Congrats

To Maryland photographer Denee Barr, whose mixed media photograph "Trees and Path, Centennial Lake, Columbia, Maryland" appears in the Washington Post's Best Bets Howard Extra.

The image is part of her mini-retrospective Denee Barr Photographs Columbia, Maryland 1999-2006 at the Columbia Foundation in the American City Building on Lake Kittamaquandi, Columbia, Maryland. The year long exhibit is part of Columbia's 40 Birthday Celebrations and the Columbia Festival of the Arts, and also features Ellicott City, Maryland based artist Alice Webb watercolors and etchings.

Denee's blog Denee Barr Art News and More is also on the blogroll.

Congratulations

To Baltimore painter Matthew Klos, winner of the $10,000 Bethesda Painting Award. Loads of photos here.


Above is Matthew Klos with the amazing and generous Carol Trawick, who sponsors the annual painting prize. The 2007 winners are:

Best in Show: Matthew Klos
Second Place: Cara Ober
Third Place: Maggie Michael
I have not seen the show, but the Washington Post's Michael O'Sullivan did and he's written a terrific review of the exhibition which is due to be published tomorrow in the WaPo.

Read it here. O'Sullivan questions some of the award choices while lauding some of the artists and even throwing a pretty good jab at finalist David Krueger's painting.

O'Sullivan pick (I think) is Richmond artist Fiona Ross, and putting on a judge's hat, my pick would have been Baltimore artist Cara Ober. The jurors were Dr. Brandon Brame Fortune, Associate Curator of Painting and Sculpture at the National Portrait Gallery, Professor W.C. Richardson, Professor of Painting and Drawing at the University of Maryland and Professor Tanja Softic’, who is an Associate Professor of Art at the University of Richmond.

Regardless, any good art prize is always full of opinions and surprises, and this major painting prize is a good thing for area painters, for Bethesda, for the District and for art.

New DC Arts Blog

DC gallerina Rebecca Jones, who is the Assistant Director at Project 4, has just recently started a blog featuring both articles exploring the critical discourse of contemporary art, and posts promoting Project 4 events, shows and artists.

Visit Popcorn here.

Wanna go to a DC opening tomorrow?

The WPAC's Site Projects DC curated by Welmoed Laanstra (who just got hired to work for Arlington County's Arts division) and consisting of (con)temporary art installations, performances, and interactions on 14th street between P & V opens tomorrow at the Black Cat in DC in one of many events. 7-9pm with a tour by the curator, Welmoed Laanstra at 8pm.

Participating artists are Linda Hesh, Janis Goodman, Peter Winant, Tom Ashcraft, Kathryn Cornelius, Roberto Bocci, Michael Cataldi, Tom Greaves, Caroline Mayorga, Matthew McGuiness, Eliza Newman Saul, Franz Jantzen, Piero Passacantando, Michael Lease, Mary Coble and Elizabeth Lundberg Morisette.

See them all here.

New Drawing

While I was away in Colorado hiking in Littleton, one night I did a few drawings in my hotel room at night. Below is "Y Chromosome Nude About to Face an Unexpected Light" which is a charcoal on paper with a little conte crayon, about 13 x 9 inches. Drop me a note if you want it.

"Y Chromosome Nude About to Face an Unexpected Light"
by F. Lennox Campello, Charcoal and Conte on Paper, 13 x 9 inches c. 2007

Another St. Sebastian

A pretty well-known DC area art collector saw my recent St. Sebastian drawing, and he emailed me and reminded me that a few years ago he bought the below pen and ink wash drawing on the same subject. As I recall I think that he bought it at a Sotheby's auction, or maybe at a late 90s gallery show in DC.

Anyway... it's a pretty large drawing, maybe 40 inches long. It is titled "Saint Sebastian in a Desintegrating Gene Davis Landscape." I had forgotten all about it, and had even lost the image (thanks to a close-by lighting strike a few years ago that nuked my computer and with it a few hundred digital images of my work). Click on the image for a larger view.

Transform/Nation

There's something magnetic about the artwork of nations and people who are just beyond the reach of the average gallery and collector - thus the hot interest in Cuban and Iranian art for example.

Transform/Nation: Contemporary Art of Iran and Its Disapora opens June 21st, 2007 at the Ellipse Arts Center in Arlington, Virginia while a simultaneous, sister exhibition will be held at the Nikzad Gallery in Tehran, Iran, which implies (I assume) that the exhibitions have been blessed (no pun intended) by the heavy handed nutcase who rules that amazing and beautiful country.

