America's Most Wanted Painting
At least according to the decade old Dia project undertaken by the zany art team of Russian artists Komar and Melamid (who hung around DC for a while in the 90s, although I can't recall where they exhibited).
In the project (which also covers "Least Wanted Painting" and it is specific to various countries), a professional survey team questioned people with questions such as "what is your favorite color?" (blue was the overwhelming US favorite by 44% with green coming in at a 12% second; both the Chinese and the Russians also went blue, green but not in such huge numbers, and even the usually difficult French went blue at 39%).
The survey was conducted in 14 countries, and some remarkable similarities in taste are clearly evident once you see the various favorites and least favorites. It appears that with the exception of the Italians and the Dutch, nearly everyone else aligned behind a somewhat pastoral scene a-la-Hudson River School.
Least wanted paintings in all nations, with the same two exceptions of Holland and Italy, were generally geometric abstractions in nature.
This is the least wanted kind of painting in the USA. And below is the most wanted painting in the US... yep that's George Washington in the middle.
Bethesda Painting Awards
Next week is the last week to see the Bethesda Painting Awards finalists and prizewinners at the Fraser Gallery in Bethesda. The show closes July 7.
This year's exhibition stirred quite a bit of controversy, which is always good for any art competition.
The Washington Post's Michael O'Sullivan was surprised at the award choices and raised a controversy about three sumi-ink drawings on Japanese paper by Richmond artist Fiona Ross. Read his review here.
The Gazette's Claudia Rousseau really liked the Best in Show prizewinner, but disliked the work of the other two award-winners. Read her review here.
DCist's Lynne Venart at first didn't like the Best in Show prizewinner, but when she looked a little closer, she discovered interesting nuances in Matthew Klos' works. Read her review here.
G.P. and Thinking About Art both jumped on the O'Sullivan controversy bandwagon and opined on the issue. Read Kriston here and J.T. here.
Go see the show before it closes.
Art in Heat
Art in Heat opens Saturday, June 30, 2007 from 7pm–11pm at the Warehouse Gallery and Theatre complex in DC. Lobsterboy will be on hand at 8pm and 11pm with his “Tiki Party from Hell.” DJ Adam will be keeping the party going in the upstairs gallery.
The exhibiting artists represent the best of DC’s Outsider, Lowbrow, and Pop Surrealist artists. They’re notable for creating work that’s fun, twisted, sexy, and just plain wrong. Featuring: Ed Bisese, Chris Bishop, Scott G. Brooks, Lisa Brotman, Anna U. Davis, Jared Davis, Alan Defibaugh, Margaret Dowell, Dana Ellyn, Gregory Ferrand, Linas Garsys, Laurel Hausler, Candace Keegan, John Lancaster, Emily Greene Liddle, Albert Schweitzer, Matt Sesow, and Ben Tolman.
Buy Ben Tolman now, as he's soon to leave DC and head out onto the graduate program at the Art Institute of Chicago.
In Summer The Song Sings Itself
In Summer The Song Sings Itself is the title of a summer group show presented by Pentimenti Gallery in Philly. The show introduces a group of new artists who bring variety, energy and important contemporary voices to the summer. The exhibition includes paintings, photographs and sculptures.
The exhibition includes work by Gabe Brown, Sarah Daub, Thomas Doyle, Cara Enteles, Matthew Fisher, Deborah Hamon, Kirk McCarthy and Scot Wittman. The opening reception is next Friday, July 6 from 6 - 8:30 PM.
Academy 2007 at Conner Contemporary
Next Friday, July 6, Conner Contemporary Art in DC opens Academy 2007, the seventh year of their annual invitational survey dedicated to outstanding work by recent fine art graduates of the Washington - Baltimore area college art programs. The exhibition opens Friday, July 6th with a reception for the artists from 6:00 - 8:00 pm.
The following artists were invited to exhibit by curators Jamie Smith and former gallery director, Karyn Miller:
PAUL CHAPMAN (George Washington University)
GRAHAM CHILDS (American University)
RUSSELL KELBAUGH (Corcoran College of Art + Design)
MAGNOLIA LAURIE (Maryland Institute College of Art)
JODI LIEBURN (Maryland Institute College of Art)
ISAAC MAISELMAN (Corcoran College of Art + Design)
TIFFANY MIELCAREK (Maryland Institute College of Art)
CHRISTINA MOST (Maryland Institute College of Art)
NATALIA PANFILE (Maryland Institute College of Art)
SANDRA PARRA (Maryland Institute College of Art)
DEBORAH ROCK (Catholic University)
NATHANIEL ROGERS (Maryland Institute College of Art)
BRIAN SYKES (University of Maryland)
JESSICA VAN BRAKLE (Corcoran College of Art + Design)
OLIVIA WOLFE (Georgetown University)
Tomorrow at the Katzen
At the Katzen Arts Center in DC, in honor of its 50th anniversary, the Association of American Editorial Cartoonists (AAEC) presents this rare collection of current political cartoons about George W. Bush and his most trusted advisers. More than 80 cartoonists from newspapers across the country, including several Pulitzer Prize winners, have contributed their best cartoons, depicting the president, Dick Cheney, Karl Rove, Donald Rumsfeld, Condoleezza Rice, Alberto Gonzales and more. The challenge will be to figure out how many are pro and how many are con!
Also opening is "True Dutterer: The Work of William S. Dutterer." Bill Dutterer was an important and beloved Washington artist and teacher who moved to New York City in 1979 and continued to make powerful and innovative paintings until his death this past January.
The opening for both exhibitions is Saturday, June 30, 2007, 6 p.m. - 9 p.m. Free and open to the public.
Opportunity for Galleries for Portrait Paintings
The Department of Housing and Urban Development is interested in procuring the services of a contractor to provide corporate or official type standing oil painting portraits on canvas of the current and past Secretaries of HUD. This solicitation is a 100% small business set-aside. Details here.
Since this is a small business set-aside, this would be a great opportunity for a gallery to respond as a "contractor" and submit a proposal.
If you have any questions regarding this procurement, please email Karen Thomas at Karen.V.Thomas@hud.gov, Contracting Officer. You may also telephone Ms. Thomas at 202-402-2806. Please be sure to refer to Solicitation #R-OPC-23169 when requesting additional information.
Old Drawing
Below is one of my early 1990s charcoal and conte drawings of Mantonica Wilson, who was Wifredo Lam's formidable godmother and the woman who was probably the most direct influence for Lam ever becoming one of the best-known artists of the Surrealist movement, and perhaps of the 20th century, despite his later subservient, lackey attitude to Castro's repressive regime.
Philadelphia's First Friday Video Project
A new growing website (complete with videos) provides fascinating insights about Philadelphia's First Friday art scene -- and about how artists and galleries revitalized an urban neighborhood. You can check it out at www.firstfridaytv.com.
Wanna go to a DC art event tonight?
The WPA\C’s Experimental Media Series - ColorField.remix, Night #3, challenged artists to create experimental video, sound and performance pieces reinterpreting or inspired by Color-Field artists. Jurors, Richard Chartier and Brandon Morse, awarded the $1000 Kraft Media Prize to Erika Suderburg and Linda Besemer, and the $500 Honorable Mention to Alan Callander, based on the overall quality and innovation of the work, as it relates to Color-Field influences.
