Little Junes in New Orleans

Ooops!

A new "forever" stamp that was supposed to show the Statue of Liberty actually features a replica outside a Las Vegas casino...

Read all about it here.

Copyright Workshop

Do you have creative work that you'd like to copyright? Come learn about the basics of copyrights at this presentation and Q & A session from the Washington Area Lawyers for the Arts.

Tuesday, April 19, 2011 - 7 pm
Copyright Basics Workshop at Finnegan

Registration required - so register here.

Opportunities for Artists

Deadline: April 30, 2011.

Call for Entries: The Graceful Envelope Contest - Artists everywhere are invited to participate in the 2011 Graceful Envelope Contest, conducted by the Washington (DC) Calligraphers Guild under the sponsorship of the National Association of Letter Carriers.

There is no entry fee.

This year's theme is "Time Flies," so design an envelope that explores good times, quality time, the times of our lives, time travel, or any other idea you have time to develop.

Address the envelope artistically to:
The Graceful Envelope Contest
Washington Calligraphers Guild
P.O. Box 3688
Merrifield, VA 22116.

This is the contest's 17th year. The Smithsonian Institution's National Postal Museum created and administered it until delegating responsibility to the Washington Calligraphers Guild in 2001. The National Association of Letter Carriers exhibits the winners, which are also exhibited online at www.calligraphersguild.org. The complete Call for Entries (including categories for children) is posted on the Washington Calligraphers Guild website or you may contact contest coordinator Lorraine Swerdloff at swerdloff@gmail.com.

Check's in the mail

Being one of the lucky 53% of Americans who actually gets the honor to pay federal income taxes, I mailed my check today and tip my hat to the 47% of you who actually pay no federal income tax.

Having paid income tax since my very first job ever at age 13 (after school vacuum cleaning several stores along Pitkin Avenue in Brooklyn and also cleaning their bathrooms after they closed), I've managed to pay income taxes every year since that year and this past year was the most brutal tax year ever for me, even out-shocking last year's eye opener of a tax burden.

I'm one of those persons who is a social liberal and a fiscal conservative.

As such, it has also always escaped me the fairness of having about 1% of US households pay about 40% of all taxes collected in this nation and the other top 9% of US households combine to pay almost 75% of all taxes collected.

The reason that most European nations and especially the new democracies from the former Soviet empire adopted either a flat tax system or a Value Added Tax (VAT) system is simple: "It's simple!"

Every nation in Europe that I've lived in had a flat tax, except for the UK, which has a VAT (17.5%).

But here, the tax laws are so complex, and the loopholes so many, and the tax load so disparate and so huge, that we need an army of IRS folks to enforce them and an even bigger army of accountants and lawyers to interpret them.

Makes my head hurt; check's on the way.

Call to Latina Artists

Deadline: April 19, 2011, 5:00 PM PST.

The National Hispana Leadership Institute is having a call for Latina artists for their upcoming Art Contest. The National Hispana Leadership Institute (NHLI) invites Latina artists nationwide to submit artwork (in all media including paintings, sculptures, photography, etc.) that celebrates Latinas/Hispanic women.

NHLI – a national 501 (c)(3) organization based on Washington, DC – was established in 1987 to "address the under representation of Latinas in the corporate, non-profit and political arenas." NHLI will use the winning image to promote the 2011 Executive Leadership Training Conference and Mujer Awards Gala to be held November 3-4, 2011 at the Wilshire Grand Hotel 930 Wilshire Boulevard, Los Angeles, CA 90017. The Conference Theme is “Latinas Connecting Across Generations, Reaching New Heights”. NHLI will credit the artist in promotional materials during and after the conference included but not limited to: 2011 Mujer Award poster, award certificates, program cover, bags, mouse pads, annual report, and NHLI note cards. For any additional questions, please contact Victoria Morillo, Victoria@nhli.org, or please call: 703.527.6007.

