Transformer Changes

As reported by Adrian Parsons a few days ago, Transformer’s Board of Directors has announced the appointment of Victoria Reis as Executive Director of Transformer as of May 16, 2006.

Jayme McLellan, who co-founded Transformer together with Reis in 2002, resigned from her position as co-director of Transformer to become the Interim Executive Director of Women & Philanthropy - a national leadership organization of grant-makers.

Good luck to both!

Schafer on Bisese

Karen Schafer discusses Ed Bisese at Neptune Gallery.

Read it here.

Louie The Fish

I've received at least a dozen emails from readers telling me that they've also received emails from Louie The Fish.

And this one:

Hi Lenny,

I was just now going to post to you about the scam.

I, too received email from the same person (who calls himself Mclaren Welis from the UK) beginning in April (and I have art on the MD State Arts Council website).

I don't know if I'm the person that is refered to in your posting today. I think not since I didn't recognize the postmark, only that the stamps were from Benin (a country next to Nigeria).

I was skeptical as well from the first contact in April, but via email, he said the same thing, interested in purchasing several of my artworks. I'm so glad you've posted the warning.

The person who manages the MD State Art Council's website is aware of this, and posted a warning to artists who are on the registry. (Well, that was before I got the check yesterday -- also for an additional $3000, which I suspected was phony).

I talked to the manager at the bank, and he called the bank that the check was written on, and of course, its no good. The manager said they would have deposited it in my account, not knowing it was phony, made the funds available to me. And, a week later, when they would have learned that it was a bad check, would have debited my account.

I'm sure the person "Mclaren" would have contacted me and asked me to send him the extra $3000, or an amount just under, saying something like, he could make it profitable to me... or for my troubles, keep an extra $500 or whatever.

The bank manager said this past month another customer came in w/a similar check. That person was contacted by email from someone supposedly interested in renting an apartment, and received a check for thousand/s more than the agreed amount.

The police advise me to not respond to any email from this Mclaren Welis and not to return the check. I just got another email from Mclaren today asking for a response.

Thank you again for posting to your blog about this creep.

Be careful!

Art Fraud Alert

Received the following from a DC ART NEWS reader:

A DC area artist and I were both contacted by a Mclaren Welis with a yahoo account -- supposedly from 36 Greenfield Wrexham UK LL11 2NR (Wales) to buy our artwork -- that he discovered on the Maryland State Arts Council website.

I thought it was legitimate because I googled the address and found an artist who lives nextdoor at 34 Greenfield, a glass artist by the name of Chris Bird-Jones who is affiliated with the Arts Council of Wales... so my brain made the connection that Chris Bird-Jones had introduced Mclaren Welis to arts council databases and Mclaren was out to buy directly from artists.

The other DC artist received a check today that is for exactly $3000 more than the cost of her artwork and the shipping fees. The check came in an envelope with a very weak cancellation mark from Dubai (United Arab Emirates).

These scams have come to be associated in the public mind with Nigeria due to the massive proliferation of such confidence tricks from that country since the mid-eighties, although they are often also carried out in other African nations, including Togo, Cte d'Ivoire, Ghana, Benin, Liberia, Sierra Leone and South Africa, and increasingly from European cities with large West African populations, notably London, Amsterdam and Madrid, and lately also Dubai (United Arab Emirates) and Canada.

So I finally emailed Chris Bird-Jones who informed me that there is no 36 Greenfield.

Chris Bird-Jones, whose work is displayed on the Arts Council of Wales website was recently a victim of a similar scam where a person with the name Lineaux Swave wanted to buy Bird-Jones' artwork... a fradulent check (aka Akwukwo, chekere, pepper in Nigeria) was sent to Bird-Jones and the matter is now in the hands of the police and the bank.

We fall mugu (To be fooled, to become victim of advance fee fraud); Supposedly a check is in the mail to me

This must be going all round the Maryland State Arts Council website; it's called an Advance Fee Fraud or a 419 scheme.

And just today I received an email from someone named Luis that says:

From: Luis Mackarel
Sent: Tuesday, May 16, 2006 5:53 PM
To: lennycampello@hotmail.com
Subject: Paintings

Hello,
I came across your paintings from maryland state council website and i will appreciate it if you can let me know if the works displayed on the website is still
available and prices of eachwork.
Regards,
Luis

I intend to answer Louie The Fish and at least make him waste the envelope and some stamps as he sends me my Akwukwo check.

Nestor Hernández (1960-2006)

I am shocked to learn today that my good friend Nestor Hernández passed away after a short bout with cancer.

Hernández was a DC-based photographer of Afro-Cuban descent (Afro-Cuban father and African-American mother).

Raised in DC, he didn't speak Spanish, but that didn't stop him from understanding it from his heart, and from visiting his father's enslaved homeland and re-discovering his Cuban roots via his photography, which he exhibited in many art venues, both in the DC area, nationally, and in Cuba, throughout the years.

Nestor was introduced to photography in High School through the Urban Journalism Workshop of the D.C. Public Schools, and then he was on the staff of the Capital Children’s Museum as photographer-in-residence for many years.

Hernandez then became the chief photographer for the D.C. Public School system, even as he continued to visit Cuba, and then to start photography projects dealing with children in Ghana, and most recently Mali.

We exhibited Hernandez photographs as part of our gallery's grounbreaking De Aqui y de Alla (From Here and From There) survey of contemporary Cuban art from Cuba and from the Cuban diasphora and in several group shows after that.

His photographs have been included in many shows Washington, D.C. and various American cities, as well as in Havana, Cuba and Accra, Ghana, and his photographs are included in the permanent collections of the Casa de Africa museum and Galería de Arte René Portocarrero in Cuba, Asafo Gallery in Ghana, the Cuban Art Space in New York and the Smithsonian Anacostia Museum in Washington, D.C.

He was a member and past president of FotoCraft Camera Club, and was the 2001 recipient of the "Photographer of the Year" award, given by the Exposure Group, African American Photographers Association. In 2002 he received the "Outstanding Emerging Artist" award, and in 2003 an Artist Fellowship Grant, both from the DC Commission on the Arts and Humanities.

With Port of Harlem, he developed the "Our Children, Our World" photography exhibit featuring the works of children from Ghana, Cuba, Washington, D.C., and Gary, Indiana. After a successful run in Washington, D.C., the exhibit opens in Gary later this summer, as an official event celebrating Gary's 100th anniversary.

And this Wednesday Tuesday, Nestor's photographs will be included in the Arlington Art Center's Love, Loss and Longing: The Impact of U.S. Travel Policy on Cuban-American Families, which opens May 16 and runs through June 3, 2006. The exhibit features photos by Nestor Hernández, Jr. and Juan-Sí González and text by Drs. Jeanne Lemkau and David Strug. The opening reception is May 16, 6:30- 9pm. This exhibit will then tour nationally through the end of 2007.

As with most artists, Hernández died with little money. Burial contributions are being accepted by his father:

Nestor L. Hernández
4007 53rd Street
Bladensburg, MD 20710

We will all miss you hermano!

Weekend Report

Two things to report on: Bethesda Fine Arts Festival and Kirkland's solo opening at GRACE.

It ended with a huge downpour, but for the most part the weather stayed good and around (my guess) 30-40,000 people attended the 3rd annual Bethesda Fine Arts Festival on the streets of Bethesda last weekend. I did quite well, selling about a dozen drawings and maybe 20 prints or so. The mixed media artist from Georgia who was across from me sold over $15,000 on Sunday in a twenty minute span, and the photographer next to me was in a constant sell-mode on both days (and this was his first show). On my other side, Norfolk artist Sheila Giolitti also did gangbusters, including one major sale to Carol Trawick. See the prizewinners here in a few days as soon as the website is updated.

JT Kirkland's solo show at GRACE went well, with a couple of sales including JT's largest sale so far and a new high for the Kirklands. Congrats to JT!

Online Discussions on Criticism

Arts Journal is hosting an online debate about the changing nature of culture and cultural journalism. They've invited 15 critics, bloggers and editors to take part.

You can read it here.

What to do tomorrow

First of all, drop by the Bethesda Fine Arts Festival and check out the artwork of 130 contemporary artists from around the nation.