Curated by Narges Bajoghli, Nikoo Paydar, Maryam Ovissi, and Leyla Pope, the exhibition runs through August 4, 2007 and the exhibiting artists are: Samira Abbassy, USA, Haleh Anvari, Iran, Kaya Behkalam, Germany, Mina Ghaziani, Iran, Pantea Karimi, USA, Bani Khoshnoudi, France, Haleh Niazmand, USA, Amir Rad, Iran, Afarin Rahmanifar, USA, Jairan Sadeghi, USA, Samineh Sarvghad, Iran, Farideh Shahsavarani, Iran, Samira Yamin, USA and Siamak Nasiri Ziba, Iran.

WalMarting a museum for Arkansas

Lately, with a rare exception here and there, it has become very fashionable among art writers, bloggers and critics to demonize the efforts of Alice Walton’s no nonsense, robber-baroness approach to give the people of Bentonville, Arkansas a world class collection of art.

Regardless of how one feels about Ms. Walton’s wealth (she's the 20th richest person on the planet) and approach to buying art, Bentonville (population: 29,538) is not a place in which many people live, much less visit, and practically no one in the art world cares about.

But needless to say, flyover states deserve a look at America's art historical tradition, too.

But other than an infectious and personal dislike by these writers for Ms. Walton’s approach, the barely hidden implication in their written words is that metropolitan areas like Seattle, Washington, Forth Worth, Texas, and St. Louis, Missouri - places that people will visit - are more natural and deserving destinations for high art for our public American masses outside of New York.

This is elitist nonsense on a major scale.

There are very few places left in this nation where the reach of internationalism doesn’t touch. Early last year I was gallivanting all around the nation, and one of the places that I visited (for the first time in my case) was Arkansas. It’s rural OK, but it’s not what urbanites visualize.

Bentonville's next door neighbor, Fayetteville (population around 67,000) is the home to the 420-acre campus of the University of Arkansas (the only comprehensive, doctoral degree-granting institution in the state). Their enrollment has more than 14,600 students (more than 12,000 in undergraduate programs) and a diverse student population with 650 international students representing 86 countries.

And this place is rated by Money magazine as one of the top ten most desirable places in the nation in which to live or work.

There are several other towns in the area. Springdale is one where the impact of Wal Mart is amazing to see — luxury retailers and gargantuan homes; a real population and cultural explosion is happening there.

It doesn’t take a futurist to predict that this area will see a major urban growth in the next few decades, and when it does, it will be grateful to the vision of Alice Walton, which is perhaps a throwback to that of the moneyed folks who a century earlier built the collections that she now shops from.

And so I think that I will step aside from the rest of the art lemmings and applaud Ms. Walton’s Soviet-style approach to art politics in her effort to give the folks of Arkansas a world class collection of art.

Not only because she has billions of dollars to do so, but also because I think that she sees the location of this museum as something positive for an America that although politicians (and both leftwing and rightwing nuts) are often quoting as underserved Americans, they all perceive as a backwater populated by people who don’t care about art.

And yet, I hope that no one will disagree in that this coming exposure of the fine arts to this hard-working, modest segment of our population, who haven't generally had the opportunity to have it so close at hand, will be a good thing.

This is something to be applauded.

You go Alice Walton!

Update: Nikolas Schiller reacts to my thoughts with some really good points of his own. Read them here.

The Power of the web

Sunday I wrote about ARCO's "Expanded Box" project being curated by Claudia Giannetti, and asked for some of DC's illuminati to contact Ms. Gianetti in order to bring to her attention some of the area artists who are working with technology as part of their art.

Last night, amongst the hundreds of emails that I am still trying to read, there was a new one from Ms. Giannetti, and she's very interested!

I will discuss with her about the area artists that I am familiar with and who work with technology, but if there's other artists out there, from Philly down to Richmond, who are working with technology to deliver works of art, please contact me (hurry!).

Somebody pinch me

Will the aliens who kidnapped WaPo art critic Blake Gopnik and replaced him with an art critic who all of a sudden likes painting, please return him accept our thanks!

Writing from the Venice Biennale, Blake is shocked and surprised to discover that he likes the paintings of Mustafa Hulusi.

Together with other "painting is dead" acolytes, the Gopnikmeister suddenly discovers that disliking an entire form of the fine arts is never a good thing.

Barbara and Aaron Levine, Renée Van Halm and Blake Gopnik: welcome to the real world where minds are open to all art forms, rather than only to slogans and agendas and ideas.

Read his report here.

Airborne again today and heading to Denver. More later...

Claudia Giannetti, ARCO and DC curators

ARCO tells me that in 2008 they will have "Expanded Box," a project curated by Claudia Giannetti, which is a new section that "embraces happening tendencies exploring the influence and/or use of technology in art. It is basically conceived for works requiring a non-conventional exhibition space, and to encourage their acceptance in the contemporary art market."

Once again, if I was a power museum curator in Washington, DC, I would contact Ms. Gianetti and ask her if she would be interested in being exposed to the work of a group of DC area artists who are doing amazing things with the influence and/or use of technology in art.