Tonight, from 7-9PM at The Armand Hammer Auditorium in the Corcoran, and free and open to the public, you can view the work created by Christina Battle, Gregg Biermann, Alan Callander, Rebecca Carter, John Davis, Eric Fleischauer, Kerry Laitala, Oliver Lyons, Tony Myatt, Kamran Sadeghi, Semiconductor, Erika Suderburg and Linda Besemer, Champneys Taylor and TeZ.
Beckman on Anonymous III
The WaPo's Rachel Beckman has a really good article on the recent "Anonymous III," annual exhibition by the Washington Project for the Arts\Corcoran, with a very readable story on ubercollector Fred Ognibene.
Wanna go to a DC opening this Saturday?
Irvine Contemporary has an exhibition of new and recent photographs by internationally acclaimed artists Kerry Skarbakka and Marla Rutherford. Opening Reception: Saturday June 30, 6-8 PM.
Cooper Carry hosts Art Show Fundraiser in Alexandria, VA
Deadline: Friday, July 27, 2007
Cooper Carry, a national architecture and design firm, is hosting its first biannual fundraiser and art exhibition in its award-winning Alexandria office. Cooper Carry is seeking artists from the Baltimore/Washington Metro area to display their work at the event. Sales will benefit the artists (60%) and the HSC Pediatric Center (40%).
The HSC Pediatric Center is a pediatric health care facility in Washington, D.C., that provides transitional care to children from infancy to age 21. For the entry form and prospectus, please visit this website. Phone: 202-492-7228; Email: liani.foster@gmail.com.
Opportunity for Artists
Deadline: August 17, 2007
The Curfman Gallery at Colorado State University announces a national call to artists for the 2009-2010 exhibition season. No entry fee. All work/exhibition proposals will be considered. Please send a SASE along with slides and or CD of high res. images of your work, as well as an artist CV and formal exhibition proposal to:
Curfman Gallery
8033 Campus Delivery
Fort Collins, CO 80523-8033
For more information contact Stanley Scott at lscarts2@lamar.colostate.edu or 970-491-2810.
And the Cane controversy begins
A few days ago I wrote my opinions on the new CBS series "Cane," which is sort of a new Sopranos-themed series with a powerful Cuban-American family running a sugar empire in Florida. I also told you that it appeared to me that the series was loosely based upon the powerful Fanjul Family billion dollar empire.
The Palm Beach Post seems to think so as well, and the Fanjuls are pissed. Read the story here.
Opportunity for Art Students
The Regional Museum in Stalowa Wola, Poland has a call for art students for the "International Competition Self-Portrait for Art Students." It is open to art students from universities, academies and colleges.
Additional information as well as complete instructions, forms that need filled out or to contact the exhibition coordinator directly visit this website, or the contact person is Ms. Monika Kuras, at mkuras@stalowawola.pl.
The Lorton Arts Foundation
Lorton Arts Foundation, Inc. (LAF) is leading an innovative “adaptive reuse” of the former Washington D.C. Lorton Correctional Complex. With the creation of the Workhouse Arts Center at Lorton, Virginia, this extraordinary 55-acre cultural arts center is designed to promote, facilitate and provide life-long arts education opportunities. They have a plan that will celebrate the architectural significance and convey the fascinating story of this historic landmark, while creating an inspirational center for artistic expression.
Plans include: 68 artist studios in seven studio buildings, art galleries, exhibition spaces, a 500 seat events center, a 300 seat theater, an outdoor music barn, classes and workshops for art education, a museum, restaurants, residences for artists, gardens and a visitors center. They are on track to open all of the artists’s studio buildings as well as the main gallery building in early 2008
Opportunity for Artists
Deadline: Postmarked by Sept. 4th, 2007
The Workhouse Arts Center is pleased to announce their first call to jury for the Workhouse Artist Association membership, and studio rental. The Workhouse Photographic Society is also issuing its call to jury for membership. Submittal deadline: postmarked by Sept. 4th, 2007.
All information about the Workhouse, jury packets and the many opportunities to be available in early 2008 are available on the web at www.lortonarts.org.
Applications may also be picked up at their office trailers on the site, 9601 Ox Road, Lorton, VA Monday – Friday 9AM to 4PM. Informational sessions & site tours are scheduled for July 14th and August 18th 10AM, setting is limited, so pre-registration is required. Registration and/or questions may be sent to Marti Kirkpatrick, Studio Manager at martikirkpatrick@lortonarts.org or phone 703 495-0001 ext 301.
Letter to the Editor
Theodora T. Tilton writes an interesting Letter to the Arts Editor about Blake Gopnik, art, and the Venice Biennale reporting.
Wanna go to a few DC area openings tonight?
A few cool DC area openings tonight are: District Fine Arts' "Summer Solstice," a group show of contemporary art from the United States and Turkey. It includes drawings by the amazing photographer Lida Moser, who says "It was so wonderful to discover the joys of drawing after more than forty years in photography!" The opening is Saturday June 23rd, from 5 p.m. - 8 p.m. and it features an acoustic set by Brad Radish at 7pm.
Up the road off Wisconsin Avenue in Bethesda, at Heineman Myers Contemporary Art, Zoe serves "Yummy," and exhibition by artists and their relationship to food and food issues. The opening is on Saturday, June 23rd with an artist talk at 4pm and a reception for the artists from 6 to 9pm.
And Randall Scott Gallery has Hiroyuki Hamada opening tonight, but I'll be willing to bet that the photographer in the back gallery, Elena Volkova, will steal the show. Her ethereal photographs are simply gorgeous and she has a singular eye and touch. Volkova lives in Baltimore and is completing her MFA at MICA in July, although she has already exhibited widely in the DC area. The reception will be held on June 23rd from 6-9pm.
Glass Onion
I told you about strawberry fields
You know the place where nothing is real
Well here's another place you can go
Where everything flows.
Looking through the bent backed tulips
To see how the other half live
Looking through a glass onion.
I told you about the walrus and me-man
You know that we're as close as can be-man
Well here's another clue for you all
The walrus was Paul.
Standing on the cast iron shore-yeah
Lady Madonna trying to make ends meet-yeah
Looking through a glass onion.
I told you about the fool on the hill
I tell you man he living there still
Well here's another place you can be
Listen to me.
Fixing a hole in the ocean
Trying to make a dove-tail joint-yeah
Looking through a glass onion.
- Lennon & McCartney
Cane on CBS
I guess because I am an American of Cuban ancestry someone sent me an advance (I guess) preview copy of the new CBS show Cane. This new TV series is about a Cuban-American family running a sugar empire from Florida.
Think "Sopranos" without all the cussing and better haircuts.
Thank you... I am honored.
And now some very pedantic and jingoist hits... The lead character is played by Jimmy Smits... great actor, but not what your typical Cuban sugar magnate would have looked liked in the racist Cuban society of the late 1950s and the Cuban-American refugee wave of the early 1960s.
CBS picked Smits, a brilliant actor, I guess based on their perception of what a Cuban looks like (Smits is not of Cuban ancestry... his father, Cornelis Smits, was a Surinamese immigrant from Dutch Guiana, and his mother, Emilina, is Puerto Rican).
That is him and his also Cuban wife to the left...but because, like a lot of Cubans, he looks too "Caucasian" and not enough of what Hollywood (and CBS) thinks that Latinos should look like, they hired a terrific Emmy-winning Surinamese actor who fits the sterotypical image of what Hollywood thinks Cubans should look like, to play the lead part.
