Airborne
Heading back to the Left Coast for some rediscovering, scorpion-and-black widow-avoiding (and brown recluses) in the deserts of California for some sweating (it's a dry heat) and desert drawings for the next two weeks.
Those of you who have my cell number: for the next two weeks, until July 31st, I will be on West Coast time, so if you call me at 6AM my time...
More later.
Sunday, July 19, 2009
Opportunity for Artists and/or Curators
Deadline: August 1st, 2009
The Greater Reston Arts Center is requesting proposals for exhibitions for its main gallery space for periods of approximately 4-6 weeks. Proposals will be accepted from artists, independent curators, or arts organizations.
Full prospectus here.
Opportunity for Artists
Deadline: August 28, 2009.
The Easter Seals 2010 Art Competition is on and they're accepting works for consideration on an upcoming stamps. Works should be a vertical drawing or painting of a lily, in watercolor, oil, pastels, colored pencil, or computer generated image. Size limitations: no smaller than 8-1/2” x 11” and no larger than 18” x 24”. White or off-white stock is preferred. No entry fee. For more information, contact:
Easter Seals
Attn: Lisa Skaggs
233 South Wacker Drive., Ste. 2400
Chicago, IL 60606
Phone: (312) 726-6200; or check website: www.easterseals.com.
Airport Tales
I'm heading back to California, and this time I am flying out of Dulles, which has one of the most beautiful terminals on the planet.
Earlier this morning (I'm in Dallas now waiting for my connecting flight) I was starving by the time I got to my gate, and was pleasantly surprised to find that right across from Gate 71-73 there's a new Five Guys Burgers restaurant, one of the premier burgers in this Universe. And so I order their showcase slider with grilled onions, pickles, mayo, ketchup and grilled mushrooms. I get number 62.
The guy behind me in line (there's a large line as it is around 10:30AM and the breakfast crowd is too late for breakfast and the lunch crowd is beginning to agitate) orders a grilled cheese, fries and water. He gets number 63.
The scene behind the counter is in a frenzy of fast food cooking activity. The Russian lady who is taking orders is firing them to the three cooks behind them at breakneck speed as hungry travellers pass through her order point.
The two African and Central American immigrant ladies doing the cooking are working at a frenetic speed grilling burgers and frying potatoes and getting the orders ready and yelling out numbers as they are ready.
It is a constant process, as quickly as can be done by three people cooking all at once, but there's a necessary delay in cooking the burgers, and none are pre-cooked and there's a large number of people in line and waiting for earlier orders.
But in about 5-6 minutes, they're up to number 59; these ladies are busting their asses to move the food.
The grilled cheese and fries and water guy who is number 63 is clearly impatient; let's call him GCFWG for grilled cheese and fries and water guy.
He approaches the counter and shouts to the back cooks, "Excuse me, how much longer will it be?"
The little Central American cook stops packaging ready orders and comes to him, she looks at him puzzled. "What is your number?" she asks.
"63," he responds rolling his eyes, "I've been waiting for like ten minutes."
I'm trying really hard to stay out of this, knowing that I will fail. GCFWG is very tall and slim, wearing a very, very tight white T-shirt that showcases his slimness and very tight black pants with really ugly, clunky black shoes. He has one of those large man purses and those nerdy, black glasses.
"You're only a couple of orders behind," responds Central American cook lady.
He rolls his eyes.
I can't handle it anymore. "Is your flight departure getting close?" I ask as he returns to waiting.
He looks at me a second before answering. People aren't used to strangers addressing them in airports, or anywhere else for that matter.
"No," he says, "But this is ridiculous," he snaps, looking at the cooks again and pointing his little chin at them.
"How would you speed the process?" I ask him. "Looks to me like those women are busting their asses cooking as fast as they can."
He looks at me and I stare back, looking hard.
"Ahh..." he stammers. "They need more people."
Again, there are three cooks on duty plus a order-taker.
"How many more?", I press him. "One more, two more?"
He looks at me again, this time he seems a little worried. My number is called and I pick up my bag. I return to him. He is now really looking a little agitated.
"Did you decide?" I ask him. "One or two more cooks?"
"Ahh..." He's looking around, and his number is called. He picks it up and I once again come close to him, look at him and smile.
"I think that three is the optimum number back there," I say gesturing to the cooking area. "And those women are busting their ass," I repeat myself. Now the small Central American woman is observing and listening in.
"I got to go." He says very nervous now, and leaves.
The Central American cook and the Russian order-taker smile and continue working their butts off while GCFWG moves on, hopefully having learned a lesson in manners.
Comemierda!
Saturday, July 18, 2009
The Frida Kahlo Show
Last night's opening was packed to the gills with people, and the attendance even surprised me a little.
In the middle of the announcements for the award winners, someone from the crowd suddenly piped in and shouted the most off putting and random question that can be asked in a juried show paying homage to the influences of a Mexican artist on contemporary artists.
"What about the looting of art by the Nazis in Europe," shouted a young woman sitting on the chairs reserved for the artists (she wasn't one of the artists and her question was essentially what I wrote above but expressed in a more rambling way). "I just found out about this and I didn't know that the Nazis had killed so many people."
I looked at her and she smiled.
The crowd hushed for a second, a little thrown off by this odd question, considering the context of what I was talking about and the place and theme of the exhibit.
I rolled onto a discussion about how any and all empires and empires-wanna-be's had always stolen the art and intellectual ideas of the conquered, I also gave her a little lesson in art history and brought the conversation back to Kahlo.
She had a Joker-type smile frozen on her face the whole time, but she stayed quiet after that.
Weird, uh?
In any event, the prize winners:
First Prize
Tanya Gramatikova, Tribute to Frida Kahlo II
Second Prize
Diane Kahlo, Las Desaparecidas
Third Prize
Kathryn H. Cook
Honorable Mention
Katya Romero, Petalos Negros
Honorable Mention
Marla McLean
Honorable Mention
Nancy Pollack
Honorable Mention
Priscilla Pompa Alvarez
This is a very cool show... go see it.
The Joan Hisaoka Healing Arts Gallery is located in the heart of Washington DC's U Street corridor at 1632 U St NW. Call them at 202-483-8600 for info.
Opportunity for Artists
artdc.org and Art Outlet are partnering with Halstead Arlington, a luxury apartment community in South Arlington, and the Columbia Pike Revitalization Organization, to present The ZIP Code Show, an event featuring artists and their relationships with their surroundings. The show will be held at Halstead Arlington, 1028 South Walter Reed Drive, Arlington, VA, 5:30 pm – 12:00 am, August 29 and September 5, 2009.
For the show, artists were asked to use ZIP codes and other postal code schema as a jumping off point for personal dialogues with the physical, biological, and cultural features of the earth. A team from Art Outlet and artdc.org is curating their ideas and strategies into an polyvalent exploration of artists’ personal geographies, which range from the private sanctuaries of home to public memories and actions.They are still accepting artist registrations. Find more information here.