Then later that evening trek out to Reston and visit JT Kirkland's solo exhibition "Framed," at the Greater Reston Arts Center (GRACE) in Reston, VA. There will be a reception for the Kirkmeister on Saturday, May 13, 2006 from 6:00 – 8:00 pm. And just in time (like the NSA story in USA Today), DCist has a great studio visit by Adrian Parsons to JT's place. Read it here.

If you don't get it...

From the transcripts of the Weekend staff online session this AM (italics are mine):

Potomac, Md.: Can we get more art reviews?

"On Exhibit" usually has one large or two joined reviews, but there are usually multiple movie and multiple theatre reviews ...

So can we have more art reviews in Weekend?

Style section now only does about 24 "Galleries" column a year ... so we're really starving for something to read about our local galleries!

Please ...

Joyce Jones: Michael O'Sullivan (who will most likely join me on this answer) does an exceptional job of covering a very large art scene. Since he began covering art for the section, Weekend has done more features on galleries than ever before. But speaking as the person who has to try to come up with a representative mix of all the entertainment options out there, I have to say that we try to divvy our space based on the popularity (and thus reader interest) in different topics. I listen to reader feedback, like what you're giving me now. And I also look at research into how people in this area spend their leisure time. Movies are a big draw and our coverage reflects that. We try to give both theater/dance and art exhibits a relatively equal shake though we structure the coverage differently. The mini art reviews idea is a good one, but our space constraints make it difficult to add a lengthy feature like that. Though week to week our section varies a little in size, over the course of a year it averages to a set amount of non-ad space each week. That's all we have to work with; we can't just go as big as we want. If that were the case, we would be twice as big each week.

Michael O'Sullivan: I know it can be frustrating. I have a list on my computer of somewhere between 100 and 200 art spaces (commercial galleries, nonprofits, alternative exhibition spaces, universities, embassies). That's not even counting the museums. And don't get me started on Baltimore, which has a very lively art scene, and whose boundaries with the DC art community are very porous. We try to distribute our coverage fairly, but given a limited amount of space--and the fact that I am, despite rumors, merely human--it's going to be impossible to make everyone happy.

So Ms. Jones (the very nice Weekend section editor) clearly states that she tries to divvy our space based on the popularity (and thus reader interest) in different topics.

Translation: We believe that our readers are more interested in movies, theatre, dance, and music than in art.

She also stated that: We try to give both theater/dance and art exhibits a relatively equal shake.

Are we reading the same Weekend section?

Homework assignment for one of the DC ART NEWS readers: Go to your local library, select the last 10 Weekend sections and count the number of:

(a) Theatre reviews and mini-reviews

(b) Dance reviews and mini-reviews

(c) Visual Arts reviews

While it is true that gallery reviews have significantly improved since O'Sullivan took over the "On Exhibit" column, I think that Ms. Jones may be surprised as to how much more of (a) and (b) Weekend does than of (c).

Let the data speak! Email me your homework assignment and I will post them here.

WaPo's Weekend Staff Online

The WaPo's Weekend staffers are online at 11AM today answering questions about Weekend and its coverage.

You can email your question to them here.

Target grants

Deadline: May 31, 2006

Target Stores provide local grants ranging in value between $1,000 and $3,000. To apply, complete the application form available on their website and deliver it to the Target store in your community.

Contact information is available through the Target website.

New

Numark Gallery has a new website.

Check it out here.

Cheryl also has two new Assistant Directors: Ricardo Harris-Fuentes and Lauren Hebert.

48 Hours

Since I'm down here in Virginia Beach, I've been missing the screening of the films submitted for the 48 Hours Film project, which used Tim Tate as the element in the films.

But I've been keeping up with the exhausted filmmakers through their blog here.

The films are been screened at AFI through Friday and the schedule is here.

Peter Panse Update

Remember the case of the High School art professor suspended for the nude model issue? (Read this if you don't).

Well his disciplinary hearing has started and you can read the first newspaper report here.

An event for artists - Learning & Product Expo: Art!

Learning & Product Expo: Art! is taking place June 2-4, 2006 at the Marriott Inn & Conference Center at UMUC. It's an opportunity for fine artists to visit an exhibit hall of art material manufacturers and choose from 200 hands on workshops, lectures and demonstrations taught in all mediums and techniques.

Attendees can buy art supplies at great prices, see free demonstrations, learn more about the newest art products, meet other artists in the community and more!

For information on prices, exhibit hours, and class descriptions, please visit www.learningproductexpo.com

Beaching

I'm heading out to Virginia Beach for a few days, but will continue to post from the Tidewater area and may even do a gallery round-up from there.

Laptop coming along; keep coming back.

Tomorrow May 19 is the deadline

To get your entry in for the 2006 Tenth Annual Greater Washington, DC International Fine Arts Competition, which I am jurying this anniversary year (I juried the first one as well). Jurors over the years have included Stacey Schmidt from the Corcoran, Kristen Hileman from the Hirshhorn, painters Joe Shannon and Chawky Frenn and others.

Details here.

Bethesda Fine Arts Festival This Weekend

Downtown Bethesda celebrates a weekend of Art on May 13 & 14, 2006 as the Bethesda Arts & Entertainment District announces the 3rd annual Bethesda Fine Arts Festival, a two-day event highlighting 130 contemporary artists who will sell their original fine art and fine craft at the event.

The festival is scheduled for Saturday, May 13 from 10am-6pm and Sunday, May 14, 2006 from 10am-5pm. Last year around 30,000 people attended the festival and this year (weather permitting) an increase in attendance and sales is expected.

National artists from nearly 25 states and Canada will showcase painting, drawing, furniture, jewelry, photography, ceramics and mixed media. The event will also feature live entertainment, a children’s activity area and downtown Bethesda restaurants including Hard Times Café, Mamma Lucia, Ben & Jerry’s and more. Participating artists were selected and juried by members of the Bethesda Arts & Entertainment District Advisory Committee.

Admission to the Bethesda Fine Arts Festival is free. The festival will be held in downtown Bethesda’s Woodmont Triangle along Norfolk and Auburn Avenues, located six blocks from the Bethesda Metro Station. Free parking is available adjacent to the event in the parking garage located on Auburn Avenue.

The Bethesda Fine Arts Festival, produced by the Bethesda Arts & Entertainment District,is directed by Catriona Fraser, a fourteen year veteran of fine arts festivals, an international awards-winning photographer and co-owner of the Fraser Gallery, located in downtown Bethesda.

Comcast, MIX 107.3 FM, Whole Foods, Stonyfield Farm, The Gazette, Bethesda Magazine and Washington Woman are serving as the 2006 event sponsors.