HBO hired (for the most part), excellent Italian-American actors to play Italian-Americans for the Sopranos; it worked (awright, awright, so Jamie-Lynn DiScala, who played Meadow Soprano was actually a Cuban-American actress... ironic, uh?).
CBS has not only hired Smits to play the lead role, but also Puerto Rican actors Hector Elizondo, Eddie Matos, and Rita Moreno, Miss Colombia 1991 Paola Turbay, etc. to play other assorted Cubans.
And now for CBS: My list of actor candidates who are actually of Cuban ancestry and thus a shoe-in for the part and who actually fucking speak Spanish with a Cuban accent:
Andy Garcia (duh!!!! perfect for the part!... but probably too classy and too expensive to do TV).
Nestor Carbonell. OK, OK, he plays the nasty brother.
Mel Ferrer... ah!... I think he's dead.
Desi Arnaz... fine, fine... he's definately dead; but how about Desi Jr.?????
Jorge Perrugorria
Cesar Romero ... fine! I know that The Joker is definately dead.
George Alvarez...
Opportunity for Artists
Deadline: July 31, 2007
Carol Lukisch, the former Director of Exhibitions/Curator at the Arlington Arts Center now plans to do some independent curatorial projects, the first of which will be "Fear and Hope" which will take place December 4, 2007 - January 19, 2008 at the Arlington Arts Center.
Mid-Atlantic artists who are doing interesting work in any media that deals with the subjects of Fear and or Hope, send some materials no later than July 31 to:
Carol Lukitsch
P.O. Box 4211
Alexandria, VA 22303 or online at caroluk2@aol.com.
Corcoran Curator Leaving
(Via RE) - Dr. Jonathan Binstock, whose thesis work in Philly was about DC artist Sam Gilliam, will be leaving his post as the Curator for Contemporary Art at the Corcoran in Washington, DC in order to join the corporate world at the Art Advisory Service at Citi (nee Citibank), where he will work as a senior vice president.
For almost 30 years, Citi has helped some of the Citigroup's customers find and collect art (since it's investment and banks and Samolians... I guess for investment goals) and a whole lot of other art services.
Their website implies "access" as a mean to penetrate the inside and outs of collecting artwork for fun and profit.
As a sideline, I advise and then buy artwork for two collectors, and have a $20,000 monthly budget to buy artwork for those two folks. This is not as easy as one would have imagined, and actually quite an arduous (but still fun) process.
What Citi does is a billion times harder, because they are somewhat promising investors a payoff and payback and return on their purchase price on artwork.
Jonathan Binstock is a sharp, hardworking and savvy dude, and DC and the Corcoran will miss him, but he's got a tough job in front of him, and I wish him the best of luck.
It will be fun to see if Jonathan pushes any DC artists. This will be somewhat difficult, as I suspect that this level of collecting seldom concerns itself with discovering artists who have not yet made it to the ranks of the secondary art market (only about 5-6 DC area artists (as far as I know) have done so... of those only 2-3 are alive.
Looking for a Curator
The Arlington Arts Center, a leading contemporary visual arts venue in the metropolitan Washington D.C. area, seeks a full-time Director of Exhibitions.
The ideal candidate will have extensive experience curating and coordinating exhibitions, communicating with artists, and developing creative collaborative initiatives. Strong knowledge of contemporary art, particularly in the Mid-Atlantic region, is essential.
Candidate will also have experience drafting contracts and exhibition agreements, coordinating installation and catalogue production, writing exhibition materials, and using contemporary marketing tools. Technical knowledge of new media and software applications are key assets. This person works closely with the Exhibitions Committee, and experience working with Boards will be helpful. Superior grant-writing skills are also extremely desirable.
BA required, MA or MFA preferred. The AAC is a fast-paced environment with a small staff that values flexibility, a team approach, and a sense of adventure. This position includes benefits. Competitive salary.
APPLICATION DEADLINE: Friday, July 13.
Please send resume, cover letter, and salary requirements to:
info@arlingtonartscenter.org, with “Director of Exhibitions” in the subject line, or by mail to:
Search Committee
Arlington Arts Center
3550 Wilson Blvd.
Arlington VA 22201
Nude Removed from Pennsylvania show
Now it's time for Pittsburgh to be embarrassed.
From the AP:
An artist's nude depiction of bathing with milk and honey has been removed from a popular Pittsburgh arts festival due to complaints by one of the city's largest businesses.And Mary Thomas writing in the Pittsburgh Post-Gazette details a few other interesting issues with nudity by the festival (which I did a few years ago). Read her excellent article here.
The video installation by Chilean artist Carolina Loyola-Garcia, titled "The need to wash the self with milk and honey," was covered up and unplugged over the weekend by PPG, which owns the plaza where the multimedia display was exhibited.
The controversial footage portrayed the naked artist bathing with milk and honey in the forest. It was part of the "Best of Pittsburgh 2007" exhibit. PPG found the display inappropriate.
This is within its "rights as a corporate partner to ask us to abide by guidelines they have," said Elizabeth Reiss, executive director of the Three Rivers Arts Festival, currently on display in downtown Pittsburgh.
Reiss told the Pittsburgh Post-Gazette she had not seen the video herself, but was told the display included full frontal nudity.
"Nudity doesn't belong in street-front windows. For several years now, Three Rivers has worked hard to put important good work in galleries and responsible pieces on streets," Reiss said.
Art shown in street booths should have a "more family friendly value," she added.
Congrats
To Bailey, whose work "The Disintegration of the American Empire, A Disillusioned Triptych: In Memory of President Thomas Jefferson, In Memory of President Abraham Lincoln, In Memory of President John Fitzgerald Kennedy Kennedy", was just awarded Best in Photography at artReston 2007.
See all the award winners here.
Who says political art is dead?
Public Art Projects for the Nation's Capital
The Public Art Building Communities grant program offers funds to eligible artists and nonprofit organizations for the creation and installation of permanent public art projects with a life span of at least five (5) years.
Projects must be installed in the District of Columbia and should encourage the growth of quality public art throughout the city, support local artists and nonprofit organizations, and make public art accessible to District residents. Projects must provide exposure of public art to the broader community or to persons traditionally underserved or separated from the cultural mainstream due to geographic location, economic constraints, or disability. Eligible, projects include, but are not limited to: sculpture, mosaics, murals, paving patterns, custom benches, stained glass windows, artistic gates and railing, etc. Funding is available for all fees associated with the design, fabrication and installation of the artwork(s) including: artist fees, materials, insurance, engineering, shipping,
installation services, permit fees, and photographic documentation.
Opportunity for Artists
Deadline: September 20, 2007
Montgomery College – Rockville Art Department is accepting entries for the national juried exhibition: Rhythm & Blue. Artwork can be any medium that incorporates rhythm (visual or otherwise) and/or blue (color or feeling). The entry deadline is September 20, 2007. The exhibition will run November 14 – December 12, 2007. No entry fee. Download prospectus here.
Questions may be directed to Michael Sellmeyer, 240-567-7653, or email him at michael.sellmeyer@montgomerycollege.edu - The jurors are Professor Michael Sellmeyer and Professor Kay McCrohan of the Montgomery College-Rockville Art Department. The Montgomery College – Rockville Campus is located in Rockville Maryland, just north of Washington, D.C.
