When Museum Guards Go Bad

A former Carnegie Museum of Art guard charged with vandalizing a $1.2 million painting simply "snapped" due to life's normal pressures, including impending fatherhood, his defense attorney said.

Read the story here.

Fair State

Art Basel, the largest international fair of contemporary art, wound up Sunday after registering some major sales but with a suggestion that the overall market may be slowing in reaction to the world's financial turmoil.

The show management's final report said the results were "outstanding" and that all participants "considered it a very good year," but it gave no overall sales figures.

Headlines were chiefly made by Roman Abramovich, the Russian multibillionaire and owner of Chelsea soccer club, who topped the list of collectors present.

Abramovich appeared to have stayed below his spending spree last month in New York, where he paid US$120 million (€77 million) at Sotheby's record-breaking auction, including US$86 million (€55 million) for the top lot, a Francis Bacon triptych.

In Basel, he bought one of Alberto Giacometti's elongated woman sculptures for a seemingly modest US$14 million (€9 million), according to The Art Newspaper's special Basel edition.

The sale of a Lucian Freud, "Girl in Attic Doorway," for US$12 million (€7.7 million) to an undisclosed buyer was also confirmed.

The organizers said their surveys showed that "all the exhibiting galleries were able to find buyers for their works."

The 300 participating galleries offered works by more than 2,000 artists, priced between a few thousand and millions of dollars.

It was left to the individual galleries to disclose sales, and many did not.

Despite the positive report of the organizers, the weekend edition of The Art Newspaper headlined, "Market keeps moving, but the brakes start to go on."

You can read the whole AP report here.

The reports that I have been getting directly from dealers have (as always) been mixed. Later this week I will be going to the Affordable Art Fair New York, the art fair that I consider to be at the front battle lines of the art fair world, since it limits prices of work to be sold to a max of $10,000 per piece.

I should be able to discuss what the state of "affordable" art is once I get a feeling how this fair is doing.

Florida Gallery Seeks Street Art

The 621 Gallery, a contemporary exhibition space in Tallahassee, FL, seeks entries for an exhibition dealing with contemporary street art scheduled for July 2009. They are interested in themes relating to contemporary street art including graffiti, murals, stenciling, and guerilla art. Send them a CD of images (at 300 dpi) of your work, your contact info (mailing address, phone, email), and a short statement (1 page maximum) on why you make what you make. Send materials to:

Street Art
c/o 621 Gallery
621 Industrial Drive
Tallahassee, FL 32310

Opportunity for Artists

Deadline: July 1, 2008.

The Art Gallery at Lower Columbia College in Longview, Washington is accepting submission for exhibitions for the 2008-2009 and 2009-2010 academic years. The gallery functions as a resource for students, educators, artists and the public-at-large. Submissions are limited to 2-D, 3-D and installation work. This is an open call, but preference will be given to proposals received by July 1, 2008. For more information, go to this website.

Art-In-Architecture Artist Registry

Deadline: July 31, 2009.

The GSA Art in Architecture Program commissions the nation's leading artists to create large-scale works of art for new federal buildings. These artworks enhance the civic meaning of federal architecture and showcase the vibrancy of American visual arts. Together, the art and architecture of federal buildings create a lasting cultural legacy for the people of the United States. For more information, go to this website.

Studio Visit

My studio visit with Maria Magdalena Campos-Pons is here. Read it and prepare to be impressed by this dynamo of an artist.

“When I am not here/Estoy Alla” c. 1994 by Maria Magdalena Campos-Pons

Art-O-Sound

Scion and The Pink Line Project present Art-O-Sound!



Thursday, June 12, from 7 - 9:30 pm at the 6th Floor of Artomatic 2008 (1st and M Street, NE).

Artists: Lauren Bender, Bonner Sale, Ding Ren, Matt Sargent.

Video Installation by David London - Imagine

Music by Invisible Flow

Gopnik on Transformer

The WaPo's Chief Art Critic does something that he rarely does: review a Washington, DC art gallery.

And Gopnik does a really good job in showing us what this show is all about, and in making us all wish that he did this more often.

Read it here.

At the Katzen

There are some terrific shows currently at the Katzen Museum in DC and I will be writing about them soon. Meanwhile, you got to drop by and see the installation "Living Without Them" by Lilianne Milgrom/Saul Sosnowski on the museum's first floor.

Lorton Arts

Last month I juried the Lorton Arts Foundation exhibition at the University of Phoenix, Reston Campus. Below is a quick video of that exhibit.

Another AOM Top 10

Melissa Hackmann with her AOM Top Ten here.

