Heard on Univision

Earlier today, towards the end of the World Cup game between Holland and Uruguay, as it seemed certain that the last Latin American team in the running was about to be eliminated (they almost tied it in the last few seconds), the commentators had a really interesting discussion in Spanish.

They were wondering if they should root for Spain in tomorrow's game between La Furia (Spain) and Germany. One of the commentators was making the case that they should root for Spain, simply based on the commonality of language. One of the two other commentators, who was a former player himself, was against that, claiming that the Spaniards were very racist and discriminated against South Americans, so why should they (all three commentators were apparently South American), root for Spain?

He expanded on that point by giving as evidence the fact that when he played for several years in the Spanish soccer leagues (which means he must have been very good, as they are the highest paid ones in Europe), he was constantly under the pressure of discrimination from the Spanish teams.

I found this very interesting, and thought to myself how comments like this, say on ESPN, would cause a maelstrom of controversy in this nation.

Update: The commentator who made the comment was José Luis Chilavert, a former goalkeeper from Paraguay, and considered one of the the 10 best goalies in soccer history; and Univision's "futbol" forums are buzzing with comments about his comments.

City Gallery First Annual Regional Juried Competition

Time is running out to submit for the First Annual City Gallery Regional Juried Competition. The show will be judged by Washington artist and gallerist and my good amigo, Jack Rasmussen. Rasmussen is currently Director and Curator of the American University Museum.

Accepted work will be exhibited at City Gallery located in the heart of the Atlas Arts District from August 7-28. There will be an opening reception on August7 from 6-9pm.

To download a complete prospectus and entry form go to www.citygallerydc.com or email info@citygallerydc.com.

All entries must be postmarked by midnight July 12.

Fridaphiles of the world: Unite!

Check out Google today to see how the celebrate Frida Kahlo's birthday today. Below is a huge Frida Kahlo collage that I did in art school in the 80s.

Free: Opportunity for Artists

Deadline: July 19, 2010.

Location: Landslide Gallery, Chicago (July 23-31). The Foster Collective, a Chicago based artist collective, seeks visual and written responses to the Gulf oil disaster. All entries must be on gas station paper towels. You can draw, paint, collage or write directly on the towel. Or, you can glue/tape artwork to the towel. Paper towels can be any color or texture. They are usually kept in the same container as the windshield squeegee. Requirements: -Leave 1" margin at the top for hanging. -Please submit the whole paper towel. Do not cut or add to the dimensions, which are typically 9 1/8 x 10 1/8 inches. -Write your name, email address, and location on the back. If you want your piece returned, include SASE. We are currently exploring venues for future exhibitions in other cities. NO FEE... let me say that again: NO FEE!

Send to:

The Foster Collective
C/O A. Watters
2531 N Talman, 1E
Chicago 60647

More info: fostercollective@gmail.com

Happy 4th!

American Flag by Jasper Johns

Elise as Cameron


Is it me?, or is my daughter Elise, in her latest publicity shots looking like a young version of fellow Cuban-American actress Cameron Diaz? (if Cameron Diaz was in a zombie movie).

Saatchi donates 200 artworks, gallery to UK

"Art collector Charles Saatchi has a gift for Britain. It includes Tracy Emin's messy bed, Grayson Perry's explicit pottery and a room full of engine oil.

The advertising tycoon, whose patronage made household names of artists like Emin and Damien Hirst, announced Thursday he is donating his London gallery and 200 works in its collection to the nation as a new public art museum.

The gallery said the works, valued at more than 25 million pounds ($37 million), will be given to the government. The 70,000-square foot (6,500-square meter) Saatchi Gallery will be renamed the Museum of Contemporary Art, London."

Read the whole story here.

I've had it



This has nothing to do with art, but I've had it.

I've had it with the incompetence of this government and BP in dealing with the disaster in the Gulf of Mexico. I've had it with BP and the US Government and their excuses. I don't want to hear any more excuses as to why we have over 1,000 oil skimming ships in this country and they're everywhere but the Gulf. I don't want to hear any more excuses as to why we didn't accept foreign help to clean up the Gulf until a few days ago. I don't want to know why the world's largest oil skimmer is just getting there and then heading to a port, rather than getting to work. I don't want to know why the Navy submarine rescue teams haven't been employed to help with underwater operations.

The United States government has either the most inept set of bureaucrats handling the second worst ecological oil disaster in history (so far), or the President of the United States either doesn't get it, care, or is being told and advised a bunch of bullshit.

This is a million fucking times worse than Katrina and a lot of bureaucrats don't get it, the mainstream press doesn't get it (where the fury?), even the environmental experts and nature lovers don't get it (otherwise they'd be picketing outside the White House) and the President better fucking get it soon or I fear for the health of this entire planet.

Call for Entries: SOLOS 2011

Deadline Extended: Thursday, July 8, 2010 (received)

Each year, 10 to 14 artists from across the mid-Atlantic region (living or working in Virginia, Washington DC, Maryland, West Virginia, Delaware, or Pennsylvania) are selected for solo exhibitions to take place in one of Arlington Art Center's seven separate gallery spaces, or outside on the grounds. Proposals that specifically take into account AAC's space, layout, and surrounding environs are encouraged. Proposals for outdoor sculpture or installations are welcome. Any existing works must have been completed within the last 3 years in order to be considered.

Submissions will be reviewed by the curators, artists, and other arts professionals who make up the AAC Exhibitions Committee. This process will be led by special guest panelists Michael Pollack, a notable DC area art collector and Melissa Keys, an international independent curator.

Details here.

ArtBank 2010 Call to Artists

The theme is: District Identities Depictions of Washingtonian Life, Landscapes, and Cultural Legacies. The DC Arts Commission is seeking two and three-dimensional works including prints, drawings, mixed media compositions, paintings, photographs, ceramics, moveable sculptures, digital media, and video art.

Special attention will be given to innovative and dynamic photography, to meet the strong demand for photographs amongst government agencies. For assistance in preparing applications, there are free workshops on Wednesday July 21st from 1-2PM and July 28th from 6-7:30PM at the DCCAH Office, 1371 Harvard Street, NW 20009 (located 2 block south of the Columbia Heights Metro Station).

This call is open to all artists who reside or maintain studio space in the Washington, DC metropolitan area. However, preference will be given to District residents.

Deadline is Monday, August 2nd, 2010 at 7PM (not a postmark date, all materials must be received by then)

Monrovian X-rays

The apparently endless market for images of Marilyn Monroe now extends to inside the bombshell's body. A set of three Monroe Chest X-rays from a 1954 hospital visit sold Sunday for $45,000 at the Hollywood Legends auction at Planet Hollywood Resort and Casino in Las Vegas.

Read the story here.

Strasburg is pitching tonight!

