28, 2022

Another child art prodigy? Yawn. Wake me up when one of them paints the ‘Mona Lisa’

... But one thing I do know: Every few years, a child artist emerges from obscurity, hailed as a pint-sized Pollock or Picasso. Far too young to have attended art school or to have studied anything about the history of art or the development of abstract painting, the child emerges from diapers, allegedly, as a fully formed abstract artist.

Each origin story is similar to the next: The child started painting as a toddler, they need a step stool to reach the top of the canvas, their parents are perplexed by all the attention and worried it will be harmful to their emotional development. Until, that is, it becomes clear that people pay money, lots of it, for this sort of novelty. Then the parents reluctantly allow the child to keep working … and keep selling.

Read the opinion piece by Robin Abcarian here.

Sunday, September 06, 2020

Art ethics in the Age of Google

Today is my birthday!

I started to sell other artists' works while I was an art student at the University of Washington in beautiful Seattle. As I've noted many times, while I was there, I sold my own works at the Pike Place Market, helped to start a Student Art Gallery, and helped to connect buyers with some of my fellow artists. Then in 1996, my then wife and I opened the Fraser Gallery in Washington, DC and subsequently a second Fraser Gallery in Bethesda, Maryland. I left the Fraser Galleries in 2006 and the same year Alida Anderson Art Projects, LLC was created in Philadelphia, and in 2009 moved to the DC region, where it remains.

In all those years I've worked with hundreds and hundreds of artists, and I can count in one hand the number of artists whom I would call unethical due to their behavior in a business gallery relationship. I thank my lucky stars for that, but I also think that a vast majority of artists, for whatever artistic genetic reason, are good people.

But we are humans, and in any "industry" there are also bad apples, and my own 2-3 bad experiences with artists, plus the dozens of anecdotal stories from other dealers all add up to the fact that just as there are some unethical galleries, there are some unethical artists.

The art fairs' paradigm gives these artsy deviants a powerful new way to use their lack of decent ethics.

As I've noted before, for your average, independently owned, commercial fine arts gallery, signing up to go to an art fair not only opens up the gallery to a whole new set of predators in the art fair scene, but also requires a significant financial environment, which, if not returned by sales at the fair, often causes a gallery to close its physical space.

Most good, ethical and decent art galleries are more often than not run by the skin of the dealers' teeths, often financed at times by Mr. Visa and Mr. Mastercard, and nearly always a labor of love on the part of the owners.

You drop $10,000 to $35,000 bucks on an art fair, and come home with little or no sales, and an empty bank account... that often means that it's lights out for the gallery. I've seen and heard this happen multiple times in the decade that I've been doing art fairs.

As I've also noted before, there is a curious after effect to art fairs; I call it the "wake effect."

A ship leaves a wake on the ocean as it moves through the water; that wake can sometimes be hundreds of miles long and discernible for days.

I define an art fair's "wake" as events that happen days, weeks, and even years after an art fair has taken place.  These events can be sales, exhibition offers, curatorial interest, press, etc. The "record" for this is currently held by DMV area artist Judith Peck, who was approached by someone who saw her work at a Miami art fair years ago and later got in touch with Peck. As a result of that fair years ago, Peck made a sale, and was also included in an art exhibition in Puerto Rico.

That's a heck of a long-assed wake!

The wake effect is important and nearly always present after a fair closes. It is part of a gallery's business prayer plan to survive the economic investments in attending an art fair.

In the Google age, the art of buying a piece of artwork has been Googlified and in any art fair one sees a huge number of people taking photographs of the art being exhibited (a tiny minority of these photographers ask permission first... cough, cough...) and then (here comes the "new" part) they take a close up of the wall text card with the name, price, media and title of the piece.

Potential collectors, art students, art teachers, other gallerists, and nearly every fair visitor from the People's Republic of China does this - it happens in every art fair.

Within minutes, a potential buyer can then Google the artist, even the piece, discover related works, other dealers representing the artist, etc. Minutes later, direct contact with the artist often begins, closely followed by emails to other dealers and/or the artist requesting price quotes and availability.

Some of this is very smart, as there are unethical art dealers who inflate artists' prices at art fairs in order to then offer huge discounts to potential buyers. An ethical buyer armed with good information is an informed buyer, and ethical art dealers have nothing to fear when dealing with them.

Approaching an artist directly undercuts the gallery's investment in the art fair and in promoting the artist's work. However, one can make the case that some novice buyers do not understand this relationship and thus their "direct" approach to the artist, rather than working with the gallery where they saw the artist's work, can be somewhat excused and attributed to a simple lack of understanding... cough, cough.

Experienced collectors who know and understand the commercial fragility of most art galleries, and how the artist-gallery relationship generally works, and yet bypass a gallery and go directly to the artist, should know better, but what can I say?

I know that this happens because I am nearly always one of the artists being exhibited at the fairs, not only by AAP, but also by multiple other art galleries in multiple art fairs. And I get emails from people who tell me that they "saw my work at the such and such art fair and love it" and want to know "what else I've got?" or what's "the best deal" that they can get on this or that piece.

I also know this because I've had our represented artists pass the emails back to us; this is what an ethical artist must do.

Our contract sets an arbitrary time limit on how long a commission exists after an art fair for a direct sale made by the artist as a result of someone seeing their work at the fair. It is all on an honor system, and I am happy to report that as far as I know, no one has ever screwed us out of a single shekel in "wake effect" sales.