I am referring to the artwork being produced and delivered by the artists and symbiots of the group known as Dorkbot DC. From the amazing techno-art of Thomas Edwards, or Phillip Kohn's collaborative video installations, or the sensory art of the Brain Wave Chick.

Also known as Paras Kaul, or the DC area electronic artist known in the art scene as the "Brain Wave Chick."

A reader who was present at the past Dorkbot meeting tells me that the stuff that Kaul does on computers "is totally over my head, but she said her father was a hypnotist and took her into altered states then he died when she was 14 — she said 'he programmed me.'

So at the age of 14 she started studying altered states and brain waves because she desperately wanted to get back to 'these places' that her father took her. She then met the dolphin man John Lilly and did work with him (the movie Altered States is about him). See what she's doing with all that and sensors and brainwaves here.

Or take Thomas Edwards' Talking Hosts project: A server sits in a colocation facility, every few seconds bothered by Web requests from viewing hosts around the world. The hostnames of the visitors are cryptic representations of where the viewers are and which ISP they are using. "Talking Hosts" uses voice synthesis to speak the hostnames of visitors as they hit the site. It is a stream of humanity, at once personal, yet scarily unending. How many hundreds of thousands have passed through? How many more will come?

Or that annoying Sycophant from a few years ago.

If I was Claudia Giannetti I would be a very ugly and hairy woman, but I may also be curious to discover what these DC area dorkartists are doing with computers, and robotics, and programming, and animation, and ahhh... brainwaves.

And were she to get a call (and I have her number) from say Anne Ellegood or Kerry Brougher from the Hirshhorn or Jonathan Binstock from the Corcoran, maybe, just maybe, Claudia may get interested enough to contact Dorkbot and seeing and hearing, and sensing what they're all about.

It's a long shot, but a shot that a hardworking DC area museum curator with some "humpf" behind his or her title, should take on behalf of an amazing group of dorks from his/her home city.

Congrats

To Philly area artist Frank Hyder and his mural projects in Merida, Venezuela. Frank was invited to do a collaborative mural with the students from the University of the Andes, a university of 30,000 students, together with a group of students from the Moore College of Art and Design in Philadelphia, the Mural Arts Program of Philadelphia and CEVAM, the bi-national center of Merida. In two intense weeks the students and the artist realized two dynamic murals.

The first, entitled "Return to Nature," involved a Mural Arts-style transformation of an ordinary 150 ft long by about 15 ft high city building from unsightly to a painted must-see sight. The goal of this project was to teach the techniques of mural painting as it is practiced in Philadelphia, one of the nation's most expansive and successful urban mural programs, and to introduce the concept of how impactful a mural can be in an urban setting.

Congrats to Frank, the students from Moore College of Art and Design and the University of the Andes and to all those involved behind the scenes.

Frank Hyder is represented in the Philly area by Projects Gallery.

Kate baby!

A set of six Kate Moss prints by Chuck Close printed and published by DC's own Adamson Editions, Washington, DC sold for four times their top estimate at a May 31st, 2007 auction by Christie's International. Close's prints made from daguerreotype studies of the model took $166,000, compared with a high valuation of $40,000.

Adamson Editions published the series of six pigment print images of model Kate Moss, in an edition of 25 prints in 2005. In recognition of this new auction record the remaining complete sets will be priced at $80,000 for the next three sets, increasing in $20,000 increments until all remaining sets are sold.

You can view the prints online here.

Changes in Museum Admissions Price

The Philadelphia Museum of Art has announced changes to its pricing structure, effective July 1, 2007. The Museum is increasing general (adult) admission and discounted fees while retaining free admission to children 12 years old and younger, free admission to Philadelphia public school groups, and the popular “pay what you wish” for all visitors on Sundays. Details here.

Wanna go to an opening tomorrow in Arlington, VA?

"New Art Examined III" and "Firewave" opens tomorrow at the Arlington Arts Center in VA.

"Firewave" is a collaborative installation by David Carlson and PiT Brussel with music by Ashraf Fouad.

"New Arts Examined III" has artists selected from submissions by recent Master of Fine Arts graduates who attended universities in Virginia, Maryland, District of Columbia, Pennsylvania, West Virginia and Delaware. They are: Milana Braslavsky, Kelly Egan, Ellen Ann Gallup, Steven, Michael Hadley II, Ronald J. Longsdorf, Richard Sawka, Nanda Soderberg, Chad States, David Waddell, and Elizabeth Wade.

Bethesda Artists Markets

The Bethesda Arts & Entertainment District is currently accepting applications for the next Bethesda Artist Market.

Bethesda Artist Markets are one-day events featuring 30 local and regional artists in the Bethesda Place Plaza. Applications can be downloaded from their website.