LottoHeart

Some amazing artwork for sale here and all for a great cause!

Congratulations!

After another outstanding year of artist-centric programming, Hamiltonian Artists has selected five new, distinguished Hamiltonian Fellows for 2010 to join their five existing Fellows:

· Selin Balci (MFA Candidate, University of Maryland)
· Ryan Hoover (MFA, Maryland Institute College of Art, Mount Royal School of Art)
· Joyce Lee (MFA, Maryland Institute College of Art, Mount Royal School of Art)
· Jessica Van Brakle (BFA, Corcoran Collge of Art + Design)
· Elena Volkova (MFA, Maryland Institute College of Art)

On Saturday, July 24, 2010, from 7-9pm, Hamiltonian Gallery will open an introductory group exhibition of these five new Fellows. Each artist will be displaying the work with which they were accepted. The exhibition will run from July 24 - September 4, 2010.

Real Art D.C. Finalist: Travis Childers

Travis Childers's "curious photographs of Petri dishes" caught Jessica Dawson's eye among the Real Art D.C. submissions. Read all about it here.

King of Pop

By now, hundreds of thousands of viewers have seen Jeff Koons' "Michael Jackson and Bubbles," the gilded porcelain life-size sculpture of the King of Pop and his beloved chimpanzee that has been on display at the Los Angeles County Museum of Art's Broad Contemporary Art Museum since it opened more than two years ago.

Now comes Michael Jackson without bubbles, thanks to Sunland artist Seaton Brown, who has created a 144-square-foot portrait of the King of Pop out of 1,680 empty soda pop cans -- the contents, bubbles included, having gone down the drain because, as the artist tells Culture Monster, "I don't really drink soda."

Details here.

Job in the Arts

Cultural Development Corporation (CuDC), a non-profit organization dedicated to creating opportunities for artists and cultural organizations that stimulate economic development and improve quality of life in the DC metropolitan area, is accepting applications for a Technical Associate. This position services the theatre spaces at Flashpoint and Source, multi-user facilities housing a gallery, rehearsal studios, performance spaces and collaborative office space serving area artists and arts organizations.

Responsibilities:

• Coordinate day-to-day technical operations of CuDC performance and rehearsal spaces including:

- maintenance of lighting and audio equipment;

- management of load-in and load-out schedules;

- production walkthroughs with producers and presenters;

- black box schedule coordination with CuDC staff; and

- procuring equipment, materials and other technical services;

• Manage rentals of facility equipment;

• Coordinate facility repairs and maintenance with contractors;

• Manage facility telephone, photocopier/printing, security and safety systems;

• Assistance with production aspects of CuDC special events;

• Assist staff and residents with IT related issues, perform regular network maintenance tasks, and act as a liaison with IT support vendors;

• Perform duties as master electrician and audio engineer during Source Festival and other CuDC events, as needed; and

• Provide general administrative and operations support, as needed.

Requirements:

• Bachelor’s degree or equivalent experience;

• 5 years of experience in technical theatre and related industries;

• Experience operating multiple venues;

• Comprehensive working knowledge of lighting systems, ETC software, and theatrical audio systems;

• Ability to identify and repair problems with lighting and audio equipment;

• Comfort working in a cooperative environment with a broad range of artistic, cultural and social points of view;

• Familiarity with modern computer networking technology;

• Superb customer service, communication and organizational skills; and

• Willingness to work flexible schedule and weekends as programming demands.

Salary: Commensurate with experience

To apply, submit a resume with cover letter to:

Cultural Development Corporation
Technical Associate Search
916 G Street, NW
Washington, DC 20001
email: hr@culturaldc.org
f 202.315.1303

Initial review of applicants will begin immediately, but applications will be accepted until the position is filled.

New issue out

The new issue of American Contemporary Art magazine is out on the stands now. You can also read it online here and check out the Kathryn Cornelius review on p. 21.

Bat Porn!

Check out this hilarious Peep Ward Sutton's take on Vivid Entertainment's new Batman porn.

Opportunity for Artists

Deadline extended through Monday, June 28th

Call to Artists for the 4th Annual East of the River Exhibition at Honfleur Gallery.

Details here.

Battle of Bannockburn

Today is the anniversary of the Battle of Bannockburn (Blàr Allt a' Bhonnaich in Gaelic), which took place on the 24th of June, 1314.

This was an unexpected and significant Scottish victory against English aggression in the Wars of Scottish Independence against its larger and more powerful southern neighbor.

It is celebrated in the gorgeous Scottish National Anthem, "The Flower of Scotland."

"Painter of Light" arrested

Thomas Kinkade, the self-described “Painter of Light,” was arrested Friday night outside of Carmel on suspicion of drunk driving.

Read the details here.

DC Creates! Public Art Calls for Entry

Deadline: Monday, August 2nd, 2010 at 7PM

All entries must be received by the deadline. This is not a postmark date.

Theme: District Identities Depictions of Washingtonian Life, Landscapes, and Cultural Legacies

The DC Arts Commission is seeking two and three-dimensional works including prints, drawings, mixed media compositions, paintings, photographs, ceramics, moveable sculptures, digital media, and video art. Special attention will be given to innovative and dynamic photography, to meet the strong demand for photographs amongst government agencies.

For assistance in preparing your application please attend the Workshop on Wednesday July 21st from 1-2PM and July 28th from 6-7:30PM at the DCCAH Office, 1371 Harvard Street, NW 20009. It is located 2 blocks south of the Columbia Heights Metro Station

Eligibility: This call is open to all artists who reside or maintain studio space in the Washington, DC metropolitan area. However, preference will be given to District residents.

Details here.

Wall Mountables return

The District of Columbia Arts Center (DCAC) has announced the return of 1460 Wall Mountables, DCAC’s annual open exhibition. On Wednesday, July 21 DCAC will open its doors at 3pm, beginning a three-day installation process during which artists can purchase up to four 2' x 2' spaces to hang their work.

Since the first Wall Mountables in 1990, the exhibition has become a celebrated summer tradition at DCAC. One of the center’s most important fundraising events, the open exhibition runs from July 23–August 29. On a personal note, I can tell you that since 1990 I've probably done this show 3-4 times, putting up all together about a dozen drawings in these shows and have always sold all of them.

Spaces sell on a first-come, first-serve basis. It’s not unusual to see returning participants lined up outside DCAC’s door by 2:30pm, patiently waiting for installation to begin with an eye towards grabbing the galleries prime wall space. All work is accepted from a wide range of media created by artists at various stages in their careers.

The exhibition provides a great opportunity for experimentation, as artists challenge themselves to make the most out of such limited space. The coveted $100 “Best Use of Space” prize is presented during the opening reception to the artist who makes the most innovative use of their 2’ x 2’ squares. Whether Wall Mountables is an artist’s first show, 59th show, or an opportunity to pull out canvases from their attic, 1460 Wall Mountables has spots ready to be filled.