I also know this because I work with multiple other galleries, some of which represent the same artists whom I work with, and they too understand the "wake" effect and let us know that someone has been requesting price quotes on an artist that we share.

Enter the unethical artist.

By know I am sure that you know where I am going... The unethical part comes when an artist is approached directly by someone, during or after an art fair, and associates the query with "seeing the art at such and such art fair..." and the artist does not pass the contact to the gallery and makes an independent and direct sale and excludes the gallery from its fair commission (pun intended).

Or the artist is suddenly approached directly by someone, during or after an art fair, and that someone is from the city/area where the fair is being/was held. And the artist does not pass the contact to the gallery and makes an independent and direct sale and excludes the gallery from its fair commission (pun intended again).

Real life example: A gallery exhibits artist Jane Doe in an art fair in Santa Fe. It is the first time that this artist has been exhibited not only in Santa Fe, but also the first time that Jane, who lives in Poland, has exhibited in the USA.  Suddenly Jane begins to get direct queries from people who live in New Mexico.

Hai Capito?

Thursday, December 05, 2019

Pulse opening night!

I wake up... I look out onto the Caribbean from the amazing 16th floor of Bel Aire on Collins Avenue... I take a pic from my phone.

Soon I am on the trolley on the way to Pulse... getting ready for the VIP opening... some good breakfast goodies, mimosas, champagne, slim Cuban-American girls in impossibly high heels, handsome young men in high water skinny pants and lots of art collectors!

On the trolley I make a meme out of my photo.


The fair doesn't disappoint! The aisles are crowded and I break the ice almost immediately with a sale of one of my Bisque drawings on unfired Bisque.

Soon, that installation of multiple pieces has lots of holes in it, and by noon I've sold almost twenty pieces.


During the VIP opening... the DMV's uberartist Akemi Maewaga comes by, as she has for may years!

The Lenster, Tim Tate and Akemi Maewaga
Later that night, after the fair closes... I head out and have dinner of great Cuban food at Las Vegas Restaurant on Collins Avenue... ropa vieja makes a great end of the night!



Thursday, October 18, 2018

Bad glass juju?

I ask the question because I got some bad juju going on today...

My day started at 0545 with my Blackberry (yes, I still use a Blackberry, and I believe that President Obama and I are the last two users left on the planet) vibrating in its alarm mode to wake me up gently without waking up the other sleeping members of the Campello household.

I reached over rather quickly, as I always do, in order to attenuate the device, as the vibrations eventually shift into a rapidly escalating "Sunrise" music if the person being woken does not pick it up and turns the alarm off.

As I did, I accidentally hit the glass of water that I always have by my bedside, and which is usually a plastic glass, in case I knock it off in my groggy state, and it falls on the floor. The problem is or was, that last night I had a glass made out of real glass.

The fall from the night table to the wood floor usually wouldn't break a tempered glass like this solid one was, but the laws of Murphy took over and the glass, full of water to the brim, took a trajectory between the night table and the bed itself, and its edge managed to hit the metal edge of the undercarriage of the bed itself.

Luckily, it a good tempered glass, and it only broke into 347 pieces instead of a million shards, while at the same time, and in defiance of nearly every physics laws of any planet with significant gravitational pull, soaked the side of the mattress.

It also made a lot of noise.

"Mom?", came Anderson's concerned voice from his nearby room, now awoken by the noise and slightly alarmed. He has been well trained, and only calls on Mom if there are any issues during lights out operations in the Campello household.

"It's OK honey," responds my wife's fully awake voice, not the usual early morning, vocal-fry voice, "Daddy dropped his glass of water... go back to sleep."

"Good luck with that," I say softly (very softly) to myself softly as I wander into the bathroom to grab a towel to soak up the water off the wooden floors and scoop up the broken glass before anyone steps on that. Ten minutes later the floor has been taken care of, and in somewhat of a miracle, not a single shard of glass has made its way to my hands.

A quick shower and I'm ready to head out. 

As today is the day that I pick up Anderson from school, and take him to his swim practice. Since while I'm there I usually spend that hour surfing the net on my iPad, I grab my iPad, my WiFi device, my Blackberry, a bag of nuts, his giant-assed backpack full of his swimming gear, three slices of cheese, a little plastic container with some leftover chicken, my water bottle and my car keys.

Should have made two or three trips, because as soon as I get to the van and start unloading, I drop not the WiFi device, nor the Blackberry, or bag of nuts, or his giant-assed backpack full of his swimming gear, or any of the three slices of cheese, or the little plastic container with some leftover chicken, or the water bottle, or the car keys.

Nope, I dropped the iPad, which of course, and as designed by Apple, does a perfect corner landing which results in multiple cracks across the surface of the device.

Hey! I'm still not mad - but now I'm aware that shit like this comes in threes... so Lenny is gonna be super alert this morning while driving on the beltway as I head north towards a Maryland fort named after a Union general, but I'm not naming names in case NBC alleges that I'm heading to someplace named after a Confederate general, if any of those still remain.

I get to my destination safely, and once in the nice office, I log into my computer, get distracted by something on TV about some lady with a lot of names who's been busted as a leaker at the Treasury Department, and my screen saver times out. Now fully distracted and not as wary as I was just 30 minutes earlier, I absent-mindedly, and for the first time that I can recall, ever... ever... type the wrong password into my system, which immediately locks me out, as I have it designed to allow only two tries, beacuse the Lenster never fucks up his password.

