Friday, August 06, 2021
Thursday, August 05, 2021
Remembering Washington DC Sculptor, Nancy Frankel
From Margery Goldberg...
Nancy Frankel (1929-2021)
Mother, Grandmother, artist, sculptor, teacher, friend, mentor, and extraordinary person who never said a unkind word about anyone.
It was my pleasure meeting Nancy at the Katzen Center opening of her exhibition, Nancy at Ninety, a retrospective of seven decades of work as Nancy celebrated her ninetieth birthday in 2019. Later that year Zenith Gallery held an exhibition at 1111 Pennsylvania Ave NW called Organic, showing Nancy's sculpture with another Zenith Gallery artist, Anne Marchand. Nancy was a complete delight to work with and had so many of her friends and admirers come to her opening.In 2020 we sold her largest sculpture called “The Conversation” to the University of Durham in Durham England.
I am so thrilled by the outpouring of love and support from around the country for Nancy. She will be sincerely missed by everyone who knew her.
We are blessed that her art will live on for centuries if not millenniums.
Nancy said of her work, "I use organic geometry to give form to my love of nature and architecture. My work as been one long meditation, an effort to get past the surface aspects of reality to find deeper meaning.
Over the years I have worked with a variety of materials, according to the needs of my particular focus at the time. In turn, these different materials have their own demands, often causing me to think and work in new ways.
My sculptures come in many sizes for both interior and exterior environments.
Whether large or small, dynamic or serene, an explosion of forms, or a gentle curve answering another within a single piece, I hope my work communicates a sense of joy and wonder."
Tuesday, August 03, 2021
The PAINTER Act
Earlier this month, the White House reportedly reached an agreement with Hunter Biden’s art dealer stipulating that all information related to the sale of the First Son’s artwork—including prices and the names of buyers—would be kept confidential.
It was said that the agreement would prevent bad actors from buying works of art as a way to curry favor with the president. But the move quickly proved to be controversial, with skeptics fearing that the lack of transparency could actually encourage lobbyists, foreign officials, and others to clandestinely exert influence. (The day after news of the agreement broke, a conspiracy theorist vandalized Biden’s gallery.)
Now, a Republican member of the House of Representatives is aiming to do away with the secrecy surrounding Hunter Biden’s burgeoning art career for good. Florida Congressman Mike Waltz introduced a new bill today that would require current and future presidents (and vice presidents) to disclose their adult children’s finances. Its not-so-subtle name is the Preventing Anonymous Income by Necessitating Transparency of Executive Relatives—or PAINTER—Act.
Read the article in artnet here.
Monday, August 02, 2021
Re-review
I love to re-review shows and see if I agree or disagree with their choices. Art is a very subjective thing and artists must all have thick skins.
Sunday, August 01, 2021
Friday, July 30, 2021
He will not be forgotten!
Thursday, July 29, 2021
She will not be forgotten!
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Dailén Ramírez Quintana from Santiago de Cuba was arrested during the historic Cuban uprising. She will not be forgotten! |
Wednesday, July 28, 2021
Isla Llorona
Tuesday, July 27, 2021
She will not be forgotten!
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Daimelin Abreu Rodríguez from Matanzas was arrested during the historic Cuban uprising. She will not be forgotten! |
Monday, July 26, 2021
Mujertrees from 1979
A nice lady from Washington state sent me these photos of a "Mujertrees" print that she bought out there at an auction - a lesson here for conservation framing! Lack thereof!
I most likely sold this work at the Pike Place Market in Seattle between 1977-1981 - since this is a 1979 print... most likely a "market" print.
Sunday, July 25, 2021
She will not be forgotten!
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxFc21M41Cz9TZlS0UYWoO1rkacSbVpYc4xxjmo9ZBH0AHDLif4b7Z12cyTMgf448aMLl94aDtpD5m3GUVDFQoZTlb2dQj7lDKjjkYrUFjTCdkd4Ney2jaH_-ZTMVk61_gCmgm/s0/Melissa+Castellano.jpg)
Saturday, July 24, 2021
She will not be forgotten!
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Deysi Del Cueto from Havana was arrested during the historic Cuban uprising. She will not be forgotten! |
Friday, July 23, 2021
She will not be forgotten!
Thursday, July 22, 2021
She will not be forgotten!
