Friday, October 29, 2010

FotoWeek DC at the Corcoran

The Corcoran Gallery of Art and College of Art + Design will serve as FotoWeek Central, the hub of activity during FotoWeek DC 2010 (November 6 – 13). Activities include the official launch party November 5, expert portfolio reviews, NightGallery projections on the museum’s historic Beaux Arts exterior, and a variety of workshops, tours, and lectures—including an evening lecture, photo presentation and book signing by Restrepo co-director and producer Tim Hetherington at 7 p.m. on November 11.

Hetherington’s new book of work, Infidel, is as much about love and male vulnerability as it is about bravery and war.
In celebration of FotoWeek DC, the Corcoran will open its doors Monday and Tuesday from 10 a.m. – 5 p.m. of the festival and will be FREE and open to the public for the duration of the festival. To see a full list of FotoWeek Central activities, visit www.corcoran.org/fotoweekdc.

Thursday, October 28, 2010

Another Ebay auction

Another one of my art pieces shows up on Ebay, this time being offered by an Arizona art & antique dealer.

This limited edition print is indeed out of print. Check it out here.

University talking

Earlier today Sandra Ramos had a packed house at George Mason University, where she delivered a talk on Cuban art.

I had to miss it, as I had almost forgotten that I was schedules to be a guest speaker at at Literature class at American University today. Made it just in time and as usual went over my allotted time, but no one left early.

I'm bummed out that I missed the Ramos talk, but I also had a great time presenting to AU students.

Wednesday, October 27, 2010

Video of Sandra Ramos' opening last weekend




Ramos will be delivering a lecture on contemporary Cuban art at George Mason University on Thursday Oct 28th at 1:30 at the School of Art - Room 2001. The talk and slide lecture will discuss the state of contemporary Cuban art. It is free and open to the public.
Sandra Ramos groundbreaking work in the 1990s was amongst the first to challenge and expose the harsh realities of Cuban life. By addressing forbidden issues such as mass migration, the plight of Cuba’s raft people, racism in Cuban society and the inequalities of Cuban life, Ramos found a voice through her art that has brought her worldwide fame and inclusion in many private and museums' permanent collections, such as the Museum of Modern Art in New York, the Museum of Fine Arts in Boston, Dallas Art Museum, Miami Art Museum, Fuchu Art Museum in Japan, Thyssen Bornemisza in Vienna and regionally at the University of Virginia Art Museum.

Sandra Ramos resides in Havana, Cuba. Her work has also been showcased at Art Basel Switzerland, ARCO Madrid, Art Basel Miami Beach, multiple Biennials and many other worldwide art fairs.
Her second US solo show, "Exodus", showcasing her latest paintings, videos and etchings, opened last Saturday, Oct. 23rd at Norfolk's Mayer Fine Art Gallery. The video at the top is from the opening.

Tuesday, October 26, 2010

Cirenaica Moreira

Roberto Chile's video of Cuban photographer Cirenaica Moreira recreating some of her most recent images.


Wanna go to an artist's talk tomorrow?

Argentinean artist Mirta Kupferminc will deliver a talk tomorrow, Wednesday October 27, 7pm – 8.30 pm at The Universities at Shady Grove. For details call 301 738 6086.

Sunday, October 24, 2010

FotoWeek DC starts Nov. 6

Check out all the events here.

Saturday, October 23, 2010

Norfolking...

Driving down to Norfolk in a few minutes for the opening of Havana-based Cuban artist Sandra Ramos, who is in many people's opinions (including mine), the leading contemporary Cuban artist in the world. The Ramos solo show, Exodus, runs from October 23 - December 27, and opens tonight in Norfolk's leading independently owned commercial fine arts gallery: Mayer Fine Art.

If you are a Norfolkian, come by and say hello.

Wine Tasting

Last night I took the legendary photographer Lida Moser (who just turned 90 and whose work I represent) on a date to a wine tasting at The Bottle Shop. I had heard that the tastings at this family owned wine shop were amazing and indeed they are.

Not only did we taste some fabulous wines, but as everyone knows, good wine and art mix, and we got to talking to a nice couple and Ms. Moser ended up selling four of her vintage photographs!

Check out the The Bottle Shop here.

Man outside MoMA by Lida Moser


Man Listening to Concert Outside MoMA, New York. Gelatin Silver Print by Lida Moser, c. 1974.