General Guidelines
• Each 2' x 2' space is $15 for non-members (maximum 4 spaces)
• DCAC members receive one free space. Additional spaces are available for $10 each (maximum 4 spaces)
• Become a DCAC member at the event and receive four spaces for free! (regular membership starts at $30)
• Each piece must be 2' x 2' or smaller. Spaces may not be combined to accommodate larger pieces (larger pieces can be divided and placed in adjacent squares)
• All art must be wall mountable
• No painting or writing directly onto the wall
• No adhesive materials can be used for hanging (i.e.- spraymount, adhesive velcro, 2-sided tape or wallpaper glue)
• Artists must bring their own materials for hanging their work (hammer, nails, screws, wire)

District of Columbia Arts Center
2438 18th St. NW
Washington, DC 20009
202.462.7833

The original Che



Image by Terry Ward, who tells me that it's around 500 W 22nd St. in NYC.

Gallery week: Good idea for DC galleries?

Last month saw the debut of New York’s Gallery Week in which 50 Manhattan dealers organised a smorgasbord of events, from book signings to performances and special late openings (7-10 May, p81). The idea is not new: Berlin has a similar weekend, (30 April-2 May, p81), as has Zurich (12-13 June). In the more traditional fields, London has long boasted an Asian Art Week in the autumn (4-13 November), while both London and New York see master drawings dealers putting on grouped events (3-9 July in London; 22-29 January 2011 in New York).

Read the whole Art Newspaper article here.

Hirst the gallerist

Damien Hirst is bidding to launch his first gallery, in Hyde Park. He and architect Mike Rundell have submitted plans to the Royal Parks to create a gallery space from an old munitions store.

Read the story here.

Art Basel: Where are the women?

A list of the artists whose work you are most likely to see at this year’s Art Basel, based on the number of galleries who are bringing pieces, is headed—perhaps unsurprisingly—by the prolific Andy Warhol, with works on show at 28 stands. Artists making work in the first half of the 20th century rank highly, including Alexander Calder and Pablo Picasso, although the list is also speckled with 1960s conceptualists such as Sol LeWitt and Lawrence Weiner. But the top 40 most represented artists on show at the fair are all men

Read the Art Newspaper story here.

Wanna go to an opening tomorrow?

Remember when I stumbled upon Alexa Meade's fabulous work and pointed all of you to it?

Well.. she's been picked up by Irvine Contemporary and has a show opening tomorrow, Saturday, June 19, with reception from 6-8PM.

This is but the beginning for this artist. Keep an eye on her.

Ariel Sigler

The criminal Castro dictatorship in Cuba has released Cuban political prisoner Ariel Sigler after seven years in jail for the high crime of demanding that human rights be respected in Cuba.

Sigler lost half his body weight in jail and was turned by Castro's jailers' beatings into a paraplegic, paralized from his waist down.

His body was broken and yet, his soul was never broken down.

The photo below, courtesy of Penultimos Dias, shows the brutal transformation Sigler went through in Castro's workers' paradise in 7 years in jails that haven't allowed Amnesty International to visit them in 30 years.


Puts a new face on the word "torture" and a new face on the word "hero."

War of 1812 Commemorative License Plate

Deadline: June 30, 2010.

The Washington, DC War of 1812 Bicentennial Commission invites Washington, D.C. visual artists and citizens to submit designs for a new War of 1812 Commemorative License Plate. The deadline for submission is June 30, 2010.

All the design submissions will be examined carefully by the Washington, D.C. War of 1812 Bicentennial Commission and the Division of Motor Vehicles. The first place winner design will appear on the commemorative tag and will receive $200.00 and the second and third place winners design will be displayed on the Commission’s website and print media along with the first price winner.

The new license plate competition will give citizens the opportunity to participate in the process for the first time,” said Chairman Acqunetta Anderson. “We want the new plate to be a positive representation of Washington, D.C. Submissions must be submitted via email For more information about Washington, D.C. license plates, visit the Washington, DC War of 1812 Bicentennial Commission’s Web site here.

All submissions must comply with provisions of this Application, and with the Commission’s guidelines, instructions, and directives issued to the Participant from time to time. For additional information, please contact the Commission at 202-722-1947 or via this very long email address: wdcwar1812@washingtondcwarof1812bicentennialcommission.org

Opportunity for photographers

Deadline: July 30, 2010.

The Nonprofit Village at the Washington School of Photography. Theme: This permanent exhibit will showcase the beauty and scope of the Washington, DC area, from macro images to landscapes. Open to residents of the DC metro area. Any photographic work is eligible: Traditional B&W and color; Digital; Alternative Processes; etc. Maximum dimension of any one side must be less than 36 inches. Slides/CDs - All photographs will be judged from slides or CDs (jpeg only, low res). Cash prizes will be awarded to first, second, and third place winners. Opening reception for artists and guests September 24, 2010. Download a prospectus and find out more information about entry requirements here.

Boot on the throat of BP

Help!

I need a volunteer to help me with the editing and preparation of the manuscript for the 100 DC Artists book.

Lunch, or dinner or both, a free Campello drawing or etching, and my eternal gratitude is the payment form.

Drop me an email if you are available for a few hours this week or weekend. Send it to lenny @ lennycampello.com.

Wanna go to an opening this weekend?

Studio H's last exhibit of the Spring showing season is an exhibition titled "Derailed" by noted local graffiti artist Tim Conlon.

The image is of a model train on which Tim "writes."

When I was a kid in Brooklyn, my High School was actually in Queens, and I'd have to take the LL train and then switch to the number 7 to Queens. Overall that all took about and hour plus to get from my house to the school. Back in those days, the subway trains were covered from one end to the other in graffiti, even the windows! Every time the train arrived onto the station it was like a moving art show, except that in those days no one thought of the imagery as art.

The opening is June 19 from 6-9 PM.

Say what?

I tried to buy a photo the other day from the WaPo and I got this yesterday

Thank you for your interest in photographic reprints from The Washington Post and Pictopia.

Unfortunately, we cannot fulfill your request at this time for the following reason: The requested photograph is not available for sale due to copyright restrictions.

Thank you for your request to purchase Washington Post photos. Unfortunately Major League Baseball does not permit the selling of photographs of their athletes, events, stadiums or arenas.

Please visit our galleries again for other photos that may be of interest to you, and do not hesitate to make new requests in the future.

If you have any further questions about this, contact us. Please use your Request id# XXXXXXXXX in any correspondence with us.