Two Days Only: Sketchbook Project

Over 700 D.C. area artists participated in the Sketchbook Project (more on that number later) and it's coming to the DMV:

On April 15th & 16th, Hillyer Art Space is collaborating with Transformer and the Brooklyn based Art House Co-op to host The Sketchbook Project for two days in our gallery space. This exhibition is taking place in conjunction with Transformer's SKETCH exhibition (on view in April and May), which focuses on artistic development and the creative process and features the work of 16 Washington D.C. artists working in a variety of mediums.

The Sketchbook Project is a touring library and exhibition which features nearly 10,000 sketchbooks by artists from a variety of artistic backgrounds and nationalities. Each artist included in the project was given a brand new 5½" x 8½" moleskin sketchbook and requested to fill it with art demonstrating their own individual style and creative eccentricities.

The sketchbooks offer unique insight into the artistic process--echoing Process: Reaffirmation's focus--and work with one another to form a fascinating, fun exhibition. Audiences are invited to peruse over the inspiring books to their hearts' content!

I have something to confess. Back when I was first invited to participate in this, I thought that this was such a great idea that I couldn't resist adding my own twist to it and now there are 11 sketchbooks in that collection which have been created by yours truly as I took this brilliant opportunity to use the project as a means to explore the artists whom I could have been.

11 sketchbooks under newly minted names and personnas. A wide open opportunity to create 11 visually independent projects which are secretly tied to each other by a very simple clue in each work in the sketchbook.

And not all of them are DMV-based addresses, and the Three Faces of Eve become the Eleven Artists Within Lenny Project.

Go see this show! International Arts & Artists, 9 Hillyer Court NW, Washington, DC 20008.

Cell phone blues

I've left my cell phone very far away; it is being returned to me, so meanwhile, if any of you have been calling me... now you know.

Call for the Release of Ai WeiWei

Ministry of Culture of the People's Republic of China
(Minister Mr. Cai Wu)

On April 3, internationally acclaimed Chinese artist Ai Weiwei was detained at the Beijing airport while en route to Hong Kong, and his papers and computers were seized from his studio compound.

We members of the international arts community express our concern for Ai’s freedom and disappointment in China’s reluctance to live up to its promise to nurture creativity and independent thought, the keys to “soft power” and cultural influence.

Our institutions have some of the largest online museum communities in the world. We have launched this online petition to our collective millions of Facebook fans and Twitter followers. By using Ai Weiwei’s favored medium of “social sculpture,” we hope to hasten the release of our visionary friend.

Sign the petition here.

Artists' Talk

Time: Thursday, April 14 · 7:00pm - 10:00pm
Location: National Museum of the American Indian
Rasmuson Theater
4th Street & Independence Avenue, SW
Washington, DC

Global Africa: Kehinde Wiley

The Global Africa series presents international artists who are engaging with Africa in their work. New York-based artist Kehinde Wiley talks about his portraits of contemporary urban African, African-American, and Afro-Brazilian men in heroic poses. Painted in the style of Old Master portraits, these works reveal aspects of urban identity around the world. Wiley focuses his discussion on his World Stage: Lagos-Dakar series and his recent portrait series of African footballers from the 2010 World Cup.

A conversation between Wiley and internationally renowned Washington D.C.-based Nigerian artist Victor Ekpuk follows the artist’s discussion.

Victor Ekpuk is one of the 100 artists in the 100 Washington, DC Artists book.

Brilliant Opportunity for Artists

Deadline: May 2, 2011

This has got to be one of the more interesting call for artists ever, and I think that my good bud "Oil Can" Cudlin had something to do with it:

So the very fair Helen Allen is jurying a show at AAC, and the deadline is less than 4 weeks away, so apply now.

Allen is the creator and former Executive Director of the Pulse Art Fairs and current partner with Leigh Conner and Jamie Smith for sure-to-be-amazing upcoming (e)merge art fair in Washington, DC.

The show she's jurying for AAC is titled "Planning Process," and it asks artists to submit images of studies or preliminary drawings alongside images of finished works.