Wednesday, July 21, 2021
Prizewinners for the Phillips' Invitational Show
About 1,300 works of art were submitted for review for the ongoing Phillips Collection invitational show Inside Outside, Upside Down, and about seventy works were chosen by the jurors, Elsa Smithgall (Senior Curator, The Phillips Collection), Renée Stout (DC artist and guest curator of the exhibition), Phil Hutinet (publisher of the local news source East City Art), and Abigail McEwan (Associate Professor of Latin American Art at the University of Maryland). I am proud and honored to have been one of the chosen artists – thank you to the jurors.
The jurors awarded the First Prize to Dominick Rabrun’s work titled Dr. LaSalle, The Spider Queen, and Me, a 2021 digital mixed-media video installation. The Second Prize went to Kristina Penhoet’s installation fiber piece titled How Many More? and Honorable Mentions went to Desmond Beach’s fabric and paper work titled #SayTheirNames 2, to Marta Pérez García’s Your Hand, a molded cotton handmade paper and stitching work with yarn, and to Richard L. Williams’ touching photograph titled Claudette, Roman and Rashard – February 2021.
Constant readers know something about me and jurors -- I love to re-review shows and see if I agree or disagree with their choices. Art is a very subjective thing and artists must all have thick skins.
My choice for Best in Show – not just First Prize – would have been Werllayne Nunes’ gigantic oil on panel painting titled Us. The work vibrates with happiness and power and reaches deep into every child’s memories as well as delivering a powerful social message.
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Werllayne Nunes, US, 2021, Oil on linen panel, 30 × 60 × 2 1/2 in |
Judith Peck is one of the DMV’s painting superstars – her technical skills are almost supernatural and her breath-taking ability to infuse her work with psychological power legendary. Her painting titled State Collapse, depicting a young woman in bed, is able to transmit fear, anxiety, and angst and summarize 2020 in one gorgeous work of art. She gets my First Prize award.
Second Prize goes to Carol Antezana’s sensitive portrait photograph titled Las Gringas. She writes about this work:
“Las Gringas is a photographic self-portrait analyzing the balance between being both Bolivian and a first-generation American amid political turmoil and uprisings in both countries. Disagreements about politics have been a specter for many families and the differences are ones of morality, core values, and character, creating tension and division. I was always taunted by my family for being “una gringa” because I cannot speak Spanish perfectly, yet there was no importance in keeping our Indigenous language, Quechua, alive. As a child of immigrant parents, the act of balancing, adopting, and assimilating cultures can be daunting; there are deeply rooted racial double standards in both countries. Through redefining my identity, I am striving to decolonize my mind—my attempt at breaking the intergenerational trauma in my family.”
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Carol Antezana - Las Gringas |
Honorable Mention goes to Cathy Abramson’s oil painting titled Waiting for Takeout (to go), another cool work which captured the Covidian Age perfectly!
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Cathy Abramson - Waiting for Takeout (to go) |
I also like Aaron Maier-Carretero’s somewhat disturbing enormous painting titled not in front of the kids. The palpable, hidden violence is terrifying in the work.
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Aaron Maier-Carretero - not in front of the kids |
Congrats to all the prizewinners! And to my prizewinners!
Tuesday, July 20, 2021
The Phillips Collection and the DMV
As most artists in the DMV know by now, the Phillips Collection’s call for area artists to submit artwork for Inside Outside, Upside Down, a juried invitational show (currently on view through September 12), where the museum invited artists of the Greater Washington area to submit recent artwork that “addresses the unprecedented events of the past year” was and is the talk of the visual arts community for the last few weeks.
The call was part of the museum’s 100th anniversary celebration, and according to the Phillips' news release continues “founder Duncan Phillips‘s commitment to present, acquire, and promote the work of local artists.”
About 1,300 works of art ranging from paintings, to sculptures, videos, drawings, etc. were submitted for review, and about seventy works were chosen by the jurors, Elsa Smithgall (Senior Curator, The Phillips Collection), Renée Stout (DC artist and guest curator of the exhibition), Phil Hutinet (publisher of the local news art source East City Art), and Abigail McEwan (Associate Professor of Latin American Art at the University of Maryland).
I am proud and honored to have been one of the chosen artists – Muchas thank yous to the jurors!
Several of the DMV area blue chip artists were selected, including megablue chip artists like Tim Tate, Michael Janis, Kate Kretz, Judith Peck, and others – all with immense artistic pedigree, huge exhibition histories and a proven and deep international presence.