Thank you,

Customer Service

The Pictopia Team
(800) 390-7269
customerservice@pictopia.com

So MLB owns the copyright for athletes, events, stadiums or arenas uh? How about drawings, paintings, etchings or any other form of fine art for the same? I think I will ask them.

Art & Soul Auction later this month

The 8th Annual Art & Soul Charity Auction 2010 is Friday, June 25, 2010 6:00 PM at The Music Center at Strathmore in Rockville, MD just past Bethesda. This is an important charity auction for the National Center for Children & Families (NCCF).

Join Honorary Co-Chairs Fox 5 News Anchor Allison Seymour and renowned jazz keyboardist, composer and producer Marcus Johnson, on Friday, June 25, 2010 at 6 p.m., for NCCF's 8th Annual Art & Soul Charity Auction at The Music Center at Strathmore.

The live auction will feature artwork created by youth from the Greentree Adolescent Program (GAP). The silent auction will feature Gifts from the Soul (non-art items) and juried artwork pieces from regional artists. In addition, guests will enjoy music by Sony recording artist Julia Nixon, the premiere of NCCF's new image, and the presentation of this year's Spirit of Humanitarian Awards.

Art & Soul Charity Auction tickets are $100 per person and can be purchased by contacting Heidi Coons, Director of Development and Institutional Advancement, at (301) 365-4480, extension 114 or click here to purchase online.

Proceeds from the evening benefit the completion of the Freddie Mac Foundation Youth Activities Center (YAC), NCCF’s sole cultural arts and recreational facility located on the Bethesda Campus.

What Pulse said...

For the third year in a row this is what the selection committee at the Pulse Art Fair Miami said to me:

Oh well... there are 24 other fairs to apply to... sigh.

Lisa MCCarthy is No. 5

Lisa McCarthy is Jessica Dawson's excellent choice in the Real Art D.C. thingie the WaPo is doing.

Judith Peck at Hillyer Art Space

Deanna Schwartzberg reviews the current show by Judith Peck at the International Art and Artists Hillyer Art Space in DC.

Judith Peck is both an artist and an intellectual. Her paintings are often generated by her abiding concern for social justice. Although she infuses her work with ideological content, it is in the exquisite execution of her subject, that we see not only the process of her mind, but her soul as well.

In her current exhibit, "Original Position", at the International Art and Artists Hillyer Art Space, June 4-26, 2010, it is a thought experiment by John Rawls that inspired the artist.

Rawls states that if we step behind a veil to cloak our knowledge of our individual abilities, social status and income, it might render us able to effectively consider the interests of all people, especially the least advantaged members of society.

Ms. Peck incorporates the concept of the veil in all of the portraits on display, each taking on a different aspect of the human condition, i.e. gender, passion, and conscience. Without prior knowledge of the artist's text, these paintings speak to us on a visceral level. Her portraits are drawn from live models and composites of the human face and appear to be lit from within. They are infused with a mysterious drama that captures the viewer's attention. On closer examination, we become transfixed in the subject's gaze. These subjects are never emotionally distant, their eyes penetrate and connect with the viewer's own, engaging our thoughts and connecting with our emotions.

On a recent trip to Boston, I viewed Rembrandt's "Self Portrait" in the Gardner Museum. I was enthralled with the delicacy of the painted surface, the fullness of his mouth, the rich textures of his hair and clothing, but most importantly, his eyes. Through his eyes I felt a knowing kinship with the sitter. What if Rembrandt were alive today? He would not only give us a window into the world around him, but into his own mind as well. As a modern artist, he might use his art to relate in visual terms the essence of his core beliefs and allow us as viewers to engage in a dialogue with him.

Judith Peck is a classically trained artist of infinite skill. Her work captivated me with a similar intimacy I found in the Rembrandt portrait, with the added benefit of symbolic imagery and metaphor that in the modern world serve to make the art both personal and timely.

About the author: Deanna Schwartzberg is an artist and painting instructor in the Washington area. She has taught painting at various venues including the Corcoran College of Art and Design, Vis Arts, and at the Art League School in the Torpedo Factory for over twenty years. She received a B.S. in Art Education from N.Y.U. and studied painting at the Art Student's League of New York with a student of Hans Hoffman. Deanna's work in painted paper assemblage and paintings on canvas deal with abstracting the human form.

Never too late to be discovered

An artist who rejected the call of the art market in his youth, and was discovered surrounded by a lifetime of unseen work when he was more than 100 years old, is to have his first museum exhibition this month.

Read Colin Gleadell's story on Stanley Lewis in the Telegraph here.

How the ChiComs know that Strasburg is pitching in Cleveland tonight

Congrats!

The Bethesda Painting Awards were announced last Friday (I never get any press releases from those folks anymore).

Nora Sturges of Baltimore, MD was awarded “Best in Show” with $10,000; Katherine Mann of Washington, D.C. was named second place and was given $2,000, and Deborah Ellis of Alexandria, VA was awarded third place and received $1,000.

Nora Sturges holds an MFA in painting from Ohio University and is currently associate professor of art and head of painting at Towson University.

The show is on at the Fraser Gallery through June 26, 2010.

William Butler Yeats

Happy birthday to one of my favorite poets and a pretty good artist as well: William Butler Yeats (1865–1939), born on June 12, 1865 in Dublin, Ireland.

"A Poet to his beloved"
by: William Butler Yeats

Bring you with reverent hands
The books of my numberless dreams,
White woman that passion has worn
As the tide wears the dove-grey sands,
And with heart more old than the horn
That is brimmed from the pale fire of time:
White woman with numberless dreams,
I bring you my passionate rhyme.

Real Art D.C. Finalist Two: Jenny Yang

Jenny Yang's excellent photographs attracted Jessica Dawson's attention is she is the second Real Art D.C. selection. Read all about it here.

Book Report

As I noted a while back, I have been retained by Schiffer Publishing to edit and create a coffee table size art book titled “100 Washington, DC Artists” as part of their series on national artists.

The book will cover 100 key artists working in the Greater Washington, DC area which encompasses the District and surrounding suburban areas of Maryland and Virginia.

Like all Schiffer art books, this will be a high quality book which will be available nationally and online, as well as available locally at museum gift shops and local area bookstores. Each artist will have a two page spread, with 3-4 images of their work, a small head shot, and a 300 word essay about their work.

So far I've spent a lot of free time editing, cutting and pasting the captions to about 1,000 images for the book. On the good side, I am astounded as to the depth and breadth of artistic creativity in our area. Anyone who says that DC area art is traditional and/or conservative needs to take a look at the 21,000 slides in the collection of the WPA (as I did for "Seven") or to about 1,000 recent images of work by the top 100 artists in our region; then come talk to me about "traditional" and "conservative."



