Scott Brooks at Long View



I heard that the amazing Scott Brooks' opening at Long View Gallery was not only packed to the gills, but it is also selling well. Check out pictures from the opening here.

Fotoweek Anacostia starts today!

Click on the image for details.

Joyce Tenneson Talk Tomorrow

Joyce Tenneson is easily the most famous "once former DMV area photographer who moved to NYC" type.

Three of her photography books are among the top ten best-selling photography books of all time, and her work is in the collection of dozens of museums worldwide and her photographs have appeared on countless covers for magazines such as: Time, Life, Entertainment Weekly, Newsweek, Premiere, Esquire and The New York Times Magazine.

She will be giving a slide show and lecture as part of Fotoweek DC at the Torpedo Factory, on Sunday Nov.7 at 6:30PM, lst floor. "A Photographers Life" is the subject of her talk. Preceding that is a reception at Multiple Exposures Gallery on the 3rd floor.

Art Muse in DC

Daily Art Muse has been visiting DMV artists' studios and writing about it.

Read part one here and part two here.

Where the artists are

Elizabeth Ward has a really excellent piece in the Pinkline Project about that one building on 9th and G where all the cool artists live.

And the parties are great... what these eyes have seen there... read it here.

Opportunity for Artists

Deadline: November 12, 2010

Art in Alexandria - Call to 2-d Artists

This exhibit will promote the talent of local artists. The exhibit will be juried by Fierce Sonia, a local award winning artist. The show will hang for 6 months in the Fairlington Room at Rampart's Music Tavern. This is a public space used as a dining room open to all members of the public, including children, and thus artists are asked to submit work appropriate to this venue.

Artists living or working in the Virginia, Maryland, and DC area are eligible. Special considerations will be made for students at TC Williams High School.

Deadline for digital Submissions: postmarked by November 12, 2010, mail to Rampart's Music Tavern, 1700 Fern Street, Alexandria, VA 22302

Delivery of accepted work: December 5, 2010, Sunday, 11am-3pm in the Fairlington Room at Rampart's 1700 Fern Street, Alexandria, VA 22302

Theme: Alexandria, Our Town; all media black and white, limited to 2d
Reception: TBA
Exhibition Dates: December 5, 2010 -June 12, 2011

Need more info or prospectus? Email Fiercesonia@aol.com for any details.

Heard on Univision

The Univision news team of reporters and talking heads seem to be in a tailspin trying to make sense from the fact that 60% of the nation's Hispanic voters vote for Democrats, and yet the only three Hispanic winners of state wide offices and all of the new Hispanic Representatives are all Republican. It's funny listening to them trying to force a square peg into a round hole.

Campello on TV

Not me, but my actress daughter Elise... check her out on Seattle TV here.

FotoWeek DC starts tomorrow

The Corcoran Gallery of Art and College of Art + Design will serve as FotoWeek Central, the hub of activity during FotoWeek DC 2010 (November 6 – 13). Activities include the official launch party November 5, expert portfolio reviews, NightGallery projections on the museum’s historic Beaux Arts exterior, and a variety of workshops, tours, and lectures—including an evening lecture, photo presentation and book signing by Restrepo co-director and producer Tim Hetherington at 7 p.m. on November 11.

Hetherington’s new book of work, Infidel, is as much about love and male vulnerability as it is about bravery and war.

In celebration of FotoWeek DC, the Corcoran will open its doors Monday and Tuesday from 10 a.m. – 5 p.m. of the festival and will be FREE and open to the public for the duration of the festival. To see a full list of FotoWeek Central activities, visit www.corcoran.org/fotoweekdc.

Teresa Oaxaca at the Rotunda

The very young and superbly talented DMV area artist Teresa Oaxaca of Arlington, Virginia will show new paintings in the Rotunda of the Carnegie Institution in Washington, D.C. in connection with the Esperanza Education Fund’s Benefit Concert on December 6, 2010, 7:30-9:00 PM.

The evening will begin with a performance in the Ballroom by the internationally renowned Classical/Flamenco Guitarist Grigory Goryachev. After the concert there will be a champagne reception in the Rotunda where Oaxaca’s new 6-foot high paintings will be featured. This is Esperanza's second Winter Benefit.

Oaxaca’s work will also be on display at the Arlington Central Library, 1015 N. Quincy St. Arlington, from Dec. 7-31.