A lot of new artists – at least new to me – were also chosen, which is always a great sign of a well-curated exhibition; kudos to the jurors for the internal mental amplitude to select work based on visual impression rather than recognizing a name or presence.
What caught my eye - other than the many great works in the show, was this:
“After an extraordinarily difficult year that has shaken the world, we feel it is important to join with our entire region to celebrate human resiliency, and especially the strength of artists and the arts,” said Vradenburg Director and CEO Dorothy Kosinski. “Duncan Phillips hosted this type of exhibition annually from 1935 to 1950, and we are proud to continue this tradition to support our talented community.”
Shall I repeat that?
“Duncan Phillips hosted this type of exhibition annually from 1935 to 1950, and we are proud to continue this tradition to support our talented community.”
Wait... whaaaat?
Why did the Phillips stop? OK - I don't care --- what I do care about and what I hope the Phillips will do, is to re-start that initiative so that Inside Outside, Upside Down, is not a 2021 anomaly, but the first of annual local area shows like Duncan Phillips organized for 15 years!
The ball is on your court Phillips!
The showcased artists below - and see the digital catalog of the show here.
Cathy Abramson
Simone Agoussoye
Maremi Andreozzi
Carol Antezana
Desmond Beach
Julia Bloom
Michael Booker
Kimberly Brammer
Nikki Brugnoli
Florencio Campello a.k.a. Lenny
Carlos Carmonamedina
Sandra Chen Weinstein
Peter Cizmadia
Wesley Clark
Dominick Cocozza
Robin Croft
Sora DeVore
Sarah Dolan
Mike Dowley
Nekisha Durrett
Tae Edell
Bria Edwards
Kate Fleming
Chawky Frenn
Amelia Hankin
Michael Hantman
Leslie Holt
Michael Janis
Jane Kell
Jean Jinho Kim
Katherine Knight
Ara Koh
Kokayi
Gary Kret
Kate Kretz
Catherine Levinson
Kirsty Little
Kim Llerena
Aaron Maier-Carretero
Timothy Makepeace
David Mordini
Barbara Muth
Werllayne Nunes
Zsudayka Nzinga
Jennifer O’Connell
John Pan
Judith Peck
Shedrick Pelt
Kristina Penhoet
Marta Pérez García
Lydia Peters
Junko Pinkowski
Dominick Rabrun
Mojdeh Rezaeipour
Marie Ringwald
Janathel Shaw
Joseph Shetler
Nicolas F. Shi
Tim Tate
Julio Valdez
Jessica Valoris
Ian White
Richard L. Williams Jr.
Colin Winterbottom
Monday, July 19, 2021
Educating Nikole Hannah-Jones
New York Times journalist Nikole Hannah-Jones, the leader of that paper's controversial 1619 Project recently showed a spectacular lack of background knowledge on the Cuban dictatorship's well-documented racist history and abuses of its black population by her statement that “If you want to see the most equal, multiracial democ … it’s not a democracy — the most equal, multiracial country in our hemisphere, it would be Cuba,” and then proceeding to cite socialism as her reason to make the statement.
Ms. Hannah-Jones' rosy-eyed view of the Marxist dictatorship's oppression of its citizens, especially its black citizens not only reveal loads about her own political leanings, but also serves as a brilliant example of suspicious lack of research skills about a subject as widely discussed as Cuba's oppressive and racist government.
Had Ms. Hannah-Jones - who visited Cuba in 2008 - bothered to look past her clear admiration for the Marxist government, and bothered to take a quick tour of the facts, she would have discovered that much has been written and documented about racism in Cuba, and it was even one of the earliest subjects addressed by the Washington Post's Eugene Robinson upon his arrival to the DMV a few decades ago from his various Latin American postings.
In his article a couple of decades ago, Cuba Begins to Answer Its Race Question, Robinson, also clearly and openly a very extreme left-wing oriented writer, tried hard to find excuses for the dictatorship, but nonetheless admits that:Academics say that black Cubans are failing to earn university degrees in proportion to their numbers--a situation to which Castro has alluded publicly. The upper echelons of the government remain disproportionately white, despite the emergence of several rising black stars. And while perceptions are difficult to quantify, much less prove true or false, many black Cubans are convinced that they are much less likely than whites to land good jobs--and much more likely to be hassled by police on the street, like Cano's husband, in a Cuban version of "racial profiling."But how about some Cubans inside Cuba discussing the subject?
