Art in Embassies Program

Established by the United States Department of State in 1964, the ART In Embassies Program is a global museum that exhibits original works of art by U.S. citizens in the public rooms of approximately 180 American diplomatic residences worldwide. For more information, contact artinembassies@state.gov.

19th Annual Northern Virginia Fine Arts Festival

Check out the artists juried into the 19th Annual Northern Virginia Fine Arts Festival. This is one of the best outdoor art festivals in the nation. It takes place on the streets of the Reston Town Center — Reston, Virginia, May 15 & 16, 2010. 10am — 6pm daily. 50,000 people will show up to look and buy art.

Pencil it into your schedule this weekend and drop by and say hi at Booth 204.

Commercials imitating art?

Am I the only one who thinks that the current AT&T commercial where they wrap up everything (buildings, beaches, etc.) in orangey material is a direct rip off of the whole Christo art legacy?

Remember when Mickey D's ripped off former DC artist Thomas Edwards?

Donnelly on Gopnik

Is there room for delight in the vocabulary of art? Perhaps. Sometimes perception is actually bigger than the current vocabulary of criticism. Not everybody wants always to be striving for a leg up, or to express anger or despair. Other sides of human experience are also valid, and a great relief.

DC artist Nancy Donnelly argues that there is room and therefore disagrees with WaPo Chief Art critic Blake Gopnik. Read Donnelly's argument in the Post here.

Wanna go to an artist talk tonight?

The join "a pop up project" for a memorable artist talk starting at 6 pm with Margaret Bowland, whose work in the current show there is my favorite. She will be discussing her Murakami Wedding series, an artwork of which is currently featured at National Portrait Gallery and her series of powerful Thorny Crown drawings, exclusively available at the pop-up project exhibition.

Artist Talk and Reception
Wednesday, May 13, 2010
6 pm
625 E St, NW
Washington, DC 20004

Project Create

Hillwood has a new director

Ellen MacNeile Charles, president of Hillwood Estate, Museum and Gardens, announced today the appointment of Kate Markert as executive director. Currently the associate director at The Walters Art Museum in Baltimore, Markert will succeed Frederick J. Fisher, who has led Hillwood as executive director for over 20 years and has long planned to make 2010 his final year heading up the former estate of Marjorie Merriweather Post in northwest DC. Markert, who will be Hillwood’s second professional director since its founding in 1977, will assume leadership on August 2.

Markert is co-author of The Manual of Strategic Planning for Museums (Altimira Press, 2007), which has become a trusted guide book for many museum directors and boards.

Art that sells itself

On Jan. 28, while on a business trip to Chicago, Terence Spies used his iPhone to monitor an eBay auction. He was trying to outbid a couple of rivals to win a black plastic box that was at the time on display at an art gallery in Seattle. Spies had read about “A Tool to Deceive and Slaughter,” as the piece is called, on a Reuters financial blog. That’s a strange-enough place for a collector to learn about art, but Spies’s interest seems even more curious given that the blogger Felix Salmon’s write-up of the piece’s sale was titled “The Uncollectible Artwork.” Even if Spies won the object, created by a young artist named Caleb Larsen, his ownership would be tentative: the technical innards of “A Tool to Deceive and Slaughter” carried a program that would relist the thing on eBay every week, forever. Indeed, the terms and conditions for submitting a bid clearly stipulated that the device must be connected to the Internet, constantly trying to resell itself at a higher price to someone else.

The minimum bid was $2,500. Spies won with a bid of $6,350. “A Tool to Deceive and Slaughter” had generated a fair amount of buzz online when it first went up for sale as part of a show of Larsen’s work at Seattle’s Lawrimore Project gallery. And I understood why people found the concept compelling (or annoying) enough to write about it. But I wanted to know why somebody would find it compelling enough to spend thousands of real dollars to sort of own that concept.