On the bad side, I can't believe how many artists can't follow simple directions such as "write this in the third person." I actually had a college professor ask me what the "3rd person" was. Don't even let me get started on how many variants of writing a caption there are out there. Just in case, the basic elements of a caption are: title of the artwork, year created, media, and size.

Back on the good side, I am honored to be working with such a talented and motley crew. The book will be available in the Spring of 2011; I've already entered into discussions with the publisher for a second book with another 100 DMV artists.

Talking about books: Scored another giant deal on multiple signed modern first editions to add to my collection! Sad when used book stores close though...

Mr. President, please do something...

Congrats!

To DC's Matt Sesow, whose new solo show with Access Gallery in Denver, Colorado, opens with 41 new paintings, yes 41, next Friday.

Meet the Artist Reception: Friday, June 18, 6:00 – 9:00 pm

Live Painting and Gallery Talk: Friday June 18, 12:00–4:00 pm

Family Art Day: Saturday June 19, 10:00–1:00 pm

First Friday Reception: July 2, 6:00 – 9:00 pm

Facebook campaigning

The CP's Jonathan L. Fischer picks up on the Facebook campaign to get the Hirshhorn to pay attention to DC video sculptor Tim Tate.

We can make this happen! Add your voice here!

Artisphere

Artisphere, the metropolitan-DC area’s newest cultural center, is set to open in Arlington on 10-10-10 with multiple venues, including: a 4,000 square foot ballroom space, a wi-fi lounge, a café, three distinct gallery spaces, as well as three flexible theater/performance spaces!

There are also three job openings as Artisphere is now accepting applications for the following positions:

1. New Media Curator ($43,804.80 - $72,425.60 Annually)
2. Program Director ($53,580.80 - $88,545.60 Annually)
3. Executive Director ($56,700.80 - $116,708.80 Annually).

There's also a call for exhibition proposals (due June 15). All proposals must be submitted via arlington.slideroom.com. You can download the proposal submission form here.

Working hard

Hard work always has a payoff for artists. And one of the DMV's hardest working artists is my good bud Tim Tate. The dude has has three openings coming next week alone!

- Swanson Reed Gallery, Louisville, KY. Opening on Friday evening, June 11.

- Fuller Museum, Brockton, Mass. Sunday afternoon, June 13. There's a 1pm lecture and a 2pm reception.

- Scope Art Basel, Switzerland with San Francisco's Micaela Gallery, June 15-20, 2010.

Join the Facebook group We want to see Tim Tate's video art work in the Hirshhorn Museum!! here.

Tomorrow: Grand Opening of new gallery in Loudoun

The Gateway Gallery is a new artists' owned and run cooperative gallery located in the Hill High Orchard Building, just west of Round Hill on Route 7 and certainly a landmark for western Loudoun.

The Grand Opening is Saturday, June 12 starting at 6PM and there will be demos from several of the 30 artist members. Look for the work of Suzanne Lago Arthur to stand out.

Tim Tate for the Hirshhorn Museum

This is a Facebook group dedicated to convincing the curatorial staff and acquisition committee of the Hirshhorn Museum and Sculpture Garden to finally purchase and exhibit some of the amazing video art pieces from Tim Tate.

My good friend Tim Tate is one of the most renowned award winning artists in this region. He works in self-contained video installations and projections.

Hirshhorn: Look in your own backyard for an artist making a huge impact internationally.

Hope they are listening! Check it out here.

Tate has three openings coming next week alone:

- Swanson Reed Gallery, Louisville, KY. Opening on Friday evening, June 11.

- Fuller Museum, Brockton, Mass. Sunday afternoon, June 13. There's a 1pm lecture with Fo Wilson and a 2pm reception.
...
- Scope Art Basel, Switzerland with San Francisco's Micaela Gallery, June 15-20, 2010.

Opportunity for Printmakers

Deadline: August 9, 2010

The 2010 Harnett Biennial of American Prints is the ninth competitive national exhibition organized by the University of Richmond Museums. Open to all forms of prints, the exhibition is presented as a celebration and examination of contemporary printmaking by artists throughout the United States. The Harnett Biennial will be on view from October 21 to December 5, 2010, in the Joel and Lila Harnett Museum of Art.

The juror of this biennial is Laura Kruger, Curator of the Hebrew Union College - Jewish Institute of Religion Museum, New York.

The deadline for submission is August 9, 2010. The exhibition is open to all artists residing in the United States. Entries must be in the category of printmaking using any traditional and/or experimental techniques and media. Eligible entries include prints on paper using, but not limited to, such media as intaglio, relief, planographic, stencil, monotype, and digital processes (no giclée reproductions are allowed). Photographs on paper are eligible. Prints must have been completed in the last two years.

The entry form can be downloaded from the University of Richmond Museums website here, or requested by email at museums@richmond.edu. A hard copy is available at the museums or can be mailed upon request by calling 804-287-6424.

Wanna go to an opening tomorrow

Tomorrow is the opening of the work by the selected finalists for the $14,000 Bethesda Painting Awards. The selected finalists will display their work through June 26, 2010 in downtown Bethesda at the Fraser Gallery. The opening exhibition of the Bethesda Painting Awards winners is on Friday, June 11th from 6-9pm held in conjunction with the Bethesda Art Walk. Many of the finalists and winners will be on hand to discuss their work.

The Bethesda Painting Awards is downtown Bethesda's annual juried art competition that exclusively honors painters from Maryland, Virginia and Washington, D.C.

Congrats to all the finalists!

Deborah Addison Coburn, Rockville, MD
Sheila Blake, Takoma Park, MD
Deborah Ellis, Alexandria, VA
James Halloran, Arlington, VA
Katherine Mann, Washington, D.C.
Lindsay McCulloch, Chevy Chase, MD
Michele Montalbano, Burke, VA
Carol Phifer, Fredericksburg, VA
Nora Sturges, Baltimore, MD

PostSecreting all over the world

I think that by now even the most neocon art critics and jaded art observers around this town realize that the greatest and largest cooperative art project in the history of the world is my good friend Frank Warren's ongoing and ever-growing PostSecret.

There will be PostSecret events in the Fall of 2010 in California, Texas, Massachusetts, Pennsylvania, Colorado, Illinois, New Jersey, New York, Connecticut, Mexico, Canada and many more places.

See the full tour schedule with dates and locations soon by following PostSecret on Facebook.

By the way, I think that Warren's immense global art project belongs in the next Whitney Biennial.

Art Basel pass

If anybody wants a couple of complimentary VIP passes to Art Basel in Basel, Switzerland, which entitle you to also get into most of the satellite art fairs, drop me an email. First come, first served!

Put me in coach...

WOW! What an amazing debut by the Nats' Stephen Strasburg yesterday! I have a nickname for him and his lightning bolts: Thor!... click on cartoon below for a better view.