This young 22-year old painter Teresa Oaxaca is a classically trained painter who grew up in Arlington. She studied for five years in Florence, Italy, and currently works in the Washington D.C. area as a full-time artist. Her portfolio largely consists of figural painting and still life although she is also known as a portrait artist and has been taking on numerous commissions from clients in the Washington D.C. area since 2006. This young art prodigy has already received high recognition, including winning international awards such as the Canadian-based (and highly contested) Elizabeth Greenshield Foundation grant twice, apprenticing with the uberstar Norwegian painter Odd Nerdrum, and exhibiting internationally.

Keep your eye on Oaxaca.

WPA 2011 Artist Directory

Deadline: February 1, 2011

The Washington Project for the Arts has announced a call for submissions for its 2011 Artist Directory.

Published bi-annually, this four-color, 8.5 x 5.5 inch directory is the definitive listing of established and emerging contemporary artists throughout the Washington region. It is seen by more than 2,000 galleries, curators, art consultants, and interested art patrons. Copies are distributed to selected art critics and other members of the press, and to museums both in the region and outside the area. The 2011 Artist Directory will also be available for sale on the WPA website and at select area retail locations at the price of $9.95.

Each participating artist will be featured on a full page (8.5 x 5.5 inches). The page will include the artist's name, a color digital image of their work, their studio address and phone number, email address, web address, and their gallery affiliation.

All current WPA members are eligible for publication in the Artist Directory. There is an additional registration fee that includes a copy of the Artist Directory. Participants who submit before December 1, 2010 can pay a discounted early registration fee of $65. After December 1, the registration fee increases to $75. The final registration deadline is February 1, 2011. No submissions will be accepted after this date.

All submissions will be handled through an online registration form on the WPA's website.

Each participating artist can upload one image to be featured on their page. Images must be submitted as .eps or .tif files in CMYK format. They must be 300dpi and as close as possible to, but no smaller than 6 inches on the longest side.

If you have any questions regarding the 2011 Artist Directory, please contact Blair Murphy, Membership Directory at bmurphy@wpadc.org or 202-234-7103 x 1.

Anderson on Dawson's Real Art DC

The CP's John Anderson has some really good observations and issues with The Washington Post's Real Art D.C. contest.

By the way, a belated congrats to contest winner Steven Silburg. As I've noted before, I will invite all of Dawson's picks for the next volume of the 100 Washington Artists trilogy (so it's really 300 isn't it?).

Anderson's article gave me an idea and I am toying with the concept of going through all the entries to see if I can find my own top ten that I like and invite one of those to be in the next volume as well.

Read Anderson's article here.

Heard on Univision

A 10 year old Romanian girl (Spanish double talk - in Spain - for Gypsy) living in Andalusia has given birth.

Lest We Forget

"The people who cast the votes decide nothing. The people who count the votes decide everything."

- Josef Stalin

Freedom!

As we vote today, it is a somber thought when we recall those who live under the boot of tyrants. Yesterday I told you about the brutalization of Reina Luisa Tamayo Danger, a Cuban grandmother and dissident activist who, since the murder of her son Orlando, has become one of the leaders of the peaceful Cuban protest for freedom from the iron-fisted rule of the Castro brothers.

Following an immediate international outrage over her beating and jailing, this gutsy lady was released from jail, where we have now learned that she was shouting "Freedom!" over and over from her dungeon cell, and thus she was beaten in the mouth and her mouth stuffed with a rag soaked in gasoline.

Tamayo's three sons and their wives are still being held in jail by Castro's police. It is curious to see how none of this has made generally the US news circuit (other than Miami newsmedia of course) while making news all over the rest of the world.

Reina Luisa has been offered exile and to leave Cuba. Her answer was no! and: Freedom!

35 Years!

Washington Project for the Arts (WPA) will present Catalyst, its 35th anniversary retrospective exhibition, at the American University Museum at the Katzen Arts Center in Washington, DC, from November 9 through December 19, 2010.

Using three floors and the outdoor sculpture garden of the museum, Catalyst will be a dynamic, narrative 're-collection' of the WPA legacy, showcasing selected artists, exhibitions, programs, and events from its 35-year history. Curated by longtime WPA member, artist, writer, curator, and art professor J.W. Mahoney, Catalyst will include both recent and period artworks, documentation in both still and moving media, with a fully illustrated catalogue to accompany the exhibition.