Artists will be on hand to talk about their pieces at the show’s two evenings, which will include indoor and sidewalk live art and performances, and yours-for-a-donation summer libations.
Wanna show at Wolftrap?
Deadline: August 1, 2009
The Arts Council of Fairfax County invites the arts community to participate in the 39th annual International Children's Festival at Wolf Trap on September 19 & 20, 2009 from 10 am - 4pm. This is a brand new initiative and a great opportunity for our local artists!
They can accept up to 30 individual artists or artist groups. Artist applications will be reviewed by a panel of art professionals. The International Children's Festival at Wolf Trap is the premier international arts education experience in the United States.
You can download the Word document at this website or and e-mail them at artsandcrafts@artsfairfax.org
If you have any questions, please don't hesitate to contact Jamel McKelvia, International Children’s Festival Intern, at jamel.mckelvia@artsfairfax.org or by phone at (703) 642-0862 x5.
Opportunity for Artists
Deadline: July 31, 2009
The National Cherry Blossom Festival is looking for illustration portfolios from professional visual and graphic artists. This is the first stage of the process in attaining artwork to be used to represent the next spring festival. Cash awards available. No entry fee. For more information, contact:
National Cherry Blossom Festival
1250 H St., NW, Ste. 1000
Washington, D.C. 20005
Phone: (202) 661-7584; email: lillian@downtowndc.org; or check website: www.nationalcherryblossomfestival.org.
Friday, July 17, 2009
Opportunity for Artists
Deadline: July 31st, 2009
DC's International Arts and Artists’ Hillyer Art Space is currently accepting submittals until July 31st, 2009 for its regional artists series of exhibitions beginning January through December 2010.
Requirements:
- Artists must be currently living or working from the Mid Atlantic Region (MD, DE, WV, VA, & DC).
- Artists seeking a solo show at Hillyer must not have been featured in a solo show in DC area within the last 10 years.
- All work to be included in Hillyer Art Spaces shows must have been made in the last 5 years.
For details and prospectus, please email Graham Boyle at grahamb@artsandartists.org or call the gallery at 202.338.0680.
Come to the opening tonight
Last night's talk on Frida Kahlo for the Finding Beauty In A Broken World: In the Spirit of Frida Kahlo exhibition at the Joan Hisaoka Healing Arts Gallery at Smith Farm in Washington, DC was standing room only and it went really well.
Tanya Gramatikova, Tribute to Frida Kahlo II
The Opening Reception & Awards is tonight, Friday, July 17, 2009, 5:30 - 8:00PM. Among the work is an amazing piece by Frida's grandniece on the subject of the missing, murdered women of Juarez that will take your breath away. Don't you dare miss it. Come by and introduce yourselves and say hello. This exhibition runs through August 29, 2009. Gallery hours: Wednesday - Friday, 11am - 5pm, Saturdays, 11am-3pm, and by appointment.
See ya there!
Grants for Artists
Deadline: July 31, 2009
The Ruth Chenven Foundation in Takoma Park, MD awards up to $1,500 to visual and craft artists living and working in the U.S. Funds are to be used in the planning or a craft or visual arts project. Film projects are ineligible. For more information, contact:
The Ruth & Harold Chenven Foundation
7505 Jackson Ave.
Tacoma Park, MD 20912
Opportunity for Artists
Deadline: August 15, 2009
The Gallery at the University of Maine at Farmington is planning a juried exhibition of works conceptually in keeping with the mood and spirit of Edgar Allan Poe. To open in October, 2009. All media welcome. Please submit entries in the form of a URL link or send dvds (Please format still images as jpgs @ 150 dti; time-based media on Quicktime.) to:
Elizabeth Olbert
The Gallery at UMF
246 Main St.
Farmington, ME 04938
Thursday, July 16, 2009
Opportunity for Artists
Deadline: July 31, 2009.
The Chapel Hill Public Arts Office invites artists to apply for the 2009-2010 Juried Exhibitions Series. Original two- and three-dimensional artwork by selected artists will be displayed in Chapel Hill Town Hall and the Chapel Hill Public Library from October, 2009 through December of 2010. There is no application fee. For more information, go to www.chapelhillarts.org .
Later today
Come by later today for my talk on the subject of Frida Kahlo: Her Art & Her Pain; it's from 6:30-8:30PM at The Joan Hisaoka Healing Arts Gallery at Smith Farm Center located at 1632 U St NW in Washington DC, phone 202-483-8600. Free & open to the public.
You can also get an early peek at the subject exhibition itself. Next Friday is the Opening Reception & Awards (from 5:30 – 8:00PM) for the Finding Beauty in a Broken World: In the Spirit of Frida Kahlo.
See ya there!
Wednesday, July 15, 2009
Art Installation at Tate Modern Leaves 23 Injured
Despite implementing the latest health and safety procedures, the Tate Modern saw 23 people suffer minor injuries from Robert Morris's Bodyspacemotionthings during its special re-creation at the museum this summer.Details here.
Participants in the installation were invited to negotiate seesaws, a tightrope, and other obstacles, and in just over a week some of them were left with a cut leg, a rope burn to the hand, bruised ribs, and a bruised shoulder
Tuesday, July 14, 2009
Opportunity for Artists
Deadline: September 25, 2009
VisArts at Rockville, MD is seeking works of art that use new media and technology to eliminate psychological or physical boundaries; and, challenge a gallery's role as mediator between artworks and viewers. New media and technology have the power to eliminate conventional, artistic boundaries. Interactive art, for example, encourages viewers to complete the artwork by actively transforming it visually and conceptually. Artwork can be exhibited remotely, with only the concept (rather than the physical object) in a gallery. Likewise, a viewer may experience a work of art even if they are not in the gallery with the object.
Works considered: Artwork with at least one component that uses an electrical and/or battery power source, and created in the past three years. The work does not have to be a physical, gallery object. For more information or to apply, go to www.visartscenter.org and click on the link in the Exhibition menu.
Manon Cleary
My Lunch with Booboo, 2009, pastel on sanded paper by Manon Cleary
One of the District's best-known, most collected and most widely admired artists is the amazing Manon Cleary, and next July 22, at Addison Ripley in Georgetown, from 5-7PM, she has an opening reception for a new exhibition of her latest pastels.
For more than thirty years, Ms. Cleary's often disturbing drawings and paintings have brilliantly represented her personal world in provocative, unflinching and iconic terms. A 2008 exhibit at the Kalamazoo Institute of Arts referred to Ms. Cleary as "one of the leading American figurative artists of the past three decades". This exhibit at Addison/Ripley pairs gentle sky "portraits" with pictures of strangely engaging white rats. Each of the works from Rats and Skies, is developed by hand on sanded paper with an unmatched mastery of materials and technique. In addition, the gallery will present earlier work by the artist, including examples from her "Movement Series".Cleary's ongoing contribution to the art world in Washington is extensive and keeps on going despite severe health issues that have limited her ability to work.
Don't miss this show; I won't.