The call is open to Mid-Atlantic artists working in any and all media, provided there are 2-D studies of some sort involved. Painting, drawing, sculpture, installation, performance, video (storyboards!)... all of it qualifies for this very clever and intelligent call.

Download an application form here. I've already submitted my proposal, and I think that I've got a pretty good one, so you better start using your brain before you apply... because you're competing with The Lenster...

Whoever came up with this concept idea: you did good!

Sketchbook Project

Over 700 D.C. area artists participated in the Sketchbook Project (more on that number later) and it's coming to the DMV:

On April 15th & 16th, Hillyer Art Space is collaborating with Transformer and the Brooklyn based Art House Co-op to host The Sketchbook Project for two days in our gallery space. This exhibition is taking place in conjunction with Transformer's SKETCH exhibition (on view in April and May), which focuses on artistic development and the creative process and features the work of 16 Washington D.C. artists working in a variety of mediums.

The Sketchbook Project is a touring library and exhibition which features nearly 10,000 sketchbooks by artists from a variety of artistic backgrounds and nationalities. Each artist included in the project was given a brand new 5½" x 8½" moleskin sketchbook and requested to fill it with art demonstrating their own individual style and creative eccentricities.

The sketchbooks offer unique insight into the artistic process--echoing Process: Reaffirmation's focus--and work with one another to form a fascinating, fun exhibition. Audiences are invited to peruse over the inspiring books to their hearts' content!

I have something to confess. Back when I was first invited to participate in this, I thought that this was such a great idea that I couldn't resist adding my own twist to it and now there are 11 sketchbooks in that collection which have been created by yours truly as I took this brilliant opportunity to use the project as a means to explore the artists whom I could have been.

11 sketchbooks under newly minted names and personnas. A wide open opportunity to create 11 visually independent projects which are secretly tied to each other by a very simple clue in each work in the sketchbook.

And not all of them are DMV-based addresses, and the Three Faces of Eve become the Eleven Artists Within Lenny Project.

Go see this show! International Arts & Artists, 9 Hillyer Court NW, Washington, DC 20008.

Photogs at BlackRock

Since I had something to do in getting this show together, and these are some very talented camera wielders:

The three photographers exhibiting in the BlackRock Gallery this April give new perspectives to the everyday by layering images and creating intriguing multi-faceted art. The work of Alexandra Silverthorne, Erin Antognoli, and Beamie Young will be exhibited through April 30 with a free artists reception tomorrow, Saturday, April 9 from 5:30 to 7:30 p.m.

Alexandra Silverthorne uses the camera as a means to understand and explore spatial environments and encounters. As projects evolve, her photographs often move beyond the mat and the frame to become sculptural objects, projections, and installations. Current projects include the examination of conceived, perceived, and lived space, instinctual explorations of architectural structures, and nocturnal documentation of unfamiliar landscapes.


Her current project A Building In Which... is a photographic series that systematically explores the perceived physical structure of each room in a house. “Through the layering of multiple perspectives, the photographs create a visual record of the room while escaping singular concepts of time and space. Simultaneously, they mix the narrative of the house with the narrative of its residents to depict a unique, intertwined history,” said Silverthorne.

Originally from Washington, DC, Alexandra Silverthorne graduated from Connecticut College with a major in Government and minors in Art and Philosophy and from Maine College of Art (MECA) with a Master of Fine Arts. In 2003, Silverthorne co-founded Panorama Community Arts with the goal of providing art experiences to all residents of DC. Through this she taught workshops in photography, ceramics, and mural painting to youth and elderly in Washington. Since 2010, she has taught undergraduate darkroom photography courses at American University and the University of the District of Columbia as well as additional courses through MECA’s Continuing Studies program. In 2009, Silverthorne co-initiated the MFA Alumni Residency Program at MECA and currently serves as the Residency Coordinator.