Until today, that is.

Now I need to go to the IT gods to get help, and thus I start that trek, now slightly wary once again of the way events are turning out this morning - it's not even 9 o'clock yet, but I'm back in DEFCON 3, just in case.

I get my computer unlocked rather easily by a nice IT guy who looks to be about 12, and breathe a sigh of relief - crap like this comes in threes, and in my mind the three bad things had already occurred and the kid is home free.

Not so fast - you see, there were two "glass" things (the glass of water and the iPad glass screen), so in reconstructing what happened next, it is clear that another "glass" thing was in storage.

Ready?

There is some kind of code in Montgomery County that dictates that floor levels between doors have to be even and have some sort of ramp if the floor descends on the side of the door that opens. This is clearly not the case (or it is not enforced) in Anne Arundel county. How do I know that? Because as I was leaving this building on a side door, on the other side of the exit door, there was a lower floor which descended a full human step.

As if that was not bad enough, as I stumbled upon the unexpected drop, there was a well-worn furniture dolly on the floor... right in front of where my foot, or anyone's fucking feet coming from the other side of the blind door, as it opened towards the lower level floor, would land.


 Notice that I described it as "well-worn", as this is important to the series of events which took place next. The dolly's protective carpet edging around the corners were all but gone after many years of service... nothing at all like the image to the left - but nothing but sharp wooden corners at the edges.

Someone was either moving in and out, and (I think) the dolly was being used to help carry some loads from the edge of the door to the sixteen milimiters to the double glass doors leading to the steps which descended to the street in front of this building's side entrance. And someone had left it right in front of a door that opens towards that area, with a blind drop of eight inches or so.

I accidentally stepped onto the empty dolly, which lurched forward as my momemtum was progressive (cough, cough), and I lost my balance. I managed to grab the door push-bar and did not fall, but the dolly shot forward towards the double glass doors.

Normally, those doors would have been closed, and normally, a carpet-edge-protected dolly would have just bounced off the thick glass doors, and normally - even if well worn and sharp as these dolly's corners apparently were -- chances are that the dolly would have struck the door on one of its sides, rather than a sharp corner - a 50% chance to be exact.

Even if a dolly's sharp corner struck the glass dors while the doors were closed, the incidence angle would most likely just cause the dolly to bounce off the doors... the double glass doors.

However, in this case, whoever was the Einstein who was moving in or out -- and whom had left the fucking dolly on the other side of a blind-opening door which descends onto a blind step -- was in the process of coming back into the building. And he had just pulled one of the glass doors towards him, so when the dolly (now at a perfect 45 degree angle of incidence), struck the glass door (also at a perfect and no longer perpendicular or horizontal angle, but perfectly angled to receive the sharp corner in the most destructive manner angle posible) was hit, it shattered into a perfect cobweb of fisures threatening to explode into a burst of broken glass.

I know it was him, because he was carring a medium sized box - certainly not dolly-worthy, but maybe he had more boxes coming, although it seemed to me (in retrospect) that this Einstein should have placed the dolly (if he was moving in) on the other side of the door and thus the higher step level!

And thus, in the precise timing sequence that I step on the dolly, and it goes flying forward, and Einstein opens the glass door, and the dolly smacks the glass door and shatters it, a third actor enters the stage, as another twenty-something gent is coming up the steps, absorbed in something important going on in his phone, and not looking at the Keystonian (reference to Keystone Cops for you Millenials - look it up) comedy developing in front of him.

And he was coming up the steps and the dolly was flying down the steps, having bounced off the glass door, and now looking for more victims.

And phone boy, of course, now steps on the descending dolly and goes lurching slightly forward -- and his phone goes flying south and lands (on its corner of course), not on the soft grass that cover 75% of the area in front of this entrance, but on the 25% cement sidewalk, which - as we'll find out soon - shatters the phone's glass screen... cough, cough.

Did you notice that I wrote that phone boy went "forward"? This is important to the story, because some part of phone boy - not sure which - then hits the shattered glass door, which, up to this point has valiantly been holding all the shattered glass within the frame of the door, as a good, well-tempered glass was designed do.

But upon being hit a second time, the glass door lost its temper and exploded into a trillion pieces, covering both Einstein and phone boy in glass shards.

"Are you guys OK?", I ask, truly concerned about these two young guys, and somewhat impressed that Einstein didn't drop the box that he was carrying during this whole sequence.

"My phone!!!!", screams phone boy in horror looking at his empty hand, apparently not caring that he's covered in glass. He looks around, sees the phone on the sidewalk and runs towards it.

"What happened?", asks Einstein slightly dazed, and certainly confused. "The door just exploded...", he adds.

"Somebody left a dolly on the other side of that door", I point out to him, and stop there. I can see that he's reconstructing the incident in his mind. "Are you OK?", I ask him. He nods - not offering any more contributions to the conversation.

I walk over to phone boy, and ask him the same question. "My phone!!!", he responds in agony.

Later on, it dawns on me that - technically, if you count his phone - four "glass" incidents have happened today.

I hope that the bad juju is over for the day... although my lower back is feeling a little tender after that "funny" step onto the dolly.

And it's still morning...