Friday, July 10, 2009
Airborne
I'm flying back to the East Coast today in order to deliver a talk on the subject of Frida Kahlo: Her Art & Her Pain on Thursday, July 16 from 6:30-8:30PM at The Joan Hisaoka Healing Arts Gallery at Smith Farm Center located at 1632 U St NW in Washington DC, phone 202-483-8600. Free & open to the public.
Then next Friday is the Opening Reception & Awards (from 5:30 – 8:00PM) for the Finding Beauty in a Broken World: In the Spirit of Frida Kahlo.
I selected the following artists for the exhibition: Priscilla Pompa Alvarez, Sally Brucker, Mark Caicedo, Kathryn H. Cook, Veronica Ebert, Elissa Farrow-Savos, Amy Freeman, Tanya Gramatikova, Manuela Holban, Diane Kahlo, Lily Lash, Maria Lupo, Marla McLean, Laura Pallone, Judith Peck, Reginald Pointer, Nancy Pollack, Chrys Roboras, Katya Romero, Janna Stern, Henrik Sundquist, Yayo Tavolara and Helen Zughaib.
See ya there!
Thursday, July 09, 2009
140
I chickened out at 140 MPH last night on I-395 about 9:45PM. The little two seater that I got (an Eclipse) is supposed to go up to 160, and as I was all alone in the desert, I punched it and took it to around 140 before I slowed it down.
I drove back from San Diego and I am now in that blast furnace of a town known as Ridgecrest, California.
It is so hot.
Stimulus Closing Reception tomorrow
Head to Nevin Kelly Gallery in DC on Friday, July 10th for the closing reception of "Stimulus," a group exhibition of works by local artists meant to stimulate the mind and the economy. All works in the show are priced at $500 or less, many at limited-opportunity prices. Closing reception from 6-8PM.
Participating artists include John M. Adams, Sondra N. Arkin, Joan Belmar, Tanja Bos, Anne Bouie, Molly Brose, Mary Chiaramonte, Anna U. Davis, Jenny Davis, Thomas Drymon, Stirling Elmendorf, Pat Goslee, Emily Greene Liddle, Laurel Hausler, Eve Hennessa, J. Ford Huffman, Rosalind Kennedy, Mark Parascandola, Anneliese Sullivan, Ming Yi Sung Zaleski, Ruth Trevarrow, Claudia Vess, Ellyn Weiss and the kid.
Show runs through July 11. Go buy some art!
Wednesday, July 08, 2009
Tuesday, July 07, 2009
Trona, California
Landed at Las Vegas yesterday around 5PM, and after grabbing my bags I headed to the car rental, where, because of the holiday weekend, cars were scarce. That was a good thing.
Instead of my usual, "what is the cheapest, smallest, roller skate car that you have?" I ended up being upgraded to a Mitsubishi Eclipse Spyder convertible! That was a good thing.
As I was headed to the California desert, I zoomed out of Vegas and headed south on Highway 15. And of course, because of the holiday weekend, about a billion cars were heading home to LA and the highway was bumper to bumper with "what happens in Vegas, stays in Vegas" weekenders. That was a bad thing.
The desert landscape at dusk was illuminated by a full moon, and at least, while the desert mountains and hills were visible, it was like driving through Ansel Adams' "Moon Over Hernandez." That was a wondrous thing.
I got to my hotel by 12:30pm and crashed.
The next morning I got up, jumped into my toy car and headed for my first destination; 30 miles later I was lost.
I ended up in a very small town (a generous description by the way) called Trona.
Trona, California must be one of the most ahhh... remote places in the American desert. It also has a tiny cafe, right on Trona Road, established in 1956, that serves some of the best shakes that I have ever tasted.
How does a small cafe survive for over half a century in such a remote place? On the wall there were a couple of photos of someone signing autographs. "Who is that?" I asked the young waitress.
"I don't know," she answered, "Someone who came by when I was little." She then asked the cook.
"George Clooney!" shouted the cook from the back. "He was here filming an episode of 'ER' a long time ago."
Anyway, this throwback in time had a dazzling menu of good old fashioned American fare (burgers, tacos, burritos and something called a "Texas toothpick") including ice cream and a lot of great milkshake flavors.
Trona, California: As a town, you are a bit rough on the eyes, but I salute your little town cafe.
Monday, July 06, 2009
A Priori/A Posteriori
On July 8, the Corcoran Gallery of Art’s exhibition space dedicated to the Corcoran College of Art + Design, Gallery 31, will open the three-part show A Priori/A Posteriori. The show contains work from current students and recent graduates, and is the result of an experimental class conducted in the spring 2009 semester, taught by Professor Margaret Adams. The show was created around a single concept decided on by the class.
A Priori/A Posteriori concept explores the root of ideas and knowledge based on perception, instinct, implicit and explicit memory. A priori suggests defining ideas as inherent, while the posteriori identifies learning through the act of experience. The discovery has been that the group’s work speaks from a central point, or slash between, the priori and posteriori process.
The show is broken into three installations: Instinct, Vision, and Time, each representing a different response to the group’s philosophical experiment. Dates and times are as follows:
Instinct: July 8 – July 11. Opening July 9 from 6 p.m. – 8 p.m.
Time: July 15 – July 18. Opening July 16 from 6p.m. – 8 p.m.
Vision: July 22 – July 25. Opening July 23 from 6 p.m. – 8 p.m.
Gallery 31 is located at the New York Avenue entrance to the Corcoran Gallery. Hours are from 10 a.m. – 5 p.m., Wednesday – Saturday, and until 9 p.m. on Thursdays. Admission is free. For additional information about Gallery 31, or for more information about the college, please visit www.corcoran.org.
Sunday, July 05, 2009
Casting Call for Artists
Magical Elves (the folks who did the Peabody Award-winning Project Runway, Emmy Award-winning Top Chef) and Sarah Jessica Parker (Golden Globe and Emmy Award-winner) and her production company, Pretty Matches, are teaming up for an hour-long creative competition series among aspiring contemporary artists who will create and compete to conquer the art world!
If you’re an emerging or mid-career visual artist with a unique, powerful voice that demands a bigger stage, here's their spiel:
Lenny,
We want contemporary artists. Your medium could be one of many (or several of many) – painting, sculpture, installation, video, photography, mixed-media – we want voices that believe in their art and want the world to know.
* To be considered for the cast, attend one of our four regional casting calls around the country, see below.
* Go to www.BravoTV.com/casting to download an application and see what you need to bring with you to an open call. GOOD LUCK.OPEN CALL INFO:
LOS ANGELES - Saturday, July 11th & Sunday, July 12th 10:00am - 2:00pm at LAX ART.
MIAMI - Tuesday, July 14th, 10:00am - 2:00pm at Fredric Snitzer Gallery.
CHICAGO - Thursday, July 16th, 10:00am - 2:00pm at the School of the Art Institute : Sullivan Galleries : 33 State Street.
NEW YORK - Saturday, July 18th & Sunday, July 19th 10:00am - 2:00pm at White Columns.