Joyce Tenneson Talk

Joyce Tenneson is easily the most famous "once former DMV area photographer who moved to NYC" type.

Three of her photography books are among the top ten best-selling photography books of all time, and her work is in the collection of dozens of museums worldwide and her photographs have appeared on countless covers for magazines such as: Time, Life, Entertainment Weekly, Newsweek, Premiere, Esquire and The New York Times Magazine.

She will be giving a slide show and lecture during Fotoweek DC at the Torpedo Factory, on Sunday Nov.7 at 6:30PM, lst floor. "A Photographers Life" is the subject of her talk. Preceding that is a reception at Multiple Exposures Gallery on the 3rd floor.

Friday, October 22, 2010

Ten Artists for Ten Years

Exhibition opening October 22 at the Sumner School from 6:00 PM -- 8:00 PM.

Featured artists include: Gwen Aqui, Billy Colbert, Doris Colbert Kennedy,Victor Ekpuk, Elsa Gebreyesus, Sonya Lawyer, Chris Malone, Anne Marchand, Michael Singletary, and Frank Smith.

Charles Sumner School
1201 17th St NW,
Washington, DC 20036-3009
(202) 442-6060

In Norfolk tomorrow night

Havana-based Cuban artist Sandra Ramos is in many people's opinions, the leading contemporary Cuban artist in the world, and later this month, her solo exhibition titled Exodus, running from October 23 - December 27, opens in Norfolk's leading independently owned commercial fine arts gallery: Mayer Fine Art.

MFA, which also represents my work, is by far the top fine arts venue in the Tidewater area, and its hardworking owner, the talented Shiela Giolitti, daughter of the legendary comic book artist Alberto Giolitti has been preparing for this, Ramos' second ever solo show in the USA, for a long time.

Sandra Ramos, Flyin to Miami


Sandra Ramos. Flying to Miami. Charcoal and Acrylic on Digital Canvas Print. 130 x 90 cm. Circa 2010

The opening is Saturday, October 23rd from 6-9PM.

Additionally, Ramos will be leading a printmaking workshop at the Chrysler Museum on Oct 23 and 24th. You can register for that workshop here.

Then, on October 26th at 7PM, Sandra Ramos will present a lecture on contemporary Cuban art at the Baron and Ellin Art Galleries of Old Dominion University in Norfolk. Free and open to the public.

Ramos is in the permanent collection of MoMa, MFA Boston, Dallas Museum, Miami Art Museum and many other US, European and Latin American art museums.

I'm driving down for this opening; see ya there!

Jessica goes yard again

Good review in the WaPo by Jessica Dawson - read it here.

The shiny flecks distract from a twisted little canvas called "Judith," which is a tightly cropped homage to Artemisia Gentileschi's signature canvas, "Judith Slaying Holofernes." Rieck zoomed in on Judith's hand grasping the knife hilt and came up with a picture that evokes a phallus or pudenda almost at the same time. I love the bizarreness of this painting, but mica isn't adding to its success.

Wanna go to an opening today?

Marymount University's Fine Art and Graphic Design Faculty Show has an opening Friday, October 22, 5-7:30 pm. The dates for the show are: October 22-December 12, 2010.

Thursday, October 21, 2010

Sandra Ramos lecture at George Mason University

Thursday Oct 28th at 1:30 at the School of Art - Room 2001. The talk and slide lecture will discuss the state of contemporary Cuban art. It is free and open to the public.

Sandra Ramos groundbreaking work in the 1990s was amongst the first to challenge and expose the harsh realities of Cuban life. By addressing forbidden issues such as mass migration, the plight of Cuba’s raft people, racism in Cuban society and the inequalities of Cuban life, Ramos found a voice through her art that has brought her worldwide fame and inclusion in many private and museums' permanent collections, such as the Museum of Modern Art in New York, the Museum of Fine Arts in Boston, Dallas Art Museum, Miami Art Museum, Fuchu Art Museum in Japan, Thyssen Bornemisza in Vienna and regionally at the University of Virginia Art Museum.

Sandra Ramos resides in Havana, Cuba. Her work has also been showcased at Art Basel Switzerland, ARCO Madrid, Art Basel Miami Beach, multiple Biennials and many other worldwide art fairs.
Her second US solo show, "Exodus", showcasing her latest paintings, videos and etchings, opens this coming Saturday, Oct. 23rd at Norfolk's Mayer Fine Art Gallery.