Monday, October 15, 2018

Superfine DC coming!

Art fairs in cities across the world continue to remain as one of the key components of the planet's cultural tapestry, with Art Basel Miami Beach (ABMB) still holding the title of the "big dance of the art world" each December in the Greater Miami area.

Other cities around the world, London, Toronto, Madrid, Capetown, Frankfurt, Basel, Buenos Aires, etc., all host and have really good art fairs as well, and many American cities - besides Miami - also host excellent fairs, most notably New York, Chicago, Los Angeles, Seattle, Houston, etc.

And yet, in spite of several attempts by art fair world giants such as the Art Miami group, and by ubercollectors such as Mera Rubell, the DMV's attempts to enter the art fair circuit have failed. Here's my review of the 2008 attempt by Art Miami to start a fair in DC.


It's a paradoxically confounding issue! After all, according to a recent poll, the DMV has the planet's second highest concentration of multi-millionaires, so the disposable income is present in the Greater DC area and surrounding counties (six of the top 10 richest counties in the United States are in the DMV). 

Thus it is a fact that although the money is here, as anyone who's ever tried to sell a piece of art in the area knows, the collectors themselves are far and few in between, and a significant number of the 125,000 millionaires who (according to Census figures) live in the DMV region do not generally buy artwork with the same zest and zeal that they obtain giant mansions in Potomac, and ride around in huge SUVs, or expensive weekend motorcycles.

Why? Because to a certain extent, many of them lack the "formation" (as a Communist would say) to really understand, appreciate and know the difference between a "picture" and a work of art.

It's not that they are stupid or uncultured - after all, most of them are first generation, self made "progressive" men and women, often from blue collar backgrounds, and who worked their way up the capitalism food chain and made themselves what they are today.


Savvy businessmen, too many sharp lawyers, brilliant computer geeks, enviable technocrats - and all with little, if any, exposure to the arts in their upbringing, and more importantly, exposure to the availability of the arts. The last due to the exceptional apathy that our local DMV media has towards the visual arts.

We also have a really good art scene, mostly centered around the many museums which we're lucky to have in the area - mostly all "national" museums, which sucks for DMV artists, since they seldom pay attention to their own backyard, but a lot of museums nonetheless. We also have a lot of great art programs, since we're surrounded by dozens of world class Universities and colleges in the area with terrific art programs. 

We also have highly attended and highly ranked outdoor art festivals - most notably in Bethesda and Reston, and the Artomatic open show draws as many as 1,000 artists and 75,000 visitors!

Our area also has the lowest unemployment rate in the Universe.

All of those things are ingredients which would lead one to think that an art fair would do well around the DMV.

No one has cracked that nut yet, and if you are a constant reader of this blog, then you know that (since I have been participating in art fairs for well over a decade now), I have often offered advice via this blog on how to stage a potentially successful art fair in the DMV. You can read some of that advice, given 10 years ago here.

Art fairs are a huge financial risk to art galleries - You drop $10,000 to $15,000 bucks on an art fair, and if you come home with little or no sales, and an empty bank account... that often means that it is lights out for the gallery. I've seen and heard this happen multiple times in the decade plus that I've been doing art fairs.



What are the art fair costs? There are direct costs and associated costs.

Direct costs are:
(a) Cost of the basic booth
(b) Cost of additional booth stuff (extra walls, extra lights, storage)
(c) Some fairs have a "shared" advertising cost

Associated Costs are:
(a) Cost of required insurance
(b) Cost of transportation of the art. If using own vehicle, then also cost of parking it and gas
(c) Cost of people transportation to the fair, food and hotel, etc.

Bottom Line: Commercial galleries take huge chances at art fairs. My very first art fair all-around cost was about $8,000 over a decade ago in New York - all that was charged on the gallery's credit card and we held our breath while at the fair. We sold about $30,000 worth of art, and thus after commissions to the artists we cleared $15,000 and paid off the credit card, and then had $6,000 to put towards the next art fair fee. 

I can count on one hand the number of times that we have ever sold that much art in any gallery art show in the DMV; and as a reference, I've had a physical brick-and-mortar gallery here of one sort or another since 1996 and through 2009. 

Since those galleries closed - the last one in 2009, three years after I left it, and we went virtual, we've focused on art fairs and done OK - and art fair prices kept going up, and up.  The last art fair that we did in Miami last summer cost over $60,000! It was a giant booth... too big!


But, in the 21st century, doing art fairs is a "must do" not only for independently owned commercial fine art galleries, but also for any and all other genres of visual art spaces (non profits, artists cooperatives, art leagues, art schools, etc.).

What's in an art fair for the artists?



Usually a lot more than for the gallery. I will repeat this: just as often, an artist reaps more good things out of an art fair than the gallery does.

These things include:

(a) Exposure to more art collectors, curators, press, etc. in a few days than in years of exhibiting art around the DMV. You will see more people in 4-5 days than in five ten years at a gallery in the DMV.

(b) Exposure to other galleries who may be interested in your work. I have multiple examples of this - Just ask DMV area artist Judith Peck what has happened to her career once she started showing at art fairs.

(c) A significantly higher chance of getting critical press, as art fair openings are a magnet for nor only the usual press, but also for every other scribe who has anything to do with writing about art.

