O'Sullivan on Artomatic
Washington Post art critic Michael O'Sullivan has been writing about art for the WaPo longer than the other two active critics at the Post (Blake Gopnik and freelancer Jessica Dawson). Like Gopnik, O'Sullivan is married to a DC area artist, but unlike Gopnik, O'Sullivan knows the DC area art scene probably better than Gopnik and Dawson combined.
As such, when O'Sullivan goes to review the so widely maligned Artomatic, I feel that he does so from the perspective of someone with a long history of knowing some of the artists there; someone who has been to every Artomatic and to almost every museum show in the DC region in the last 15 years or so, and to a ton more DC area art galleries than Gopnik has ever set foot in.
So O'Sullivan comes prepared with a set of critical eyes and mind that do not visit an open show like AOM with a predisposed mind like nearly every other DC area art critic does. And tomorrow's WaPo will have O'Sullivan's review of AOM which includes this piece:
So let me say this before I get in too deep: I come to praise "Artomatic," not to bury it.Read the review here.
To anyone familiar with "Artomatics" past, it will come as no surprise that there's more to loathe than to love. But you know what? The ratio is no worse than at an off-price store like Syms, where you have to pick through racks and racks of stuff you'd never wear before -- maybe -- stumbling across that one amazing find. The long odds haven't stopped anyone from shopping there, and they won't keep me away from "Artomatic."
There's also a lesson in this review to all the young Turks who in their 20s or early 30s already think that they can spew out constant words of critical dismissal in tuto for nearly everything they see, ignoring all the lessons that they are yet to learn from what they have not seen.
It's a very transparent mistake of young pens and combative minds seeking to always try lift the scab rather than deliver constructive criticism that has both teeth and substance. I have done it myself, and learned from it.
Bravo O'Sullivan!
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