Grants for Maryland Artists
2008 Individual Artist Awards Deadline: July 26, 2007
The Maryland State Arts Council Individual Artist Awards are grants awarded to Maryland artists through an anonymous, competitive process to encourage and sustain their pursuit of artistic excellence.
2008 Artistic Categories
* Dance: Solo Performance
* Fiction
* Media
* Music: Solo Instrumental Performance
* Music: Solo Vocal Performance
* Theater: Solo Performance
* Visual Arts: Computer Arts
* Visual Arts: Installation and other genre
* Visual Arts: Painting
* Visual Arts: Works on Paper
The MSAC Individual Artist Awards Program is administered by the Mid Atlantic Arts Foundation. IAA applications will no longer be printed and mailed to you, you must read or download them from the Internet. All Individual Artist Award applicants now have the option to use eGRANT, an electronic grant application that allows you to submit your application via the Internet.
For information on the application and workshops, contact Adam Bernstein at the Mid Atlantic Arts Foundation at adam@midatlanticarts.org or call 410-539-6656, ext. 114. TTY Maryland Relay at 711.
Tonight in DC
Wanna go to what has been called "the wildest monthly art event in the DC metro area?"
It's "X at Bebar - A 21st Century Live-Art Happening" from 6 - 10 pm ($5 cover charge).
Bebar is at 1318 9th St NW, Washington, DC. Curated by Andrea Pollan, this month's X will feature live PA performances from Calmer (Brooklyn, Poly Vibe) and Luseq (DC, grafq) as well as work by graphic artists Alex Gold, Amit Kumar and Jon Sexton, a Performance by Belladona, Projections from Peter Parker, fashion by Beth B., and live painting by Sheldon Drake.
Congrats
To Maryland photographer Denee Barr, whose mixed media photograph "Trees and Path, Centennial Lake, Columbia, Maryland" appears in the Washington Post's Best Bets Howard Extra.
The image is part of her mini-retrospective Denee Barr Photographs Columbia, Maryland 1999-2006 at the Columbia Foundation in the American City Building on Lake Kittamaquandi, Columbia, Maryland. The year long exhibit is part of Columbia's 40 Birthday Celebrations and the Columbia Festival of the Arts, and also features Ellicott City, Maryland based artist Alice Webb watercolors and etchings.
Denee's blog Denee Barr Art News and More is also on the blogroll.
Congratulations
To Baltimore painter Matthew Klos, winner of the $10,000 Bethesda Painting Award. Loads of photos here.
Above is Matthew Klos with the amazing and generous Carol Trawick, who sponsors the annual painting prize. The 2007 winners are:
New DC Arts Blog
DC gallerina Rebecca Jones, who is the Assistant Director at Project 4, has just recently started a blog featuring both articles exploring the critical discourse of contemporary art, and posts promoting Project 4 events, shows and artists.
Visit Popcorn here.
Wanna go to a DC opening tomorrow?
The WPAC's Site Projects DC curated by Welmoed Laanstra (who just got hired to work for Arlington County's Arts division) and consisting of (con)temporary art installations, performances, and interactions on 14th street between P & V opens tomorrow at the Black Cat in DC in one of many events. 7-9pm with a tour by the curator, Welmoed Laanstra at 8pm.
Participating artists are Linda Hesh, Janis Goodman, Peter Winant, Tom Ashcraft, Kathryn Cornelius, Roberto Bocci, Michael Cataldi, Tom Greaves, Caroline Mayorga, Matthew McGuiness, Eliza Newman Saul, Franz Jantzen, Piero Passacantando, Michael Lease, Mary Coble and Elizabeth Lundberg Morisette.
See them all here.
New Drawing
While I was away in Colorado hiking in Littleton, one night I did a few drawings in my hotel room at night. Below is "Y Chromosome Nude About to Face an Unexpected Light" which is a charcoal on paper with a little conte crayon, about 13 x 9 inches. Drop me a note if you want it.
Another St. Sebastian
A pretty well-known DC area art collector saw my recent St. Sebastian drawing, and he emailed me and reminded me that a few years ago he bought the below pen and ink wash drawing on the same subject. As I recall I think that he bought it at a Sotheby's auction, or maybe at a late 90s gallery show in DC.
Anyway... it's a pretty large drawing, maybe 40 inches long. It is titled "Saint Sebastian in a Desintegrating Gene Davis Landscape." I had forgotten all about it, and had even lost the image (thanks to a close-by lighting strike a few years ago that nuked my computer and with it a few hundred digital images of my work). Click on the image for a larger view.
Transform/Nation
There's something magnetic about the artwork of nations and people who are just beyond the reach of the average gallery and collector - thus the hot interest in Cuban and Iranian art for example.
Transform/Nation: Contemporary Art of Iran and Its Disapora opens June 21st, 2007 at the Ellipse Arts Center in Arlington, Virginia while a simultaneous, sister exhibition will be held at the Nikzad Gallery in Tehran, Iran, which implies (I assume) that the exhibitions have been blessed (no pun intended) by the heavy handed nutcase who rules that amazing and beautiful country.
Curated by Narges Bajoghli, Nikoo Paydar, Maryam Ovissi, and Leyla Pope, the exhibition runs through August 4, 2007 and the exhibiting artists are: Samira Abbassy, USA, Haleh Anvari, Iran, Kaya Behkalam, Germany, Mina Ghaziani, Iran, Pantea Karimi, USA, Bani Khoshnoudi, France, Haleh Niazmand, USA, Amir Rad, Iran, Afarin Rahmanifar, USA, Jairan Sadeghi, USA, Samineh Sarvghad, Iran, Farideh Shahsavarani, Iran, Samira Yamin, USA and Siamak Nasiri Ziba, Iran.
WalMarting a museum for Arkansas
Lately, with a rare exception here and there, it has become very fashionable among art writers, bloggers and critics to demonize the efforts of Alice Walton’s no nonsense, robber-baroness approach to give the people of Bentonville, Arkansas a world class collection of art.
Regardless of how one feels about Ms. Walton’s wealth (she's the 20th richest person on the planet) and approach to buying art, Bentonville (population: 29,538) is not a place in which many people live, much less visit, and practically no one in the art world cares about.
But needless to say, flyover states deserve a look at America's art historical tradition, too.
But other than an infectious and personal dislike by these writers for Ms. Walton’s approach, the barely hidden implication in their written words is that metropolitan areas like Seattle, Washington, Forth Worth, Texas, and St. Louis, Missouri - places that people will visit - are more natural and deserving destinations for high art for our public American masses outside of New York.
This is elitist nonsense on a major scale.
There are very few places left in this nation where the reach of internationalism doesn’t touch. Early last year I was gallivanting all around the nation, and one of the places that I visited (for the first time in my case) was Arkansas. It’s rural OK, but it’s not what urbanites visualize.
Bentonville's next door neighbor, Fayetteville (population around 67,000) is the home to the 420-acre campus of the University of Arkansas (the only comprehensive, doctoral degree-granting institution in the state). Their enrollment has more than 14,600 students (more than 12,000 in undergraduate programs) and a diverse student population with 650 international students representing 86 countries.
And this place is rated by Money magazine as one of the top ten most desirable places in the nation in which to live or work.