(d) A significantly higher chance of getting your work noticed by both freelance and museum curators. The chance of getting your work noticed by a DMV museum curator is probably worse than the chance of winning the lottery. Most DMV area museum curators (AU's Jack Rasmussen being the brilliant exception) would rather take a cab to Dulles to fly to Miami to see emerging artists' works at Miami fairs than taking a cab to see a gallery show in Georgetown.

(e) Being part of the art fair "wake effect" --- Read about that here.

(f) A much better chance to getting invited to participate in other shows such as university shows, themed-shows, group shows, etc. Ask Virginia artist Sheila Giolitti about that, or (now) Ohio artist Audrey Wilson.

Twice in the last five or six years I've been retained as an advisor to two giant international art fair conglomerates which were exploring the DMV as a potential site for expansion.

I was pretty brutal with them on the negatives (which I'll gladly expand on upon demand, but most of which have been documented here in the nearly two decades that this blog has been documenting the DMV art scene), and the many great positives, as well as what I thought was the secret code to break the art fair losing streak of the DMV.



Enter SuperfineDC! In their own words:

The Art Fair DC Deserves Arrives This Month

Fun, approachable, and chock full of art by local and global emerging artists, Superfine! DC descends on the capital from October 31st to November 4th for a fall art spectacular the likes of which the District has never before seen. The art fair that's built its chops in New York and Miami by serving up a clear, transparent, new art market friendly to both long time collectors and people interested in art who've never purchased a piece before is bringing its unique formula to DC's Union Market, and you'll never experience art the same way again.
Over 300 visual artists from DC and beyond will present new contemporary artwork throughout 74 curated booths, and with price points beginning below $100 and 75% of works available below $5,000, you're certain to discover the perfect piece for your castle or cottage. Join us for a chic sneak peek Masquerade Vernissage opening on Halloween night, or indulge your inner child with artisan scoops by Trickling Springs Creamery at our Young Collectors' Ice Cream Social on Friday 11/2. From panel discussions with local art luminaries to art movie nights and VR experiences, Superfine! DC has Washingtonians covered as your own local, global art fair.

2018 EXHIBITORS

HEARTLANDIA

Cindy Lisica Gallery | Houston, TX
Monochrome Collective | Washington, DC
Most Wanted Fine Art | Pittsburgh, PA
BoxHeart Gallery | Pittsburgh, PA
Antieau Gallery | New Orleans, LA
ArtShape Mammoth | Burlington, VT
Pure Artistry Works | Philadelphia, PA
Walton Gallery | Petersburg, VA
Sean Christopher Ward | Wichita, KS
Gallery O on H | Washington, DC

CENTER STAGE

Zenith Gallery | Washington, DC
Touchstone Gallery | Washington, DC
Vox Populi Print Collective | Madison, WI
European Design & Art LLC | Miami, FL
Art Village Gallery | Memphis, TN
XOL Gallery | Baltimore, MD
glave kocen gallery | Richmond, VA
YNOBE DNA Gallery | Miami, FL
Gallery Orange | New Orleans, LA
RoFa Projects | Potomac, MD
Foundry Gallery | Washington, DC
Adah Rose Gallery | Kensington, MD
Susan Calloway Fine Arts | Washington, DC

FOTO KAIP-SOOL

Jeremiah Morris | Mount Crawford, VA
Lori Cuisinier | New York, NY
Alexandra Aroyo | New York, NY
The 36-24-36 Project | Brooklyn, NY
James Miille | Brooklyn, NY

ARTIST PAVILION

Brooke Rogers | Ocean City, MD
Julio Valdez | New York, NY
Svetlana Nelson | Madison, AL
Daniel Stuelpnagel | Baltimore, MD
Rogelio Maxwell | Washington, DC
Virago | New York, NY
Bruce McGowan | Montreal, Quebec, CA
JJ Galloway | Annapolis, MD
Deming King Harriman | Brooklyn, NY
Noel Kassewitz | Washington, DC
Kelly Moeykens | Washington, DC
Olan Quattro | Washington, DC
Fei Alexeli | Thessaloniki, Greece
Mary Westphal & Armand Fogels | Alexandria, VA
Susan Hostetler | Washington, DC
ALIGUORI | Fort Lauderdale, FL
Jaclyn Mottola | New York, NY
Emma Repp | Seattle, WA
Sheila Cahill | Washington, DC
Hannah Sarfraz | Gaithersburg, MD
Diana Contreras | Miami, FL
Brianne Lanigan | Arlington, VA
Brendon Palmer-Angell | New Orleans, LA
Dennis Crayon | Washington, DC
Julie Christenberry | Washington, DC
Joseph Meloy | New York, NY
Sarah Magida | Baltimore, MD
Scott Hutchison | Arlington, VA
Chaney Trotter | New York, NY
Joseph Shetler | Washington, DC
Aaron Patton | Wichita, KS
Stephen Perrone | Sylvan Beach, NY
Christine Ruksenas-Burton | Stone Ridge, VA
Sonja Rohde | New York, NY
Wayson R. Jones | Brentwood, MD
Michael Heilman | Alexandria, VA
Helen Robinson | Brooklyn, NY
Sarah Jamison | Washington, DC
Colleen Garibaldi | Washington, DC
Adam Chamy | Washington, DC
Steve Wanna | Mount Rainier, MD
Rod Webber | Boston, MA
Kathryn Jane Leung | Manassas Park, VA
D'Arcy Simpson | Hudson, NY
Will Superfine DC succeed? I hope so!

