He has examined insular communities from the Galician Massif to the Hasid in Brooklyn, incorporated the Mexican artist Frieda Kahlo into his work (just before a movie about her life took the world by storm) and depicted Che Guevera, the controversial, and revolutionary, physician, author, activist, guerrilla leader and diplomat who, Campello labeled somewhat dismissively in his show as “T-shirt man” because of his unlikely pop-icon status. Fantasy, reality, romanticism and realism — Campello centers his art deeply in context, whether it’s special lighting, revealing code or multimedia interactive experience.
“The main piece in this show is, at least for me, my up-to-date culmination of the incorporation of technology,” he said. “What you see is the back of a woman in a museum, looking at two pieces of artwork on the wall — every five seconds a new portrait pops up — famous artists, politicians— and hidden in the middle of the piece is a spy camera, so as you approach the work, you staring at it becomes part of that portrait gallery. You now are the artwork.”
Read the whole cool piece by Chris Slattery here.
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