In a statement provided by Mr. Mahoney, "Catalyst is intended to demonstrate the uniqueness, the resilience and the authentically catalytic power of a truly successful alternative arts organization that has survived for more than three decades." Divided chronologically into three major sections of the museum, the exhibition will feature works by over 150 artists in a variety of media. Through the presentation of selected works and narrative text, Catalyst will demonstrate the integral role WPA has played in the history of contemporary visual art in Washington, DC.

Catalyst is not intended to be presented as a traditional historical retrospective and it, by practical restrictions on space and time, can present only a glimpse of the depth and breadth of WPA's 35 years of creative production. It is intended to communicate the idea of WPA as a catalyst - as an organization that has meaningfully encouraged and supported the creative spirit of artists - and to demonstrate that artists continue to practice and thrive here in our region.

The exhibition catalogue features an introduction by American University Museum and Curator Jack Rasmussen, an illustrated timeline of selected moments in WPA history; essays by curator J.W. Mahoney, former WPA Executive Director Jock Reynolds, and former Bookworks Manager Robin Moore; and an illustrated exhibition checklist. It is available for $35 on the WPA website and in the American University bookstore.

WPA will also produce an interactive website for the exhibition which will invite artists and individuals associated with WPA throughout its history to contribute stories, artifacts, and information about the organization. The site www.wpadc.org/catalyst, which will include a timeline, comprehensive artist list, and exhibition and performance history of the organization, will be live November 1, 2010.

An opening reception will be held on Saturday, November 13, 2010 from 6-9pm at the American University Museum at the Katzen Arts Center, 4400 Massachusetts Ave. NW, Washington, DC 20016. A ticketed benefit opening will take place on Tuesday, November 9 from 6:30 to 9:00 pm. For more information or to purchase tickets, contact esmitherman@wpadc.org. Individual tickets are $75 for WPA member artist and $150 for individuals. Proceeds will benefit WPA's 35th anniversary exhibition season.

WPA will also host a series of related performances and public programs leading up to, and during the exhibition dates. Exhibition curator J.W. Mahoney will lead a tour of the exhibition on Saturday, November 20 at 4pm. Further details on the exhibition and related programming will be available at www.wpadc.org in the coming weeks.

My own experiences with the WPA have been terrific and go back many years. But clearly the most important one was in 2005, when I had perhaps the most difficult and most fun curatorial job ever. And at the end, it delivered the most wonderful gift of my life.

This happened when I was retained to curate the massive "Seven" exhibition for the then WPA/Corcoran. My goal in curating the show was to expose WPA artists who rarely, if ever, got any attention from previous curators and pair them up with some well-known names. In order to do that I reviewed 24,000-plus slides in the WPA/C Artfile, plus about a 1,000 digital submissions - the first time that the WPA had used digital entries for a show!

I reviewed all those slides and files not once, but twice over a six month period of trips to the Corcoran, where the WPA lived at the time.

"Seven" got its title because it filled seven different spaces at the Warehouse Theatre and Gallery complex on 7th Street, NW. At the time it was the largest WPA exhibition ever, and it was the WPA's best-selling show up to that time (nearly 70% of all the artwork from 66 artists sold, including two Sam Gilliams, three Chan Chao photos, a major Tim Tate glass piece, huge Graham Caldwell glass piece, Cornelius videos, Jamison painting, etc.) and about a dozen WPA member artists without representation got picked up for representation by galleries from that show (as I took groups of gallerists for one on one tours of the show). These dealers then picked up new artists for their galleries... such as Susan Jamison by Irvine Contemporary.

It was a huge opening with estimates of 600-800 people all spilling out onto the streets. We had a live nude drawing class during the opening show, with the model posing for several artists who created drawings on the spot. They were in what I had dubbed the "Nude Gallery," which was hung with the work of artists who focused on the nude.

We also had opera singer Hisham Breedlove, who had been body painted ahead of time by Adrianne Mills, singing around the galleries as a walking, living work of art. On the top floor gallery, Kathryn Cornelius conducted a performance several times that night. All of this was going on at the opening.

The show got major reviews by the DMV press with coverage in The Washington Post, the City Paper, Georgetowner, and all the (then) new art blogs. It was even covered by local TV as well as covered by CNN - It was the first WPA show ever covered by CNN!

