Fun with Alan Alda

Evidence of Time Travel!!!

What is Andy Garcia doing in the background of this very early photo of the Cuban tyrant and mass murderer Fidel Castro? When this photo was taken, Garcia was four years old!

Cough... cough....

Need help? Seek help (for artists)

The New York Foundation for the Arts (NYFA) and the Robert Rauschenberg Foundation partnered to offer a new medical emergency aid program for artists. The one-time Rauschenberg Emergency Grants will provide visual and media artists and choreographers with up to $5,000 to cover a number of unforeseen medical expenses. 

There is no deadline; applications will be accepted and reviewed by the panel on a monthly basis beginning in late May/early June 2020. 

Info here.

Help for artists in need

Need Assistance? Seek help!

The Haven Foundation provides financial assistance up to  $10,000 to artists who have a health crisis; grants are one-year, and the financial amount provided is to the discretion of the Foundation. Grants can be renewed up to four more years, with a supplemental application. Read the guidelines for application here.

Financial Help for Artists

As the Wuhan Virus spreads - if you need help: Seek help!

Colorado-based Artists' Charitable Fund assists American visual fine artists (painters and sculptors) living anywhere in the United States by paying a portion of their medical/dental/eye-care bills. For example, the Fund has purchased a wheelchair, paid for eye surgery, provided funding for an artificial leg, paid partial medical expenses of several artists who have cancer, as well as other needs for medical assistance. 

Call for Art – Mythos

Deadline: April 26, 2020

Exhibition Dates: August 1 – September 13, 2020. 
Reception Date: Friday, August 7, 2020 • 7-9pm • Gallery Talk at 8pm. 
Juror: Dr. Michele Greet, professor of modern Latin American art at George Mason University and director of the Art History program. 

Target Gallery invites artists working in all visual media to apply to Mythos, an all- media group exhibition that presents work by artists who illustrate contemporary interpretations of mythology, folklore, and legends. This exhibition takes the symbolism and allegory of mythology and recontextualizes them in terms of current perspectives. 

Apply Now: https://torpedofactoryartcenter.submittable.com/submit/161279/mythos-at-target-gallery  

See Prospectus at: http://torpedofactory.org/wp-content/uploads/2020/02/Mythos-Prospectus.pdf 
 

Call for Solo Exhibitions 2021

Deadline: April 5, 2020

VisArts invites artists working in all media to apply for 2021 Solo Exhibitions in the Gibbs Street Gallery, Common Ground Gallery, and Concourse Gallery. 

Exhibitions in each of the galleries explore the breadth of contemporary art featuring emerging to mid-career artists. Exhibits reflect a wide range of media and experimental approaches that offer the viewer unexpected interactions with art. 

The Gibbs Street Gallery is approximately 1,100 square feet with 16 ft. ceilings. It is on the street level with floor to ceiling windows along one wall. International, national and local artists are welcome to apply. 

The Common Ground Gallery is located on the second floor and is approximately 300 square feet. Artists must live in the Mid-Atlantic region to apply for a solo exhibition in this gallery. 

The Concourse Gallery is located on the second floor and is approximately 500 square feet.  It has curved windows along one wall. International, national, and local artists are welcome to apply. 

Applicants who have participated in a solo exhibition at VisArts within the past two years are not eligible to apply. 

All application materials must be submitted online through our website no later than 11:59 pm EST on 04/05/2020. 

Click here to submit: https://visarts.submittable.com/submit/153616/call-for-solo-exhibitions-2021

Nubes Lloronas

The owner of this 1979 painting has it for auction - it is part of my Cuba series from the 1970s.

The words on the island say: "Cachita, si puedes tu con Dios hablar, preguntale si sabe como me duele el alma, al sentir las nubes llorar... Llenas de tristeza, cuando sobre mi pasan al viajar..." which in Spanish means: "Cachita, if you can talk to God, ask Him if he knows how my soul aches when I feel the clouds cry... Full of sorrow, when over me they pass in their travels..." Cachita is the Cuban nickname for the Virgin of the Charity of El Cobre, the patron saint of Cuba.