Exhibiting Artists:
Gaurav & Anju Agarwal, Suwanee, GA
Fred Albright, Lancaster, PA
Amos Amit, Los Angeles, CA
Lisa Aronzon, Broadway, VA
Dwight Baird, Champlain, NY
Robert Barab, Hampton, VA
Dave Bazzel, Morgantown, PA
Joel Beckwith, Jamaica, VT
George Biersdorf, Cooksville, MD
Jim E. Biond, Jacksonville, FL
Eric Black, Charlottesville, VA
Edward Bordett, Fincastle, VA
Alex Brand, Corning, NY
Stephen Brehm, Leola, PA
Robert Bridenbaugh, Fair Haven, MI
Dave Bruner, Sarasota, FL
Michael Bryant, Atlanta, GA
Helen Burkett, Sarasota, FL
Marshall Burns, Woodbury, NJ
Brian Butters, Washington, D.C.
Walter Cade III, Jamaica, NY
F. Lennox Campello, Potomac, MD
Kimmy Cantrell, College Park, GA
Lisa Cimino, Baltimore, MD
Fiona Clark & Vincent DeLisle, Jefferson, ME
Karen Clark, Baltimore, MD
Bob Coleman, Montgomery Village, MD
Will Connor, Washington, D.C.
Norry Coscia, Langhorne, PA
Beth Crowder, West Union, WV
Carolyn Currie, New Milford, CT
Rick Dean, Charleston, SC
Karen Deans, Bethesda, MD
Tracy Deming, Butler, TN
Sharon Donovan, Ann Arbor, MI
Katherine Drew Dilworth, Brookeville, MD
Marsha Drummond, Devon, PA
Tony Elliott, Cockeysville, MD
Leslie Emery, Madison, WI
Joseph Craig English, Washington Grove, MD
Dede Faller, Washington, D.C.
Penny Feder, Jamaica, NY
Lynn Ferris, Berkeley Springs, WV
Matthew Fine, Norfolk, VA
Foust, Richmond, VA
Bjorn & Tatiana Fruchtman, Centreville, VA
Lou Gagnon, Gainesville, VA
Ming Gao, Philadelphia, PA
Geri Geremia, Boynton Beach, FL
Marcia Germain, Midlothian, VA
Paul Germain, Midlothian, VA
Courtney Gillen, Washington, D.C.
Sheila Giolitti, Norfolk, VA
Debra Lynn Gold, Atlanta, GA
Irwin Goldman, N. Bergen, NJ
David Gordon, Greenfield Center, NY
Judy Goskey, Burton, OH
Eve Greiner, Blue Bell, PA
Giffen Douglas Grosvenor, Stowe, VT
Anjali Gulati, Silver Spring, MD
Hilary Hachey, Baltimore, MD
Marsha Heatwole, Lexington, VA
Victoria Horner, Charlottesville, VA
Cassandra Jackson, Brooklyn, NY
Brendan Kager, Bethesda, MD
Gopal Kapoor, Greenville, NC
Flo Kemp, Setauket, NY
David Kiley, Medina, OH
Nancy Klotzle, Croton on Hudson, NY
Michelle Krespi, Oakland, CA
Kathy Lapso, N. Royalton, OH
Michele LeVett, Durham, NC
Steven Levine, Dayton, NJ
Jim Livermore, Barrington, NH
Robin Markowitz, Rockville, MD
Lee Angelo Marraccini, Charlottesville, VA
Syl Mathis, Falls Church, VA
Kerin McBride, McLean, VA
Christopher McCall, Doylestown, PA
Marti Mocahbee, Staunton, VA
Richard Moran, West Barstable, MA
Brenda Morrison, Quincy, MA
Debra Murray, Voorhees, NJ
Mary Ann Neilson, Westport, CT
Phillip Nolley, Staunton, VA
David Oleski, West Chester, PA
Carlos Page, Hoboken, NJ
Robert Patierno, Dallastown, PA
Fae Penland Gertsch, Reston, VA
Becky Peretz, Pittsburgh, PA
Diem Pham, Forest Hills, NY
Harold Pickern, Hannibal, MO
Ernest Porcelli, Brooklyn, NY
DeAnn Prosia, Monroe, CT
Ron Prybycien, Doylestown, PA
Ken Rahaim, Fairfax Station, VA
Bruce Reinfeld, Philadelphia, PA
James Gary Richmond, Titusville, FL
Evy Rogers & Joe Jacobs, Sewickley, PA
Martin Rothenberg, Shirley, NY
Jay Royal Chadwick, Malvern, PA
Gary San Pietro, Elkins Park, PA
Grant Silverstein, Mansfield, PA
Phil Skoczen, St. Petersburg, FL
Sherry Smith, Woodbridge, VA
Michael Soloman, Maplewood, NJ
David Souza, Gilbertsville, PA
Robert Stadnycki, Harrisburg, PA
Jill Stern, Frederick, MD
Nancy Strailey, Columbia, SC
Joyce Stratton, New Bern, NC
Cheryl Summers, Poland, OH
Steven Edward Summerville, Bumpass, VA
Sherry Terao, Silver Spring, MD
Richard Toft, Accomac, VA
Karen Trimble, Baltimore, MD
Allan Tuttle, Hallowell, ME
Barbara & Rick Umbel, Pawleys Island, SC
Alan Vaughn, Atlanta, GA
Joryel Vera, Altamont, NY
Susan Wertheimer David, Columbia, MD
Meg West, Crozet, VA
Judith Wrend, Morrisville, VT
Kim Young, Richmond, VA
Bernard Zalon, New York, NY
Stacy Zink, Washington, D.C.

For more information, please visit www.bethesda.org or call 301/215-6660. See ya there!

48 Hour Film Project

I just found out that the 48 Hour Film Project is doing their Washington, DC event this weekend.

And thus, this weekend local filmakers are undertaking the 48 Hour Film Project locally, and each competing team has exactly 48 hours to make a five minute film that incorporates the same character, prop and line of dialogue.

Why am I writing about this cool film project in a visual arts blog?

Because this year's DC elements are as follow:
Character: Tim or Tina Tate, Gay Glass Sculptor Extraordinaire
Prop: Fire Extinguisher
Line of Dialogue: "This is absolutely the last time."

There were 100 teams at the kick-off event, and their films will be screened May 9 through the 12th at AFI, and the schedule is listed here.

Wanna go to an opening today?

The Jackson Gallery (118 Bryant St, NW in DC, near Howard University) opens "Works on Paper" tonight with an opening reception from 1-5PM.

Works by E. J. Montgomery, Samella Lewis, Elizabeth Catlett, Leon Hicks, Valerie Fair, Varnette Honeywood, Margo Humphrey, Clarissa Sligh, Victor Ekpuk, Betty Blayton, Shirley Woodson, Gilda Snowden, Eglon Daley, Renee Stout, Floyd Coleman and Jocelyn Rainey.

A portion of the proceeds will go to the Evangeline J. Montgomery Scholarship Fund.

For more info call my good friend Caesar Jackson at 202.285.1754

Shaw-Eagle on Compelled by Content II

Joanna Shaw-Eagle, the chief art critic of the Washington Times delivers a major review of our current Compelled by Content II exhibition. Read that review here.

Shaw-Eagle (who has been writing about art since I was a kid), provides yet more evidence of how "healthy" it is to have more that one critical voice look at an artist or a show, and offer a different perspective or opinion. I also used the recent multi-reviews of the Connie Imboden show at Heineman-Myers as such an example, and now our show adds more evidence why it is important in most cases (and whenever possible) to have more than one set of eyes and more than one pen on paper to deliver an opinion.

I'm not criticizing either of the views, as art criticism should have teeth, but pointing out how two independent writers view the same artist completely different.

In his otherwise very positive review of our show, the CP's Kriston Capps describes Carmen Lozar's work as "puerile figurines [that] look as if they could have been made by Walt Disney."

Looking at the same artist, Shaw-Eagle (who disses my news release in the second paragraph of the review) writes:

Other glass works, such as those by 31-year-old newcomer Carmen Lozar, a teacher at Illinois State University and Illinois Wesleyan University, delightfully intrigue and puzzle.

An artist with impeccable credentials -- study at Alfred University, Corning Museum of Glass and the Pilchuck Glass School -- Miss Lozar presents "Tenuous," three tiny glass sculptures named "rabbit," "lizard" and "baby with umbilical cord."

She writes that many of her charming pieces emerge from her dreams. "Sister in Butterflies," an intricate, four-piece construction of flameworked glass and mixed media, comes apart to reveal the engraved words, "I dreamt my sister has beautiful long eyebrows. I dreamt she fought off butterflies while laying beneath a dogwood tree, thinking they were threatening when really they were just searching for her smile."

Although there are still some missing images, you can see most of the exhibition online here.

An artists' talk, sponsored by the James Renwick Alliance will take place at the gallery on Saturday, May 20, 2006 at 2PM. The talk is free and open to the public and will also offer an opportunity to learn more about the Renwick Alliance.

Wanna go to an opening tonight?

Hemphill Fine Arts' opening for the new Steven Cushner show is tonight, Friday, from 6:30 to 8:30 PM.

Irvine

Irvine is having an informal re-opening tonight at their new gallery at the former Fusebox location at 1412 14th Street, with a continuation of Susan Jamison's and Robert Mellor's solo exhibitions, and they will be open from 11AM - 8PM today and tomorrow.

Talking about Irvine, I've heard from various sources that Heather (or maybe it was Martin?) saw the Washington Glass School's intern Evan Morgan's show at Warehouse and fell in love with Morgan's work and signed him up!