Centerfield - John Fogerty

Well, beat the drum and hold the phone - the sun came out today!
We're born again, there's new grass on the field.
A-roundin' third, and headed for home, it's a brown-eyed handsome man;
Anyone can understand the way I feel.

Oh, put me in, Coach - I'm ready to play today;
Put me in, Coach - I'm ready to play today;
Look at me, I can be Centerfield.

Well, I spent some time in the Mudville Nine, watchin' it from the bench;
You know I took some lumps when the Mighty Casey struck out.
So Say Hey Willie, tell Ty Cobb and Joe DiMaggio;
Don't say "it ain't so", you know the time is now.

Oh, put me in, Coach - I'm ready to play today;
Put me in, Coach - I'm ready to play today;
Look at me, I can be Centerfield.

Yeah! I got it, I got it!

Got a beat-up glove, a homemade bat, and brand-new pair of shoes;
You know I think it's time to give this game a ride.
Just to hit the ball and touch 'em all - a moment in the sun;
(pop) It's gone and you can tell that one goodbye!

Oh, put me in, Coach - I'm ready to play today;
Put me in, Coach - I'm ready to play today;
Look at me, I can be Centerfield.

Oh, put me in, Coach - I'm ready to play today;
Put me in, Coach - I'm ready to play today;
Look at me, I can be Centerfield.
Yeah!

Wanna go to a gallery happy hour tomorrow?


With around 100 or so folks attending the opening and more than half the work already sold, Ellen Cornett's Juxtapositions at Studio His already a hit show. There will be a happy hour event tomorrow, June 10 from 6-8PM; go check out this show!

Coming to a gallery near you this fall

First Campello gallery exhibition in DC area in 4 years!

Next Sept 20 - Oct. 15 I will be having my first substantial exhibition in the DC area in four years. The show will be at the School of Art & Design at Montgomery College's King Street Gallery, located in the beautiful Morris & Gwendolyn Cafritz Foundation Arts Center at 930 King Street in the Montgomery College, Takoma Park/Silver Spring Campus.

There will be all new drawings in my constant exploration of using the human figure to deliver social, historical, satirical, mythological and political messages. The show also includes work by the immensely talented Johanna Mueller, who was one of my top picks from the last Artomatic and whom I predict will steal the show, as well as Leah Frankel and Leslie Shellow, both of whom are new artists to me.

The show is curated by Dr. Claudia Rousseau and is:

An exhibit of works on paper depicting mythical themes, or themes connoting transformations—mythical, magical or organic.

The exhibit will include prints, drawings and installation works employing paper with wax and other media.

The opening is Thursday, September 23, 5:00 – 7:30 pm. I expect to see all of you there to make me look good...

Saatchi answers

The Daily Beast has been asking ubercollector Charles Saatchi some interesting questions...

Do you think artists are more intelligent than other people?

I have always been hesitant about visiting artists’ studios, and discovering that work I have admired has been made by someone nitwitted. This can be disconcerting if you believe an artist paints with his brains, not with his hands.

Read them here and you can send Sattchi your own question by emailing them to editorial@thedailybeast.com.

Art Dealers Association of Greater Washington

The Art Dealers Association of Greater Washington has a beautiful and comprehensive new website. If you live in the DC area or are planning a visit to the nation's Capital City be sure to check their site for excellent information about what is happening in the commercial art galleries of the DMV.

Wanna go to a Reston opening tomorrow?

Then join Michelle Norris for a glass of wine and appetizers at The Hyatt Regency Reston - Market St. Grill in the Reston Town Center to celebrate the opening of her new show, "The Good Earth" on Monday, June 7th, 5-7pm.

New gallery in Loudoun

The Gateway Gallery is a new artists' owned and run cooperative gallery located in the Hill High Orchard Building, just west of Round Hill on Route 7 and certainly a landmark for western Loudoun.

The Grand Opening is Saturday, June 12 starting at 6PM and there will be demos from several of the 30 artist members. Look for the work of Suzanne Lago Arthur to stand out.

The more galleries in our area the better!

Ben Ferry Opens Today

Ben Ferry opens today at Hillyer Art Space, (the show goes from June 4 – 26th). The opening reception is Friday June 4th 6-9pm. Below is a review of the show by Bruce McKaig:

Ben Ferry at Hillyer Art Space
By Bruce McKaig

What is a piece of art supposed to do? Change the fiber of existence? Look good in a living room? Bare the artist’s soul, thereby rousing ours? Provide something clever (or not) to post on Facebook? Depict, decry or distract from injustice? Give curators something to do?

Shadow Shark. Oil on canvas by Ben Ferry
Ben Ferry’s art crystallizes personal, cultural, and sociopolitical realms in a frank and self-effacing way, resulting in a well-rounded body of work that neither exploits nor avoids personal history or cultural trends. This is not a “something for everyone” approach. The layered ingredients are well proportioned, well thought-out, an executed synthesis of himself and his historical and current context, an autobiography where he stays out of the way.

When I asked Ben to talk about his work, he took us past the room stacked with watercolors and paintings, onto a front porch, gestured to the surrounding houses and said, “This is where it started. Five years ago, as I looked at the light hitting these homes, the shadow of my house on the wooden slats of the neighbor’s, a dog that hangs out with me.”

As Ben unwrapped the watercolors for this exhibition, speaking about the pieces, about his process, it became clear that his art and his life are intricately related. He is not self-absorbed so the work is about his surroundings, built from how he observes and interacts with his surroundings. In Shadow Shark, the home is his (current) neighbor’s house, the shadow is of his own home, the stenciled bust is “one of, if not my most favorite movie characters of all time, Robert Shaw playing Quinn, from the movie ‘Jaws’. I grew up around watermen and waterfowlers. A lot of my childhood memories are of characters that resembled him. Names like Leonard Broadwater, Burt Hickman, John Poke.... names you couldn't make up. They just fit the face and the place perfectly.”

Most of Ben’s watercolors and oil paintings are similar blends of past and present, of personal and cultural. In some works, the cultural is pop (block buster movies), sometimes historical (fairy tales). In other works it acquires a political stance. In Pigeons and Bombers, the strutting birds are comically and frighteningly reminiscent of German marching soldiers, body language that is also seen in Comrades, this time a rooster and a pig. Politics is always on Ben’s mind, from living in the nation’s capitol for many years, and from his childhood where he learned early on that he would have to develop a voice or go unnoticed.


Comrades. Oil on canvas by Ben Ferry.
Developing that voice through his art has involved several academic experiences. His degree from George Washington University (MFA 2001) came with classical training and craft skills. He appreciates the talent his teachers shared (Brad Stevens, “Color does not come naturally.”), but was uncomfortable being deconstructed by others. “You lose your own voice when you follow convention.” As a teacher at the Corcoran College of Art and Design, he learned a lot from his students, what they liked, what young people think a piece of art is supposed to do.