There are several other towns in the area. Springdale is one where the impact of Wal Mart is amazing to see — luxury retailers and gargantuan homes; a real population and cultural explosion is happening there.
It doesn’t take a futurist to predict that this area will see a major urban growth in the next few decades, and when it does, it will be grateful to the vision of Alice Walton, which is perhaps a throwback to that of the moneyed folks who a century earlier built the collections that she now shops from.
And so I think that I will step aside from the rest of the art lemmings and applaud Ms. Walton’s Soviet-style approach to art politics in her effort to give the folks of Arkansas a world class collection of art.
Not only because she has billions of dollars to do so, but also because I think that she sees the location of this museum as something positive for an America that although politicians (and both leftwing and rightwing nuts) are often quoting as underserved Americans, they all perceive as a backwater populated by people who don’t care about art.
And yet, I hope that no one will disagree in that this coming exposure of the fine arts to this hard-working, modest segment of our population, who haven't generally had the opportunity to have it so close at hand, will be a good thing.
This is something to be applauded.
You go Alice Walton!
Update: Nikolas Schiller reacts to my thoughts with some really good points of his own. Read them here.
The Power of the web
Sunday I wrote about ARCO's "Expanded Box" project being curated by Claudia Giannetti, and asked for some of DC's illuminati to contact Ms. Gianetti in order to bring to her attention some of the area artists who are working with technology as part of their art.
Last night, amongst the hundreds of emails that I am still trying to read, there was a new one from Ms. Giannetti, and she's very interested!
I will discuss with her about the area artists that I am familiar with and who work with technology, but if there's other artists out there, from Philly down to Richmond, who are working with technology to deliver works of art, please contact me (hurry!).
Somebody pinch me
Will the aliens who kidnapped WaPo art critic Blake Gopnik and replaced him with an art critic who all of a sudden likes painting, please return him accept our thanks!
Writing from the Venice Biennale, Blake is shocked and surprised to discover that he likes the paintings of Mustafa Hulusi.
Together with other "painting is dead" acolytes, the Gopnikmeister suddenly discovers that disliking an entire form of the fine arts is never a good thing.
Barbara and Aaron Levine, Renée Van Halm and Blake Gopnik: welcome to the real world where minds are open to all art forms, rather than only to slogans and agendas and ideas.
Read his report here.
Claudia Giannetti, ARCO and DC curators
ARCO tells me that in 2008 they will have "Expanded Box," a project curated by Claudia Giannetti, which is a new section that "embraces happening tendencies exploring the influence and/or use of technology in art. It is basically conceived for works requiring a non-conventional exhibition space, and to encourage their acceptance in the contemporary art market."
Once again, if I was a power museum curator in Washington, DC, I would contact Ms. Gianetti and ask her if she would be interested in being exposed to the work of a group of DC area artists who are doing amazing things with the influence and/or use of technology in art.
I am referring to the artwork being produced and delivered by the artists and symbiots of the group known as Dorkbot DC. From the amazing techno-art of Thomas Edwards, or Phillip Kohn's collaborative video installations, or the sensory art of the Brain Wave Chick.
Also known as Paras Kaul, or the DC area electronic artist known in the art scene as the "Brain Wave Chick."
A reader who was present at the past Dorkbot meeting tells me that the stuff that Kaul does on computers "is totally over my head, but she said her father was a hypnotist and took her into altered states then he died when she was 14 — she said 'he programmed me.'
So at the age of 14 she started studying altered states and brain waves because she desperately wanted to get back to 'these places' that her father took her. She then met the dolphin man John Lilly and did work with him (the movie Altered States is about him). See what she's doing with all that and sensors and brainwaves here.
Or take Thomas Edwards' Talking Hosts project: A server sits in a colocation facility, every few seconds bothered by Web requests from viewing hosts around the world. The hostnames of the visitors are cryptic representations of where the viewers are and which ISP they are using. "Talking Hosts" uses voice synthesis to speak the hostnames of visitors as they hit the site. It is a stream of humanity, at once personal, yet scarily unending. How many hundreds of thousands have passed through? How many more will come?
Or that annoying Sycophant from a few years ago.
If I was Claudia Giannetti I would be a very ugly and hairy woman, but I may also be curious to discover what these DC area dorkartists are doing with computers, and robotics, and programming, and animation, and ahhh... brainwaves.
And were she to get a call (and I have her number) from say Anne Ellegood or Kerry Brougher from the Hirshhorn or Jonathan Binstock from the Corcoran, maybe, just maybe, Claudia may get interested enough to contact Dorkbot and seeing and hearing, and sensing what they're all about.
It's a long shot, but a shot that a hardworking DC area museum curator with some "humpf" behind his or her title, should take on behalf of an amazing group of dorks from his/her home city.
Congrats
To Philly area artist Frank Hyder and his mural projects in Merida, Venezuela. Frank was invited to do a collaborative mural with the students from the University of the Andes, a university of 30,000 students, together with a group of students from the Moore College of Art and Design in Philadelphia, the Mural Arts Program of Philadelphia and CEVAM, the bi-national center of Merida. In two intense weeks the students and the artist realized two dynamic murals.
The first, entitled "Return to Nature," involved a Mural Arts-style transformation of an ordinary 150 ft long by about 15 ft high city building from unsightly to a painted must-see sight. The goal of this project was to teach the techniques of mural painting as it is practiced in Philadelphia, one of the nation's most expansive and successful urban mural programs, and to introduce the concept of how impactful a mural can be in an urban setting.
Congrats to Frank, the students from Moore College of Art and Design and the University of the Andes and to all those involved behind the scenes.
Frank Hyder is represented in the Philly area by Projects Gallery.
Kate baby!
A set of six Kate Moss prints by Chuck Close printed and published by DC's own Adamson Editions, Washington, DC sold for four times their top estimate at a May 31st, 2007 auction by Christie's International. Close's prints made from daguerreotype studies of the model took $166,000, compared with a high valuation of $40,000.
Adamson Editions published the series of six pigment print images of model Kate Moss, in an edition of 25 prints in 2005. In recognition of this new auction record the remaining complete sets will be priced at $80,000 for the next three sets, increasing in $20,000 increments until all remaining sets are sold.
You can view the prints online here.
Changes in Museum Admissions Price
The Philadelphia Museum of Art has announced changes to its pricing structure, effective July 1, 2007. The Museum is increasing general (adult) admission and discounted fees while retaining free admission to children 12 years old and younger, free admission to Philadelphia public school groups, and the popular “pay what you wish” for all visitors on Sundays. Details here.
Wanna go to an opening tomorrow in Arlington, VA?
"New Art Examined III" and "Firewave" opens tomorrow at the Arlington Arts Center in VA.
"Firewave" is a collaborative installation by David Carlson and PiT Brussel with music by Ashraf Fouad.
"New Arts Examined III" has artists selected from submissions by recent Master of Fine Arts graduates who attended universities in Virginia, Maryland, District of Columbia, Pennsylvania, West Virginia and Delaware. They are: Milana Braslavsky, Kelly Egan, Ellen Ann Gallup, Steven, Michael Hadley II, Ronald J. Longsdorf, Richard Sawka, Nanda Soderberg, Chad States, David Waddell, and Elizabeth Wade.
Bethesda Artists Markets
The Bethesda Arts & Entertainment District is currently accepting applications for the next Bethesda Artist Market.