I hear from Tim Tate that Evan Morgan is immensely talented, and now that Irvine scooped him up, I am sure that we'll hear great things from this young man.

WaPo's Weekend Staff Online

The WaPo's Weekend staffers are online at 11AM today answering questions about Weekend and its coverage. You can email your question to them here.

I've sent mine in...

I'll bite

Today's CP has this curious item by Josh Eiserike:

Japanese artist Hokusai probably never imagined that his work would inspire tentacle porn. The Edo-period great master, who coined the term “manga,” created wood-block printings and drawings that are considered the forbearers of all things anime, from Sailor Moon to hentai and everything in between. In “Capricious Comics,” American cartoonist Colleen Doran will explain the connections between manga and anime, and how both relate to American comics, in conjunction with the current exhibit of Hokusai’s work. Though Doran’s résumé includes Captain America, Wonder Woman, and fantasy series A Distant Soil, she doesn’t enjoy the accolades in America that Japan showers on contemporary manga artists—in Japan, everyone reads comics, not just maturity-delayed men. In addition to a discussion of the Hokusai exhibit, Doran offers a showcase of her own work at 1 p.m. (see City List for other dates) at the Sackler Gallery, 1050 Independence Ave. SW. Free. (202) 633-4880.

OK... I'll bite: what is "tentacle porn?"

It's Grant Time!

Applications for all Fiscal Year 2007 DC Arts Commission grant programs are now available. Please visit www.dcarts.dc.gov for more information.

If you don't apply, you definately won't get one!

New Arts Beat Columnist

Rachel Beckman, formerly from the Washington City Paper will be taking over the Arts Beat column at the WaPo.

Rachel follows in the footsteps of Jessica Dawson, who also used to write for the CP before she replaced Ferdinand Protzman a few years ago, when Ferd suddenly quit writing the "Galleries" column for the WaPo.

Congrats to Beckman, and we all hope that Rachel will return the Arts Beat column to what it used to be: a column that augmented the fine arts coverage of the WaPo's Style section, rather than the all-inclusive general column that it became in recent years.

Caucus Report

Authentic Art has a good report and loads of photos from the recent Women's Caucus for Art Annual Networking Day.

Read the report and see the pics here.

Bisese at Neptune

Gallery Neptune will showcase “A Perfect Garage,” new paintings by Ed Bisese from May 4 through May 27 with an artist’s reception May 12, 2006 6-9 PM.

According to the gallery: "In this new body of work, we are introduced to an assortment of men, most who moving and some that are standing in personal landscapes that serve to enhance their exaggerated traits. Through form, color, facial expression, body language and props, Ed invites us to study the dilemma of each of these characters, caught in a synthesis of psychological and societal impositions."

Art from the Gulf

Pyramid Atlantic Art Center, in Silver Spring, MD, is presenting “Art from the Gulf: Reflections on Katrina,” an exhibit of over 25 artists from the Gulf Coast region whose work explores the impact of Hurricane Katrina and considers its relation to the threat of global warming.

Curated by Steve Prince, a native of New Orleans, “Art from the Gulf” is on view from May 9th until June 16, 2006. The opening reception is on Tuesday, May 9th, from 6:30 to 8:30pm.

Spaulding at G Fine Art

Trawick Prize finalist Jeff Spaulding will have his second one-person show at G Fine Art, and the show is entitled Mine and will open on Saturday May 6 and continue through June 17, 2006. There will be an opening reception for the artist Saturday May 6 from 6:30-8:30pm.

On the road today...

I'm off for the day to Widener University. More when I get back later tonight.

Here's their art gallery.

“Paint” Alexandria

On Saturday, May 20 and Sunday, May 21, 2006 The Art League will hold its annual “Paint” Alexandria, a two-day, all-media, plein air event, followed by the “Paint” Alexandria exhibition in The Art League Gallery, from June 7 – July 3, 2006.

They encourage artists of all media to participate in the event and creatively interpret Old Town Alexandria. Art League instructors will be on hand at various locations throughout historic Old Town Alexandria to guide participants in the fine art of sketchbook, painting, and photography.

During the event, artists will set up at different locations within walking distance of the Art League Gallery on the waterfront to paint, photograph, sketch, and create. Sessions with Art League instructors will be from 10:00 am – 12:00 noon and 3:00 – 5:00 pm on both Saturday and Sunday.

The registration fee is $40, and participation is not limited to Art League members. Participants are encouraged to come with their favorite artist materials and work alongside our instructors, set up on their own, or just come to enjoy the walking tour and demonstrations.

For more information, please contact Erica Fortwengler, Assistant Gallery Director at The Art League Gallery, 703-683-1780, ericaf@theartleague.org.

Kirkland Catching Up

Fellow artblogmeister JT Kirkland has so many diverse things going on that I'm catching up with all of them at once.

The One Word Project is JT's first book and it's now out and available for purchase. Details here.

bARTer is JT's new take-off on the barter idea for art. Details here.

The upcoming solo exhibition of JT's art, titled "Framed," opens May 11, 2006 at the Greater Reston Arts Center (GRACE) in Reston, VA and runs through June 16, 2006. There will be a reception for the artist on Saturday, May 13, 2006 from 6:00 – 8:00 pm. You can see a preview of the exhibition here.

American Style

Two interesting articles in the current issue of American Style magazine, both good reasons to go pick up an issue.

-- This article highlights the top 25 American cities for art (according to the magazine's national readers). New York, of course, is number one. Behind the Big Apple are Chicago, (No. 2), Washington, D.C. (No. 3), San Francisco, (No. 4), and Boston, (No. 5). I realize that this rather great ranking is (I suspect) mostly based on our plethora of great museums (from the readers' perspectives), but I hope that it also raises some tiny issues with the editors at the Washington Post and the Washington Times, and their abysmal coverage of DC area art galleries and artists. And, over a year after the new Style section editor at the WaPo stated that they'd be looking to add a second freelancer to the "Galleries" column, so that the column could return to its once-a-week schedule, we're still waiting for Ms. Heard to hire a freelancer.

-- And the second reason to read this issue is (are you ready for this?)... the magazine has a huge article focusing national attention upon our own Washington Glass School and the whole "context in glass" movement that the school is a part of nationally. The article by Lee Lawrence reveals that

"It's addictive to make the perfect vessel," Tate admits. "The trick is to overcome that." Janis calls this hard-to-resist attraction "the quest for the perfect bubble," and he, too, confesses he is not immune. But, like a growing number of artists, Tate and Janis subscribe to the motto their glass school hammers home to students: "Learn your craft, then move beyond it."

Read the whole article by Lee Lawrence here. The "Compelled by Content II" show runs through June 4, 2006. Visit the Washington Glass School here.

Pinder's Ships

A few days ago I posted a bit about the CP blog story on Jefferson Pinder and his artwork at CORE.

Jennifer Motruk Loy, who is CORE's Director of Marketing (and a strong, proven supporter of our area's arts and artists) sent me a full perspective on the issue:

In response to Rachel Beckman’s City Desk Blog, Pinder’s Ships Have Sailed (4.25), I would like to clarify and address some key points not raised in Ms. Beckman’s piece that provide a full perspective on the story.

While it is unfortunate that Mr. Pinder’s work was de-installed by his curator (not "pulled off the wall") from the CORE lobby gallery prior to May 12, his work was installed on March 12, and remained on view for a full six weeks. This point was not only unreported in the article, but six weeks is an average if not slightly longer typical exhibition time in similar alternative spaces and true 'art gallery' spaces around town.

Perhaps even more unfortunate is that Mr. Pinder's work didn't receive this type of attention during its run so that more viewers could have enjoyed it. We welcomed the opportunity to share his work with our colleagues and clients, though did not commission the work or ask him to create work specifically for our space, as the article implies. In actuality, Mr. Pinder's curator was the one that approached CORE about installing Pinder's work in our space, and the ‘hundreds’ of announcement cards that were sent out included the CORE logo, not Mr. Pinder’s gallery was also responsible for sending out announcement cards, not the gallery, as reported. We wrote the press release, we included information on Mr. Pinder’s exhibition in our electronic newsletter and linked to him on our web site. Despite these efforts, CORE was never contacted by interested visitors, writers, critic or members of the media to view the show over the course of six weeks.

