Saturday: Free Art Business Seminar for Artists

On April 10, 2010 from 1-5pm, Gateway CDC in partnership with MNCPPC will be hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists. Registration ends at noon tomorrow.

This seminar is suitable for all visual artists interested in taking their careers to the next level.

Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies?

Then this is the seminar for you! This program is free, but space is limited so please email John@Gateway-cdc.org or call 301-864-3860 ext. 3 if you would like to attend. Hurry! You must register no later than noon tomorrow!

This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.

Of interest to the general public: a closing reception for the Gateway Arts District Show, which I juried a while back ,will immediately follow the “Bootcamp for Artists Seminar” from 5-8pm. All are welcome!

A free business seminar and then a closing reception with munchies and wine... life is good.

Tape Sculpture Contest Winner Announced

Scotch Brand awarded Elizabeth K. Lee from Spring Valley, Wis., a $5,000 cash prize in the The Scotch Off the Roll Tape Sculpture Contest, sponsored by 3M.

Lee took her creativity off the roll by designing and constructing "Can I Keep Him," a tape sculpture depicting a larger than life goldfish swimming in a clear bag. Her sculpture 'stuck' in the minds of the judging panel, beating out more than 135 other tape sculpture entries.

The jury panel included our own Mark Jenkins, the American artist most widely known for the street installations that he creates using Scotch Packaging Tape.

At $5,000 for a top prize, I bet they get a lot more than 135 entries next year. Check out all the award winners here.

Pecha Kucha

As part of Architecture Week 2010, the Northern Virginia Chapter of the American Institute of Architects will have a Pecha Kucha 20 x 20 (Pecha Kucha is a series of short slide presentations - approx 6 minutes each- on cool, entertaining topics held where conversation, ideas and drinks can flow - the phrase Pecha Kucha roughly translates as "chit chat").

The speakers include: Michael Janis,Glass Artist; Kevin Wyllie, Architect, Catholic University School of Architecture; Ron Anzalone, Archeologist; Tom Kamm, Theatrical Stage Designer; Chul Park, Graphic Artist, Forest Allread, Artist, Corcoran School of Art; Brian Frickie, Architect; and others.

The Pecha Kucha is a great way to meet, exchange ideas and network with other artists, architects and designers - and it is being held at the Light Horse Restaurant in the Old Town section of Alexandria.

What: NoVA's AIA PechaKucha 20 x 20 Night
When: April 13
Doors open at 6:00p with presentations beginning at 7:00p
Where: Light Horse Restaurant & Bar, 715 King Street Alexandria, VA.

Enjoy food and drink and discover a fun way to share ideas and experiences as presenters illustrate something they are passionate about with only 20 images, shown for 20 seconds each. The event is free, although attendees will be purchasing their own refreshments. Reservations are not required.

MPA Artfest

MPAartfest is a one-day juried fine art and craft show and sale featuring the work of 40 local and regional visual artists.

McLean Central Park will reverberate with the sights and sounds of art and music on Sunday, October 3rd at the 4th annual MPAartfest. Last year’s event drew 6,000 art and music devotees.

Submission deadline: June 1
Event Date: Sunday, October 3, 2010
Details: here

Opportunity for Artists

Deadline: April 11, 2010

Entry deadline for the 2010 Rawls Museum Arts Juried Exhibition is April 11. The juror is Sally Bowring. Visit their website at 0 comments

Opportunity for Artists

Jurying on April 26

The jury for this show is comprised only of the submitting artists.

Each artist will be submitting one piece of work live, in front of a jury of their peers.

After each artist presents their work, the jury will be encouraged to discuss and debate before voting.

The whole process will be videotaped and hopefully even streamed live.

Artists must be available on Saturday April 24th from 6pm-whenever to both present their work and participate on the jury.

All the details are here.

Dawson on Miner

The WaPo's Jessica Dawson has a really cool review of A.B. Miner's show at G Fine Art:

Artist A.B. Miner, 32, bade farewell to his breasts forever in January 2007, electing for a double mastectomy with reconstruction, as that element of female-to-male gender reassignment surgery is called. By then he had been on hormone therapy for two years. He had changed his name. Now it was time for the next step in realizing a dream he'd had since he was a teenage girl: to be a man.

The procedure's effects must have fascinated Miner, because he photographed himself at regular intervals post-surgery. Working from those photographs, he painted a 12-panel work about the contortions of his flesh. "From There to Here" is the centerpiece of Miner's modestly sized solo show inaugurating G Fine Art's new location.

Read it here.

Ford bucks

"As part of an effort to increase the impact of its giving, the Ford Foundation is to announce a plan on Monday to dedicate $100 million to the development of arts spaces nationwide over the next decade. The plan is by far the largest commitment the foundation has ever made to the construction, maintenance and enhancement of arts facilities."

Read the NYT story here.

Tomorrow is Out of Order Hanging

Out of Order is the Maryland Art Place's Annual free-hung Benefit Exhibition, Silent Auction and Party!