See it here: https://www.ebay.com/itm/303508749926

Isla Abandonada

Artwork finds its way to a home 39 years later - this 1979 work done at the University of Washington School of Art in Seattle in 1979 is now heading to a loving collector in Hialeah, Florida!

"Isla Abandonada (Abandoned Island)"
Oil and Acrylic on Gessoed Board, 8x10 inches, c.1979

Call for artists

APPLICATION OPEN FOR JEWISH VISUAL ARTS EXHIBITION CURATED BY ORI SOLTES

Application is live for artists to submit for inclusion in a visual arts exhibition considering the issue of Authenticity and Identity. What makes a work of art Jewish? What makes an artist Jewish? Any artwork relevant to the topic may be included. 

The exhibition will be held at Adas Israel Congregation, curated by Ori Z. Soltes.

Curator Ori Z. Soltes is a professor of Jewish Civilization at Georgetown University. The former director and curator of the B’nai B’rith Klutznick National Jewish Museum he is co-founder of the Holocaust Art Restitution Project and author of numerous books and articles including Tradition and Transformation: Three Millennia of Jewish Art & Architecture; Fixing the World: Jewish American Painters in the Twentieth Century; and The Ashen Rainbow: the Arts and the Holocaust. The exhibition is directed by Robert Bettmann.

View the online submission at: https://authenticityandidentity.submittable.com/submit

The exhibition will be on display May 6 – June 2, 2020

Submission is free.

Artwork of any type may be submitted for consideration, including paintings, drawings, prints, photographs, digital media, sculpture, and more.

Artists may submit more than one item for inclusion, up to 4 pieces.

Artwork does not have to be newly created to be submitted.

Artists, collectors, gallerists, and estates, may submit artwork for consideration.

Selected artwork must be delivered to the site ready for hang, and picked up promptly post-exhibition.

The exhibition will occur at Adas Israel Congregation in the Cleveland Park neighborhood of Washington D.C., 2850 Quebec Street NW DC.

The application period opens February 10 and will close March 20, 2020.

Selected artists/artwork will be notified by April 10, 2020.

The exhibition is produced in a partnership between Adas Israel Congregation and the Jewish Artists of the National Capital Region and through funding from the DC Commission on the Arts and Humanities. Adas Israel Congregation is the nation’s largest conservative synagogue, a vibrant, dynamic, multi-generational community that offers access to Jewish life for people of all backgrounds. For almost 150 years Adas Israel Congregation has been a flagship synagogue in American Jewish life and that tradition of leadership and excellence continues. The Jewish Artists of the National Capital Region is a community of area artists working to enhance the capacity of Jewish artwork to inform, inspire, and educate, and is supported in part by Hazon’s Hakhel Intentional Community incubator program.

Bummerooni!

Dear Local Writer,

On behalf of the Bethesda Urban Partnership and the 2020 Essay Contest jury, I would like to thank you for entering 2020 Bethesda Essay Contest. Our jurors truly enjoyed the opportunity to read work from a vast selection of area writers.

We received over 200 entries and while we appreciate your writing, your work was not selected. We thank you for your interest and hope you will consider applying to next year’s Essay, Short Story and Poetry competitions when a new panel of judges will select the winners.

If you’d like to join us to hear some of the winning essays and short stories read aloud, the Awards Ceremony & Reception will be held on Friday, April 17th at The Writer’s Center at 7pm. The Writer’s Center is located at 4508 Walsh Street in Bethesda, MD. 

Thank you again for sharing your work. We wish you the best of luck in your writing.

The Last Frida?

Wondering if this will be my last Frida in my 45-year-old love affair with her image?

"The Incantation of Frida Kahlo" by F. Lennox Campello
Charcoal and conte on paper 20x24 inches, c. 2020

This work will be at the Art on Paper fair which opens in New York on Thursday!

Art on Paper fair

The New York art fair Art on Paper is this week. 