Silverthorne received a fellowship to travel to Hiroshima and Nagasaki, Japan for the 2004 annual World Conference Against A&H Bombs. She has also received several grants from the D.C. Commission on the Arts & Humanities as well as one from the Puffin Foundation. Her work can be found in the permanent collections of the John Wilson City Hall Building in Washington, DC and the Smithville Mansion Gallery in Eastampton, NJ. While she is based in Washington, DC, she can often be found zigzagging her way around the East Coast. For more information on Silverthorne visit: www.alexandrasilverthorne.com

Beamie Young embraces the technological advances of photography. “As an artist, I have been creating photographs for the past 36 years. My evolution as an artist parallels my professional development. In the past, I had darkrooms both at home and work. Today, I use my digital camera and Adobe Photoshop in both locations,” she said.

Young said she enjoys capturing unique colors, patterns, reflections, and light. “It is my hope that my images speak for themselves. I hope to share with the viewer a sense of wonder of the natural world and of the beauty that surrounds us, sometimes found in the most unexpected places,” she said.

Young has worked as a photographer and visual artist for the National Institute of Standards and Technology for the past 30 years. Recently, she said she has been working with High Dynamic Range (HDR) photography. “This technique allows me to create images with more detail in the highlights and shadows with almost surreal color saturation.”

Young is a member of the National Association of Photoshop Photographers and a Webmaster and Newsletter editor for The “Frederick Camera Clique” a photography club in Frederick MD. In 2010, she was awarded the Vincent Versace Award for Photographic Excellence. More information on her photography can be found at beamie.smugmug.com.

“By over overlapping multiple images in a single frame of film, I am unable to make connections that are not otherwise apparent, and was unable to uncover a spirit in a city that I initially viewed as cold, corporate, and soulless,” said Erin Antognoli. “I use my Holga camera as a way of digging deeper beneath the surface of my environment,” she said.

Upon moving to the Washington, D.C. area, Antognoli said she was challenged with taking photos in an environment that was completely foreign. She used her high tech camera with little success, and decided to go back to basics and use her Holga camera to take photos in the city. “The camera itself is incredibly simple – plastic, very few controls, and prone to irregularity. This method of making images placed much more of the emphasis on my own mind, for I have to decide what I want to say and how I want object to relate to each other, and then figure out how to translate that vision to film with minimal technical options,” she said.

“This process inevitably forced me to become more intertwined with my own environment, for I am taking the time to look for objects and shapes and textures that strike me, and might compliment each other well when overlapped in a frame. During all this. I found myself becoming more in tune to and comfortable with my surroundings while making my images,” she concluded. For more information on Antognoli visit: erinantognoli.org

Airborne

I'm heading down to Bailey's home turf as the family and I will be in New Orleans for the weekend as the Professor is presenting a paper at some conference in the Big Easy.

Tap Project

The UNICEF Tap Project celebrates the clean water we enjoy on a daily basis by encouraging supporters to give this vital resource to children in developing countries. UNICEF has saved more children’s lives than any other humanitarian organization, and UNICEF is committed to doing whatever it takes to achieve the goal of reaching the day when ZERO children die of preventable causes.

On Sunday, April 17, 2011, the UNICEF Tap Project DC campaign will be hosting a FUNdraising event to raise money for the UNICEF Tap Project with an extra raffle donation for UNICEF’s Japan relief. Purchase a ticket to paint your own umbrella and help UNICEF provide clean water to kids around the world!

They supply the materials and mission, you supply the vision! A $40 ticket (one umbrella and up to 4 artists) will provide a child with clean drinking water for 4 years!

To learn more about the world water crisis visit uniceftapproject.org for more information.

Perfect example...

The current candidates for President in Peru are a brilliant example of the cultural sillyness of the term "Hispanic" or "Latino."

Running for that Spanish-speaking nation's top office are Ollanta Moisés Humala Tasso - an indigenous Peruvian from one of the Native American tribes of that nation.

