Dawson on Rubell

The Washington Post's Galleries art critic, Jessica Dawson (whose writing role, as explained to me by the Post, has expanded a little, and will allow her to cover more art-related events such as this one, instead of just having Dawson do gallery reviews) followed Mera Rubell around to a few of her 36 studio visits and has the Dawsonesque take on the event here.

You could call it a Hanukkah miracle. Or the arrival of intelligent life from another planet. Last Saturday at 5 a.m., while the rest of us slept, megacollector Mera Rubell walked among us, hunting local art.

Read Dawson's report on the Rubell visit here.

As usual, Dawson adds her own bitter Debbie Downer flavor to a spectacularly positive event and tips her hand, when she introduces her log of the visits by writing: "Mera's troll through Washington's art warrens was akin to Santa visiting the Island of Misfit Toys."

What a putz... or maybe I'm the putz for just seeing just all the positive things that Mera and her interest has generated and will generate, and ignoring some of the things that Dawson highlights. And for the record, I know which Misfit Toy I would be...

As commenter "fisher1" noted in the Post's website in a comment about Dawson's article:

Jessica Dawson tactfully didn't mention one major reason artists in Washington feel neglected and isolated and that is the lack of any consistent critical voice. Any thriving art scene needs good critics as well as collectors and venues willing to take chances. We might have the latter two but certainly not the critical voice. Jessica Dawson might review one art show in ten if we're lucky; the Post's major art critic, Blake Gopnik is usually found wandering through New York's galleries ( admittedly, recently he has noted that art is going on in Washington)and people like Andrew Sullivan and occasional pieces in the City paper try to fill the gap but gap it remains and that's been the situation for many decades.

Unfortunately that wasn't "tact" on Dawson's part, after all, she's one of the critical voices in question.

You can see all the comments, or add your own, here.