We are in booth E23 - featuring the works of the uber talented Judith Peck, Sheila Giolitti, Mark Langley and yours truly! VIP preview is Thursday, March 5, 2020 6:00pm to 10:00pm!

Public Fair Hours
Friday, March 6
11:00am to 7:00pm
Saturday, March 7
11:00am to 7:00pm
Sunday, March 8

12:00pm to 6:00pm

Nubes Lloronas

The owner of this 1978 painting from my Cuba series would like to sell it - send me a note if anyone is interested - otherwise it is heading to auction.

I did this piece in my sophomore year at the School of Art at the University of Washington in Seattle. The written words on the island say: "Cachita, si puedes tu con Dios hablar, preguntale si sabe como me duele el alma, al sentir las nubes llorar... Llenas todas de tristeza... cuando sobre mi pasan al viajar..."

"Cachita" is what Cubans call the Virgin of the Charity of El Cobre, the patron saint of Cuba.  It translates to: "Cachita, if you can talk to God, ask Him if He knows how my soul aches when I feel the clouds cry... All full of sadness... when they pass over me..."

"Nubes Lloronas" (Crying Clouds)
27.5 x 37.25 inches, oil on board, c.1978

The Coronavirulization of America

As we prepare for the end of the world as we enter The Covidian Age, let me share what a Navy Chief told a bunch of us boot sailors as we reported to our first ship.

"Never forget," he said, "the first thing that a ship runs out of in times of war is shitpaper and then rags."

Understanding Estate Planning for Artists

HelpDesk 2020 with Robin Moore: Understanding Estate Planning for Artists

Saturday, March 14, 2020, 1-2:30 pm

Presented by Washington Sculptors Group at

Harvard’s Center for Hellenic Studies

3100 Whitehaven St NW

Washington, DC 20008

Parking on premises and Whitehaven Street

Free and open to the public.

Seating is Limited, Register for free tickets through Eventbrite

 

By organizing and documenting your art and your career as an artist, you increase the depth of understanding of your work as a history of culture, aesthetics, and values. The Washington Sculptors Group will offer an hour presentation with a half hour Q & A session with Robin Moore on Saturday, March 14, 2020 at Harvard's Center for Hellenic Studies that offers emerging, mid, and late-career artists the information needed to build and preserve their artistic legacies.

 

The importance of archiving your work, establishing an executor, obtaining appraisals, understanding tax laws, accessibility of your digital information, understanding charitable benefits, obtaining useful software, acquiring high-quality images of your artwork, establishing records of your collectors and sold work, and more, will be shared during the workshop.

Robin Moore, MBA and advisor to artists, was raised in the New York avant-garde art world with parents who ran two small art businesses. She earned her MBA in 2003. Since 2006, Robin has managed the estate of her late husband, Kevin MacDonald, a prominent Washington, DC visual artist. In 2013, she founded a business to help creative professionals and their families live well with legacies. ​Learn more: RobinMooreLegacies.com

Fabiola Santiago explains it to Bernie Sanders

Look at the little girl in the picture.

In her serious demeanor, a front for fear — and in her story — you might find, Senator Bernie Sanders, some of the profundity lacking in your populist bid to become the Democratic nominee and 46th U.S. president.

So begin's Fabiola Santiago's powerful response to Bernie Sanders' disturbing comments on Fidel Castro, the Cuban Revolution, Cuban literacy and acceptable things that bloody tyrants do.

Read it here.

Cool show coming to Gallery B

Gallery B is pleased to announce its March exhibition, a group show by Morton Fine Art (MFA). 

The exhibit, curated by Amy Morton, will feature new works by several Morton Fine Art’s artists. The exhibit will be on display from March 4 – 28, 2020 at Gallery B, located at 7700 Wisconsin Avenue, Suite E, Bethesda, MD. Gallery hours for the show will be Wednesday – Saturday, 12-6pm.

Gallery B will also be open for a public reception on Friday, March 13 from 6-8pm. Exhibit opening receptions will also be held that evening at Studio B, 7475 Wisconsin Avenue; Triangle Art Studios, 7711 Old Georgetown Road and Waverly Street Gallery, 4600 East West Highway in downtown Bethesda.