Hanging Dates and Times: Beginning 9am, Tuesday, April 6th, ending 9am, Wednesday, April 7th That’s right—24 hours nonstop!

Silent Auction and Gala: 8pm, Friday, April 9, 2010. Join them for a fantastic evening of great art, music, food, and an open beer & wine bar.

Participation: There is a $10 participation fee to hang artwork in Out of Order. As a participating artist, you will be given one complimentary ticket to the gala on April 9th. ($40 value!). Proceeds will be split 50/50 between the artist and MAP.

Tickets: Tickets are free for event volunteers and current MAP members. If you wish to attend the event, simply join or renew your MAP membership and receive two complimentary tickets ($80 value), in addition to a host of incredible incentives throughout the year! Or, to buy tickets online, visit: brownpapertickets.org.

For More Details: access their website: www.mdartplace.org or call 410-962-8565.

Details for artists here.

Saint Ernesto

Just in time for Easter and Passover, my first drawing of 2010 (I know, I know, but I've been busy).

San Ernesto Guevara de la Serna Lynch, known to most of the world as 'Ché' and to many Cubans as 'El Chacal de La Cabaña'
F. Lennox Campello. Charcoal and Conte on paper. 15 x 10 inches.
In this piece I return to my iconic series on that psychopath murderer of Cubans known as Ché, the Holy Saint of the Ignorant Masses who have actually never read his hate-filled racist diaries, speeches or interviews, nor explored his abject failures as a guerrilla in Africa and South America.

If you want to buy it, contact one of the galleries that represent me.

Need studio space?

The Gateway CDC has a 418 sf Visual Art Studio for rent at the new Gateway Arts Center, located in the Gateway Arts District, 3901 Rhode Island Ave, Brentwood ,MD 20722. (1/4 mile from the DC Line on Rhode Island Ave.)

Please contact John Paradiso for an appointment to see the space and hear about all the exciting Arts activities in the Gateway Arts District! john@gateway-cdc.org

For more info on the Gateway Arts Center, click here.

For tomorrow at noon

There's a collaborative performance at the University of Maryland Art Gallery (in the Art Building) involving a chamber group (Ligeti music), Richard Klank painting, and the very talented Sebastian Rousseau dancing (Forsythe technique), on Monday, April 5th, at 12:30 PM.

O'Sullivan on a pop up project

The Washington Post's Michael O'Sullivan reviews a pop up project's inaugural show.

Read the review here.

Free Art Business Seminar for Artists

On April 10, 2010 from 1-5pm, Gateway CDC in partnership with MNCPPC will be hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.

This seminar is suitable for all visual artists interested in taking their careers to the next level.

Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies?

Then this is the seminar for you! This program is free, but space is limited so please email John@Gateway-cdc.org or call 301-864-3860 ext. 3 if you would like to attend. Hurry!

This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.

Of interest to the general public: a closing reception for the Gateway Arts District Show, which I juried a while back ,will immediately follow the “Bootcamp for Artists Seminar” from 5-8pm. All are welcome!

A free business seminar and then a closing reception with munchies and wine... life is good.

Public Art Residency

There's an awesome new artist opportunity that the Washington Project for the Arts is offering for a public art residency program, in partnership with the DC Commission on the Arts and Humanities ,and Socrates Sculpture Park in Long Island City, NY.

This opportunity is for an artist living in DC who is looking to expand their practice by developing and creating public art projects through SSP’s “Open Space” program, by teaching them the fundamentals of developing a proposal for public art work, identifying sources for materials and funding of projects, and accessing a support network for technical assistance.

The artist will conceive and create a work which will be exhibited at Socrates, which will then be re-fabricated and re-installed in Washington DC. The artist will also give a public presentation about the residency experience.

The artist cannot be enrolled in any degree program during the months of the residency and must live in the District of Columbia. Established artists seeking professional development in the realm of public art and students preparing to graduate are encouraged to apply.

For a full prospectus or you have any questions about the program, feel free to call the WPA at 202-234-7103.

Arts Management Fellowships

The John F. Kennedy Center for the Performing Arts offers valuable skills building for arts managers through the Fellowship Program. The program provides up to 10 highly motivated, disciplined, and creative arts managers the instruction and experience they need to succeed in today's complex arts environment.

Fellows enjoy close working relationships with experienced arts professionals, hands-on work opportunities, a structured blend of independent and collective learning experiences, and the opportunity to work in one of the busiest and most artistically diverse performing arts centers in the United States. Fellows are expected to attend performances and educational events, as well as complete significant projects within the context of the Kennedy Center.

Fellowships are full-time and last 9 months starting in September and ending in May. The program emphasizes excellence, creativity, economic problem solving, strategic planning, internationalism, and a commitment to new technologies.

Fellows receive an annual stipend of $20,000 (paid bi-weekly) to help defray housing and transportation costs. Course materials, and reimbursement for health insurance are provided to Fellows.

Detals here.

Tonight's Opening

Hillyer Art Space at 9 Hillyer Court, NW, has Wundergarten: Sa[l]vaging the Family Archive, a new solo exhibition by local artist Clarke Bedford.