Saturday, July 04, 2009
The Final Artomatic Top 10 Artists of 2009
Happy 4th of July! I've been working on this list forever, and superbusy on other stuff (more on those news later); but here it is!
With around 1,000 artists at AOM, it is pretty difficult, if not truly impossible to pick a list of the top 10 artists there and immediately piss off 990.
To make things easier for me, this year I decided to limit my own personal recommendations to artists whose work I am/was not overly familiar with or whose work I had not see before; so no Tim T., no Laurel L., no Kelly T., no Michael J., etc. in this list.
Canpello's top 10 AOM artists are listed in alphabetical order.
Sarah Blood - Space 513 0n the 5th floor. This British artist has some of the most memorable work in AOM this year. Her work is elegant and sophisticated, and easily amongst the best 3D work in the show, but she is in an universe by herself when it comes to the marriage of neon to glass and sculpture.
When one views her work, the viewer is left amazed not only by the technical skill and dexterous facility with which she handles the medium, but also how she makes an inherent gaudy and repetitive component (such as neon is) seem fresh and cool each time. Hers is the best neon work that I have ever seen.
David D'Orio. His work is at space 909 on the 9th floor. Add him to the list of amazing glass artists who are reinventing the genre one piece at a time. The latest from his "Feeder" project (detail to left) stands out in the 2009 Artomatic already showcasing the work of some very good glass artists from the area and Great Britain.
It is no secret that the Greater DC area has become one of the great fine art glass magnets in the world, and in this abundant sea of glass talent, D'Orio's glasswork stands out in a singularly unique way.
This is no small accomplishment when one also looks at the breath taking work of the British glass artists participating in this year's AOM as well as the many Washington Glass School artists and students in the show. Glass was possibly the strongest category in this year's AOM and D'Orio's work still managed to stand out.
James Halloran - Space 809 on the 8th floor. I know that I am a sucker for technical skill in any genre, but technical skill alone does not a good artist make.
Halloran's paintings appear very simple in composition and color schemes at first view, but once you study them they rank amongst the best paintings at AOM that I have seen in years and showcase what a very good painter can do with a very restricted palette of colors. This is another artist whose work would sell well at art fairs.
Rania Hassan - Space 903 on the 9th floor. I think that I know by now... and so I think that what Rania Hassan is doing in her ongoing marriage of knitting and painting is unique, maybe in the world. It sounds a little odd in words, so you need to see it to see what I mean.
It is not only clever, but also visually intriguing and breaks a very difficult three dimensionality aspect that many "painters" try to broach.
Jeannette L. Herrera - Space 210 on the 2nd floor. This blue face killer is all over the map with her artwork, and yet she covers that map very well. She makes and sells everything: T-shirts, buttons, stickers, skateboards, shoes, custom made frames, etc.
She is a GerhardtRichterian artist in the sense that her artwork is about what interests and makes her tick, not what the critics dictate. I love the energy and drive and zeal behind her work; it's like an artistic hurricane in violent motion at all times.
I know a lot of accomplished artists, now in the October of their careers (the best time for hurricanes) who wish they could find a way to rediscover 10% of the energy and intelligence that Herrera drives through your brain with paint-stained nails in each of her paintings.
Deb Jansen. Space 804 on the 8th floor. Seldom does a great artistic shout like Jansen's "Catharsis & Karma: An Open Thank You Letter to a Homewrecker" installation says it all for one artist, and as Jansen is a young artist, we have many years ahead to watch where she goes from here.
Having said that, her brilliant dedication and "this-is-not-a-revenge" discussion of the world's most expensive blow job as Jansen thanks the "other" woman who freed her from an allegedly abusive and destructive marriage was without a doubt, at least the multiple times that I visited AOM, the hit of the show, and it earns Jansen a top 10 ranking. I'll say it again: this alone is worth a visit to AOM.
Susan La Mont. Space 203 on the second floor. I know that I have mentioned this artist's work before, but AOM gave me the first opportunity to examine a lot of her work all in one place.
And while Dr. La Mont still has a lot of painting and examinations and thinking and work to create and do ahead of her, this Pratt Institute graduate's artwork shows the sophistication, elegance and artistic merit and weight that causes it to stand apart in the immense AOM world of painters.
Jessica Van Brakle. Space 916 on the 9th floor. When I was first exploring the 9th floor I almost missed Jessica's work.
Lucky for her, I was attracted by the work of Jenny Walton, and once that caught my eye, it was natural for me to be magnetized also by her neighbor's work. Vna Brakle's work is refreshing and very strong for such a young painter. If my fellow art dealers were to ask me about who to pick today and take to an art fair tomorrow and sell a lot of work, I would immediately send them to this new painter.
Megan Van Wagoner is a prime example of what happens when you pass judgement on an entire show without taking the proper time to examine the show.
I've never seen her work before, and the first time that I walked by her booth I almost missed it, as my eyes and brain were beginning to hit overload. But it did catch my eye and on the second visit, following my notes I went straight to her space on space 811 on the 8th floor. Let me say it succinctly: this will be the artist whose work stood out as the most technically brilliant in AOM and whose presentation was the most professional.
It is ready for prime time and I bet that she goes places fast. I can dream of a show of her work next to Joshua Levine out in the Left Coast.
Sean Welker. 712 on the 7th floor. This is an artist turning technology around on the viewer. When I first saw Sean Welker's drawings, I thought that they were prints. When I returned and talked a little to Sean, I discovered that they were each an individual drawing expressing Welker's interest in sugar skulls, matryoshka dolls, maneki neko figures and other odd elements.
Push the medium of drawing to a level where the artist says to the reproduction genre: I can do each one by hand. It is a novel twist on taking the short cut to everything. This artist will make DC look good all over the nation in the near future. Check out his sugar skulls here.
Tomorrow is the last day to see Artomatic; if you haven't been, and call yourself a member of the Greater DC area arts community, this is your last change to get there or have your membership in the community revoked.
You get a second chance of sorts in a gallery setting as my former gallery, Bethesda's Fraser Gallery continues a tradition started many Artomatics ago with Ms. Fraser's selection of her "Best of Artomatic 2009" with work by AOM artists Jennifer Bishop, Deb Jansen, Edward Johnston, Christine Keers, Andrew Livingstone, Brain Lusher, Joanne Mitchell, Molly Sheldon, Frank Turner and Andrew Zimmermann. An opening reception will be held in conjunction with the "Bethesda Art Walk" on Friday, July 10 from 6PM - 9PM.
I'm heading out West tomorrow... more from the California desert later, including my choice as the best artist in Artomatic for 2009.
Happy 4th of July! America rocks!
Wednesday, July 01, 2009
Tuesday, June 30, 2009
My Artomatic picks
Now that I have visited Artomatic three times, I have finally managed to cover all nine floors of art of that mega art exhibition, easily the largest group art show on planet Earth.
Nine floors of artwork and 1,000 artists; not an easy task for anyone to review and interpret, much less critics used to gallery-sized art shows.