To request a hardcopy, please send a self-addressed stamped envelope to:

Bethesda Artist Market
c/o Bethesda Arts & Entertainment District
7700 Old Georgetown Road
Bethesda, MD 20814

The Bethesda Artist Market will be held from 10am – 5pm in the Bethesda Place Plaza located at 7700 Wisconsin Avenue in downtown Bethesda. The Bethesda Artist Market is produced by the Bethesda Arts & Entertainment District and is free to the public.

Artists must be 18 years of age or older. All fine art and fine craft are accepted including, but not limited to: painting, drawing, photography, sculpture, fiber art, digital, mixed media, clay, wearable fiber, furniture, glass, jewelry, leather, metal, paper, ceramics and wood are accepted. Reproductions are accepted. All booth space are 10’x10’ and all artists must provide their own white 10’X10’ tent. No staking is allowed and artists must bring their own weights.

Each artist must submit five slides of their work and one slide of their booth, application, a non-refundable entry fee of $10 and a separate check of $50 for the booth fee. Please call 301/215-6660, Ext. 17 with any questions.

Anonymous III

Washington Project for the Arts\Corcoran (WPA\C) returns to Flashpoint with ANONYMOUS III, showcasing "anonymous" artworks by 100 established and emerging area artists.

Ten established area artists were invited to create 2' x 2' pieces, and serve as curators by inviting nine more artists to do the same. The resulting 100 artworks will be hung without artist identification, with creators' names being revealed only after their pieces have been purchased, making ANONYMOUS III a playful survey of contemporary art in the greater DC area and a unique art buying experience.

EXHIBITION DATES: June 7 - 23, 2007
LOCATION: Gallery at Flashpoint, 916 G Street NW, Washington DC, 20001
GALLERY HOURS: 12 - 6 pm, Tuesday - Saturday

SPECIAL EVENTS:
* Opening Preview Reception*: Thursday, June 7, 6-8 pm (*no works will be sold at the Preview)

* First day to purchase artworks: Friday, June 8, 6-8 pm

CURATORS and ARTISTS:

Seth Adelsberger, Lauren Bender, Edward Fendley, Felipe Goncalves, Seth Goodman, Dale Ihnken, Ryan Jedlicka, Nicola Knight, D'Metrius Rice, Lu Zhang, Iona Rozeal Brown, Ken Ashton, Shante Bullock, Zoe Charlton, Dissident Display (Adrian Loving + Ayodamola Okunseinde), Torkwase Dyson, DJ Eurok, Antonio McAfee, Jefferson Pinder, Bill Warrell, Cynthia Connolly, Lely Constantinople, Ginger Farnham, Maureen George, Maremi Hooff, Elizabeth Morisette, Henrik Sundqvist, Lisa Marie Thalhammer, Antonia Tricarico, Jeff, Wilson, Travis Fullerton, George Allen, Maria Dubon, Suzanna Fields, Pamela Fox, Michael Lease, Ryan McLennan, Diego Sanchez, Rob Tarbell, Robert Walz, Ian Jehle, Alan Callander, Kathryn Cornelius, Nekisha Durrett, Kelly Egan, Jennifer Foley, Jiha Moon, Andy Moon Wilson, Sara Pomerance, Carrie Stubbs,, Ledelle Moe, Hannah Brancato, Zac Jackson, Peter Karis, Jackson Martin, Ben McKee, David Page, Neal Reinalda, Cory Wagner, May Wilson, Michael Platt, Aziza Claudia Gibson-Hunter, Gina Marie Lewis, Harlee Little, Alice Martin, Theresa Knight McFadden, Jessa McFarlane, Gwendalin Qi Aranya, Keven Reynolds, Stan Squirewell, Noelle Tan, Ina Archer, Lily Cox-Richard, Stephanie Kuykendal, Cara Ober, Athena Robles, Kirstyn Russell, Tracey, Peirce West, Michael West, Stefan Zaklin, the super-talented Alessandra Torres, Emily Barletta, Tim Devoe, Miriam Ewers, Janelle Iglesias, Kayo Nakamura, Diana Nowitzky, Tim Scofield, Annie Song, Robin Zwizanski, Heide Trepanier, Jamie Boling, Cece Cole, Madeline Hoch, Jack Lawrence, Matthew Lively, Adrian Meyer, Monica Palma, Bret Payne, and Bruce Wilhelm.

Funding For Professional Fine Artists And Their Families

Funding for fine artists is available during times of emergency, disability, or bereavement from the Artists' Fellowship.

The Fellowship does not accept requests from performance artists, filmmakers, craft artists, hobbyists, commercial artists, or commercial photographers. For more information, contact:

Artists' Fellowship, Inc.
47 Fifth Avenue
New York, NY 10003

Or call them at 646.230.9833 or visit their website here.

Hang in there...

A couple of hundred emails behind the power curve... hang in there and come back soon...