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While looking for my old passports (don't ask why), as usual I found a lot of other things first...
These are some lithographs that I did for a printmaking class at the University of Washington School of Art, where I studied art from 1977-1981. They depict The Queen of Salsa: Cuban superstar Celia Cruz.
The late, great master Frank Frazetta was one of my very early idols and my main inspiration for applying to art school at the University of Washington.
Little did I know in 1977 that the art world thought little of "illustrators", regardless of their impact, skill and artistic footprint.
The below drawing, titled "The Hunter" is a pen and ink drawing on paper, and was part of a drawing assignment at the school. I recall the otherwise affable and nice drawing teacher denigrating it as "illustration rather than art."
Feh!
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| "The Hunter" 1978 pen and ink on paper by F. Lennox Campello Done in the style of Frank Frazetta |
A few years ago I told you in 2013 about my wife's suggestions for the name controversy for the football team now called The Washington Football team.
(a) Just change the mascot to a red potato and then call them the Washington Redskin Potatoes... Cough, cough... and change the helmet design so that instead of the old one, it would now depict a ferocious-looking red skin potato!(b) She also thought of another great name option: The Washington Federals!
The poem by Jose Marti goes like this:
Si ves un monte de espumas
Es mi verso lo que ves:
Mi verso es un monte, y es
Un abanico de plumas.
Mi verso es como un puñal
Que por el puño echa flor:
Mi verso es un surtidor
Que da un agua de coral.
Mi verso es de un verde claro
Y de un carmín encendido:
Mi verso es un ciervo herido
Que busca en el monte amparo.
Mi verso al valiente agrada:
Mi verso, breve y sincero,
Es del vigor del acero
Con que se funde la espada.
And this is the painting that I did back in 1979 for an art school assignment at the University of Washington. The assignment was to create a new work, but in the style of a master. This work is thus an adaptation of Jackson Pollock's style. It is titled Mi verso es un ciervo herido que busca en el monte amparo.
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| Mi verso es un ciervo herido que busca en el monte amparo 1979 Acrylic on 600 pound paper by F. Lennox Campello |
When I was in the Navy I did dozens of illustrations for newspapers (such as The Stars & Stripes), and sketches of his shipmates and other US Navy sailors in ports in the US and European ports. Most of these drawings and paintings were given away to his shipmates, but I also kept many of them - this one has been in storage for over 40 years and was recently found!
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| The Navy Chief and the Pilot 1983 US Navy drawing by F. Lennox Campello |
"Hoy se ha caido otro roble en la selva del amargo exilio" is how I always thought that my father's eulogy would begin once he died.
"Today another oak falls in the jungle of bitter exile," began the eulogy for the man whose bloodlines my children and I carry on.Florencio Campello Alonso died today at age 90 in Miami, the heart of the bitter Cuban Diaspora. Like many Cubans of his generation, he was the son of European immigrants to Cuba. His Galician parents left the scraggy mountains of northern Spain's ancient Celtic kingdom and in the first decade of the 1900s migrated to the new nation of Cuba upon its liberation from Spain.Galicians have always been uneasy subjects of the Spanish crown, stubbornly hanging on to their ancient Celtic traditions, to their own language and to their bagpipes, so it is no historical surprise that they left their mountain homelands en-masse and headed to the new tropical paradise of Cuba, free from the heavy hand of the Spanish monarchy.
And thus it was never a surprise to me that my father was both a fighter against heavy-handed rulers, a lover of freedom, and one who was never afraid to re-start a life for the better, even if it involved discarding the old.
My father could have been one of the privileged few who currently rule atop the food chain of Cuba's Workers' Paradise. But instead of accepting the benefits of oppression, this most valiant of men chose the harsh path of right over wrong.
And he paid for it dearly (he spent years in Concentration Camps), but when he died, his soul was clean.