October 31 - November 4, 2018
1309 5th St NE
Washington, DC 20002

All the details that you need are here. Disclaimer: My own spectacular work will be exhibited at this coming fair by Zenith Gallery.

Tuesday, December 26, 2017

The "wake effect"

The "wake effect" from CONTEXT Art Fair as these two sculptures by Audrey Wilson just got acquired a couple of days ago by a major Miami art collector and now they're heading back to Miami for good!


@contextartmiami @contextartfair #contextartfair

Thursday, July 20, 2017

The curious case of Porter Airlines

The Lyft driver arrived a few minutes early, and I was glad, since I am one of those worry worts who's always at the airport two hours early. Since this flight was an international flight... well to Canada anyway, but America' s hat is still an international flight... and because D.C. area traffic is always a challenging variable, I was aiming for a three hour window to Dulles.

We arrived there in plenty of time, and the ride also offered Anderson and I the opportunity to study the massive concrete bunkers being built for the Metro extension to the airport. 

"Won't the Metro trains smash into those wooden fences?", asked Anderson pointing out the temporary fences on the elevated platforms. Once I pointed out to him that they were not permanent, he observed that in the future he could brag that he saw the Metro extension being built,  maybe when they were "falling apart (in the future)."

With this dark foretelling in the air, we breezed through airport security and headed to our gate. Our flights were on Porter Airlines, a Canadian company, and one which was new to me. The flight was scheduled to depart at 2pm, and thus we had over two hours to lounge around in iPad crack house. 

About an hour into the wait, a Porter flight crew arrived. At first I thought that they were our flight crew, but quickly discovered (they sat around us, so I could hear their conversations) that they were a crew which was being returned to Canada, and were thus flying as passengers.

Porter Airlines flight attendants are a throwback to 1960s stewardesses. Not only in appearance, but also in demeanor. The little round, cocked pillbox hat, always at a rakish angle, a pleasant visual surprise.

But this was a full flight, and it was clear (from the conversation) that the four crew members had consumed the last open seats, but were one seat short. As departure time approached, the begging began for someone to trade their seat for a $300 (soon to be escalated to $400) voucher and a ticket on the next flight at 4pm something.

No one bit and no one accepted the offer. From listening to the returning crew conversations, I think that what happened was that this returning crew was being sent home early as they were needed in Toronto to fill in for another crew. But this flight was almost full, and Porter was one seat short. 

The passengers, as usual, were a diverse group, with a lot of Canadians clearly returning home, a lot of Muslim families (women in hijabs, men in western clothes), and  a lot of American tourists. I say tourists because I suspect that nearly all of the Clinton voters who threatened to move to Canada if Trump won are either already there making trouble for Trudeau, or reneged on their self-exile promises.

But no one took the offer.

As 2pm passed, the offer turned into a threat to having to kick someone off the flight. An intrepid ticket holder pointed out that, because this was an international flight, the kicked out person would be owed $1000 dollars - "US not Canadian," noted the sudden sea lawyer.

I don't know how this issue was resolved, but eventually we were loaded into the Bombardier Q400, a handsome Canadian-built prop plane, and at around 2:30 or so, we began to taxi to the departure runway. 

15-20 minutes later, we were still in taxi mode, when the pilot announced that we were going to be waiting for a few minutes because a storm was approaching. As the temperature outside was in the high 90s, and the air conditioning in these Bombardiers apparently doesn't kick in unless the engines are full on, it was really super hot while we waited.

Soon the pilot announced the real bad news: all flights had been grounded due to the weather, and he had to turn the engines off to save gas. "We missed our escape window," I thought, thinking of the 30 or 40 minutes wasted trying to find the Porter crew one last seat.

Over three hours later, and two engine starts and stops to cool off the broiling plane, we began the trek back to the terminal. "The company," noted the pilot," feels that in view of the weather, it is best to return and wait it out at the terminal."

As we approached the terminal, another 10 minutes expired in our precious time window to make our connection in Toronto (we were heading to Halifax), but with a sigh of relief... three things happened.

First, the pilot noted the bad news that there were no open gates available to disembark; and I wondered why that wasn't coordinated before he started heading back to the terminal and lost his place in the departure line. Then he announced the good news that we had been given clearance to take off! The mysteries of 21st century travel decision-making gather another set of examples.

Lastly, using my cell phone I noticed that the airline's website noted that our connecting flight had been also delayed as Porter tried to make time for connecting passengers to arrive. "The company," once again noted the pilot, "is fully aware that there are a lot of you making connections!", he reassured us.

Another precious 15 million minutes passed as we made our way back to the runway, having lost our place in line, and finally became airborne. The irony of the case of the kicked out passenger doesn't escape me. He/she was now probably on the runway line, just a few minutes behind us, with a voucher of either $400 or $1000 bucks in hand -  if the airport lounge sea lawyer was correct.

Once airborne, Porter's wonderful throwback status is confirmed when the crew starts passing out free snacks, free drinks, free wine in real glasses, and free Canadian beer, an awesome Steam Whistle Premium Pilsner!

We landed in Toronto at Billy Bishop Airport - a cool, over the water landing, and because of the connecting flight's own delay, making the connection was still a possibility. Hope hung thick in the air.