Last year's AOM set a new record with over 70,000 visitors, and I found out a few days ago that they are about 12,000 visitors ahead of last year's pace at this time. The show ends July 5.
This year I decided not only to pick my usual group of Top 10 artists there, but to isolate and keep that coveted list to ten "new" artists, or at least new to me, or newer. So I will skip all the blue chip artists in the show who obviously stand out. People like Laurel Lukaszewski, Kelly Towles, Tim Tate, Michael Janis and a Hamiltonian Fellow or two.
Instead, my focus will be ahhh... focused on a newer set of fresh artwork and names. But first, some special mentions to other people who caught my eye for other various and sundry reasons (including some who also made the Top 10 List).
Best Installation Award - Easily won by Deb Jansen's "Catharsis & Karma: An Open Thank You Letter to a Homewrecker" installation, dedication and not-a-revenge discussion of the world's most expensive blow job as Jansen thanks the "other" woman who freed her from an allegedly abusive and destructive marriage. This alone is worth a visit to AOM.
Best Female Nude Photography - There are dozens and dozens of female nude photographers at AOM, and curiously not so many male nude photogs. The vast majority of these female nudes pics are mildly interesting, some almost cross the soft porn border (unlike past AOM's where hardcore porn was almost always present), but most are in the OK category. The best in this vast offering of female flesh, and best by far, is the newer work of Fierce Sonia, an artist whose work I hadn't seen since I included her in "Seven" more than four years ago. Sonia's work has grown and matured into not only a seductive celebration of the female body, but also an intelligent marriage of digital manipulation of the figure that while still revealing that subtle erotic nature which is a key part of all of her work, it also begins to substantiate her work as photography that is pushing the boundaries of eroticism into a new digital valley of visual surprises.
Second Best Female Nude Photography - Abbie Miller; superbly sexy work.
Best Glass Artist - David D'Orio's latest from his "Feeder" project stands out in an Artomatic showcasing the work of some very good glass artists. It is no secret that the Greater DC area has become one of the great fine art glass magnets in the world, and in this abundant sea of glass talent, D'Orio's glasswork stands out in a singularly unique way. This is no small accomplishment when one also looks at the breath taking work of the British glass artists participating in this year's AOM as well as the many Washington Glass School artists and students in the show. Glass was possibly the strongest category in this year's AOM and D'Orio's work still managed to stand out.
Best Use of Aluminum - Clearly a homerun for Eve Hennessa's cool and clever sculptures. Also hottest-looking robot on "Meet the Artists" Night.
Weirdest Art - Steven Jones's oddly and slightly macabre human-chicken babies (is that what they are?). They've caught my eyes two years in a row and they fascinate me in a very odd way.
Best Monotypes - Jenny Walton's monotypes are elegant and deceptively minimalist.
Best Marriage of Genres - I don't know for sure. but I think that what Rania Hassan is doing in her marriage of knitting and painting is unique, maybe in the world. And it is not only clever, but also visually intriguing and breaks a very difficult three dimensionality aspect.
Most Blasphamous Art - Dana Ellyn's art takes no prisoners and her caustic observations though her skilled brush are always a sure pick. This year she takes on The Christ in many of her pieces. Now I want to see her bring Allah down a notch or two.
Second Most Blasphemous Art - "The Passion of Snoopy" by Will Mallon.
Best Portrait of Che Guevara - Yay for Matt Sesow, who brings the Argentinean psychopath to a very scary level as he tackles the 20th century's most famous face.
Best Portrait in General - Joe Granski.
Freshest New Portrait Artist - Greg Scott's portraits are very cool.
Worst Signature - Greg Scott; smaller Hancock's dude!
Best Large Work - The gorgeous wood work by Sergio Martinez.
Best Wall Sculpture - Leila Holtsman was my top AOM pick last year and since then her career has blossomed and her return to AOM this year didn't disappoint. Her large wall sculpture at AOM is the price steal of the show. One of you needs to go buy this piece right away.
Best New Painter - Although she doesn't have a very good spot at AOM, Jessica Van Brakle will be in 2-3 galleries around the Mid Atlantic by this time next year. Her refreshing work will also sell well at art fairs. Buy her paintings now.
Best Abstract Painting - I like the geometrical, textured work of Jorge Caligiuri.
Best Monochromatic Realist Painter - Superb works by James Halloran rank amongst the best paintings at AOM and showcase what a very good painter can do with a very restricted palette of colors.
Best Sculpture - Megan Van Wagoner's "Comforts of Home" are elegant and sophisticated works by an artist who is completely new to me. They showcase a level of skill in both delivering the art commodity itself as well as its presentation (a set of skills that many AOM artists need to learn desperately). This is an artist to keep an eye on.
Best Printmaker - Johanna Mueller's prints showcase an enviable set of printmaking skills married to a very active visual imagination. I am buying one of her pieces; her work is one of the best deals at AOM. She is a very talented artist and we will keep an eye on her work.
Artist Most Likely To Get Sued - Wait until the Dora, The Explorer people find out what Andrew Wodzianski's brilliant but disturbed mind has done to adorable Dora. Someone needs to buy that piece of art now, before it is confiscated by cartoon moguls.
Best Minimalist Sculpture - m. gert barkovic's refreshing employment of everyday objects, in this case sheets (I think), deliver a new twist on artists who re-use common objects to invent intelligent art forms. But in barkovic's case, they look like art, rather than cleverly titled junk in a gallery.
Best Barbie Art - This is a very tough category, as nearly all the Barbie artworks at AOM are clever and well-done. But Michele Banks' "Army of Terracotta Barbies" will one day, 100 years from now, befuddle and astound the art experts of the Antique Road Show. For now, I like it a lot! Hey Michelle: Wanna trade?
Best Repetitive Artwork - When I first saw Sean Welker's drawings, I thought that they were prints. When I returned and talked a little to Sean, I discovered that they were each an individual drawing expressing Welker's interest in sugar skulls, matryoshka dolls, maneki neko figures and other odd elements. Welker would have easily also won the "Best Skeleton Art" category, but it wouldn't be fair to give him two awards. This guy is one of the best artists at AOM.
Best Digital Manipulator - Suffice it to say that Mark Parascandola had me fooled. This guy belongs in the next 10 DC landscape photography shows; the photographs are clever and refreshing!
Best Neon Artist - Sarah Blood has some of the most memorable work in AOM this year. Her work is elegant and sophisticated, and easily amongst the best 3D work in the show, but she is in an universe by herself when it comes to the marriage of neon to glass and sculpture. Buy Sarah Blood.
Best Drawing - Tie between Rita Elsner and the amazing Ben Tolman.
Largest Penis Artwork - Easily won by many inches by the very skilled "Bip" Diggs.
Best Erotica - J.R. Harke.
Worst Erotica - Too many to mention!
Best Lovecraftian Artist - Jeannette Herrera has a wall full of gems and she's easily one of the key finds at AOM. Her Cthulhu reference gets her extra points.