Bethesda Artist Markets are one-day events featuring 30 local and regional artists in the Bethesda Place Plaza. Applications can be downloaded from their website.
To request a hardcopy, please send a self-addressed stamped envelope to:
Bethesda Artist Market
c/o Bethesda Arts & Entertainment District
7700 Old Georgetown Road
Bethesda, MD 20814
The Bethesda Artist Market will be held from 10am – 5pm in the Bethesda Place Plaza located at 7700 Wisconsin Avenue in downtown Bethesda. The Bethesda Artist Market is produced by the Bethesda Arts & Entertainment District and is free to the public.
Artists must be 18 years of age or older. All fine art and fine craft are accepted including, but not limited to: painting, drawing, photography, sculpture, fiber art, digital, mixed media, clay, wearable fiber, furniture, glass, jewelry, leather, metal, paper, ceramics and wood are accepted. Reproductions are accepted. All booth space are 10’x10’ and all artists must provide their own white 10’X10’ tent. No staking is allowed and artists must bring their own weights.
Each artist must submit five slides of their work and one slide of their booth, application, a non-refundable entry fee of $10 and a separate check of $50 for the booth fee. Please call 301/215-6660, Ext. 17 with any questions.
Anonymous III
Washington Project for the Arts\Corcoran (WPA\C) returns to Flashpoint with ANONYMOUS III, showcasing "anonymous" artworks by 100 established and emerging area artists.
Ten established area artists were invited to create 2' x 2' pieces, and serve as curators by inviting nine more artists to do the same. The resulting 100 artworks will be hung without artist identification, with creators' names being revealed only after their pieces have been purchased, making ANONYMOUS III a playful survey of contemporary art in the greater DC area and a unique art buying experience.
EXHIBITION DATES: June 7 - 23, 2007
LOCATION: Gallery at Flashpoint, 916 G Street NW, Washington DC, 20001
GALLERY HOURS: 12 - 6 pm, Tuesday - Saturday
SPECIAL EVENTS:
* Opening Preview Reception*: Thursday, June 7, 6-8 pm (*no works will be sold at the Preview)
* First day to purchase artworks: Friday, June 8, 6-8 pm
CURATORS and ARTISTS:
Seth Adelsberger, Lauren Bender, Edward Fendley, Felipe Goncalves, Seth Goodman, Dale Ihnken, Ryan Jedlicka, Nicola Knight, D'Metrius Rice, Lu Zhang, Iona Rozeal Brown, Ken Ashton, Shante Bullock, Zoe Charlton, Dissident Display (Adrian Loving + Ayodamola Okunseinde), Torkwase Dyson, DJ Eurok, Antonio McAfee, Jefferson Pinder, Bill Warrell, Cynthia Connolly, Lely Constantinople, Ginger Farnham, Maureen George, Maremi Hooff, Elizabeth Morisette, Henrik Sundqvist, Lisa Marie Thalhammer, Antonia Tricarico, Jeff, Wilson, Travis Fullerton, George Allen, Maria Dubon, Suzanna Fields, Pamela Fox, Michael Lease, Ryan McLennan, Diego Sanchez, Rob Tarbell, Robert Walz, Ian Jehle, Alan Callander, Kathryn Cornelius, Nekisha Durrett, Kelly Egan, Jennifer Foley, Jiha Moon, Andy Moon Wilson, Sara Pomerance, Carrie Stubbs,, Ledelle Moe, Hannah Brancato, Zac Jackson, Peter Karis, Jackson Martin, Ben McKee, David Page, Neal Reinalda, Cory Wagner, May Wilson, Michael Platt, Aziza Claudia Gibson-Hunter, Gina Marie Lewis, Harlee Little, Alice Martin, Theresa Knight McFadden, Jessa McFarlane, Gwendalin Qi Aranya, Keven Reynolds, Stan Squirewell, Noelle Tan, Ina Archer, Lily Cox-Richard, Stephanie Kuykendal, Cara Ober, Athena Robles, Kirstyn Russell, Tracey, Peirce West, Michael West, Stefan Zaklin, the super-talented Alessandra Torres, Emily Barletta, Tim Devoe, Miriam Ewers, Janelle Iglesias, Kayo Nakamura, Diana Nowitzky, Tim Scofield, Annie Song, Robin Zwizanski, Heide Trepanier, Jamie Boling, Cece Cole, Madeline Hoch, Jack Lawrence, Matthew Lively, Adrian Meyer, Monica Palma, Bret Payne, and Bruce Wilhelm.
Funding For Professional Fine Artists And Their Families
Funding for fine artists is available during times of emergency, disability, or bereavement from the Artists' Fellowship.
The Fellowship does not accept requests from performance artists, filmmakers, craft artists, hobbyists, commercial artists, or commercial photographers. For more information, contact:
Artists' Fellowship, Inc.
47 Fifth Avenue
New York, NY 10003
Or call them at 646.230.9833 or visit their website here.
Job in the Arts
How about a paid Internship opportunity?
The Washington Glass School is looking for an intern to work with a glass artist and studio. This is a wonderful opportunity for someone to learn the business of art while broadening the scope of their material knowledge. The intern will be making molds, cutting glass, and casting glass among other duties. Prior knowledge of these techniques are not neccesary.
The appropriate candidate will possess the following skills:
~ incredible attention to detail
~ a willingness to learn new techniques and to get dirty learning them
~ an ability to work unsupervised at times
~ self motivation to do a good job
~ punctuality and ability to meet deadlines
Hours are flexable but most work must take place between Monday and Friday between 10 and 5pm. They are looking for someone to do at least 2 or 3 days a week. The salary will depend on what skills the candidate can bring to the job. Experience in glass, electronics, computers are all helpful but not required.
Please contact Tim Tate at TimTateGlass@aol.com and list your qualifications for consideration.
Wanna go to a DC opening tomorrow?
My good friend José Ruiz has a new installation (Descendents of Ascension) from June 2 through July 7, 2007 with an opening reception, Saturday June 2, 6:30 - 8:30 pm at DC's G Fine Art. The opening also features Lisa Marie Thalhammer and Vesna Pavlovic.
I know a major DC area (soon moving) ubercollector who has over thirty Jose Ruiz originals in his collection. Ruiz was also the first ever winner of the Trawick "Young Artist" award a few years ago.
Grants for Artists
Deadline: June 30, 2007
The George Sugarman Foundation offers annual grants to painters and sculptors who are engaged in creating new works of fine art, whose work shows promise, and who are in need of financial assistance. Grants awarded in 2006 ranged from $500 to $3,600, with the vast majority being in the $1,000 range.
Details here.
Tomorrow: First Friday Gallery Openings
Both DC and Philly hold First Friday joint gallery openings and/or extended hours.
In Philly, the Old City area galleries (around forty galleries and art venues) are open from 5 till 9 p.m. Details here.
In DC, the Dupont Circle area galleries (around 15 venues or so) are usually open from 6-8PM. Details here.
Opportunity for Artists
The Arlington Arts Center is currently accepting submissions for their solo exhibitions 2008 occurring in the Fall and Spring 2008. The AAC has seven galleries with 525 combined running feet of wall space as well as two galleries dedicated to installation, technology or other works requiring a complete environment. The grounds surrounding the AAC can also accommodate outdoor sculpture.