But the plane stops before it reaches the terminal and the pilot comes on again. "Folks," he says in that voice that all pilots on the planet seem to share, "we're gonna have to wait a few minutes while they make a gate available to us, as they're all full."

40 minutes later, we deplane. We actually descend down a ladder and walk to the terminal gate, and I wonder why we needed an "open" gate... since we landed near a gate and then walked to it. Couldn't two planes, properly spaced, share a gate, since he passengers are walking to it on the ground? but who's gonna argue with Airport logic.

And then we zipped through Canadian customs, and walked and walked to our domestic gate, hope still alive. As we had cleared customs, I had informed Anderson that we were now "officially" in Canada. He misunderstood my meaning and runs back to the other side of customs, and yells: "Now I'm back in the USA!" The customs officers give him a dirty look and shoo him away.

Arrival to the security area for local flights reveals the fact that we had missed our flight. "Took off about 8 minutes ago," we were advised. All those minutes, in hindsight wasted on the taxi runways of Dulles, and then waiting to deplane in Toronto, have come back to bite us in the ass.

Somehow, by accident, I managed to jump the rapidly growing line of disgruntled passengers waiting for the airport Porter staff to assist them. "You've been booked in the 10 am flight tomorrow," advised the nice and very, very young Porter lad assisting us. "Can you put us in a hotel?", I asked. He picked up the phone and began to talk to someone whose job is clearly to say no.

"It was weather related," he advised. We were on our own, Porter was under no obligation to pay for a room, or assist in any way.

Finding the exit was not an intuitive task, and we decided and then followed signs simply marked "Toronto"  (not "airport exit") and walked and escalated what seemed miles of electric stairs and moving platforms, where Anderson wanted to race me as they were pretty empty of people for some odd reason. 

I don't trust free airport WiFi and thus I turned on my own WiFi jet pack and begin to search for a hotel room. A few minutes later, an alarmed text message comes across my WiFi jet pack: I have just exceeded $50 of data usage! We quickly also discovered that this weekend there's some sort of Grand Prix race in he city, and thousands of racing fans have booked most hotel rooms; and things begin to look bleak.

With the assistance of an outfit called Airport Accommodations, who first informs me that all the discounted rates for stranded passengers have been booked already, I grab the first available room - about $200 at the Comfort Hotel Downtown and grimace as I turn my jet pack back on to book an Uber, as there's no Lyft in Toronto.

Billy Bishop Airport is a very cool small airport, and in spite of the seemingly endless miles of moving walkways (there's a tunnel between the airport entrance building and the departure areas), once you get your bearings, quite manageable. The entrance is literally in the city and you can essentially walk out the airport building, cross the street and have a kabob or a pizza or check into a hotel... if any rooms were available, that is.

20 minutes later, in a nice ride through this most beautiful and architecturally eclectic city, we arrive at 23 Charles Street East. The Uber driver has free candy and gum and bottled water in his car, so Anderson naturally loves him!

Five stars!

The hotel in under construction... "This is a spooky place," notes Anderson as we make our way to room 703. It is not that bad actually... and there seems to be an interesting decor idea aimed at using bare plywood as a decor focus - on purpose! The furniture in the room, the shelves, the tables... but I also notice the nice walk-in shower and the rainfall water faucet.

We leave our luggage in the room, chat a little on the phone (95 cents a minute) with a very alarmed mom waiting for us in Halifax, and head out into downtown Toronto, past 9pm, to get dinner. 

The giant TV in the room hasn't gone unnoticed, and Anderson asks if we can bring our food back to the room and watch TV while we eat. The little guy has been a trooper through the day's saga, and so I agree, hoping that his mom will never find out, and yet fully knowing that he'll rat me out as soon as we get back with her in Halifax.

A wonderful two or three blocks of a gritty neighborhood greets us - ethnic, tiny restaurants of all ancestries dot the streets, a cigar shop boasting that they specialize in Cubans, a Hemp shop... tons of hipsters trying to look like seedy characters and beautifully adding visual spice to the area, impossibly slim-as-rifles young girls doing selfies in front of the Biscuit Lane sign in front of our hotel entrance, and a few hookers here and there.

My mouth waters at the ethnic restaurant offerings... but we need quick and fast and take out... so we end up at... sigh... Popeye's.

Anderson gets nuggets and Mac 'n Cheese as a side. I get chicken wraps and coleslaw.... I let him fill his included drink with Sprite, hoping that he doesn't rat me out for that as well... but he will.

On the walk back I convince him that the only reason that I let him have Sprite is if he doesn't give me any grief over taking a shower. To my surprise, he agrees; there will not be war over a shower tonight.

Back in the room, we discover that there isn't a single kid show at 10pm, and the smart TV's YouTube channel is too difficult to navigate with the remote control, and so we quit attempting boobtoobing while we eat. He also doesn't really like the Popeye's chicken nuggets because they're "covered in granola." I point out to him that it is not granola, but the battle is lost immediately.

I grimace as I log on to the hotel's free WiFi, fully knowing that millions of viruses and malware may be lurking in the RF, and we FaceTime with the still very alarmed mom - after all, Anderson has been under my tutelage now for nearly three days!

The shower goes unexpectedly easy; he loves the rainfall and demands and gets more shower time.