Wednesday, October 20, 2010

Modus Union Salon party: Pencil this one in

Mary Schmidt Amons, cast member of Bravo's "The Real Housewives of DC" and founder of Labels for Love, created “Modus Union” this one of a kind unique event to collaborate our active philanthropic, political, and artistic communities within the Nation's Capital.

Modus Union was formed from two words that represent unification with positive intent. The Washington, DC area is the leading world capital and we are seeing the combination of artistic talent and a youthful energy not seen since the Kennedy era. The time has come to collaborate with these disparate groups of influence to showcase opportunities in an effort to make a positive social and philanthropic impact by maximizing our impact on the Nation's Capital and its global influence. Labels For Love beneficiary partner this year is Fran Drescher and her Cancer Schmancer Foundation.

Cancer Schmancer is dedicated to saving women's lives through early detection and prevention of cancer. As you may know, Fran Drescher is a 10-year uterine cancer survivor and a leading advocate for the early detection of women's cancer. Fran and her Foundation are continuing to make a major global impact, through sharing her personal story as well as educating women on the causes of cancers and the importance and methods of early detection
Event Location:
The Yards Park
10 Water St SE Washington, DC
(Intersection of 3rd St SE and Water St SE)
Three blocks from the Navy Yard Metro (New Jersey Ave Exit)

Thursday, November 4th, from 5:30pm – 9:30pm
Lumber Shed Pavilion - Fully Covered outdoor 13,000 sqft Space which will be heated for the event. 23 Artist Juried Art Show on exhibit and the Exhibit Jurors were Shane Pomajambo: Art Whino, Maggie O'Neill: O'Neill Studios/ Maggie O'Neill Fine Art, Margaret Heiner : Aesthetica Art Consulting, Lauren Gentile: Irvine Contemporary, Philippa Hughes: Pink Line Project, Marsha Ralls: Ralls Collection and yours truly.

There is also a curated art exhibit by Art Whino and they will showcase a special 6000 sqft art exhibit and live painting by Brandon Hill, Ariit Das, Cita, Michael Owen, James Walker, Josh Taylor, Maggie O'Neill and Sylvia Ortiz. Vicki DaSilva will also be doing special Light Graffiti portraits throughout the night.

Complimentary Parisian centered food by Bonaparte / Peacock Cafe/ Mortons. Open Bar all evening by Vitamin Water/ Dirty Martini

Performers: Modern Thieves / Sam James / Trapeze School New York (TSNY)
Eclectic Mix of Dazzling Performers such as Unicyclist, Jugglers, Mimes, Stilt-walking, Sword swallowing and much more!

Wearable Art: Nycholis Maziejka / Charm / Lentz

$50 Non Profit Donation Entry Fee. To purchase tickets go to www.labelsforlove.org/events.html .

The juried artists are:
Rodger Shultz

Gwenn Zaberer

Collette Burmester

Jamea Richmond-Edwards

Fierce Sonia

John Osgood

Terry Plater

Vicki Thomas

Shawn Bishop-Leo

Yanique Moore

Elese Clake

David Barr

Tomi Balogun

Lydia Cutler

Sandra Leonard

Sharon Buhen

Mike O’Brien

Celeste Chen

Vennessa Ortiz

Maria Gracia Canedo

Eugene Pool

Maria Lujan

Martin Figueroa-Ramirez

Farrah Ahmed

Rosalba Alarcon de Lujan

Aaron Wilder

Aasiya Townsell

Ira Natalushko

Maria Miller

Jeff Williams

Mary Rieser Heintjes

Stacey Hill

Marielle Mariano

Anna Kathryn Carlson

Carrie Nobus
See ya there!

Tuesday, October 19, 2010

The Friday opening to go to next week is...

My good bud and one of the DMV's most talented and courageous painters, Scott Brooks opens at Longview Gallery this Friday.

When: Friday, October 29th, 6:30 - 8:30pm. Food and beverages provided by Design Cuisine; Featuring live music by J.E.L.

Wanna go to an opening this week?

Marymount University's Fine Art and Graphic Design Faculty Show has an opening Friday, October 22, 5-7:30 pm. The dates for the show are: October 22-December 12, 2010.

Monday, October 18, 2010

Auction alert: Campello original

This Ebay auction offers a drawing that I did while in Art School. It is circa 1980. It is being offered by some antique store in Washington state.

