Arlington Openings this Friday
Friday, October 5, 2007, from 6:00 to 9:00 p.m. at the Arlington Arts Center is the opening for the seven new solos that start their fall season.
This collection of seven solo exhibitions — each distinct, and occupying its own gallery at the AAC — "encompasses everything from traditional representational painting, to wall mounted sculptural installation, to hybridized projects using video in combination with other media."
And in the case of Chawky Frenn, I predict harsh political and social commentary art, painted with an exceptionally talented hand with little irony.
From the news release:
- Gillian Brown projects video onto translucent objects, breaking evocative images apart and refracting or reflecting them onto various surfaces.
- Heidi Fowler paints images of everyday industrial objects on unconventional substrates — her recent work features networks of phone or power lines painted across collaged beds of junk mail envelopes.
- Chawky Frenn’s representational paintings are dense with art-historical allusions and violence in equal measure. His work has been formed by his experiences growing up in Lebanon, witnessing the atrocities of war firsthand.
- Laurel Lukaszewski is a sculptor who explores pattern, rhythm, and line using black stoneware and porcelain. The abstract tangles projecting off of the walls in her installation at AAC, Kaminari, playfully represent brush strokes in three-dimensional form.
- Timothy Michael Martin is an abstract painter who, in his reductive paintings, combines diagrams and schematics with oblique pulp sci-fi references. His work comments on the visual codes of modernism and on utopian and dystopian visions of the future.
- Claire Sherwood creates mixed media installations with lace, concrete, wax and coal. These materials are combined to form objects that are paradoxically both decorative and crudely industrial--or both stereotypically masculine and feminine.
- Alessandra Torres is a performance and installation artist. Her AAC project, Figure Study, draws elements from Zen painting and dance; in it, Torres presents flat, jointed, reductively rendered figures mounted on magnets that the viewer is invited to manipulate and reposition at will.
Prediction: Look for Torres, who now lives in NYC, to steal this show. All shows through November 17th, 2007.
Monday, October 01, 2007
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