In primary [Cuban] education, skin color is not mentioned," ... If we are still living in a society where white people have the power, and we don't mention color in education, we are in practice educating [Cuban] children to be white.A lot of hopes have been pinned by many people (who know little about Cuba and the repressive nature of its government) on President Obama's monumental decision to re-establish diplomatic relations with the unfortunate Caribbean island prison of Cuba; but first another Cuban quote:
Cuban history as we teach it is a disgrace, because it is predominantly white history, and explaining the role of black people and mulattoes in building this society and its culture is not given its due importance.
Esteban Morales
University of Havana
Centre for the Study of the Hemisphere and the United States
...to carry on "hiding" the issue [of racism in Cuba] would lead black people to think that "they belong to another country, and that there are two Cuba’s as there were in the 19th century, a black Cuba and a white one."And thus, it is curious to me that in his attempt to re-establish diplomatic ties, our socially conscious President (and his cadre of advisors) back then also - like Ms. Hannah-Jones - appeared to know little or nothing about the way that Afro-Cuban citizens are treated in their own country.
Roberto Zurbano
Director
Casa de las Américas publishing house
Havana
In reference to the President's visit to Cuba, Odette Casamayor-Cisneros, an associate professor of Latin American and Caribbean literatures and cultures at the University of Connecticut and a scholar at Harvard University, and writing in Ms. Hannah-Jones own newspaper, noted in the New York Times that
“The images of the meetings, the agreements, they’re all shameful for many black Cubans — I’m including myself in this — because it’s difficult to feel represented.”Was the projected flow of American tourists expected to help black Cubans in a pre-COVID Cuba? Roberto Zurbano, a Cuban expert in Afro-Cuban identity, race and literature based out of Havana wrote in his 2013 New York Times article that:
Most remittances from abroad — mainly the Miami area, the nerve center of the mostly white exile community — go to white Cubans. They tend to live in more upscale houses, which can easily be converted into restaurants or bed-and-breakfasts — the most common kind of private business in Cuba. Black Cubans have less property and money, and also have to contend with pervasive racism. Not long ago it was common for hotel managers, for example, to hire only white staff members, so as not to offend the supposed sensibilities of their European clientele.Zurbano was subsequently punished by his Marxist government for daring to express that opinion on the pages of Ms. Hannah-Jones employing newspaper. Because that's how Communists roll!
In the same NYT article we read:
One would hope that Ms. Hannah-Jones' exploration of Cuba, a nation with one of the world's worst human rights records, where Amnesty International has been denied access to (except to that bit of Cuba where the Guantanamo Naval Base is located); a nation where gay people were once given lobotomies to "cure" them; and where HIV+ Cubans were detained and segregated in guarded colonies away from the general public, could at least have educated her on the disturbing status of blacks in their own island nation.“They talk a lot here about discrimination against blacks in the United States. What about here?” said Manuel Valier Figueroa, 50, an actor, who was in the park on Monday. “If there’s a dance competition, they’re going to choose the woman who is fair-skinned with light, good hair. If there’s a tourism job, the same.”He added: “Why are there no blacks managing hotels? You don’t see any blacks working as chefs in hotels, but you see them as janitors and porters. They get the inferior jobs.”
Fact: Twice as many African slaves were brought to Cuba than to the United States... twice!
And what really bugs me, in my own pedantic hell, is how often historically and socially clueless American academics, journalists, activists, etc. make spectacularly ignorant statements - as Ms. Hannah-Jones did - about the government of one of the world's most racist dictatorships (a government which talks a talk of equality while walking a walk of institutionalized racism against its own black population) without even mentioning the issue of racism... or is Ms. Hannah-Jones' case praising the socialist dictatorship!
Since then and to its present day, Cuba has a long and agonizing history of racial issues, starting with its long bloody history of slavery, which didn't end on the island until 1886, and continuing through its freedom from Spain, birth of the Republic, and the triumph of the Castro Revolution in 1959. It continues to this day.
Cuba even had its own race war.