Best Portrait - Margaret Dowell's portrait of Joseph Barbaccia runs away with this very competitive category.
Best Fruit Painting - "Fruit Bowl" by Nabila A. Isa-Odidi; the way the banana absorbs the space is terrific.
Best Pastel Artist - Ellen Cornett has superb mastery of this most difficult genre.
Best Small Oil - A series of georgeous small nudes by Christine Bailey.
Best Robot Art - This was not an easy category to win, as there are a lot of robots at AOM this year! But the best ones are the cute ones by Candace Keegan.
Best Skeleton - OK, so I lied and Jeannette Herrera wins this category too and wins two awards.
Best Combo Skeleton-Robot Art - Todd Gardner.
Best B&W Artist - Everytime that I see Ben Tolman's art I am more and more amazed.
Scariest Art in AOM - Mark Eason.
Most Minimalist Art in Show - A brilliant installation work by JT Kirkland. No one will ever do better.
Second Most Minimalist - Lisa K. Rosenstein.
Best New Realist - Susan La Mont did not disappoint when viewed up close.
Best Male Nude - Geoff Ault.
Scariest Painter of Babies - The most excellent work of Phyllis Mayes; she's a very good painter.
Best Statuary - Brian Lusher is a riot.
Artist Most Influenced by WGS - The glass work of Carlos Rodriguez.
Best Bugs - Erika Rubel.
Best Vegetable - "My Dancing Red Chili Peppers" by Soline Krug.
Harshest Model Pose - The naked women with massive breasts stretched out with their legs grappling the rough bark of trees in Bert HeNe's photo.
Best Video - Tim Tate.
Best Sculptural Drawings - Laurel Lukaszewski.
Scariest Monkey Painting - Jared Davis.
Potential Arsonist - Paula Katharina Rylands... I bet her favorite song is by the Ohio Players.
Second Best Arsonist - Andrea Noble.
Best Metal - Hamiltonian Fellow Michael Enn Sirvet.
Best Obama Likeness - Roy Utley.
Worst Obama - Joshua Tiktin from planet YoMomma.
Best Obama Deal - Kimberly Keyes Stark; great deal at $150 a piece.
Lustiest Obama Portrait - Roger James' piece which has Obama breathing into Michelle's ear.
Scariest Nudes - Elizabeth Crisman' they're good but scary... a little.
Most Illegal Art - "Merry Hollow Days" by Gary Irby.
Best Nipple-less Boobs - Torso by Howard Connelly.
Sexiest Photo in all of AOM - There's an image by Julia Mazur that depicts a gorgeous and voluptous woman sitting on a fire escape ladder and she seems to be peeping on a nude, skinny woman who is sitting on a window sill. The back lighting on the skinny woman is so strong that all the delicate hairs on her body are highlighted to such a harsh extreme that they make her look like a nude beast. It is an amazing photo!
Most Fragile Work - UK artist Steven Revely's spectacularly delicate work is a wonder of glass.
Best Female Ass - One of the pics by Rodney Mickle.
Best Vagina Art - Kerry Britton.
Best Artist Channeling Dali - Dejan Roncevic.
Best Animal Art - Caren Quinn
Best Artist Channeling Van Gogh - "Smoking Skull" by Eric Jaeckel.
Best Portrait Photographer - Matt Dunn.
Best Religious Art - WOW Jen Dixon!
Best New WGS Artist - Paula Hoffman
Best Landscape - Kathryn Trillas.
Second Best Landscape - Michael Pierce.
Best Pen & Ink and WC - Emily Sloat; superbly refreshing!
Best Teapots - Laura Peery.
Next: My AOM Top 10.
Frida Kahlo inspired show opens tomorrow
The Joan Hisaoka Healing Arts Gallery at Smith Farm Center in Washington, DC will be hosting Finding Beauty In A Broken World: In the Spirit of Frida Kahlo.
This exhibition showcases the work in all mediums of artists selected by me and whose work is influenced not only by Kahlo’s art, but also by her biography, her thoughts, and her writing or any other aspect in the life and presence of this powerful artist.
Frida Kahlo's artistic footprint in 21st century artists from all over.
This is the third Kahlo show that I have juried in the last decade and I am floored by the range of work and interpretations that I selected. Wait until you see how an amazing Bulgarian photographer channels Kahlo! Or Katya Romero's gorgeous work (that's her Petalos Negros to the right).
You can start seeing the show on July 1st, and the opening reception & awards will be Friday, July 17, 2009, from 5:30 – 8:00PM.
See ya there!
Monday, June 29, 2009
Sunday, June 28, 2009
Things I learn on I-95
Over the last three years I have driven up and down I-95 hundreds of times; from Philly to New York, from Philly to Richmond, and most often, from Philly to DC and back.
Useless fact: It is exactly 90 miles from my house to the entrance of the tunnel at Baltimore. Not 90.1 or 89.8, but 90!
I'v driven up and down 95 over and over and over, at all times of the day, night and those odd hours of the early morning when radio frequency propagation allows one to listen to all those crazy shows (about aliens and the coming Rapture) that seem to be popular in the Midwest.
Every time that I'm on I-95 at 4AM, I am always amazed by the number of cars on the road. Who in the hell are all those people and where are they fucking going so early in the morning? I sometimes wonder if they think the same questions about me as we exchange glances as we pass each other.
That New York to the South I-95 corridor has many interesting nuances, twists and turns, as well as several rip offs, most notably the entire state of Delaware, so proud of the fact that they have no taxes.
I know why Delaware has no sales taxes.
It is because the entire state's budget is completely accounted and paid for by the multiple tolls that they charge for the privilege of driving on I-95 through all 600 feet of Delaware; multiple tolls!
The billions of dollars in tolls that Delaware gets sounds like a lot of money, but that monetary candy store pales in comparison to the trillions of wasted hours that drivers pile on as they wait in the never ending lines in Delaware tolls.
I have one of those electronic "easy pass" badges on my windshield that allows me to drive through the special gates, but even those gates often back up as the I-95 cash cow devours billions in tolls.
I have also learned many things as I observe life behind the metal and glass super space ship that is my minivan.
Today, for miles I wind-drafted behind a speeding Megabus making its run between NYC and DC.
For the first time I noticed how scary the Megabus driver icon is when blown to bus-sized proportions. The entire rear of the huge bus is painted with the pig-colored face of the megabus icon driver, his scary blue eyes staring at me as I tail the bus; big smile on his face.
A huge, huge face staring at me; his belt-buckle at the bottom of the bus, and his yellow hat at the top, the rest is mostly a huge, huge, pink face, a scary smile and even scarier eyes.
And then I noticed that he is wearing earrings!
Not just any earrings, but bright, ruby red earrings!
You see, when the huge image was spray painted or glued on, or however they apply those images onto the bus surfaces, the driver's two earlobes align perfectly with the monster bus's upper rear brake lights.
And every time the bus's real driver steps on the brakes, his caricature icon guy on the rear has red earrings that illuminate and glow bright red!