In his youth, my dad worked the brutal hours of the son of an immigrant who was slowly building a small financial empire in eastern Cuba. My father was pulled from school as soon as he learned to read and write, and like his two other brothers and eight sisters, he was expected to work and contribute to building a familial empire.
And he did, as my mother relates the stories of my father's childhood in the fields of eastern Cuba, a blond creole in a land of jingoist natives... he trying to out-Cuban the "real Cubans"... how he organized a labor union of the exploited Haitians who worked almost as slaves at the Los Canos Sugar Mill, how he joined a group of bearded rebels in the mountains of the Sierra Maestra in the fight against a tyrant, how he ran for the leadership of the Sugar Workers' Union and beat the Communists to the post, and how he spent years in a Castro Concentration Camp, jailed for the crime of refusing to join the Party, because he believed in Democracy and not Communism.
And because of that stubbornness, in the 1960s he was offered the bitter pill of exile, and this brave man decided to choose family... and left his birth place, and thus became another immigrant within two familial generations and brought his wife and child to another new land.
And it is to him that I owe the greatest gift that a father can give a son: the opportunity to grow in freedom in the greatest nation in the history of this planet.
It is because of my father's courage that I was raised in this country and not in a land bloodied by brutality and oppression.
It is because of my father's teachings that I was raised with the conviction that freedom is not free and never to be taken for granted; after all, he fought for freedom and then Castro, the man who inspired the fight, ended up being a worse dictator, eventually destroying all notions of freedom for all of his people.
It is because of my father that I was taught that every citizen owes his nation some form of service, and that's the main reason that I signed (at age 17) to serve in the US Navy.
It is because of my father that I despise anyone who hides behind the mask of victimism to excuse failures and shortcomings.
When our family arrived in New York in the 1960s, my father began to work in a factory three days after he landed at the airport; my mother (who came from a privileged Cuban family and had never worked a day in her life) found a job as a seamstress five days later. That pattern was repeated for decades as they worked their way in a new nation.
"We thought we'd be back within a few years," was the answer given to me when I once asked the question about leaving their birthplace. When that didn't materialize, they became fierce Americans in the "United States of Americans" sense... these were the "America None Better!" set of immigrants, and in my Dad's case, you better be ready to fight if you dissed the USA.
"Americans"!
Always a fighter he was... and always for the right reasons.
Cubans are archaic immigrants... we love this great nation because we recognize its singular and unique greatness; perhaps it is because our forebears had the same chance at greatness and blew it.
And my Dad loved this nation even more than he once loved Cuba... perhaps it is the genetic disposition of the serial immigrant. After all, his father had left his own ancient Celtic lands and kin for a new land... which he learned to love dearly.
My father always wanted to make sure that I knew that I was an "Americano" and not another forced-on label.
"Labels," he'd say, "are just a way to separate people."
By labels he meant "Hispanic" or "Latino" or anything with a "-" between two ethnic words.
I also remember as a kid in New York, when he bought a huge Hi-Fi record player-color-TV console... that thing was huge. He bought it "lay-away" and he'd pay $10 a week to the store and him and I would walk all the way from our house on Sackman Street to the store on Pitkin Avenue to make the payments every Saturday - he never missed a single payment, and that taught me a lesson.
It was soon playing my Dad's favorite music, which oddly enough was Mexican music (Cuban music was a close second)... and he knew all the words to every charro song.
Guadalajara en un llano, Mejico en una laguna...
Guadalajara en un llano, Mejico en una laguna...Me he de comer esa tuna
Me he de comer esa tuna.... aunque me espine la mano.That Jorge Negrete song... being shouted often on weekends at the top of his lungs from our apartment in a mostly Italian neighborhood in East New York in Brooklyn must have raised some eyebrows.
My dad and I watched Neil Armstrong land on the moon on that TV set... we also watched loads of Mets games... and in 1969 and 1972 went to Shea Stadium to see the Mets win in '69 and lose in '72. He really loved baseball and he really loved those Mets!