Eligibility: Open to all artists in all media in the Mid Atlantic States (DE, PA, MD, DC, VA, WV)
Submission Guidelines: submit up to 20 slides or JPEGs (PC compatible, 300 dpi (or smaller) files, no larger than 4 x 6 inches), along with artist statement, resume, and description of exhibition proposal.
Deadline: All entries must be received by June 25, 2007
Entry Fee: $25 for non member, $15 for AAC members
Jurors: Selected by a panel of artists, arts professionals and collectors. Panelists for the 2008 Review are collector Philip Barlow (DC), Independent Curator Angela Jerardi (Philadelphia), Claire Huschle (AAC), Carol Lukitsch (AAC), Theresa McFadden (NVCC), and Anne Hancock (AAC Board President).
More Info: To download a prospectus and view floor plan, visit www.arlingtonartscenter.org, or send a SASE to:
Arlington Arts Center
3550 Wilson Blvd
Arlington, VA 22201
Jim Brossy debuts at Projects Gallery in Philly
This Pennsylvania Academy of the Fine Arts M.F.A. graduate delivers highly textured, mixed media assemblage paintings using art materials, construction and found objects. Tar, latex, cement, wax, string and steel all make appearances in his paintings, in addition to the more traditional acrylic, pastel, pencil and oil. Found objects such as newspaper and old clothes augment the richness and narrative of the work.
His debut show “Unentitled” opens Friday June 1st, with a First Friday artist reception from 5 to 9 p.m. at Projects Gallery in Philly. The exhibition continues through July 29th.
Broken
Yesterday I had a crew over to trim some trees in my front yard, and I was a little concerned because the front of my house has a huge stained glass piece next to the main door. According to our neighbors and postal lady, it was custom made in 1961 by a famed Pennsylvania glass artist who used to live in the house when it was built that year.
So they parked their truck right in front of it in order to block it from any flying debris.
As I once described in Tentacles, there are some instances on this planet, when the laws of gravity seem to take a couple of nanoseconds off. Like when one is walking down a path, and a rock, as if by magic, jumps from the ground and lands inside your shoe. How does that happen? Is it evidence of magic? Time travel? Even if one considers a viable explanation, the most common of which is that the other shoe kicks the rock into the partner shoe, it takes some extraordinary physics and flight acrobatics to imagine a rock being kicked by one shoe, flying sideways through the air as you walk on and sliding into the other shoe. I prefer to believe that the rocks jump straight up and floats into the shoe.
And yesterday a large tree branch was cut, fell about twenty feet to the center of the yard, and a small piece of wood broke off as it hit the ground, and defying the laws and vectors of physics, it somehow managed to teleport itself to the other side of the parked truck, and travel about 25 feet and smash a hole in the only stained glass window in the whole damned house.
The Licht idea for art for the Nats
Recap: Last week I told you about a call for art for the new Nats stadium.
Then yesterday I told you that Michael Neibauer in The Examiner revealed that "plans to decorate the new Washington Nationals’ new stadium with crafts, sculpture and bronze figures are in limbo after the D.C. Council eliminated money in next year’s budget for a public arts project."
Now D.C. Sports and Entertainment Commission CEO Allen Lew says in this Nats' fan blog that he will go to bat for "some sort of Washington Baseball Hall of Fame in the Stadium."
But the best idea comes from Mike Licht in this comment:
When Allen Lew worked on the DC Convention Center, $4 Million was included in the basic agreement for sculpture, paintings, and other artwork to enhance the facility. On the baseball stadium project, art was an afterthought, and now the DC Commission of the Arts and Humanities has been asked to fund it, with corresponding opportunity costs for art in our residential communities.I'll be damned if that's not a great idea that may in the end deliver both more money and better artwork to the Nats' stadium.
The DC Arts Commission has tried various ways to sneak the money under the stadium budget cap (borrowing the money rather than granting it, for example), and by claiming that the custom-made, site-specific art would just be "loaned" to the stadium but still owned by the commission. That is like saying your dental work is on loan from someone else.
Public art projects like this are normally funded by the developer or tenant, and the public arts agency gives technical assistance in the art project's execution. The Commission's "exhibition game" is a "shell-game" and exhibits poor public policy, poor judgment, and questionable ethics.
It is too late to include art in the basic agreement. Here's a solution: the Lerners establish a nonprofit corporation for stadium art, throw in some bucks, get their pals to do the same, and ask the DC Arts Commission to provide technical assistance in the art project's execution.
The 2007 Sondheim Prize finalists
The 2007 Sondheim Prize finalists are listed below. To me the surprises are some of the artists who didn't make this finalists' list:
Opportunity for Artists and Curators
Deadline: June 15, 2007 (Postmark)
The Greater Reston Arts Center (GRACE) is requesting proposals for exhibitions for its main gallery space for periods of approximately 4-6 weeks. Proposals will be accepted from artists, independent curators, or arts organizations.
Visit this website for more details.
Talking About Drawing
Tomorrow, Wednesday, May 30th, 2007, from 6-9 pm, DC's Civilian Art Projects will host "Draw In."
This open to all community drawing event is organized by artist and musician Reuben Breslar. About the project, Breslar says:
"The Draw-In project, as I have come to name it, is a community awareness happening composed loosely around art environments and the act of drawing.When: Wednesday, May 30th, 2007, 6-9 pm
It is in continuum and will occur as often as possible. It combines issues of personal sincerity and interaction in the public scenario. The idea has evolved from the crossroads of two major influences in my life. The first being the joy of drawing amongst friends over drinks, and the conversation and serendipitous moments that come about from social engagement based around drawing. The second stems from issues of cultural awareness and identity- subjects that need to be addressed in the artworld as well as the public sphere amongst the contemporary artmarket and other pressing insularly 'conversations.'
My end goal is to have the event serve as a reminder as to the potential of art and the need for wholesome human relations."
Art for DC baseball stadium struck out of budget
Last week I told you about a call for art for the new Nats stadium.
Now Michael Neibauer in The Examiner tells us that "plans to decorate the new Washington Nationals’ new stadium with crafts, sculpture and bronze figures are in limbo after the D.C. Council eliminated money in next year’s budget for a public arts project."
Read the article here.
Drawing!
Because drawing is my preferred genre of art, "Three Part Harmony: Definition, Delicacy and Detail in Drawing," an exhibition co-curated by Dr. Fred Ognibene and Andrea Pollan, and opening this coming Saturday, June 2, 2007 from 6 - 8 pm at Curator's Office in DC, is one show that I am really looking forward to.
The show has a powerhouse of a list of artists from the USA, Canada, Uruguay, Argentina, Brazil, Iran, Germany, Japan, Iceland, and England, including:
New DC gallery
A while back I told you about a new DC area gallery that would be opening next year. The WaPo's Amy Joyce has a profile on the idea for this new space and the man behind it.
Read it here.
Lawrence on artDC
Writing for Artnet, Sidney Lawrence delivers a superb discussion and review of artDC, the District's first contemporary international art fair.
Read it here.
Bin Diving
In the past we've discussed the merits of bin diving, or the art of ahh... finding art in art schools' and artists' trash bins.
My own particular practice started in art school, where anytime that I needed some stretched canvas for a new assignment I would visit the large trash bins behind the art school and always come up with a few discarded canvasses. After that I would remove the canvas, turn it around to the unpainted side, re-stretch it and bingo! a new surface to paint on.
