As first detailed in this post, it all started a while
back with DMV artist Barbara Januszkiewicz noticing and asking a Facebook question about
the annual Washington Projects for the Arts fundraising Gala auction (disclaimer:
I’ve been part of this auction multiple times in the past). You can catch up on that issue/question here.
Subsequently, and as a result of the nearly 2,000 comments that Barbara’s question received, the Washington City Paper’s freelance scribe Kriston Capps conducted an interview with the WPA’s newish Executive Director Peter Nesbett. The interview initially missed the key question, but that question was subsequently added in a revised version of the interview, which can be read online here.
I then commented on Nesbett’s answers in this post,
essentially noting that Nesbett had missed a golden opportunity to use the
Facebook commenting as a perfect way to start a constructive dialogue with the
WPA’s artists’ members. Instead he doubled down on his perception that the
Janus Facebook post was as triggered as result of Barbara’s personal issues with him, and
his public criticism of her work. You can read that post here.
Following the Capps’ interview, the Facebook attention
shifted to what many commenters considered Nesbett’s massive foot-in-mouth
answer and inexplicable introduction of the race and age card into the discussion.
And not for the first time… cough, cough… DMV artists
also began to find issue with Capps’ interview, which many opined only showed
one side and failed to present a response from the person (Barbara J) who was
essentially being somewhat attacked with claims of aggressive emailing (to
Nesbett).
Criticism of Capps’ article mounted in several comments,
as well as some defenders, one noting that:
That’s a great point, which shifts Capps’ interview flaws
(more on that later) by highlighting the fact that it was via this WCP
interview that Nesbett truly stepped on his crank big time.
As I myself noted in the FB comments, I think that the main
issue with Capps’ interview is that as soon as (in a "subjective"
newspaper article… awright, an “interview”) a point of view (in this case from
the interviewee) says something or claims something (or in this case: accuses)
about the other side (in this case a person... in the Capps' case Nesbett about
Barbara's "aggressive emails") , then one would expect the journo to
approach the second person and see about the triggering comment/accusation (is
this true Barbara???)
Especially since Barbara’s has stated in various FB
comments and separately that this allegation is false, and yet, no one
contacted her to verify or get her comments on what Nesbett claims was the main
trigger point for the complaint (sour grapes).
It is bad journalism, but arguably passable for just an
"interview"by a freelancer done for fifteen bucks… cough, cough.... I can't jump on Capps too much for this... but it is a missed golden opportunity!
Especially when compared to this article in the HudsonValley-Times, where writer Paul Smart does a brilliant job of reporting on
Nesbett’s strange experience with the Woodstock Byrdcliffe Guild. It is not an interview, of course, but Smart
does a damned good job of documenting all the strange allegations against Nesbett
as well as his point of view and responses. That article ends with the Guild’s President noting that “It’s frightening for me to think of how many people out there were frightened by his words…”
3 comments:
Geeeeezzzzz! did the WPA board know about that Hudson Valley experience?
Annie
Talking about the WPA board do they even know that this is going on? I mean one would think that they at least know about the city paper
I don't understand why the interviewer never asked about the original issue which sparked so many comments on facebook - "Did anyone notice something odd about WPA's list of artists for Auction Gala this year?" I.e. so many out-of-town artists. Instead he did the boilerplate questions about the auction, and addressed the personal attack on Barbara J.
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