When I joined the Navy at age 17, my first duty station was USS SARATOGA, which at the time was stationed in Mayport in Florida, so my Dad decided to migrate south to Florida and moved to Miami... just to be close to me.
He and my mother spent the next 40 years in the same apartment while I was stationed all over the world.
When I visited him today in Miami, he looked good and freshly shaven... this is a good thing, as my father was a freak about hygiene... and that's a common "creole" trait.
The Hospice nurse almost teared up when I told her that my parents have been married for 60 years.
I looked at this old "gallego"... his skin as white as paper, his eyes as blue as the sky, and his head (once full of blond hair) as bald and shiny as the old Cuban sing song ("Mira la Luna, mira al Sol... mira la calva de ese.....") and I saw the generations of Neanderthals, Denisovans and Gallego Homo Sapiens that led to my bloodlines... the generations of fighters, of strugglers, and of tough guys who didn't take no for an answer and who made a better place for others.
And I felt at peace and grateful.
And as my father died tonight, after an extubation, all that I can think to say to him is "Thank you for your courage... from me, and from my children... and soon from their children. You opened a whole new world for them."
I love you Dad... Un Abrazo Fuerte! Thank you for your gifts to me and my children and it is no coincidence that you died on El Dia de Los Reyes.
Quarterly Exhibitions at Hotel Indigo
Application Deadline: Rolling (submissions reviewed bi-annually)
Maryland Art Place (MAP), in partnership with Hotel Indigo is pleased to announce an open ‘Call to Artists’.
As an extension of MAP’s annual IMPACT public art partnership projects, MAP is working with Hotel Indigo to offer rotating exhibitions in Hotel indigo’s library and Poets Modern Cocktails and Eats. This opportunity is available to visual artists living or working in Maryland. Maryland Art Place will curate four exhibitions a year based on submissions entered through a rolling basis. Hotel Indigo, Baltimore Downtown is a boutique hotel located in Baltimore, MD. MAP has been working closely with the hotel since it opened, selecting and installing the hotel’s permanent artwork collection including works by Jared Ragland, Gary Kachadourian and Christos Palios.
Hotel Indigo and MAP share the same vision of supporting working artists in the region, and both look forward to their continued partnership and the rotation of quarterly exhibitions.
For more information, visit www.baltimoreindigohotel.com.
General Guidelines & Information: Details and application here.
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| "Eyes of the woman standing behind the grassy knoll in Dallas in 1963" Charcoal on Paper, c. 2007 2 x 6 inches Sold |
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| "Eyes of The Morrigan" Charcoal on Paper, c. 2007 1 x 2.5 inches Sold |
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| "Eyes of Frida Kahlo" Charcoal on Paper, c. 2007 1 x 1.5 inches Sold |
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| "Eyes of Frida Kahlo" Charcoal on Paper, c. 2007 1 x 2 inches Sold |
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| "Eyes of Queen Boudicca, also known as Bodicea" Charcoal and colored pencils on Paper, c. 2007 2 x 4.5 inches Sold |
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| "Eyes of Humphrey Bogart" Charcoal on Paper, c. 2007 .75 x 1.5 inches Sold |
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| "Eyes of a small New Orleans girl after Katrina" Charcoal on Paper, c. 2007 .75 x 1 inches Sold |
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| "Eyes of Lauren Bacall" Charcoal on Paper, c. 2007 .75 x 1.5 inches Sold |
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| "Eyes of John F. Kennedy" Charcoal on Paper, c. 2007 1.5 x 4 inches Sold |
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| "Eyes of John F. Kennedy II" Charcoal on Paper, c. 2007 1 x 3 inches Sold |
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| "Eyes of John F. Kennedy III" Charcoal on Paper, c. 2007 1 x 3 inches Sold |
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| "Eyes of Horus" Charcoal and colored pencil on Paper, c. 2007 2 x 3 inches Sold |