Morton Fine Art (MFA) will showcase work by:

• Julia Mae Bancroft
• Natalie Cheung
• Rosemary Feit Covey
• Victor Ekpuk
• Ga Gardner
• Amber Robles-Gordon
• Astrid Kohler
• Katherine Tzu-Lan Mann
• Vonn Sumner

MFA was founded in 2010 and is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. MFA specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on African American and African art.

My good friend Amy Morton is the founder, owner and chief curator. Prior to establishing MFA, she was the director of a national fine art gallery. Amy has additional art market experience from her positions at auction houses, art associations and galleries in Los Angeles and Boston.

An open letter to Senator Bernie Sanders from an American of Cuban ancestry

Havana street, 1950s

Senator Bernie Sanders,

There's a grossly erroneous perception, driven home by Hollywood movies and the narrative of the left worldwide, that pre-Castro Cuba was ripe for the Castro brothers due to the extreme poverty in the island, corruption, backwardness, disease, illiteracy, etc.

Nothing could be further away from the truth.

Senator Sanders'... your well documented admiration for the Cuban Revolution, cemented this last weekend by your comments during the 60 Minutes interview, is the most recent incarnation of the American left's fascination and support for the bloody regime which has brutalized Cuba for decades.

Senator Sanders: To whoever fed you the line about literacy in Cuba before Castro: In 1956, the United Nations literacy report noted Cuba had the second highest level of literacy in Latin America and higher than several countries in Europe.  Fidel Castro did not lift Cuba from the darkness of not knowing how to read and write.

Cuba was the most likely, and also ironically and tragically, the least likely of all Latin American nations to fall under the clutches of Communism. In 1953 Fidel Castro wrote (In History Will Absolve Me):

"Once upon a time there was a Republic. It had its constitution, its laws, its civil rights, its President, a Congress, and law courts. Everyone could assemble, associate, speak and write with complete freedom. Public opinion was respected and heeded and all problems of common interest were freely discussed. There were political parties, radio and television debates and forums and public meetings. The whole nation pulsated with enthusiasm."

Then he, and his brother, erased that Republic, brutalized it, and replaced it with a Communist dictatorship.

Cuba was not a backwards island nation in 1959....