Though not a professional 'art gallery', the CORE lobby exhibition space has seen at least three other exhibitions by regional artists and is also used to display the firm's own art collection, and as business warrants, displays of the firm's professional architecture and design project boards. In showcasing the work of regional artists, our goal is not to draw hundreds of visitors, nor to engage in artwork commerce, but to enhance our space and engage colleagues and clients with examples of contemporary art, which we accomplished with this most recent exhibition and will do so again in the future.

Despite these non 'art gallery' characteristics of our space, Mr. Pinder saw some advantage to having his work on view at CORE, and could have made better use of the opportunity by reaching out to the press during the actual run of the exhibition which could have resulted in far better exposure and visibility for both he and his gallery. Finally, if content of the exhibition were in ANY way related to a need to remove the work prior to the anticipated closing date, it would have involved a meeting in person with Mr. Pinder to discuss the issues and a decision would have been made as to proceed or not to proceed with the exhibition. Content was not the issue, but we hope that these discussions bring Mr. Pinder the attention he deserves in anticipation of his first solo exhibition at G Fine Art in the fall.

Sincerely,

Jennifer Motruk Loy
Director of Marketing

ps thanks for the web site hits

Finalists Selected for Bethesda Painting Awards

$10,000 to be Awarded to Best in Show!

Nine painters have been selected as finalists for the Bethesda Painting Awards, a juried competition and exhibition produced by the Bethesda Arts & Entertainment District. More than 200 artists from Maryland, Virginia and Washington, D.C. submitted work to the second annual competition created to exclusively honor painters. The work of the nine finalists will be on display at the Fraser Gallery from June 7 – July 12, 2006.

The top prize winners will be announced and honored on Wednesday, June 7, 2006 at 7pm at a private press event held at the Fraser Gallery, located at 7700 Wisconsin Avenue, Suite E. The Best in Show winner will be awarded $10,000, second place will be honored with $2,000 and third place will be awarded $1,000.

The nine artists selected as finalists are:

Paul Ellis, Washington, D.C.
Michael Farrell, Bethesda, MD
Haley Hasler, Charlottesville, VA
Scott Hutchison, Arlington, VA
Megan Marlatt, Orange, VA
Phyllis Plattner, Bethesda, MD
James Rieck, Baltimore, MD
Tony Shore, Joppa, MD
Andrew Wodzianski, Washington, D.C.

Entries were juried by Janis Goodman, Associate Professor of Fine Arts at the Corcoran College of Art & Design and the visual arts reviewer for WETA's Around Town; Ron Johnson, Assistant Professor of Painting at Virginia Commonwealth University (VCU) and Barry Nemett, Chair of the Painting Department at the Maryland Institute College of Art (MICA). Catriona Fraser, director of the Fraser Gallery, is the non-voting Chair of the Bethesda Painting Awards.

A public opening will be held on Friday, June 9, 2006 from 6 – 9pm in conjunction with the Bethesda Art Walk. The Fraser Gallery is located at 7700 Wisconsin Avenue, Suite E in downtown Bethesda. Gallery hours are Tuesday through Saturday from 11:30am – 6pm.

The Bethesda Painting Awards were established by Carol Trawick in 2005 and she continues to be a beacon of light and a great example as a small business woman who puts her money where her mouth is.

Ms. Trawick has served as a community activist for more than 25 years in downtown Bethesda. She is Chair of the Bethesda Arts & Entertainment District, Past Chair of the Bethesda Urban Partnership, Inc. and founder of The Trawick Prize: Bethesda Contemporary Art Awards. Ms. Trawick is the owner of an Information Technology company in Bethesda, Trawick & Associates.

My business partner, Catriona Fraser, an award-winning photographer, curator and juror, is the non-voting Chair of the Bethesda Painting Awards. Ms. Fraser has directed the Fraser Gallery, with locations in Bethesda, MD and Washington, D.C. since 1996. Ms. Fraser is also the Chair of The Trawick Prize and Director of the highly acclaimed Bethesda Fine Arts Festival.

Russian Realism at Principle

A few days ago I visited Principle Gallery on King Street in Old Town Alexandria, to view their “Russian Realism 2006” exhibition.

Russian artists, like most contemporary artists coming from the once subjugated countries that were part of the Soviet Union’s axis of influence, are generally highly trained artists, with many years of formal schooling on the basics of drawing and painting, a form and manner of teaching which is (and has been) sadly missing from most American art school for many years.

And this exhibition is a terrific example of how any subject can be elevated from the mundane to the sublime by the simple power of art in the hands of a talented and skilled painter. A painting of smoked, dried fish, or even a cement factory, abandon their subject and become memorable as art.

I am not familiar with any of the Russian artists in this exhibition, but they all certainly show exceptional technical prowess, and a few also manage to cross the very fine line that distingishes a technically well-done painting from a technically well-done painting that is also an exceptional work of art based on other nuances such as presence, impact, composition and effect on the viewer.

Good show!

Silverthorne on Mel George

Alexandra takes a quick look at Mel George's work in our current "Compelled by Content II" exhibition. Read her thoughts here.

Things to do tomorrow

1. I will be the featured speaker at the Women's Caucus Networking Day, which starts at 9:30AM. My yakity yak starts at 10:15AM.

2. "Task" performance by by New York-based artist Oliver Herring (b. 1964, Heidelberg, Germany), in front of the Hirshhorn from Noon to 7PM.

3. Frank Warren discusses his worldwide phenomenom PostSecret (and signs books) at the Fraser Gallery starting at 7PM as part of the Bethesda Literary Festival. We will be serving our world famous Sangria.

The Power of the Web

The Fraser Gallery owes a HUGE thank you to Loudoun photographer Dave Levinson, who managed to help solve our Hotmail struggle with MSN.

Dave Levinson read about our email woes here, and then he sent me a note saying that he happened "to know a few folks at MS that I can ping about your problem." And he volunteered to help us out.

Dave then spent a long time today working the problems, talking to the gallery and to Microsoft and sometime this afternoon our email account was back online! We did lose two whole days of email correspondence, but it could have been a lot worse without his assistance.

And the man is not only a computer technowiz, but also a pretty damned good
photographer and even an art blogger!


See his photographs here and read his blog here.

Thanks Dave!

Duffy Juries The Art League

My most recent visit to the Art League was to see the All Media Show, which although subtitled "Emphasis on Sculpture" was anything but that.

The show was juried by sculptor William Duffy, who according to the Art League, "has neither juried for The Art League before nor been to the Torpedo Factory since the early 1980s. When asked whether he had any expectations, he said he had thought the art would be 'sentimental' and 'crafty' but it was not. Duffy said he was surprised by the level of fine art, and liked the mixture of fine art, academic art, and 'funky' art."

Mr. Duffy’s surprising ignorance of the level of artwork shown at the Art League, and his even more surprising lack of visits in over 20 years is endemic of artists and critics who often have a wrong sense of things in the art scene around our greater area because of their own artistic apathy to what goes on around them. Get out more often, and see things before you say anything about them.

Duffy also said, "I went into the selection process with a very open mind. I was looking for the unique, self-discovery or expression rather than a duplication of other styles, artists, or periods."

This immediately alarms me as well, as (in my mind anyway) it places Mr. Duffy in the immediate camp of "it must be new to be good."

This academic and most traditional belief that "duplication of other styles, artists, or periods" is an immediate bad thing, is these days itself a sign of an artistic mind not in tune with the ebbs and flows of the postmodern art scene, where anything and everything is art.

In fact, one could submit that the most influential artists on the planet today (according to Sotheby’s anyway), Gerhardt Richter, is nothing but an artist who duplicates "other styles, artists, or periods."

Also according to the Art League (and despite this outdated commentary):

"Duffy frequently commented that the artwork reminded him of a particular artist. Emily’s Dilemma (by D. Smith), a collage box was, according to Duffy, reminiscent of Joseph Cornell’s psychological boxes about his psyche. Precarious Positions (by C. Levin) reminded him of Jeff Koon’s ‘kitschiness.’ And the acrylic, My Space (by G. Murrill), had a crudeness and symbolism reminiscent of the work of French artist, Odion Redon."