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| "Eyes of a Happy Man" Charcoal and colored pencil on Paper, c. 2007 1 x 5 inches Sold |
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| "Eyes of Africa" Charcoal and colored pencil on Paper, c. 2007 1 x 2 inches Sold |
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| "Eyes of a Woman who in 1994 sent me naked photos of herself" Charcoal on Paper, c. 2007 1 x 3 inches Sold |
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| "Eyes of Very Stormy Woman" Charcoal and colored pencils on Paper, c. 2007 2 x 4.5 inches Sold |
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| "Eyes of Very Strong Woman" Charcoal and colored pencils on Paper, c. 2007 1.5 x 4.5 inches Sold |
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| "Eyes of Mr. Spock" Charcoal and colored pencils on Paper, c. 2007 2 x 4.5 inches Sold |
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| "Eyes of Diego Rivera" Charcoal and colored pencils on Paper, c. 2007 2 x 4.5 inches Sold |
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| "Eyes of Paul McCartney" Charcoal and colored pencils on Paper, c. 2007 2 x 4.5 inches Sold |
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| "Eyes of Frida Kahlo" Charcoal on Paper, c. 2007 1 x 2.5 inches Sold |
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| "Eyes of Bettie Page" Charcoal on Paper, c. 2007 1 x 2 inches Sold |
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| "Eyes of Bettie Page" Charcoal on Paper, c. 2007 2 x 4 inches Sold |
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| "Eyes of Barack Obama" Charcoal on Paper, c. 2007 1 x 3 inches Sold |
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| "Eyes of Anderson" Charcoal and Colored Pencils on Paper, c. 2011 1 x 3 inches |
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| "Eyes of Bettie Page" Charcoal on Paper, c. 2007 2 x 4 inches Sold |
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| "Eyes of Frida Kahlo" Charcoal on Paper, c. 2007 1 x 3 inches Sold |
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| "Eyes of Frida Kahlo" Charcoal on Paper, c. 2007 0.5 x 1 inches Sold |
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| "Eyes of The Morrigan" Charcoal and colored pencils on Paper, c. 2007 1 x 3 inches Sold |
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| "Eyes of an Irish Woman" Charcoal and colored pencils on Paper, c. 2007 1 x 3 inches Sold |
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| "Eyes of a woman with an eye freckle" Charcoal and colored pencils on Paper, c. 2007 1 x 3 inches Sold |
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| "Eyes of a Sad Woman" Charcoal and colored pencils on Paper, c. 2007 1 x 3 inches Sold |
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| "Eyes of Maeve" Charcoal and colored pencils on Paper, c. 2005 1 x 4 inches Sold |
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| "Eyes of a Small Child" Charcoal and colored pencils on Paper, c. 2007 1 x 3 inches Sold |
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| "Eyes of a Power Lawyer" Charcoal and colored pencils on Paper, c. 2007 1 x 3 inches Sold |
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| "Eyes of a Power Lawyer" Charcoal and colored pencils on Paper, c. 2007 1 x 3 inches Sold |
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| "Eyes of a Professional Athlete" Charcoal and colored pencils on Paper, c. 2007 1 x 4 inches Sold |
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| "Eyes of Candy" Charcoal and colored pencils on Paper, c. 2007 1 x 4 inches Sold |
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| "Eyes of an Airport Hustler" Charcoal and colored pencils on Paper, c. 2007 1 x 4 inches Sold |
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| "Eyes of The Morrigan" Charcoal and colored pencils on Paper, c. 2007 1 x 4 inches Sold |
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| "Eyes of a Famous Porn Star" Charcoal and colored pencils on Paper, c. 2007 1 x 4 inches Sold |
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| "Eyes of an Artist" Charcoal on Paper, c. 2007 1 x 4 inches Sold |
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| "Eyes of a Sad Woman" Charcoal on Paper, c. 2007 1 x 4 inches Sold |