The megabus driver has earrings! That's why he is smiling! And I am no longer a little afraid of him.
Things learned on I-95.
Friday, June 26, 2009
Tomorrow in Rehoboth
New art gallery opens in Rehoboth tomorrow!
Located at 20 Baltimore Avenue in the heart of Rehoboth Beach, GALLERY C is the area's latest contemporary fine art display space.
The new gallery is host to monthly exhibitions featuring original works of contemporary fine art by regional, national, and international artists.
Gallery exhibitions will be curated by my good friend and acclaimed visual artist Michael Sprouse, who is also Executive Director of the gallery.
Sprouse was the owner and curator for the acclaimed Eklektikos Gallery of Art in Washington, DC for 11 years prior to moving to the Rehoboth Beach area in 2002.
The reception is from 6 pm - 9 pm, on Saturday, June 27th, 2009; meet the artists and enjoy complimentary wine and hors d'oeuvres, courtesy of Lupo Di Mare, OVATIONS restaraunt & lounge, and others).
Frank Hyder’s Persistent Dream
Wanna go to a Philly opening tonight? The Persistent Dream is a mixed media installation by Frank Hyder at the Moore College of Art and Design in Philadelphia, curated by Lorie Mertes. The show opens tonight!
This exhibition brings together elements from Hyder's recent explorations of forms and dream-like images in both two and three dimensions. The majestic space of the College entrance lends a satisfying combination of dramatic exterior and interior views of these new works.
Moore College of Art & Design
20th & The Parkway
June 26 - September 2, 2009
Opening Friday, June 26 - 6 to 8 p.m.
Thursday, June 25, 2009
Augusten Burroughs
I've come across an author that has kindled something that I haven't had happen to me since the 80s: A raging need to devour his books one right after the other.
It's a rather unhealthy habit, because one reads them too fast (wanting to get to the next book) and then, later on, one has to re-read them, just to see what I missed. I'm reading Possible Side Effects now.
Augusten Burroughs is a witty, intelligent, funny and eloquent writer with a well-honed set of literary skills and a superbly conditioned stack of writing muscles.
This is a visual arts blog, but every once in a while I meander around (I love that word: meander, especially when applied to the Greek architectural element that no one else knows about) to books, movies, etc.
In fact, his stories have given me some new ideas for some drawings... expect to see some Augusten Burroughs inspired art soon.
Read Augusten Burroughs now!
Wednesday, June 24, 2009
Mark Planisek
Just received the news that DC area artist Mark Planisek, who had a terrible accident over the weekend, has passed away.
I first met Mark when he used to hang out and exhibit at the eklektikos gallery in Georgetown. That gallery was in the same Canal Square location as the original Fraser Gallery. At that time, back in the mid-late 90s, there were seven art galleries in that square.
Mark was not only one of the friendliest and nicest persons that you ever met, but also a superbly talented artist.
A few years ago, both him and Anne, and I were staying at a common friend's house in Los Angeles. Mark and Anne were there for a week, and as I was over in San Diego at that time, I drove over to see them and spend the weekend at the house.
We were sitting outside in the garden, when Mark noted that some of the tiles in our host's house were loose. Suddenly Planisek was climbing the roof and to my amazement spent the next hour or so fixing the roof!
We will miss you Mark...
Opportunity for Artists
Deadline: September 18, 2009
Call for Proposals. Purdue University Galleries (West Lafayette, Indiana) is currently reviewing proposals for an exhibition of contemporary art relating to the Langston Hughes poem "A Dream Deferred" and contemporary socioeconomic challenges facing minorities in the United States. The exhibition will be presented in the Stewart Center Gallery from January 11 through February 21, 2010 in conjunction with a presentation of "A Raisin in the Sun" at Civic Theatre of Greater Lafayette.
Work must be available to be exhibited at that time. There is no entry fee. All media are eligible, including new and emerging technologies. Exhibit will be curated from submissions and may feature a single artist or group of artists. Applicants should send cover letter describing proposed exhibit and estimated expenses, examples of current work (up to 20 jpegs on CD or DVD for time-based media - no slides), resume, artist statement, and SASE to:
Craig Martin
Purdue University Galleries
Yue-Kong Pao Hall of Visual & Performing Arts
552 West Wood St
West Lafayette IN 47907-2002
Or call 765-494-3061 or email cdmartin@purdue.edu
Tuesday, June 23, 2009
Lisa Rosenstein's Top AOM artists
Alex Zealand - sculptor; she uses recycled/sustainable materials to create works of great delicacy and beauty. She was in a show with Adam Eig (another talented sculptor) at the new artdc.org gallery in Hyattsville. She had made a sculptural bowl out of grape stems that was so beautiful to look at, and the shadows it cast were just as nice to look at.
Barry Schmetterer - photography, deeply thoughtful and masterful works that give the viewer a space for contemplation.
Steven Reveley - glass artist; the first time that I saw this glass work my breath stopped at the combination of strength and fragility.
Sherill Gross - paper artist; the intricacy of her work blows my mind.
Jessica Hensley - collagist-self taught; very intentional fine workmanship, good compositions
Ben Toller - drawing; this guy is amazing. His eye and line are beyond belief. I saw his work at the O street studio a month or so ago. He's starting to paint, and already is above and beyond most; his work makes me think of Hieronymous Bosch.
Jeannette Herrerra - She's a little bit (actually a lot!) outsider art - very talented, self taught painter, very, very prolific. Both my kids bought her work at AOM last year with their own money. My son who was 14 at the time spotted her work first.
m. gert barkovic - saw this outrageous sculpture my first go round, had taken a pic and sent to the artist (whose name I then forgot). Just received an e-mail in response - yay! This one should have gotten one of those Renwick craft awards-Highest Honor.
Laurel Lukaszewski - just love her work.
Mark Planisek
Just received the terrible news that DC area artist Mark Planisek had a horrible accident over the weekend.
Apparently Mark was coming out of the Arlington Arts Center and about to was crossing the street, when a car peeled off, causing him to retreat backwards onto the sidewalk; he tripped on the curb and fell backwards, and was struck by a car and received a really bad head injury.
Planisek is in ICU and we're all hoping and praying for the best, but I am sad to say that his family has been told to prepare for the worst.
Monday, June 22, 2009
If you got one...
The last "benefactor claimant asserted that he/she had mailed out 50 letters to AOM artists.
If you got one, either drop me an email or leave a comment.
Tammy Vitale's AOM Top 10
From DC area artist Tammy Vitale:
Wanted to give a shout out to some artists whose work I have really enjoyed this year. I hate to call it a Top Ten...mostly because I have others I really like. These folks, however, took the time to "talk" with me (via interviews on my blog), so I know them better and appreciate their work even more.
Patricia Hartnett: there is an underlying magic to the small paintings of a girl and a bird (birds), the twig tree - all things that call me in to visit with the work and hear it's stories. There are secrets here and I want to spend time learning them.