Also according to the Art League:

"Duffy looked for art where he felt the artist saw art as part of them, where there was quite a bit of ‘uniqueness and depth of expression.’ The Newlyweds (by G. Lockhart), a bronze sculpture, was ‘very honest and expressive.’ He liked the ‘simplicity’ of the terra cotta sculpture, The White Dress (by J. Legg). Rhino (by C. Romano), stoneware displayed ‘lots of artistic experience with the medium, drawing, sculpture, and composition.’ Monet’s Garden (by G. Rando) was like ‘stained glass and I suggested it should have a light behind it.’ Configuration I (by A. Becker), a wood sculpture, which on initial touch one is afraid will fall apart, but one can play with it and it holds together. Nested Waves (by N. Falk), a glass sculpture made of two pieces of glass, had ‘interesting shapes’ and reminded him of public art.

But enough on Mr. Duffy, who should get out more often, and more on the show itself.

Having visited nearly every monthly Art League exhibition since the early 90s, and having juried it myself, let me say that it is very, very difficult to select a bad show.

Such is the immense talent pool that is the Art League’s artist membership.

My favorite piece in the show was another stunning watercolor by Jenny Davis. This piece, titled "Hands with Bangles," continues to establish the young Davis (daughter of equally talented watercolorist Tanya Davis) as one of the prime watercolorists in our area. Completely self-taught, the young Davis, who has just finished High School, already masters the most difficult of mediums in her obvious mastery over transparent watercolors. While I was there staring in rapture-like ecstasy at her watercolor, I was informed that Jenny had recently been accepted to the Torpedo Factory as one of its newest (and youngest) artist members and will soon have a studio there.

I also liked "Mother Sara" by Nancy Reinke, which has a slight dark attraction to the piece, and "Sunset" by Peter Ulrich, which is a most traditional watercolor of boats and ocean, etc., and yet proves that in the hands of a talented artist, sometimes the subject matter doesn’t really "matter" and we are seduced by the skill and facility of the artist.

The exhibition goes through May 1, 2006.

MSN versus Fraser Gallery Update One

Our struggle for online email survival has gone from the ridiculous to the stupifying. As reported here, we have lost access to our Hotmail account and MSN's "help" process has been incredibly lacking.

Today I received two emails from them. The first one left me speechless:

From : MSN Hotmail Support
Sent : Friday, April 28, 2006 12:13 PM
To :
Subject : RE: SRX1013084219ID - MSN Hotmail:I need something fixed

Hello F. Lennox,

Thank you for writing to MSN Hotmail Technical Support.

My name is Erwin. I am responding to your Hotmail concern.

I apologize for the delayed response and I understand how inconvenient it is for you to experience these issues. Please let me assist you on this matter.

F. Lennox, in order for us to understand and investigate your issue properly, kindly reword the issue you are experiencing and answer the questions below.

1. What is the detailed step-by-step procedure you did and where did the process failed?
2. Have you tried accessing your Hotmail account in a different computer with a different Internet connection? if yes, what happened?
3. Did you encounter any error message? If yes, kindly provide us with the exact error message you received.

You are a valuable customer to MSN and we are glad to give you consistent and effective service. We look forward to hearing from you soon.

Sincerely,

Erwin P.
MSN Hotmail Technical Support

Three things:
(a) The problem was already reported in gruesome detail to them over 48 hours ago.
(b) Good thing Erwin didn't call me "Fraser"
(c) I didn't know anyone in India was named "Erwin."

And then I get the below email from the managers at Microsoft:

From : Customer Feedback for PSS Customers managers@microsoft.com
Sent : Friday, April 28, 2006 4:14 AM
To : "F. Lennox Campello"
Subject : RE:'RTCProd=011-778-339' For Biji Balan: 1013078543

Hello Lenny,

Thank you for contacting Microsoft Online Customer Service.

I regret that your issue is not resolved.
To contact the Hotmail team, please fill the e-mail form located in the following page:
http://support.msn.com/contactus_emailsupport.aspx?productkey=hotmail&ct=eformts

After filling that form, you will receive a reply from the Hotmail team within 24 hours.

If you wish to report a Hotmail site outage, you can also call at (650) 964-7200 Monday - Friday, 10:00 A.M. - 5:00 P.M. Pacific Time.

In the meantime, if you are able to access your Hotmail account and would like to view self-help resources like FAQs, please use these steps:

1. Sign in to Hotmail, and then click Help in the upper-right corner of the web page.
2. Click on either “Find” or “All topics” option.

Lenny, I hope your issue gets resolved soon and appreciate your patience in this regard.

Thank you for using Microsoft products and services.

Senthil
Microsoft Online Customer Service Representative

If you have any feedback about your Online Customer Service experience, please e-mail my manager, Biji Balan, at managers@microsoft.com

So, they're essentially telling me to report the problem... again. Senthil clearly did not read my email detailing all the issues, nor did Senthil read the email from the "Hotmail team" that was part of the email trail sent to Senthil.

Capps on Compelled by Content II

Kriston Capps has a good look at our current Compelled by Content II exhibition in the new issue of the Washington City Paper. Read that review here.

Also a reminder: Several of the artists in the exhibition will be discussing their work at an artists' talk, sponsored by the James Renwick Alliance which will take place at the gallery on Saturday, May 20, 2006 at 2PM. The talk is free and open to the public and will also offer an opportunity to learn more about the Renwick Alliance.

---

Metcalfe on Edwards

And the CP's John Metcalfe has a good profile on roboticist Thomas Edwards. Read that profile here.

MSN versus The Fraser Gallery

Our gallery is suddenly battling Microsoft for our survival, and I am at a loss as to what to do next.

Yesterday, out of the blue, and in the middle of responding to emails, our computer screen suddenly declared that our Hotmail account had been closed and access was denied.

"So why are you still using Hotmail," some of you technogeeks must be asking?

When we first opened The Fraser Gallery in 1996, we literally funded it through our credit cards, and yet, one of the first things that we did was to create a website (a free one back then via Geocities) and used Hotmail as a free email account service.

As the gallery did better and better, the website grew larger and larger and we migrated from a free online website service to a paid one (it's one of the largest gallery online sites in the world now by the way... nearly 3,000 pages).

And as the website grew larger and larger, the Hotmail email address became so closely attached to our business, that it became impractical to replace it with a more formal one. So we continued to use frasergallery@hotmail.com as our main email address, while trying to "switch" slowly to "info@thefrasergallery.com"

When Microsoft bought Hotmail a few years ago, we immediately upgraded to their paid service (Hotmail Plus), which costs $19.95 a year.

Since 1996 the business has grown tremendously, and now we probably do about a third of our business strictly online. We receive anywhere from 100 to 200 emails a day, as well as a few hundred spams, which the Hotmail filter is pretty adept at catching.

So that's why, in 2006 we are still using Hotmail. Too many people, too many collectors, too many webpages, etc. already have it listed as our email address. A couple of years ago we began developing the use of info@thefrasegallery.com, but the vast bulk of email stuff still comes to frasergallery@hotmail.com

Also, since 1996 we've been using email to send out our press releases and also invitations to our openings to people who have signed up and given us their email address for that specific purpose.

We've also kept a pretty good record of electronic correspondence with museums, collectors, etc. online through the use of Hotmail folders, etc.

Again...So that's why, in 2006 we are still using Hotmail.

And then yesterday, our account was unilaterally and without warning closed! And then people started calling us telling us that emails to us were being bounced back as "undeliverable."

Now, even though this is a paid service to MSN, there's no phone support to Hotmail, and so I sent them an email asking them "what's the problem?"

About 30 hours later I received a message back from their Technical Support people (clearly in India) with the following:

From : MSN Hotmail Technical Support
Sent : Thursday, April 27, 2006 8:03 PM
To : frasergallery@hotmail.com
CC : lennycampello@hotmail.com
Subject : RE: SRX1013082496ID - MSN Hotmail Plus:I need something fixed:My Mail:Others

Hello Fraser,

Thank you for writing to MSN Hotmail Technical Support.

I apologize for the delay in answering your e-mail. We appreciate your patience as we handle every customer request as quickly as possible.