![Antonio Maceo](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrELTlS96jIS_nu4IgCKFNUp218rufOA2oDjg9dIhjj_iHZarxDFb6fr6RyA1iX8akECo86wRJK6CfNzJ4j4v9Z_dYzWL72HFjcpn9BvTZjvEUKvJmTKwtEgmPJh9usT0DZ3mhLQ/s400/Maceo.jpg)
General Antonio Maceo, known as "the Bronze Titan." He was the true warrior leader of the Cuban Wars of Liberation. His father was white of French ancestry; his mother was black, of Dominican ancestry. After the first Cuban Liberation War ended in a truce with Spain, some say that Maceo was so disillusioned with the realities of life in Cuba as a black man, that he left Cuba and lived in Panama, until he was called back to lead the Cuban rebels in a new rebellion in 1895. He returned to Cuba and was killed in battle against the Spanish Army in 1896.
In 1912, Black Cubans in Oriente province had enough of the new Cuban government's racist practices and the degrading treatment of Cuban black veterans, who had been the bulk of the Cuban rebels in the wars of independence against Spain. The Cuban government moved on a path of genocide and eventually the United States had to send in troops to end the war between the white Cuban government and the black rebels in Oriente.
As I recall from the CIA Factbook of 1959, on that year the island was about 70% white, about 20% black and mixed, and the rest Chinese, Jewish and other. The Cuban Diaspora which started a few months after the Castro takeover and continues to this day, with the exception of the Mariel boat lift of the 1980s, saw a mass exodus of mostly white Cubans, and as a result the island's racial balance shifted dramatically and although 65% of Cubans self-identify as white in recent censuses, many experts estimate that today the island is actually about 60% black or biracial.
But Cuba's black population has not seen a proportionate share of the power and a quick review of the governing Politburo/Parliament reveals few black faces in the crowd.
"I think silence is worse. The longer nothing is said, the more the racism fermenting underground is rotting the entire nation..."While the Cuban constitution of the 1940s (since then abolished by the Communist government) outlawed segregation and racism on paper, and the current Cuban Constitution guarantees black Cubans the right to stay in any hotel and be served at any public establishment, as it has been documented by many foreign journalists, black Cubans will tell you in private that those rights exist only on paper. They would have told Ms. Hannah-Jones during her visit to Cuba in 2008 - but she probably didn't notice that nearly everywhere that she visited, the presence of the Cuban government was not far, and people fear that presence.
Gerardo Alfonso
singer/songwriter
Havana
The harsh Cuban reality today, Black Cubans will tell you, is that "black Cubans won't be served" and that Cubans, regardless of race are in general barred from places frequented by tourists.
Unfortunately, these things [disparities in the treatment of blacks and whites] are very common in Cuba.Do these Cuban voices from within Cuba itself sound like the subjects of a government whose murdering tyrants' atrocities should be dealt with in silence? -- especially in view of our nation's own racial history and what Ms. Hannah-Jones so expeditiously attempted to document in her controversial 1619 Project?
Ricardo Alarcón Quesada
President of the National Assembly of People's Power
Cuban Parliament
We have practically apartheid in this country sometimes... racism is deeply rooted in Cuba's history and will not disappear overnight.What would she say if she had discovered the "permanent and shameful police harassment of young Cubans of African descent in our streets..." as noted by Leonardo Calvo Cardenas, the Cuban National Vice-Coordinador of the Citizens' Committee for Racial Integration (Comité Ciudadanos por la Integración Racial (CIR))?
Rogelio Polanco Fuentes
Director
Cuban Communist Party-owned Juventud Rebelde newspaper.
The situation for Black Cubans worsened after Castro assumed power... even though there were always racial issues, before Castro in Cuba there had been Black governors, a President of the Senate, Martín Morua Delgado, and also many Congressmen such as the labor leader Jesús Menéndez, a member of the Socialist Party.
When Cuba became a Communist dictatorship, and democracy was lost, the advance of Black Cubans came to a halt.
Sunday, July 18, 2021
They will not be forgotten!
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Father Rafael Cruz Debora is a priest from Matanzas who was arrested on the first day of the historic Cuban uprising against the Marxist yoke. He will not be forgotten! |
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Omar Odin Planos Cordoví from Santiago de Cuba was arrested on the first day of the historic Cuban uprising and remains behind bars! He will not be forgotten! |
Saturday, July 17, 2021
Where are they?
I know that some of them have already spoken out (like Pitbull)... but we need our Cuban-American celebs to step out and support the Cuban uprising! Gloría Estefan, Jeff Bezos, Camilla Cabello, Andy Garcia, Cameron Diaz, William Levy, Dara Torres, Ryan Lochte, Bella Thorne, Maria Teresa (the Grand Duchess of Luxembourg), and many more!
#SOSCuba #Cuba #cubalibre