Also former president Alejandro Toledo, and lawmaker Keiko Sofía Fujimori Higuchi, a Peruvian lawmaker of full Japanese ancestry and daughter of former Peruvian President Alberto Fujimori, and lastly former prime minister Pedro Pablo Kuczynski.

Humala, Toledo, Fujimori and Kuczynski... all good Hispanic names... Humala is expected to win, but I'm betting on Fujimori.

Call for artists

Deadline: Wednesday, May 18, 2011

Public Talk: Monday, April 18, 2011, 4‐6pm with Alyson Baker, Executive Director, Socrates Sculpture Park and Dan Steinhilber, 2010 Public Art Residency Artist, at the WPA Office at 2023 Massachusetts Ave. NW.

Washington Project for the Arts (WPA) and the DC Commission on the Arts and Humanities (DCAAH) have announced the 2011 Public Art Residency (PAR) Program, in partnership with Socrates Sculpture Park (SSP, the Park) in Long Island City, NY.

Now in its second year, the PAR Program is designed to instruct and inform artists about practical and conceptual issues related to the creation of public art. Through this program, artists will learn the fundamentals of developing a proposal for public
art work, identifying sources for materials and funding of projects, and access a support network for technical assistance and future opportunities related to creating and presenting art in the public realm.

One artist who resides in the District of Columbia will be selected to receive a two month paid residency and exhibition opportunity at Socrates Sculpture Park. The work will be exhibited under SSP’s “Open Space” program from September 10, 2011 to March 2012 (exact end/deinstallation date to be determined and agreed upon by the artist and SSP). Once the exhibit has ended, the artist will re-fabricate or re‐install, in Washington, DC, the work made through the residency. The artist will be required to give a public presentation about his or her residency experience and may also be asked to advise WPA on other public art initiatives.

Details here.

I think this is supposed to be a joke...

In reaction to the Paul Gauguin masterpiece at the National Gallery of Art that was attacked last Friday by yet another idiot, the very weird article "Three Works at the National Gallery We’d Have Defaced Before Gauguin" is a post in the Washington City Paper where CP art critics Kriston Capps, Jeffry Cudlin and John Anderson each pick a work of art at the National Gallery of Art they'd rather see "defaced."

I know these three guys, and I think that this is supposed to be an attempt at humor... but from reading the comments, it seems that a lot of readers missed the joke and some of the words in the article read to me as contemptuous (or as commenters noted) "openly hostile", and as "stuffy cultural elitism."

Apparently, the LA Times didn't think it was a joke and they write:

If she is deranged, one wonders: What is the excuse for the Washington City Paper, which Tuesday published a story with the headline "Three Works at the National Gallery We’d Have Defaced Before Gauguin"?

The alternative tabloid proceeded to "recommend" three works in the museum's collection more suitable for trashing than the Post-Impressionist picture, which is on loan from New York's Metropolitan Museum of Art to a popular traveling exhibition. One of the three writers even explains, "Actually, I've been defacing a work of art very subtly since September last year," claiming to regularly add colored pencil marks to a Sol LeWitt wall drawing at the museum.

So, dear readers... what do you think? Should these erudite and gifted writers hang up their Onion-wanna-be aspirations? or is this just a case of the WCP's "inject irony into everything" approach?

Personally I think that these three guys are pretty good art critics and really suck as comedy scribes.

And by the way, I know John Anderson well enough to know that he would never, ever actually deface any artwork, no matter how much it sucks.

And my good bud Jeffry Cudlin responds here.

When tyrants rule...

The Chinese artist Ai Weiwei, who disappeared into police custody in Beijing after he was arrested on Sunday while trying to board a flight for Hong Kong, is a fully 21st-century figure, global-minded, media-savvy, widely networked. He is also the embodiment of a cultural type, largely unfamiliar to the West, that dates far back into China’s ancient past.

Read the NYT article here.

Wanna go to a Bethesda opening this Friday?

Friday 8 April from 6-9PM.