Spies, who is the chief technology officer at Voltage Security in Palo Alto, Calif., describes himself as a collector of “baffling contemporary art.” (He mentions the almost monochrome panels of Anne Appleby and Molly Springfield’s meticulous drawings of photocopies.) He says another collector once advised him to buy art that “people have a reaction to — good or bad.” And “A Tool to Deceive and Slaughter” has elicited reactions ranging from “You’re really crazy” to “You’re slightly crazy.” He’s O.K. with that. It “sets people off,” he continues, “because it’s not even clear what you own.”

Read the NYT story here.

Focus on Michele Banks

Craftzine has a cool focus on the work of DC area artist Michele Banks.

Atrial Fibrillation. 6 × 9" on 300 weight watercolor paper. Michele Banks
See it online here

Open House at the Washington Glass School

Join the Washington Glass School as it celebrates its 9th Anniversary this coming Saturday with an Open House and Artwork Sale - art and craft from over 20 studio artists and instructors will be available.

Artists exhibiting include: Michael Janis, Tim Tate, Erwin Timmers, Syl Mathis, Robert Kincheloe, Jessica Beels, Nancy Donnelly, Sean Hennessey, Rania Hassan, Jennifer Lindstrom, David Pearcy, Anne Plant, Cheryl Derricotte, David Cook, Allegra Marquart, Chris Shea, , Nancy Krondstat, Kirk Waldroff, Allison Sigethey, and more! Torchwork demonstrations, discounts on class registrations, music, food & fun!

The surrounding artist studios (Red Dirt Studio with Margaret Boozer, JJ McCracken; Flux Studios with Novie Trump, Laurel Lukaszewski; Ellyn Weiss Studio) will be participating in the huge event, along with the Gateway Arts District’s Mount Rainier Day events along Rhode Island Avenue.

Washington Glass School & Studio
9th Anniversary / Open Studio / Sale
3700 Otis Street, Mount Rainier, MD 20712
202.744.8222
Noon til 6 pm, Saturday, May 15, 2010
Free and open to the public
www.washglass.com

Novel way to get glass into Hirshhorn

A few years ago, when I was trying to convince the Hirshhorn to accept a donation of some of the very early glass sculptures by a DC artist, a curator there (since then long gone) informed me that the "Hirshhorn does not collect glass."

That's a silly statement of course, like saying that the Hirshhorn does not collect granite or bronze or chocolate or mud (all of which are substrates of artwork in the Hirshhorn's collection). In other words, the substrate of the artwork shouldn't matter, right? What she really meant to say was that in her mind, all that she could visualize for glass was vessels and containers and Chihuly-like organic forms: craft

A bomb squad was called in Monday night after a UPS delivery truck crashed into the side of the Hirshhorn Museum, but no explosives were found.

Officials said the truck was heading eastbound on Independence Avenue just before 9 p.m. when it swerved into oncoming traffic. The truck narrowly missed a car, jumped the curb, hit a light pole and a concrete flower pot barricade before slamming into the glass exterior wall of the museum's lobby, located at 7th and Independence SW.

Smithsonian spokeswoman Linda St. Thomas said the truck came about a foot into the circular-shaped building and shattered a large glass window.

Read the whole story here. My dad used to work for UPS; let's all hope the driver is OK if he had a medical issue or something that caused this accident.


Update: Mike Licht has the real scoop here.

At the end of the fair

Overall Mayer Fine Art sold nearly 40 works of art during last week's Affordable Art Fair in NYC. Work by Shiela Giolitti, Alexei Terenin, Heather Bryant, Michael Janis, Matt Sesow, and a few more artists, sold by MFA.

I sold about a dozen drawings, including three of the pieces that I had done for the Mera Rubell studio visit last week.

On Sunday I sold two big drawings, including "Fallen Angel" and "Superman Flying Naked and Close to the Ground in Order to Avoid Radar"; both of these were "Rubell visit drawings." I also sold a large female nude drawing titled "America Desnuda".

"Superman flying naked and close to the ground in order to avoid NORAD radar"" Charcoal on Paper. 20x24 inches.

Artist Jeremy Drummond to speak at MPA

Jeremy Drummond will give an artist talk about his current exhibition at MPA, Everybody Knows This is Nowhere: A Photographic and Video Installation.