Tracey Clarke: also weaves a mythological land for her work. "The Guardian" caught my eye, the LLama with butterflies (whose title I don't know) kept me there delightedly smiling. I could live with any of her work forever (pretty much my criteria for "great art").
Krissy Downing - and not the first time. Her whimsical sense of humor always makes me smile. But this year, she added "Child in Branches"...not whimsical. More melancholy. Wonderful!
Alex Zealand - because I never quite know what it is I'm looking at. This year's piece was first rain, then harp strings, then a flock of birds. Doesn't get boring!
Jane Braoaddus - because her dolls are slightly wicked, and call forth the dark side. I like that (not to mention wonderfully and imaginatively executed).
Sofya Mervis: more dark side, pursuing a quest I visit in Body Politics: what is real beauty? why do women allow themselves to be co-opted by a marketing media that does not have their best interests in mind as it totes that "perfect" look? Pretty much: when will we (women) learn?
Susan LaMont - color. Lots of lush color. And underlying all that color, some tale is being told by juxtaposition of light and shadow. Mesmerizing!
Kim Reyes - always shows something that absolutely captures me. More often than not, several somethings. This year she has returned to her necklaces with ceramic focal pieces - the work that first caught my eye at AOM02. And Departing (ceramic and chicken bones) stopped me in my tracks. Reminescent of her work last year, it has to be a personal story, but there wasn't a tour for me learn the back history on it - my loss. (I don't have an interview with her but I have known and loved her work since my first ArtOMatic so I'd be remiss if I didn't mention her).
John Grunwell because I fell in love with his cat portrait at AOM02 and have enjoyed watching his style emerge and develop.
David Alfuth - His work amazes me. And he really really worked with me to get an interview in for my blog (computer troubles). I guess you have to have infinite patience as a characteristic to make his creations!
And like I said, there are many many more pieces I could cite and artists I could name. What I like about ArtOMatic lately is that one can watch certain artists as they move forward in their artistic process. Fascinating to watch unfold, inspiring to see their tenacious movement toward unrealized vision that is revealing itself as they go.
Sunday, June 21, 2009
Dueling Benefactors
Remember when I pointed you to artdc.org for the fascinating thread discussion on Artomatic's "Benefactor?"
The WaPo's Reliable Source picks up the story and wrote a little piece on it here. This apparently stirred up a hornet's nest and now there are two dueling entities who both claim to be the "benefactor."
The first one is allegedly an older lady and she wrote this letter:
To Whom It May Concern:Which caused someone else to become an artdc poster and he/she added this on their forum:
I wish to convey my regrets for any concern I have caused the artists of Artomatic. I meant no harm. You may well imagine my surprise at seeing my small gesture reported upon in the Washington Post.
Allow me to explain myself. Since the passing of my husband of 43 years I have not been as socially active as I once was. My daughter, Margaret, accompanied me to the Artomatic Fair some weeks ago. I was enchanted by the work I was able to view. I was not able to tour the entire show but the work that I saw touched my heart and brightened my day. My income is limited so Margaret suggested I send a small token of my appreciation to some of the artists who touched me most.
I have asked Margaret to leave this note with the Directors of Artomatic. I do so hope that I have caused no lasting distress to all of the delightful artists in your show.
I wish you well in all of your future endeavors.
With warmest regards,
The Benefactor
I don't have time to make this rhyme:All the details here.
The letter "Rebecca" received was a fake
my letters are center-justified, the fake was left justified
I sent everything by US mail
the fake was delivered in person
I have sent out about 50 letters and I know to whom
can the impostor give you a list of all the artists that were sent letters? I doubt it
I would have ignored the fake letter, but I decided to clear things up when I heard Tammy V was offering art to the writer of the fake letter.
Please don't expect any response to questions or comments. I am only here to expose the fake.
I prefer the printed word to the internet.
don't worry, be happy
Thanks for the art
The Benefactor
Saturday, June 20, 2009
Friday, June 19, 2009
Robin Tierney's Artomatic picks
Robin Tierney is a freelance writer and art critic who writes for a lot of different magazines, newspapers and online outlets, including this one. She responds to my call for AOM favorites and sends the below report, which once again proves that my Billy Artsy critic caricature is imperfect to say the least!
10 works that I enjoyed at Artomatic by artists I’ve never written about before:
* Edward Hahn’s photographs of a wrecked sailing vessel in Oregon, eroded moorings in Ocean City and other images in the series “The Planet Fights Back.”
* Tracey Clarke’s oil painting of The Guide with her telling of new mythology.
* Johanna Mueller’s intricate prints of animals in mythical and mysterious settings that suggests really good fables and dreams.
* Pam Barton’s “I thought you loved me” metal art in her motif jewelry display.
* Lisa Schumaier’s raku-fired, papier mache, mixed media sculpted beings. Eerie and wondrous stories there.
* Deb Jansen’s fiber Homewrecker Dolls $100 per skank accompanied by Catharisis & Karma open letter. Ouch. Oooh. Fury, the great motivator.
* Jenny Walton’s big monotypes that seem to visually articulate some deep thought. Or maybe just random ones. In any case, she snagged a Pyramid Atlantic residency.
* Nabila Isa-Odidi’s acrylic of the little girl in “Yellow Dress.”
* David Alfuth’s funny surreal cut-paper stories. Go on be snarky...some folks like reality TV; I like things that tell stories.
* Noisebots by Elliot Williams. Artful, amusing science projects/audio sculptures. Photocells respond to light. Did you move the mic around? Flip the switch? Go back and check ‘em out. Nice view of the new stadium from there too.
And while not exactly enjoyable, Antomatic by Rebecca and Eric Gordon calls attention to the plight of the bumble bee. The world is losing the bees pollinate the crops that feed us. This easy-to-miss multimedia installation prompts thought. A good addition to the sensory arcade that makes Artomatic worth multiple visits. Go.
Thursday, June 18, 2009
Less bucks?
Journalists like to think of their work in moral or even sacred terms. With each new layoff or paper closing, they tell themselves that no business model could adequately compensate the holy work of enriching democratic society, speaking truth to power, and comforting the afflicted.Read the CSM article here.
Actually, journalists deserve low pay.
Wages are compensation for value creation. And journalists simply aren't creating much value these days.
Until they come to grips with that issue, no amount of blogging, twittering, or micropayments is going to solve their failing business models.
Opportunities for Publication panel
This weekend I'll be participating in a closed discussion panel titled "Opportunities for Publication" as part of the 2009 International Arts Journalism Institute in the Visual Arts, a program sponsored by the National Endowment for the Arts and the U.S. State Department and hosted by American University.
The panel is moderated by Michael Wilkerson, who is the Director, Program in Arts Management at American University.
The other two panelists are András Szántó, one of the founding members of Art World Salon and the one and only Culturegrrl, Lee Rosenbaum.
Gopnik on the Venice Biennale
As always, the Biennale is certain to set out plenty of junk. And a handful of gems.Sounds a lot like Artomatic, doesn't it? Anyway, read this really excellent article by the Washington Post's Chief Art Critic here.
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