The exhibition opens Friday, April 2, 2010, with a reception from 6 p.m. to 9 p.m. featuring a musical set by DJ Neville Chamberlain. $5 suggested donation. The exhibition closes Saturday, May 29, 2010.

Clarke Bedford, a.k.a. F.D. Kalley, William Tecumsah Sherman, Coleslaw Baklava and Professor Benjamin J. Dreadnought PhD, applies his wry humor and assemblage ingenuity to a many-layered body of work in Wundergarten: Sa[l]vaging the Family Archive. Combining a wunderkammer (cabinet of curiosities) and winter garden, Bedford’s installation plumbs the history of vernacular photography while framing the chronicle of an American “every-family” through the found archives of an actual family.

In the artist’s own words:

The found objects in the installation – assembled into garden furniture, a generational colonnade, frames and props – are intended to provide a memorial setting for the photographs and to work as an object-based corollary to them. The photographs themselves also serve as a kind of history of snapshot-photography: the sequence of forms from the early 20th-century box camera prints mounted in black page albums with white lettering, through 35 mm black and whites, early color, Polaroid, Instamatic-type square prints with textured surfaces and so on.

The generations depicted are the same as my own – WW1 generation grandparents, WW11 parents, and baby-boomer self. Consequently, the images seem very familiar, almost personal. One begins to wonder if every snapshot of grandparents in a Model A Ford in Yosemite National Park, every image of a postwar father in an Army uniform, every mother in a ‘50s suburban kitchen, every painful Vietnam-era Christmas morning isn’t essentially the same.

Clarke Bedford has exhibited and performed his difficult-to-categorize work in the Washington, DC, and New York areas at venues ranging from the Corcoran Gallery of Art, Hemphill Fine Arts and Kreeger Museum to many universities and academic conferences. His day job entails interaction with the very post-modern art he mocks, as Conservator of Paintings and Mixed-Media Objects at the Hirshhorn Museum and Sculpture Garden. He received a B.A. in ’69 from Williams College and M.A. in ’80 from the Cooperstown Graduate Programs in Art Conservation.

At Gallery West

I swung by a quick visit to Alexandria's Gallery West, one of the DMV's oldest and most consistent artist cooperatives.

Like most coops, Gallery West goes through a constant, sometimes fast, sometimes slow ebb and flow of new artists, and it had been a while since I had visited them. In fact this was my first visit since they moved from their old flood-prone space on Union Street, one block up from the river.

In their group show currently on display, on the second floor I was particularly caught by the strong painting skills and superb use of space and texture of Francesca Creo, who brings watercolor splatter techniques to a new level with her treatment of sand.

I also liked the classical and elegant pieces by Rachel Estrada and the quick, painterly pieces by Parisa Tirnaz.

Fierce Sonia at The Art League Gallery

“Paper Dolls” will be at The Art League Gallery in Old Town Alexandria from April 8 – May 3, 2010. The Opening Reception and Meet the Artist function is Thursday, April 8, 6:30-8:00 pm. Joe Chiocca, Old Town’s favorite band, will play during the Opening Reception and reunite with special guest singer Kim Kenny. Free and open to the public.

Ritual Repeat by Fierce Sonia
I am told that they're expecting over 400 people at the opening reception, making this one of the largest in history around here, as this show is creating a lot of "buzz" on Facebook and other places.

During her tenure as a figure model for The Art League School, Fierce Sonia quietly acquired a top-notch visual arts education. Motivated by the artwork she saw, she became eager to create her own work. She cabled her camera to her TV and released the shutter with an infrared remote. Sonia used herself as her own model, learning more about composition and technique based on what she saw on the screen.

Her figurative photography has evolved to a new and exciting place. The focus is on process. In Sonia’s latest series “Paper Dolls,” the same images reoccur with confident changes to the surface. Her work is no longer straight photography. With the integration of painting and collage into her images, Sonia’s work has reached a new level.

The black and white images of herself are often printed on paper that has been painted white, which creates a rich texture. Each piece is created in a unique way. Previous prints may be collaged to create depth. Multiple runs of the same print may be made on the same piece. More painting, layering might be necessary to create the desired effect. These alterations to the surface blur the identity of the original image, and make the series of work about the medium and the process, and not about the subject matter.

Sonia’s work has been exhibited and won accolades nationally. She is a professional art model and muse for artists and photographers and has worked with nationally and internationally known artists.

Below is a small drawing that I did of her years ago:


Sonia by F. Lennox Campello. Charcoal on Paper. 5x4 inches. Circa 2005
And below is is a magnificent oil portrait of Sonia by Edward J. Reed, who goes by Ted, and who teaches portrait painting at the Art League in Alexandria.

"Pippy Takes a Ride" by Ted Reed.
Do not miss this show!

Tape Sculpture Workshop

Sandra Fernandez will be teaching a tape sculpture workshop this Sunday at the Fridge, in SE DC.

It's part of a series of Sunday workshops by Albus Cavus. Here's the link for more info.