• In 1829, Cuba was the first nation of Latin America, and also before several European nations, to use steam ships.
• In 1837, Cuba became the third nation in the world, after England and the US, to build a railroad. It also had the causal effect of creating a significant Chinese immigration to the island.
• The first doctor to use anesthesia in medical operations in Latin America (and also before Spain, Portugal, Italy, France and many other European nations) was a Cuban. It was ether and the year was 1847.
• In 1860, in the city of Cardenas, two clinics started the world’s first health insurance projects. Known then as Mutual Benefit Organizations, these MBO's were the precursors of what are known today in the US as Health Maintenance Organizations or HMO's. Membership in one of Cardenas's MBO's gave its members access to all of the then available medical treatments that the clinics offered. As the medical systems and clinics developed, most Cuban hospitals and clinics provided free healthcare to the poor.
• The first Latin American to play professional baseball in the US (and the “father of Cuban baseball) was the Cuban, Esteban Bellan in 1871.
• The very first demonstration on planet Earth of an industry powered entirely by electricity was in done in Havana in 1877.
• In 1881, a Cuban epidemiologist, Dr. Carlos Finlay, was the first to discover the transmitting agent of yellow fever, the mosquito Aedes Aegypti, which now also happens to carry zika. Dr. Finlay studied medicine at Thomas Jefferson University in the US.
• The first system of electric lighting in all of Latin America, and also before a dozen European countries was installed in Cuba in 1889.
• The first streetcar in Latin America (and before six European nations) began operation in Havana in 1900.
• In 1900, before at any other country of Latin America, the first automobile arrived in Cuba. By 1959, there were more Cadillacs in Havana than in New York City.
• The first Latin American woman to drive a car was the Cuban writer Renee Mendez Cape in 1900.
• The first Latin American Olympic champion was a Cuban. The gold medal was won by the fencer Ramon Fonst Segundo, in 1900 (he also won a silver in that Olympiad). In 1904 Fonts won three gold medals in fencing!
• The first Ibero-American nation to abolish bullfights was Cuba in 1901.
• In 1902, when Cuba finally broke away from Spain, the island had been the source of between 50%-75% of the entire Spanish Gross National Product.
• The first city on the planet to have a direct dialing telephone system was Havana in 1906. The second city in the world to have a direct dial telephone system was Santiago de Cuba, the capital of the Oriente province. All through the first half of the century, Cuba had more telephones per capita than any Latin American country except Argentina and Uruguay.
• In 1907, the first x-ray medical department in Latin America (and before nearly every European nation) was established in Havana.
• On the 17th of May, 1913 the first international aerial flight in Latin America was achieved by the Cuban pilots, Agustin Parla and Domingo Rosillo del Toro. The flight was between Cuba and Bone Key, Florida and lasted 2 hours and 40 minutes.
• Cuba, in 1918, was the first country of Latin America to grant divorces to married couples.
• The first Latin American (and the first person born outside of Europe) to win the world championship of chess was the Cuban master, Jose Raul Capablanca. He’s considered one of the greatest players of all time and was world champion form 1921-1927. He only lost 35 matches in his lifetime.
• In 1922 Cuba was the second nation in the world to have a commercial radio station, and the first nation in the world to broadcast a music concert. By 1928 Cuba had 61 radio transmitters, 43 of them in Havana, giving the nation the fourth place of the world, only surpassed by the US, Canada and the Soviet Union.
• In 1935 the concept of the radio novel and radio series was created by the Cuban Felix B. Caignet. That was the seminal birth of the telenovela as well!
• In 1935, the first black man to play professional baseball in the then segregated Major Leagues (and 12 years before Jackie Robinson) was the Cuban player Roberto Estalella. Cuban professional baseball had never been segregated.
• In 1937 Cuba was the first nation in Latin America (and before most European countries) to establish a legal work day of 8 hours. It also established a minimum wage!
• In 1940 Cuba became the first country of Latin America (and also before many European nations) to elect politicians by universal suffrage and absolute majority.
• Also in 1940, when 70% of the Cuban population was white, Cuban voters elected a black Cuban as President (Fulgencio Batista). Batista was the first (and so far only) black  President elected in Latin America.
• In 1940, Cuba was the first nation in Latin America (and before several European nations) to recognize and authorize the right to vote for women, the equality of rights between sexes and races, and the right of women to work.
• In 1942, the Cuban musical director Ernesto Lecuona became the first Latin American musical director to receive a nomination for an Oscar.
• The second country in the world with a commercial television station was Cuba in 1950. Throughout the decade, Cubans had more TV sets per capita than any other Latin American country, and more than Italy, Spain, Ireland, and Portugal.
• Also in 1950, Damaso Perez Prado’s mambo piece Patricia was the number one record for 15 consecutive weeks in the Hit Parade list.
• In 1951, Desi Arnaz became the leading producer in American television. He also pioneered the concept of a third camera in television programming.
• In 1951, the Hotel Riviera became the first hotel in the world with central air conditioning
• A year later, in 1952, the first all-concrete apartment buildings in the world were built in Havana.
• In 1953, about 57% of the Cuban population was urban and more than 50% of the population lived in cities with more than 25,000 inhabitants, 33% lived in four cities with more than 100,000 inhabitants.
• In 1953, one-sixth of the population lived in Havana, making it the third-largest capital in the world in relation to the total number of the nation's inhabitants (after London and Vienna).
• In 1954 Cubans had the third highest meat consumption per capita in Latin America (after Argentina and Uruguay) and higher than most European countries.
• In 1955, Cuba had the second lowest infant mortality rate in Latin America, 33.4 per thousand born and the third lowest in the world. It ranked ahead of France, Belgium, West Germany, Japan, Austria, Italy, and Spain.
• In 1955, life expectancy in the US was 66.7 years. Life expectancy in Cuba was among the highest in the world at 63 years of age; compared to 52 in other Latin American countries, 43 in Asia, and 37 in Africa.
• 
  