Anyway, this Guardian story describes the recent auction of the trash from artist Francis Bacon's studio in west London, which just made £965,490 (close to two million dollars) for the garbageman who bindived for it over the years.
Venice Biennale May Start Selling Again
Most art critics and some art bloggers have this Utopian sense of writing about art exhibitions where the commerce of art is often viewed as a bad thing.
Nevermind that galleries are the second most-likely-to-fail business in the US (restaurants are the first).
The Venice Biennale, which used to sell art openly from 1942 to 1968, may be doing it again. Read the Art Newspaper article by Anna Somers Cocks here.
Opportunity for Sculptors
Deadline: Thursday, June 14, 2007
Art League Sculptors at Washington Square
August 5 – November 3, 2007
This is an opportunity for artists to exhibit large-scale three-dimensional works in a beautiful atrium exhibition space in downtown Washington, DC. Members of The Art League, Art League instructors, and Torpedo Factory artists are encouraged to submit work for jurying. Washington Square is located at 1050 Connecticut Ave, NW near the Farragut North metro (red line). A maximum of 35 pieces will be selected. Please note: large works are encouraged; there is limited space for small pieces.
2007 Calendar
• Drop off for CD with digital images, or actual work: Thursday, June 14, 2007 - 10:00 am – 5:00 pm or 6:00 pm – 8:30 pm
• Jurying - Friday, June 15, 2007
• Pick-up of actual work (Artists will find out at time of pick-up if their work was accepted) Saturday, June 16, 10:00 am – 5:00 pm and Sunday, June 17, 12:00 noon – 5:00 pm - Work not picked-up by 5:00 pm on Sunday will be assessed a $5 per day per piece storage fee.
• Digital images of accepted work due to Art League Gallery - COB, Tuesday, June 26, 2007.
• Accepted Work delivered by artist to Washington Square - Sunday August 5, 10:00 am – 12:00 noon
• Artists' reception at Washington Square - Thursday, August 9, 6:00 pm – 8:30 pm
• Exhibition closes - Friday, November 2, 2007
• Pick-up of work from Washington Square - Saturday, November 3, 9:30 am – 12:00 noon
Eligibility: This exhibit is open to members of The Art League, Art League instructors, or Torpedo Factory artists. Any interested artists may join The Art League at any time. If you are not currently a member and wish to submit work for this exhibition opportunity, please contact the Gallery regarding pro-rated membership rates.
Juror: John Jayson Sonnier will jury this exhibit. Sonnier, a sculpture instructor at the Corcoran School of Art and Design, specializes in garden design. Continuing the stone carving tradition, Sonnier was taught by Master Sculptor Constantine Seferlis. Sonnier’s work is currently on display at the U.S. Department of Agriculture Library; Katzen Center of Art at American University; Creative Partners Gallery, Bethesda, Maryland; Arts and Humanities Council, Silver Spring, Maryland; Art Galleries of the National Institute of Health; and at his website.
Image Specifications
• Jurying will be done from digital images submitted on CD or from the actual work.
• Digital Submissions: Artists may submit images in .tif or .jpg format on a CD. Each image can be no larger than 4” X 6”, 300 dpi, with a file size of 2 MB or less. Label each image file with the artist’s last name and the number of the image, i.e. “Smith_1”. Please write artists last name on top of CD with black marker. CDs will not be returned. *Artists who submit CDs may call the gallery as early as Saturday, June 16 to find out if their work was accepted into the exhibit.
• CDs must be accompanied by a hard copy, typed image checklist with numbers corresponding to image numbers on the CD. The list must also include: title, medium, dimensions (h” x w” x d”), sale price or if Not for Sale (NFS) the insurance value. Please also include all of your contact information (name, address, phone, and email).
• CD submissions can be mailed to The Art League Gallery to arrive no later than June 14th or brought to gallery during drop off times on June 14th.
• All accepted artists must provide the gallery with digital images of their artwork by the close of business on Tuesday, June 26, 2007. This is required by the management of Washington Square. Please have images of your artwork ready ahead of time. Images should follow the above specifications.
Fees: The entry fee is $5 per sculpture. Maximum of three entries per artist. Artists bringing in actual artwork must attach an entry form to each submission.
Accepted Works: The artist must deliver accepted works in person to Washington Square, 1050 Connecticut Ave, NW, Washington, D.C. 20036, on Sunday, August 6, 2007, between 10:00 am and 12:00 noon. If Washington Square management believes any works to be inappropriate for display, they retain the right to exclude or withdraw such works from the proposed exhibition. No accepted work may be withdrawn before the end of the show for any reason. Work not picked up between 9:30 am and 12:00 noon on Saturday, November 4, 2007, will be assessed an additional $25.00 per day fee. Individuals are responsible for transporting and installing their own works; the exhibit designer will determine locations for work.
Awards: Aaa awards, including cash awards, will be presented at the reception. Awards will be chosen at the discretion of the juror.
Sales: Work in this exhibit may or may not be for sale. Prices are to be determined by the artist. The Art League Gallery retains a commission of 40% from works sold from this exhibit or while the piece is being displayed at this exhibit. Payment to the artist will be mailed within 30 days after final completion of the sale. Prices should be an accurate reflection of the artist's sales history and should not be inflated.
Insurance: All reasonable care will be taken with the accepted artwork, but it is to be clearly understood by the artist that The Art League and Washington Square assume no responsibility and shall not be held responsible for any damage of any kind occurring during shipping, installation, de-installation or while on exhibit. All artists will sign a loan agreement and receipt form. Permission to photograph any work in the exhibition for publicity purposes or for documentation is considered granted.
About the Art League Gallery: The Art League Gallery is located at 105 N. Union Street in the Torpedo Factory Art Center in Alexandria, Virginia. The Art League is a private non-profit membership organization, which provides continuous opportunities for artists to have their work judged by professionals in the visual arts.
Questions regarding the Art League Sculpures at Washington Square or The Art League may be directed to:
The Art League Gallery
105 N. Union Street
Alexandria, VA 22314
703-683-1780; or
email: gallery@theartleague.org
Cubans
Photographer Rachel Been has just completed a really good photo documentary addressing Miami's influential Cuban and Cuban-American population. See her photos here.
Cultural bragging follows: I think that one of the reasons for the spectacular success of the Miami-based art fairs is the economic and cultural power of Miami's Cuban ancestry population, which as anyone who has been to Miami knows, is the dominant ethnic group in that city.
According to U.S. Census Bureau statistics, we Cuban-Americans represent only about four percent of the 45 million or so Hispanics/Latinos that are living in the US, but unlike other Latinos, your average C-A is a Republican, disproportionally represented in Congress, and C-A average annual income is higher than that of Anglos and other non-Hispanic whites and Non-Hispanic blacks, and more than 50% of the top 100 wealthiest Hispanics in the US are Cubans as are more than 50% of the top Hispanic-owned businesses in the US.
So why do Miamians with disposable income, and New Yorkers of all ancestries with disposable income buy art, but Washingtonians and Philadelphians of the same wealth level do not?
A while back I submitted my theory for DC's case here; now working on Philly's case. More later...
Wanna go to a Philly opening tonight?
Schmidt Dean Gallery has an opening reception for Susan Fenton: "Japan Series," and Wei Jia: "Made in China." Through June 30, 2007. Starts at 7:30PM.