This is Shamy and I gather that you have been having issues accessing your frasergallery@hotmail.com account and getting the message that it has been closed.

I realize how important this account is to you since you are using it in business purposes. I appreciate that you have written to us regarding this.

Fraser, I have verified that your frasergallery@hotmail.com account was closed in accordance with the Hotmail Terms of Use (TOU). It is a strict violation of the TOU for our members to send objectionable material of any kind or nature using our service.

To read our Terms of Use, visit http://privacy2.msn.com/tou/en-us/default.aspx

Additional information about MSN Hotmail's anti-spam policy can be found here: http://privacy.microsoft.com/en-us/anti-spam.aspx

We appreciate your understanding and continued support of MSN Hotmail.

Sincerely,

Shamy B.
MSN Hotmail Technical Support

"Objectionable material of any kind or nature" Come again? (And by the way, the next person who calls me "Fraser" is getting his ass kicked!)

And so I began to frantically try to call and contact every possible telephone number and email associated with Microsoft, only to be told that Hotmail only deals with any issues via email.

Several emails to managers@microsoft.com nonetheless have resulted in this one response:

From : Customer Feedback for PSS Customers managers@microsoft.com
Sent : Thursday, April 27, 2006 5:18 AM
To : "F. Lennox Campello"
Subject : RE:'RTCProd=011-770-387' Why is my account closed? I can't get any answers! 1013078543

Hello Lenny,

Thank you for contacting Microsoft Online Customer Service.

I understand from your message that you are unable to log on to your Hotmail account. I realize the importance of your issue.

As your issue persists to Hotmail, I request you to contact Hotmail support team. They will be able to assist you better in this regard. You may contact them at;
http://www.hotmail.msn.com/cgi-bin/dasp/ua_info.asp

Lenny, I hope the above information can help you. If you have further questions or concerns regarding Microsoft Products and Services, please write back to us. We will be glad to assist you.

Thank you for using Microsoft products and services.

Arun
Microsoft Online Customer Service Representative

If you have any feedback about your Online Customer Service experience, please send an e-mail to my manager, Biji Balan, at: managers@microsoft.com

So I am taking deep breaths, and realizing that this is not Shamy B's or Arun's or even Biji Balan's fault... and yet.

We are losing business everyday, as online inquiries about our art and artists get returned as "undeliverable." This can really hurt the gallery, as we have just laid out a ton of money to pay for the various art fairs that we're doing this year.

What can we do? How does a small, independently owned business get heard from a giant like Microsoft?

Here's what I think happened:

1. I doubt that it is any "objectionable materials," unless email invites to the Bethesda Literary Festival talks are deemed objectionable by MSN.

2. I think that Hotmail has recently implemented some sort of fuzzy logic threshold to catch spammers; they probably did this a few days ago.

3. This "catch" is probably simply based on the number of emails sent over a certain time period. It doesn't take into account (a) that we've been doing business with them for over 10 years (most spammers I suspect get a free account, send out a ton of spams and then go away) and (b) Our "usual" email pattern has these monthly hikes, when we pump out a few hundred emails all in one day for invites to openings, etc. But on a daily basis, we just respond and/or send 30-50 emails a day.

4. When we sent the Literary Festival invites to our subscription list, it tripped that arbitrary number, and without even checking with their customer (us), their software killed our account.

5. And now I cannot get Shamy B or Arun or even Biji Balan to understand that they may be killing an independently owned small business' online presence and a lot of its business.

I am at a loss as to what to do, immensely pissed off and in dire need of some advice.

Microsoft started in a garage somewhere near Seattle; even in its current incarnation, I am hoping that a human being will still be able to do something to fix this issue.

Help!!!!

He who owns the walls

Decides what goes up and when it comes down.

The CP's Rachel Beckman has an interesting story about Jefferson Pinder and an early take-down. Read it here

Pandas Cows on Parade

Cows on Parade is the international traveling version of the concept that gave birth to our own Pandamania, Donkeys and Elephants and those giant Testudos all over the University of Maryland's campus.

And now Vach'Art has landed in Paris, where local artists have obviously not heard that it may hurt their career if they decorate a silly plastic cow with artsy motiffs. Among the French artists participating are Thierry des Ouches, Marika de Moro Giafferi, Yanne Kintgen, and Hubert Le Gall.

Congratulations

To our own Samantha Wolov (who will be soon moving to the Left Coast), as one of her photographs will be on the cover of "Best Women's Erotica 2007" from Cleis Press.

Connie Imboden at Heineman Myers

As most of you know, over in hard-to-find Bethesda, a new independent fine arts commercial gallery opened last month, Heineman Myers Contemporary Art, directed by the energetic Zoe Myers, who chose well-known Baltimore photographer Connie Imboden’s photographs for her grand opening exhibition.


And Zoe Myers definitely stacked the deck for the grand opening, for Imboden’s photographs are absolutely spectacular.

In addition to the breath-taking photographs, there’s also a video that shows Imboden at work, and before any critic or writer pens a word, this video is a "must watch." In the video we discover Imboden, working the pool, the cameras, the models and the mood; we also listen as she describes and discusses what she is trying to achieve.

"These images are seen through the camera, they are not manipulated in the darkroom or computer. I am often amazed at the shapes and forms that have appeared in my work.

My intention has always been to explore the body, not to alter it. I want to find the camera angle from which the forms can be the most that they can be-whatever that is. If it is a grace to the limbs, then I want the angle from which that grace becomes the absolute most it can be at that moment.

And so it leads me on, to explore angles, space, reflections, and light. I strive to make forms make sense visually, and trust that the metaphor, the poetry will follow."

Why is the video a must-watch? Because unless one watches Imboden at work (the photographs are all taken around, in or under water), and listens to Imboden discussing her work, it would be easy for less-than-patient jaded critics to fall under the trap that these are photographs that use water to deliver a gimmicky visual image.

They are not.

These are photographs that celebrate the human body, in all its imperfect and yet sensual bits and pieces. And this celebration of sensuality and Eros and moisture is highlighted by the immense ability of water to distort, redirect and sexualize any and everything that it caresses, especially a nude body.

And in that moment in time, when Imboden presses the shutter and captures an image of light and flesh, she also captures the moment when a seed of sensuality will be place inside the mind of a future viewer, who will admire the photographs behind the safe glass of a solid frame and in the white cube of a shiny new gallery.

If you enjoy the many beautiful thoughts that viewing the human body can create, do not miss this show. The exhibition runs through May 13, 2006.

Stats Brag

In April of 2003, DC Art News averaged around 1,000 hits a month, a year later, in April of 2004, we averaged around 2,000 hits a month. In April of 2005 we averaged around 10,000 hits a month, and now in 2006 we're well on our way to average over 30,000 hits a month.

And this is just for a website focused generally upon the Greater Washington DC visual arts scene.

What does this say? I believe that it re-affirms that we have one of the healthiest and most vibrant art scenes in the nation, and also one that thirsts for some media attention; any attention! And for information, and ideas, and healthy feedback about the visual arts.

Keep coming back, and I'll keep writing.

Thank you!

Express has a Blog

Readexpress.com, the online web companion to the Express, the popular freebie newspaper for the Washington D.C. metropolitan area that is owned by The Washington Post Company has a new site that offers "frequently updated features and a variety of interactive tools including locally-oriented blogs, real-time polling on hot issues and a lively classifieds marketplace. The site will also feature a dynamic map centered on local classifieds, and extensive restaurant and entertainment listings drawn from Express and washingtonpost.com."

The Express has done a pretty good job, considering its size, in covering the visual arts, and we sincerely hope that the re-vamped online presence will also expand the newspaper's look at our galleries, museums and artists.

Update: Just saw this, which answers my above plea, as now we know that Kriston will be policing the DC area art scene for the Express' blog, in addition to his Eyelevel blog duties, his CP writing assignments and his own G.Police work. You better get a car Texan!

Reminder: Women's Caucus for Art's 2006 Annual Networking Day

This coming Saturday, the Women’s Caucus for Art of Greater Washington DC will be having their 2006 Annual Networking Day, focusing on exhibiting and marketing your art.