• In 1956, according to a U.S. Department of Commerce analysis, Cuba was "the most heavily capitalized country in Latin America" and its "network of railways and highways blanket the country."
•  
• In 1957, a United Nations report noted that Cuba had the third largest number of doctors per capita (one for each 957 inhabitants) in Latin America, and more doctors per capita than Britain, Holland and Italy.
• The same UN report also noted that  Cuba had the number one percentage of electric access to houses in Latin America (and higher than Portugal, Spain, Greece, Ireland, and all of Eastern Europe and the Soviet Union), and second in Latin America, after Uruguay, in per capita daily caloric consumption (2870 calories per person). This was also higher than all Eastern European nations and three Western European nations.
• In 1957 Havana became the second city on the planet to have a 3D movie theater and a multiscreen theater (the Cinema Radio Center).
• In 1957 Cuba had more television stations (23) than any other country in Latin America, way ahead of much larger countries such as Mexico (12 television stations) and Venezuela (10).
• In 1957 Cuba was first in Latin America, and ranked eighth in the world in number of radio stations (160), ahead of countries such as Austria (83 radio stations), United Kingdom (62), and France (50).
• In 1958 Cuba was the second country in the world to broadcast television in color. The US, of course, was the first.
• In 1958, Cuba was the first country in Latin America, and the third country in the world with the most cars per capita (one for every 38 inhabitants).
• Cuba was also first in Latin America and third in the world with the most electric home appliances per capita.
• In 1958 Cuba was the first country in Latin America and third in the world (after the US and England) with the most kilometers of railway lines per square kilometer and the second in the total number of radio receivers.
• In 1958 Cuba had 58 daily newspapers of all political hues. There were 18 daily newspapers in Havana alone. Bohemia magazine, with a circulation of 250,000, was the largest Spanish language weekly magazine in the world.
• People wanted to immigrate to Cuba – not escape from Cuba! Despite drastic immigration curbs set in place in the 1930s, when European immigrants almost matched the number of natural born Cubans, during the entire decade of the 1950's, Cuba was second in Latin America in the number of immigrants per capita.
• In 1958, and in spite of its small size, and small number of people (6.5 million inhabitants in 1958), Cuba ranked as the 29th largest economy in the world, ahead of several European nations.
• In 1959, Havana ranked as the number one city in the world with movie theatres (358). New York and Paris were second and third, respectively.
• By 1959 Cuba had a large middle class comprising about a third of the population and 23% of the working class was classified as “skilled.”
• In 1959, Cuba's gold reserves were third in Latin America, behind only Venezuela and Brazil.
• Cuba had the third-highest per capita income in Latin America, exceeded only by Argentina and Venezuela (around $550 a year). It was also higher than Italy, Japan, Ireland, Spain, and Portugal and every single Eastern European nation in the Soviet bloc.

And then came 1959 and the Castro Brothers’ Workers’ Paradise… Since 1959, over one million Cubans have escaped from the island, and tens of thousands have died attempting the escape.

You lost Florida this weekend.

"Socialism is a philosophy of failure, the creed of ignorance, and the gospel of envy, its inherent virtue is the equal sharing of misery."

                                                          Sir Winston Churchill

Very respectfully,

Florencio Lennox Campello

An American of Cuban Ancestry

Read this book

To simply state that this book was the most eye opening experience ever delivered to me since I learned how to read would be a gross understatement! This book is not only a disturbing history lesson on how the perfect social storm led to the cunning manipulation of the consumers’ habits and preferences, but also a deeper scientific understanding of how they can be steered and driven in our feeding processes. 

The intelligence preparation of the grocery aisle battle space alone makes for voracious reading (pun intended), while the scientific backgrounds to taste and visual attraction to packaging are also immensely helpful to forever educate when we next visit the supermarket.