The show was the buzz of the town for the whole month and it accomplished what I had intended to do: expose as many "new" artists to the DC art scene as possible while getting the WPA some buzz and selling some artwork. It did all of that and more.

And most important for me: I met the woman who eventually became my wife at the curator talk that I gave during the show! I challenge anyone to beat that success story!

This is important: Again...a ticketed benefit opening will take place on Tuesday, November 9 from 6:30 to 9:00 pm. For more information or to purchase tickets, contact esmitherman@wpadc.org. Individual tickets are $75 for WPA member artist and $150 for individuals. Proceeds will benefit WPA's 35th anniversary exhibition season.

Overheard while voting

Elderly Chinese lady in the voting booth to my right (talking to another - much younger - Chinese lady in the voting booth to my left): "I can't believe that I'm voting for all these Republicans!"

Agitated voting judge comes over and tells her that she can't discuss her voting with people around her. The elderly Chinese lady doesn't say anything and the voting judge retreats to her station.

Elderly Chinese lady, this time in Chinese, again speaks to the other Chinese lady to my left. The words "Ike Leggett" and "Republicans" are distinct amongst the Chinese chatter.

Agitated voting judge comes over again, but I'm not sure that this time she knows who was talking. She looks at me and announces: "Please! No talking while voting!"

I finish voting, and while depositing my electronic voting card in the box by the voting judge, I say "syeh-syeh" ("Thanks" in Mandarin Chinese) to her. She looks at me oddly.

Whatever you do today, please make sure that you vote. Otherwise, please refrain from bitching tomorrow.

Where is the outrage?


(Via) Yesterday, the Castro dictatorship arrested Reina Luisa Tamayo Danger, an activist grandmother who is also the mother of deceased Cuban hunger strike political prisoner, Orlando Zapata Tamayo.

She was arrested along with 39 other dissidents who were accompanying her in a march to Orlando's grave site. Orlando Zapata Tamayo was a bricklayer who died after 85 days in a hunger strike in protest over lack of basic human rights in Cuba.

Take note -- 39 dissidents arrested in one afternoon. They all remain unaccounted for. According to Cuban blogger Yoani Sanchez, Sra. Tamayo (that's her being arrested in the photo) has been hurt in the arrest. If you can understand Spanish, click here to listen to an eyewitness describing the beatings and also the jailed women screaming into the night from the local jail as they continued to be beaten inside the prison.

Where's the outrage?

It is courageous people like this elderly lady, who will finally bring change to Cuba and eliminate the brutal nightmare that has ruled with an iron fist over that poor island since 1959.

Update: If you can understand Spanish, click here to hear Sra. Zapata Danger calling Radio Marti to report that they were being attacked. Her cell phone has been subsequently confiscated by the Cuban police.

Update: Babalu reports that "Reina's mouth has been busted, her knees are scraped, and her ribs have been injured from the beating she received yesterday."

Update: (via)

“It was terrible. I could hear Reina from the dungeons cells. She said ‘Down with Fidel, Down with Raúl, Zapata lives!’.
- Marlon Martorell, an activist who participated in the march

Campello in Olympic Bid

El Campello, a small town on Spain's Costa Blanca has caused a storm in international circles by throwing its hat into the ring as a late shock candidate for the 2020 Olympic Games.

The local council, known as an ayuntamiento in the local parlance have contacted the International Olympic Committee to officially declare their interest in hosting the games.

An ayuntamiento spokesperson, José Luis Ricardo Rodrigo Gonzalez-Zapatero-Sanchez Canatuna, otherwise known as Pepé said yesterday; "We believe that Campello is perfectly suited to be the host city for the 2020 Olympic Games. Spain is the World Champion in virtually every sport known to man, and we feel that now is the time to award The Games to Campello.

Read about it here.

Betty Thobela: Art Scammer

Only Andrew Wodzianski could deal with a perspective art scammer in such a funny way; start reading and learn how to deal with a scammer:

From: "Betty Thobela"
Sent: Sunday, October 10, 2010 11:12 PM
To: info@wodzianski.com
Subject: Artworks Inquiry..

Hi,

Hope this message finds you well.
I saw these creatives works on your web site and i will like you to
get back with more details if they are still available for purchase.
Red 1 and Friday, December the Eleventh
I will appreciate an urgent reply.
Best Regards,
Betty.