I will be presenting a focused talk covering marketing. This presentation has been derived from our Bootcamp for Artists seminar. This event is free and open to the public.

When: 9:30 a.m. – 4:30 p.m., Saturday, April 29, 2006
Where: Goodwin House
3440 South Jefferson Street
Falls Church, VA 22041
1.703.820.1488

The Women’s Caucus for Art, a major national non-profit member organization, was founded in 1972 and is an affiliated society of the College Art Association. It is unique in its multi-disciplinary, multicultural membership. WCA members are artists, art historians, arts administrators, museum and gallery professionals, teachers, students, curators, critics, collectors, and others who are committed to WCA’s goals.

For more info call 301.910.1231 or email Authentic_Art@att.net.

See ya there!

Small Grants Seminar

Co-hosted by the DC Commission on the Arts and Humanities and the folks at Artomatic.

When: Monday, May 8th at 6:00 PM at the Warehouse Café.

As most of you know, there will be an Artomatic later this year, and all DC artists considering participation in Artomatic 2006 this fall should consider this seminar.

The Small Projects Program offers grants up to $1,000 for individual artists and arts organizations. The program seeks to make grant funds more accessible for small scale arts projects with budgets under $3,000 and gives priority to individuals and organizations new to the Commission's grant program.

Projects may include but are not limited to the following: arts presentations; technical assistance services to aid fundraising, marketing, and managerial efforts; documentation of activities and artistic product through photography, brochures, portfolios, "demo" tapes, or slides; or art related conferences, workshops and seminars which enhance and strengthen artistic and professional development.

The deadline for the Small Projects Program is June 2, 2006 at 7pm. Program Officer for the grant is Tania Tam, who can be reached at 202-724-1400.

If you are planning to participate in AOM 2006, then plan ahead and apply for a project grant to expand your AOM 2006 participation!

Job in the Arts

Exhibits Administrative Assistant, Smithsonian Institution.

Announcement Number: 06AM 6054. Administrative Assistant in the Department of Exhibitions and Special Projects, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. GS-7, salary $35,671 - $47,669 + benefits.

The incumbent provides administrative support to departmental staff in a fast paced creative environment. Establishes procedures for ordering supplies and equipment, generates purchase orders and purchase card transactions, maintains long-term exhibition and special projects calendars, establishes and maintains filing systems, makes travel arrangements, assists designers with the layout and production of labels and exhibition graphics, organizes the office's electronic data.

Experience in PeopleSoft, Excel, Word, and graphic production software is preferred. Position closes April 28, 2006. Salary: $35,671.00 +.

Please see Announcement Number 06AM-6054 at www.sihr.si.edu for application instructions.

Bethesda Literary Festival

The Bethesda Literary Festival takes place in various venues throughout Bethesda April 28-30 April.

We will be hosting three authors this year:

On Saturday, April 29, 2006 the Fraser Gallery hosts Frank Warren, sole founder, curator of the PostSecret Project and editor of the best-selling book of the same title. Commencing at 7PM, Warren will be discussing the project and the book and signing copies of the book.

On Sunday, April 30, commencing at noon, we will be hosting author Barbara Kline as she discusses her behind-the-scenes memoir: White House Nannies, which reveals the nation's capital as you've never known it before.

Also on Sunday, commencing at 1:30PM, talented area photographer Grace Taylor will speak and answer questions about her book, A Tibetian Odyssey. Taylor spent a month in Tibet and her book contains many images and comments from her journal. When Taylor had a show of her Tibet images in Baltimore, Glenn McNatt, art critic of the Baltimore Sun, wrote that "the art of photojournalism lives in the strong, black and white works of Grace Taylor" and also "Taylor has a wonderful sense of light and shadow and a natural empathy for people that allows her to suggest something of her subjects' personalities through the smallest gestures and most fleeting expressions."

Bring your own book or they will be available for sale from the authors. To reserve a copy of any of the books ahead of time, call 301/718-9651 or email us at info@thefrasergallery.com.

Opportunity for Photographers: Slideluck Comes to DC

Deadline: April 28, 2006

Slideluck Potshow I: Washington, DC.

Born in the tiny living room of a NYC photographer who is fond of food, drink, friends, and photos, Slideluck Potshow is a slideshow and a potluck all at once.

This has grown into an inspiring and spirited event that regularly brings hundreds of creative folk to interesting New York City venues.

To get a better sense of what this event is about, then visit this website for photo galleries from past events, archived slideshows, feedback, or even recipes.

And now Slideluck comes to DC in a surprising venue!

They are looking for submissions and this is your invitation! Show them anything you like, but keep in mind, you are allowed a maximum of five minutes. There is no theme, so feel free to submit portraits, stories, outtakes from a job, personal work, it's up to you.

The submission guidelines can be found at this website.

Ignore the dates on the site, and keep in mind these two:

Submission Deadline: Friday, April 28th, 2006.

Show Date: Saturday, May 6th, 2006 at the Numark Gallery.

After you have prepared your submissions, email Karine Aiger for FTP instructions.

Then, bring a tasty dish (you MUST bring some kind of dish/food), and something good to drink, and join them for a fantastic slideshow!

More on Google and Miro

Theory Now's Mark Cameron Boyd, in response to Cindy Engquist's previous points on the subject:

Your "understanding" of the issue is absolutely correct, in that "for visual arts, an image was protected but not an idea or concept... so no one can copy Dali's melting watches, but anyone can paint a melting watch of their own." This is one of the risks that artists take, in addition to the "risk" of even making "art," that their work is no longer "their own" once it enters the "public arena."

In addition to the "meaning" of their work being misinterpreted, misunderstood or misrepresented, artists have to realize that it can be appropriated and even "misused" for other purposes than their own. However, Ms. Engquist is correct in her assumption that Google does not have "the right to exploit any artist’s work for its own marketing purposes," but they are already more than questionable in their "marketing" procedures, as the information about possible Chinese "dissidents" that Google has reportedly released to the Chinese government approaches nothing less than criminal negligence.

Ms. Engquist states: "Even if misuse of an idea of an image or concept is not legally enforceable, the damage to the artist and the impact on the artist’s future income can be significant." True, but only those who have the time and money to engage in extensive litigation over the "misuse" of their images, or the supposed misuse of an "idea," will be able to determine these "intellectual property issues" for the rest of us.

Call for Artists

I'll be jurying our 10th Annual Juried Competition, and now is the time to start preparing as entries are due May 19, 2006.

All the details, entry forms and prospectus are at this website.

More on Google and Miro

Reader Cindy Engquist offers a different point of view in my issue with Google and Miro posted here. Cindy writes:

This is not pettiness at all. This is an intellectual property issue, a marketing issue, and a legal issue.

Google’s "party line" is that they are "honoring" artists by doing interpreted renditions symbolizing the the artists’ work in their Google logo, but the fact of the matter is, Google is using the artists’ concepts and ideas for Google’s own profit. From a marketing standpoint it is very creative, timely, and differentiating that Google does an ever-changing representative logo. It helps to make them distinctive as a search engine and a company. But Google does not have the right to exploit any artist’s work for its own marketing purposes without paying for the right to use the artist’s work, not to mention without even asking permission for temporary rights.

This is a legal as well as an ethical issue.

The team at Google is either: a) creative and exploiting; or b) creative and uniformed about the legal and ethical ramifications of what they are doing. I would hope it’s merely the latter, because some people might be willing to forgive them for being uniformed as long as they make reparations. However, there’s really no excuse for a business of Google’s stature to be uninformed.

The team at Google is not doing this out of goodwill (by so-called "honoring" the artists). Anything like this is always about money.

Best regards,

Cindy

I responded to Cindy that as far as intellectual property, it was my understanding that for visual arts, an image was protected but not an idea or concept... so no one can copy Dali's melting watches, but anyone can paint a melting watch of their own. Cindy responded that she "believe[s] that there is a rather large gray area between misuse of an image and misuse of an idea or concept. Even if misuse of an idea of an image or concept is not legally enforceable, the damage to the artist and the impact on the artist’s future income can be significant. I am aware of this through my own work, my research and work in the art licensing world, and my work and interactions with artists and graphic designers."