The stenciled images on the watercolors and paintings clearly reference graffiti (he is a fan of Banksy). He thinks of it as process vs. product: Spending so much time finishing the classical part of the piece, then so much time prepping the stencil, then, in a few seconds, the stenciled info is layered on and the work is done. He let several months lapse before applying the first stencil over a “finished” painting. Though he hesitated, he finally attacked with stencil because, “You can’t change the idea just because it isn’t guaranteed to work.”

He found the transition from watercolor to oil paint intimidating, fatiguing. He would show the watercolors and people would ask, “When will you do the paintings?” He searches for both a compressed sense of space and some depth of field, testing himself to see if he can learn. He does not work en plein air; he works from photographs in his studio, which has an interesting historical link. Henry Fox Talbot (British, 1800-1877), one of the pioneers of photography, was himself a painter and he invented a photo process as a means to “get” his sketches in the field and have the photographs with him in the studio to paint. Talbot described photography as “the pencil of nature.”

Amidst the personal and cultural, there is also the whimsical and humorous. Swimmers at Malcom X, Rapunzel, MacMansion, are all clearly fabricated scenes, but the juxtapositions are visibly credible. In Ben’s words, “It fits but it is also funky.” This is reminiscent of another artist, Jerry Uelsmann (photographer, American, b.1934). Uelsmann’s fabricated images, initially in the darkroom now at the computer, are fantastical scenes, not so much real or unreal as they are stubbornly plausible.


McMansion. Oil on canvas by Ben Ferry
This is Ben’s first solo exhibition. It is the result of years of work, starting with the mental willpower to accept change and start in a new direction. Because of back problems, he abandoned pursuit of professional sports and turned his attention to the world of art. His definition of success? “Always get better, play on a bigger stage.” As this exhibition goes up, he is already thinking of his next explorations: people, figures, made up environments, staged scenes, costumes. Will the new works retain the blend of personal and cultural?

Ben’s art does not definitively explain what a piece of art is supposed to do. For that matter, as an artist myself, and a Gemini as well, I don’t want an answer as much as I want the debate. Ben’s art, blending the individual with the communal, layering classic craft with abrupt juxtapositions, tacking the historical on to the contemporary, does provide one thought on the goal of art: Engage without preaching.

For information about Ben Ferry: www.benferry.com

For information about Hillyer Art Space: www.artsandartists.org/hillyer.html

For information about the author: www.brucemckaig.com

Opportunity for Artists

Deadline: July 12, 2010

City Gallery, a new gallery in the growing Atlas Theater neighborhood of Washington, is pleased to announce their first annual DC Metropolitan Area Juried exhibition. The exhibition is open to Washington Metro area artists, 18 years of age or older.

The juror for the show will be Jack Rasmussen, Director of the American University Museum.

Artists working in oil, acrylics, watercolors, photography, ceramics, glass, sculpture and mixed media are invited to submit up to 3 pieces for consideration.

Entries should be submitted on CD and postmarked no later than July 12, 2010. The exhibition opens Saturday, August 7th and will be on display at the gallery through August 28th.

An opening reception for the artists will be held on August 7th from 6-9 pm.

For more information, and to download the prospectus and entry form, please visit their website at www.citygallerydc.com or send an e-mail to info@citygallerydc.com

Opportunity for Maryland sculptors

Deadline: August 4, 2010.

The Maryland State Arts Council (MSAC) Individual Artist Awards (IAA) are grants awarded to Maryland artists through an anonymous, competitive process to encourage and sustain their pursuit of artistic excellence.

The process is administered by the Mid Atlantic Arts Foundation (MAAF). Artists are required to apply for these grants through the CueRate online application system. Details here.

Tomorrow: Objectified at Honfleur

OBJECTIFIED: The domestication of the industrial opens tomorrow at Honfleur Gallery with an opening reception starting at 6:30pm.

Isn't about time that you crossed the river and checked out this terrific gallery?

Got Facebook?

Then click here to vote for Anderson as the YoBaby

Wanna go to an opening tomorrow?


Judith Peck is an amazing DC area painter and her show opens Friday at Hillyer Art Space, which is in the alley right in the back of the Phillips Collection.

This is a very talented painter with a good eye for the psychological hook of realism. The reception starts at 5PM.

Grant Time!

Click here for details.

Wanna go to an Alexandria opening tomorrow?

Linda Hesh's short video “In the Garden” has been chosen to be part of “Female Shorts: Film and Video Showcase” taking place at the Target Gallery in the Torpedo Factory Art Center, Alexandria, VA. This four day festival celebrates cinematic works by women in the arts from across the country and is a participant in “Minds Wide Open”, a Virginia initiative to highlight female artists.

The opening reception will take place on the evening of Thursday, June 3rd from 6-7pm in the Art League Gallery at the Torpedo Factory Art Center. The event will then continue in the Target Gallery from 7-9pm. Ten of the 22 selected film makers will have their works shown each followed by a brief discussion. The juror, Sydney-Chanele Dawkins, will lead the event.

The showcase will continue on Friday, Saturday and Sunday, June 4-6, with continuous showings of the 22 selected films in the Target Gallery starting at 10am each day until the evening event.

Opening Reception Thursday June 3rd 6-9 pm.

Festival all day showings Friday June 4 – Sunday June 6 Plus special evening screenings.

Award Evening and closing showing Sunday, June 6.

Artists Present and Screening their Work for the Opening evening Thursday, June 3rd:

In The Garden - Linda Hesh - Alexandria, VA - Experimental - 1min 48sec
Miriam's Song - Shabnam Piryaei - New York, NY - Narrative - 4min 20sec
Somebody's Son - Holly Villaire - Yonkers, NY - Experimental - 8min 23sec
Can She Be Saved? - Yasmin Shiraz - Chantilly, VA - Documentary - 27min 31 sec
A Hammer fell in Jerusalem: Anathem - Lori Bowen - Sarasota, FL - Narrative
Friday Night Fright - Ashley Maria - Los Angeles, CA - Narrative – 6min
Little Girl - Elizabeth Tolson - Fairfax, VA - Experimental - 1min 24sec
Let's Dance! - Anna Tsouhlarakis - Washington, DC - Experimental – 15min
You're Not Alone - Arlette Thomas-Fletcher - Reistertown, MD - Narrative - 3min
Trip To The Planetarium - Stephanie Batailler - New York, NY - Animation – 23min

For a full list of the Daily Schedule and Evening Special Showings, go to this website.

Artists' websites: Vincent Gallegos

This guy is just out of control! Vincent Gallegos is one of the best humans armed with a camera around our region.