It's pen and ink of an unicorn. The piece, as I recall, was one of many, many different unicorn and fantasy drawings that I did during that period for a fantasy periodical in Seattle (name escapes me now, but that stuff was hot in Seattle in the 1980s). I would get a small chunk of money for each drawing they used, and then I'd get the original back and sell it at the Pike's Place Market in Seattle.

Between 1977-1981 I sold artwork at Pike's Place Market... everything including all of my art school assignments once they were graded and all of the pen and ink illustrations that I did for this periodical (and others). I'm guessing that I probably sold anywhere from two to three thousand drawings, paintings, watercolors, etchings and woodcuts at Pike's Place Market in those four years - don't be too impressed, the price point ranged from $5 to $100 or so.

The unicorn pen and ink original, framed is starting at only $20 bucks! Hurry, there's only a day left in the auction!

Bid for it here.

Scope Art Fair "freefall" continues?

A while back I noted the various artblogsphere posts describing the various issues surrounding the once mighty Scope Art Fair and describing what's happening to Scope as a "freefall."

Scope had to cancel its Hamptons fair this summer, doing so at the very last minute possible and getting a lot of irate grumbling from the scheduled exhibitors.

And there's something odd going on now with the exhibitor selection process for Scope's Miami version.

Initially, the deadline for announcing the final set of exhibitors for Miami was supposed to be in early October. When that didn't happen I called Scope to find out why and I was told that the date was "October 14 all along."

This is not what I had been told (and what I had in my notes) earlier on, but I said OK and waited.

When October 14 came and went, and no exhibitors had been notified, I called them again and after being put on hold for a bit, I was told that the new date was November 1st.

When fairs keep extending deadlines for applications and/or notifications of exhibitors there are usually a few things that drive this train wreck:

1. Not enough applicants (and thus not enough application fees and deposits gathering interest in bank accounts)

2. Not enough "good" applicants, at least from the self described "cutting-edge contemporary art from around the world" art fair. Judging from the Miami Scopes of the last two years, this fair has been slow in deciphering that because of the drastic economic slowdown, both galleries and collectors are becoming a little more grounded in the plebeian realities of selling artwork than in trying to get attention through the often salesless avenues of cutting-edge art tricks.

3. Not enough cash at hand to actually make the fair happen

I don't know if any of the above applies to Scope and its reason for once again delaying notifying applicants of their acceptance status, and I think that Scope Miami will take place one way or the other (after all, they have a shiny new 80,000 square foot pavilion next to Art Asia and Red Dot and across the street from Art Miami; all of them centrally located in the center of the Wynwood Arts District).

But I do know that this continuing delay in notifying applicants of their acceptance or rejection status is not only highly unprofessional, but it is also creating havoc with galleries' art fair schedules as alarmed artists keep putting pressure to know if their particular dealer is in Scope or not.

Why? Because in the complex chess game that is Art Basel week in Miami, any artist worth his or her artsy business cards must be in an art fair somewhere from the 25 or so art fairs that surround Art Basel Miami Beach. In the 21st century visual arts games, you gotta be in Miami somewhere or you're still so 20th century.

But fairs like Scope demand that galleries, if showing in Scope, can't show in any other fairs.

And art dealers/gallerists, being the over-protecting cabal that we are, usually demand that only one dealer show the artist in Miami (I've always thought the opposite - that is, that the more dealers that show the same artist in various fairs, the better for both the artist and the various dealers - but in that line of thought I am alone in the art dealer universe). And thus one can have the case where an artist has said to his "other" dealers: "Look, my New York gallery has applied to Scope, and if they get in, only they can show my work in Miami during Art Basel week."

In the past, when Scope actually stuck to its timetables, if a dealer got rejected from Scope, they could always (and usually) did, apply to another art fair, and another, until accepted in one of them. But with about six weeks left before Art Basel Week, and Scope still delaying the process, by the time November 1st comes along, there are only four weeks left to find hotels, ship artwork (imagine this nightmare if you're an overseas gallery trying to ship artwork from your location in Europe or Asia to Miami in four weeks), etc. It's a train wreck in the making for the selected exhibitors and a train wreck already in process for those who will be rejected, and scrambling - with four weeks to go - to find another art fair with some booth space still available.

All of this maelstrom because a once mighty art fair appears to be scratching its ass trying to figure out what to do next, not realizing that they've already thrown a huge wrench in the gear works of a couple of hundred galleries and a couple of thousand artists.