--------------------
Betty,

Thanks for the inquiry.
Red 1 and Friday, December the Eleventh are both available.
Prior to quoting you prices, its nice to know how you discovered the images. Several clients find me through sources that I need to thank & recognize.

I look forward to hearing from you. Best of Mondays,
Andrew

--------------------
From: "Betty Thobela"
Sent: Tuesday, October 12, 2010 1:50 AM
To: info@wodzianski.com
Subject: re: Artworks Inquiry..

Hi Andrew ,
Thanks so much for your response to my query about those creative works. I first heard about your work at an exhibition in AAF Contemporary Art Fair, NY.
Anyway , i will like to proceed with the purchase of both pieces . Can you pls confirm the actual size and price of the two pieces so i can know how best to proceed. I will also like to know what inspire you to make the pieces.

I will look forward to hearing from you soon .

Best Regards,
Betty.

--------------------------------
Betty,

AAF! While I was absent from this year's festivities, I do plan on representation in Miami this December. If you plan on attending any of the Florida fairs, please let me know. I should be able to get you a ticket to at least one of the events.

Red 1 is $1,500 USD. Its 54 x 36", oil on canvas, unframed. Its heavily influenced by Freud's psychoanalytical interpretation of Perrault's "Little Red Riding Hood," in additional to my overarching interests in disguise, and horror. Friday, December the Eleventh is 3,500 USD. Its 34 x 48", white titanium oil on tinted canvas, unframed. Its influenced by Hitchcock's "Psycho."

When you reply with a delivery address, I can quote you shipping costs.

Best,
Andrew
------------------------------------
From: "Betty Thobela"
Sent: Tuesday, October 12, 2010 2:24 PM
To: info@wodzianski.com
Subject: re: Artworks Inquiry..

Hi Andrew,

Good to hear back from you. Yes, i will like to proceed with the purchase of Red 1 . I think it is a lovely work and i hope to give it a good home.

I am presently away in London for my twin sister's wedding even though it comes at a time when i was preparing for a big move and also expecting a baby but it means so much to her. I should be back in few days.

Meanwhile,i will like you to forward your mailing address and phone number so i can inform my husband still shutling between our home in New Jersey and Jo'burg, SA on where to forward the payment . He has just been transfer to head the IT section of their head Office in Jo'burg.

I can also forward your contact info to the local cartage company that will be moving all our house decors so they can get in touch with you to arrange shipping details. They can arrange FedEx pick up of the artwork from your studio.

I will look forward to hearing from you so i can know how best to proceed. Cheers.

Best Regards,
Betty.
----------------------------------------
Betty,

Brilliant!

Congratulations on your sister's wedding. Matrimony is an important institution and one that I plan on making correct in my fourth attempt. And congratulations on what I presume to be your husband's promotion! South Africa is a wonderful country, even with the security concerns. William Kentridge is a favorite artist of mine.

Unfortunately, I cannot disclose my residential address or my private phone number. To make a long story short - I'm temporarily residing in a half way house in Mid-Atlantic as part of a witness relocation program. I'm typing you for a computer terminal at a public library. I'm restricted to internet communications as my primary source of correspondence.

Also a unfortunate (and related) coincidence, I am not legally allowed to have affiliation with FedEx. Making another long story a bit shorter - the agreement is part of a settlement that dealt with an art fraud / theft case I experienced in 2004.

Regardless of these situations, they won't bar us from your purchase of Red 1. We just need to take a few particular steps. Trust me, its safer for both of us.

What I need you to do:
1) Send $1000 USD to an escrow account I have established. I use a secure, and bonded internet service called Paypal. My account is through the following address; wodzianski@rocketmail. This money will serve as both a retainer and deposit. Upon receipt of your $1000, I'll pack and ship the painting via a third party agency to your New Jersey (cheaper) or South African (expensive).
2) Send your preferred mailing address.
3) Your remaining balance, plus cost of shipping will be due upon delivery. Again, Paypal will be our intermediary. While $500 USD will pay the balance of the painting, an additional fee will be added for shipping and handling. I can send you a precise estimate with your delivery address.

If its easier for you, I can send a Paypal invoice to bet.bela00@mybest.com

Apologies for having to take these specific steps, but the US Government, IRS, FBI, and my legal counsel would be pretty upset with me if I did anything less.

Thanks in advance for your understanding and I can't wait to list my work as being part of a South African collection!

Best,
Andrew