Mr. Drummond is a professor in the Department of Art and Art History at the University of Richmond and he will speak at McLean Project for the Arts on Thursday, May 13 at 7 pm.

The talk is free and open to the public, but seating is limited and reservations are a must. To reserve your seat, please email info@mpaart.org or call 703-790-1953.

Scots

Just found some notes that I wrote and had in my car when I lived in Scotland at the Little Keithock Farmhouse near Brechin in Angus. I used to have a Russian made Lada for a car. Perhaps the worst car ever made in history.

muckin = clean
croft = small farmhouse
jine = join
kill = overcome with weariness
swir = unwilling to work
auld Nick = the Devil
tint =lost
fit like? = how are you?
besom = broom
deen = done
barra = barrow
widna row its leen = would not hold it's load
siccan = such
soss = dirty wet mess
strae = straw
swipe = sweep
greep = gutter in the byre
fell sklite = fall heavily
neep = turnip
ben = through
soo = female pig
booin'doon = bending down
goon = gown, dress
midden = refuse heap
riggs = strip of ploughed land
tyke = dog
bumbee's byke = beehive
lang syne = long since
tyne = lose

Vandals at work

A public art piece in Richmond worth more than $1 million was vandalized this week, prompting the president of the Vancouver Biennale to call on police to treat it as a serious crime rather than an act of mischief, should the perpetrator be caught.

"This was vicious and intended," said Barry Mowatt, president and founder of the Vancouver Biennale, which brings large public art installations from all over the world to Vancouver and, more recently, Richmond. "It should be treated as a crime."

Read the whole story here.

At the end of the day...

Yesterday things picked up a little and some more artists at the AAFNYC showing with Mayer Fine Art have broken the ice.

Yesterday Sheila Giolitti sold four of her paintings, I sold my cool drawing of "St. Ernesto 'Che' Guevara", more Matt Sesow's sold as well as one Novie Trump sculpture and one of Rosemary Feit Covey's super cool "Peep Show" boxes and one of her wood engravings

In walking the fair a little I've really become quite fond of the breath taking photographic wax encaustic work by Leah MacDonald, represented by Galerie BMG from Woodstock, New York. MacDonald has some of the most innovative and sexiest work that I have seen in a long time.

Encaustic Photography by Leah MacDonald"

You never know...

Elderly couple comes by around noon or so, and spend a lot of time looking at one of Rosemary Feit Covey's "Peep Show" boxes. I spend a lot of time talking to them.



These custom made boxes each has a set of 10 wood engravings which are inserted into the box and "peeped" through the keyhole. They are engravings of women in various state of being disrobed, objectified and enjoyed. Not exactly the genre of art that one would expect your stereotypical 80something couple to acquire for their collection.

They express interest and walk away to look at the rest of the fair. "They are major collectors," whispers the gallerist across the aisle from me.

A few hours later they return and buy the piece.

Only in New York.

Dawson on One Hour Photo

The Post's Jessica Dawson has a really good article on the One Hour Photo exhibition project at the Katzen.

Read it here.

I have a pic in that novel show.

Gopnik on Abramovic

I for one, agree with Blake's review of the Marina Abramovic MoMA show, but Aline Martinez doesn't.

Read her letter to the WaPo here.

At the end of the day...

The 1,000 point drop in the market yesterday was buzzing through the crowd coming to the Affordable Art Fair in New York. However, having done this fair many years, it seemed that Thursday's attendance was quite good considering it was a Thursday, so there were mixed signals: good crowds + bad economic news = slower sales than preview night.

Also, last night was "Brooklyn Night" and the crowd seemed younger and more interested in the open bar for wine and beer and the cool DJ who was actually playing music from a record player... than in artwork.

At the end of the day Mayer Fine Art ended up selling Sheila Giolitti's second largest painting (a major sale), a few more paintings by Matt Sesow, and as the lights were being flickered at 9:30PM, one of my large drawings ("Eve and the Lilith"), which ended up being acquired by the Sonya Spann Collection.