Check out his images here

Jeffry Cudlin: BY REQUEST


OK... OK... work with me here... this is really cool.

Let's start with my good bud Jeffry Cudlin doing a set of performances this Friday where the very tall Mr. Cudlin dances in various DC art galleries (Conner, G Fine, Curator's Office, Hemphill, Irvine, and either Project 4 or Civilian), trying to get the directors to dance with him - that alone is worth tagging along to see Martin Irvine or George Hemphill doing the tango with Cudlin). He will be dressed the way he is in the PR photo above (by Josh Cogan) -- i.e., tucked, taped, and wearing a gold string bikini and go go boots. Video of it will be in the show.

Then Jason Horowitz is working on a 23' long, 8' tall photo for the show that I think we will all find interesting and will "make people at the opening uncomfortable."

Somewhere along the way Cudlin is doing a photo shoot with the highly talented and creative Victoria F. Gaitán that involves "realistic fake boobs (not like the ones in the PR) and a severed pig's head."

What is all this Mr. Campello? Just read the release:

This June, the ideal Washington, DC art show will take over Flashpoint Gallery. Artist, curator, and critic Jeffry Cudlin has engineered a celebrity-obsessed exhibition that purports to reveal in excruciating detail what collectors, critics, and museum administrators think area artists should be making.

For BY REQUEST, Cudlin approached seven DC art world luminaries and asked each to fill out a 20 page survey. Questions were all multiple choice, and attempted to uncover everything from preferences regarding paint handling techniques; to opinions about museum “fluff” shows and art blogs; to each patron’s personality type. Pink Line Project founder Philippa Hughes; blogger and critic Tyler Green; The Phillips Collection director Dorothy Kosinski; Irvine Contemporary gallery director Martin Irvine; National Portrait Gallery Associate Curator of Prints and Drawings Anne Collins Goodyear; collector and curator Henry Thaggert; and uber-collector Tony Podesta all agreed to play along.

Once the surveys were completed, Cudlin recruited an atelier of seven area artists working in a variety of media and styles. Torkwase Dyson, Victoria F. Gaitán, Jason Horowitz, Jenny Sidhu Mullins, Cory Oberndorfer, Kerry Skarbakka, and Trevor Young all accepted commissions from Cudlin to create personalized pieces based on the survey data.

There was one small catch: Cudlin insisted that he be depicted in every work of art, thereby inflating his own importance in brokering all of these transactions, and transforming himself into the show’s biggest celebrity. The resulting images are at times outlandish, featuring Cudlin cross-dressing, holding a severed pig’s head, and even sporting a pair of fake latex breasts, courtesy of an FX makeup artist.

In BY REQUEST, Cudlin plays with the notion—popular with many contemporary artists and theorists—that the chief content of art is social. If art ultimately depends on exchanges of information, capital, and power, then simply examining the agendas of people in positions of authority should tell us all we need to know about why art looks and works the way it does right now.

All of the finished pieces in the show will be assigned numeric scores by the seven patrons for whom they are intended. Critics need not second guess: the gallery will include informational displays of facts and figures indicating whether the patrons regard these works as successes or failures. BY REQUEST offers the promise of complete transparency for the DC art world and, perhaps, a model for other artists desperate to become relevant.

Sounds amazing uh? I'm really looking forward to this but I remember that the last Washington guy who promised "transparency" has really disappointed me lately; it's a good thing that I know that Cudlin won't.

Plug the damned hole!

Wanna go to a gallery opening this week?



Anna U. Davis opens at Longview Gallery on Thursday, June 3, 2010 from 6:30pm - 9:30pm. The show goes through July 1st, 2010.

NEA Considering Re-Instating Individual Artists' Grants

NEA Chairman Rocco Landesman told the Denver Post that he is considering reinstating endowment grants to individual artists. If he succeeds, the move would be a landmark political moment.

Read the story here.

Trescott on the Corcoran's director

"Greenhalgh said the Corcoran, under his tenure, not only had to repair its physical plant but also relationships with Washington's donor and arts communities, which began to look at it as troubled rather than innovative.

"The Washington public is not the shyest in the world. One received advice from all over about what should happen," he said. "This place had to be systematically fixed. We had to think about the roof. The college numbers had been flat for a generation. So many galleries had been turned over to storage." The cost of needed repairs was estimated to be $40 million at one time.

By August, Greenhalgh said, all of the galleries will be reopened, the permanent collection reinstalled, a suite for contemporary art established and a new initiative, called NOW, created to showcase emerging contemporary artists."

Read the Washington Post story here.

I'm really looking forward to seeing the exhibition program for the new NOW initiative. I hope that it surprises me in a good way. My past experience with what current museum curators' consider "emerging artists" and what the rest of the art world considers "emerging artists" are way different.

It didn't use to be that way. In the past, museum curators used to take chances.

Way back in the 80s, when the Whitney Museum gave some American artists their first ever museum exhibition, that was a great definition (for me) of what a museum can do for a true emerging artist. I won't even mention the names.

So for Sarah Newman or whoever at the Corcoran is putting together (or has already put together) the NOW exhibition schedule: if the artists who are being selected for NOW have already had a museum exhibition, then you're too late and they have already emerged.

Work harder and seek out the truly emerging artists that are making a name for themselves all over the place and not just New York and haven't yet had a single museum show, like someone did for Gerhardt Richter in the 80s.

I can think of a few names right off the top of my head and it's not even my job.

Just plug the damned hole!

Corcoran looking for a new director (again)

The director of the Corcoran Gallery of Art, Paul Greenhalgh, has announced that he will resign on June 1 to become director of the Sainsbury Centre for the Visual Arts at the University of East Anglia. His move is the latest in a series of major changes that have taken place in the D.C. art scene in recent months.

Details here.

Nine Months Old!


Anderson Lennox Campello, better known around here as "Little Junes" (for "Little Junior") is nine months old today. He is everything but little though... already tight in 12 month old clothes.

Relentless Continuity 2010 to be destroyed

This is the last weekend to see Relentless Continuity 2010, a site specific Drawing by John M. Adams at the Adam Lister Gallery in Fairfax, VA. The drawing will be destroyed late afternoon, May 30, 2010 by the artist.

A site specific drawing is created on location, for that specific location. Typically, they only last for the duration of the exhibition, and are destroyed when the exhibition is over.

Adam Lister Gallery
Old Town Fairfax Village Plaza
3950 University Drive
Fairfax VA 22030
*gallery entrance on North St. between University Dr. and Chain Bridge Rd.
(across from Panera and next door to Asian Bistro)

Artists' Websites: Heather Evans Smith

Check out the gorgeous photographs of North Carolina photographer Heather Evans Smith.

Ken Salazar and BP