Afterwards, I use the hotel surprisingly nice minty lotion to rub his back and legs and arms... good trick for putting a kid to sleep. We unpack his "guys", which he meticulously counts, and he hits the sack. He reverts to being a little boy in a strange city and strange bed, and asks me to "snuggle with him a little," which I do. A nanosecond later he's asleep.

Outside, loud drunks are clearly having an open door party in the next room, and I push away the temptation to join them... and the partying goes on until three am or so, but, once he's asleep, nothing disturbs Anderson short of a small nuclear device going off nearby. I don't really mind the partying noises, other than some guy with a disturbing cough that would eventually keep me awake; he really should get that checked.

I shower in the glorious rain shower and once again grimace as I re-join the hotel's free WiFi (did I say earlier that these are generally a breeding ground for Malware?) and schedule an Uber for 7am the next morning. The flight is at 10am, but the hotel's Russian-accented check-in girl has planted fear in my heart about getting to the airport in less than an hour. "With all the people leaving the city for the weekend," she advises, "and with all the race fans..."  I wonder why the weekend exodus wouldn't be a Friday start like everywhere else, but her warning resonates in my pedantic, "never be late for anything" Navy training.

I sleep haphazardly, jealous of Anderson's deep sleep, and wake up half an hour before the alarm - another Navy trait. 

Shit, shower and shave (still in Navy mode here); wake up the little guy; He brushes his teeth, and I get him packed and dressed in record time. Just before we leave the room, I ask him to go pee one last time, but he says he's good, and we are downstairs and ready for Freddy by 6:55am, which is when Anderson tells me that he needs to use the bathroom.

Since the lobby is under construction, there's no bathroom, and thus the nice man at the desk gives our room keys back and we trek back to our room, where the little guy does his business and we're back waiting for Uber in no time.

The hotel has apples, and muffins, and yogurt and some bars at a breakfast bar, and I stock up for the flight as the little guy scarfs up a muffin.

Uber arrives, nice man from India with a cross hanging from his rear view mirror. He tells me that when his wife was about due, they drove to the US so that his son could be born in the US and be a dual citizen. The kid is now a sophomore at university and studying Math. I heave an internal sigh of relief, as we really need more American math majors.

In spite of the hotel clerk's warning, there is no traffic, and we arrive at the empty airport two and a half hours before the flight. We had been issued new boarding passes the night before and thus we head directly to the security check, which is blissfully empty. We load all of the carry on stuff onto the conveyor belts, take the iPads out, remove all contents from pockets, and since in Canada the boarding pass check is apparently done there, we hand the security lady our boarding passes; she scans them and it beeps red.

Oh, oh.

She directs me to run back to the Airlines ticket check-in counter and tell them.... since it is still deserted, and since the counter is about 20 feet from the check point, she tells me to leave all the stuff on the belt, leave Anderson there, and go get new boarding passes.

"I will keep an eye on him," she says in a Russian accent, and I notice that her name is Irina.

I run back to the counter... by now some passengers are beginning to trickle in... but I explain the situation and jump to the head of the line. After some conversations between two airline agents, they issue me new tickets and I run back to Irina at the security check.

I hand the security lady the new passes; she scans them in... and they beep red again. By now there are 3-4 people, and their carry-ons... behind us, waiting for the luggage and scanning to get through the security check point.

The puzzled security lady then abandons her station and runs, with my tickets, to the airline counter. I apologize to the people waiting behind us, and it becomes clear to me why the TSA does this part "ahead" of this conveyor belt X-ray part.

Irina returns with new tickets; they scan green, and everyone is happy; she rocks!

When we get to our gate, to my surprise, I discover that Porter Airlines has a very nice waiting lounge, fully equipped with free bottled water, espresso, latte, regular coffee, etc., Walker's Scottish pure butter shortbread, and granola! And real dishes and coffee cups with saucers! The seats are comfortable and padded, and electrical outlets are all over the place, and there are several cleaners constantly picking up coffee cups, dishes and cleaning up.

Porter gets some props back.

I also discover that there are multiple flights earlier than our 10 o'clock flight heading to Halifax. Since we're there two hours early, I inquire to see if the nice airline lady can get Anderson and I on an earlier flight. She looks, but tells me that none of the flights have two available seats.

I sigh, but have to listen to her logic, and walk away. Subsequently, flight after flight departs for Halifax, and I notice a curious and repeating thing: in every departing flight,  as the plane, visible from the waiting lounge, gets loaded with passengers, there are calls for multiple passengers who have not boarded.

"... this is your last call," warn the loudspeakers, "plane doors are about to close." After the second occurrence of this, I approach the airline lady once again, and ask if my son and I can board the plane instead of the missing passenger, since there are empty seats now, and leave in the earlier flight.

Some airline logic dictates no, and flight after flight leaves on time with missing passengers and empty seats while we wait for our 10 o'clock flight.

Our flight, of course, leaves late... but Porter Airlines has free beer and wine. Anderson could care less, he's in iPad heaven, and I've packed plenty of good things for him to chow down on. Seated in front of us is a mother, traveling alone with three children of varying ages and dispositions, and I marvel at her kid-handling skills. Whoever you were, Canadian super mom, I tip my hat to you.

There's a stop in Montreal, or was it Ottawa? no change of planes, but we have to move seats, and thus we relocate two rows behind... airline logic again.


The flight to Halifax is without incident, we scarf up the free snacks, juices and beer, and we finally arrive, a day late and around $400 less, to one of the most beautiful places on the planet.