Private Museums

Mr Margulies, who estimates he now owns around 4,500 works, is among the more respected of a growing group of collectors who choose to create independent spaces, rather than donating works to public museums, where it might stay in storage “for the first 15 years”, he said.

Read Lindsay Pollock and Georgina Adam discuss why the rise of the private museum is rewriting the rules of the market - in the Art Newspaper here.

Art Fairs

Art Basel, one of the world's largest and oldest contemporary art fairs, opens to the public today; about 55,000 people will throng to it and its satellite events. Whether you consider the crowd lemmings or pilgrims may depend upon your bias -- and your bank account -- but one thing is certain: Fairs are a power shift in the art world. For good or ill, they are changing where you buy art, how you look at it, and even how artists make it.

Alexandra Peers on art fairs at the WSJ. Read it here.

Early Look Video

Last night's opening of Early Look, an exhibition of undergraduate art students selected by me from various schools in the Mid Atlantic, opened at DC's Long View Gallery and below I have a quick video of the opening and artwork.

Several pieces sold, including what I think is perhaps the show's major work, a huge pastel by GMU's Tanya Wilson, which sold to a major Virginia ubercollector. There is a lot of good work at superb prices at this exhibition, make sure to stop by and buy some art!

Come to the Early Look opening tonight

Drop by the Long View Gallery in DC today from 5-8PM for the opening reception of Early Look, my curated exhibition of some outstanding young artists from undergraduate programs along the Mid Atlantic.



You will see work by Moore College of Art & Design students Krista Rothwell, Erika Risko, Lauren Albert, Catherine Badger and Melanie Bergwall, Corcoran College of Art + Design student Marissa Valko, MICA student Anton Merbaum, American University student Caitlin Servillo, Virginia Commonwealth University student Deborah Shapiro, St. Mary’s College of Maryland student Jenny Davis, George Mason University students Aaron Miller, Ryan McCloy and Tanya Wilson, and West Chester University of Pennsylvania student Meghan Buozis.

The Long View Gallery is at 1302 9th ST NW, Washington, DC 20001 (202.232.4788) just a short walk from the Convention Center. This is an excellent opportunity for beginning collectors.

See ya there!

The Collector Strikes at AOM

Read all about this in MeanLouise.com.

Lockheedian Christo

I have never seen these pictures or knew that we had gone this far to protect industrial and defense operations. During World War II the Army Corps of Engineers needed to hide the Lockheed Burbank Aircraft Plant from Japanese air attack. They covered it with camouflage netting to make it look like a rural subdivision from the air.

Below is Lockheed before the camouflage was created:



And below are some amazing images after it was hidden away:

Grants for Maryland Artists

Deadline: July 31, 2008

The 2009 Maryland State Fellowship guidelines and applications are now available. The funding categories available for 2009 include:

Dance: Choreography
Music Composition (World, Classical and Non Classical)
Playwriting
Poetry
Visual Arts: Crafts
Visual Arts: Photography
Visual Arts: Sculpture

All applications must be submitted online. Applicants can click here to access the MSAC Individual Artists Fellowships Application. The deadline for 2009 applications is July 31, 2008.

Fallon & Rosof Curate


Philly's Northern Liberties neighborhood is rapidly developing (no pun intended) into one of my favorite areas - it reminds me a lot of Brooklyn when I was a kid.

And Northern Liberty's Projects Gallery today opens their collaboration with curators and uber art bloggers Roberta Fallon and Libby Rosof in an exhibition simply titled ID.

This exhibition will put the gallery lights on a number of emerging Philadelphia artists united in pushing the boundaries of myth and persona in contemporary art. From what I know of the show so far, we will see video, performance, sculpture, and photography, as the exhibition explores "broad and self-focused concepts ranging from issues of applied identity to the id of the artist."

As Roberta and Libby put it, "the works are metaphorical in ways that come out of the core of who they are and what they see around them." Artists include:

Samantha Hill - Moore College of Art and Design
Andria Bibiloni and Carl Marin - Tyler School of Art
Jay Hardman, Alex Gartelmann, and Phil Jackson - The University of the Arts
Jamie Diamond, Katy Rose Glickman, and Sarah Zimmer - University of Pennsylvania

And Philadelphia-based artist Diedra Krieger from the Vermont College of Fine Arts.

ID opens tonight with an artist reception from 5-8 p.m. and continues through July 26. There will be a performance of artist Samantha Hill’s “Black Iconography” at 7 p.m. The reception is free and open to the public.

Funny

Someone emailed me the following:

I came across an artist at Artomatic the other day who listed his painting medium as “gauche” – is that like gouache, only crude and tacky? It was topped only by the guy at Glen Echo who painted in “tempura.”