Opportunity for young female photographers

As part of its 80th anniversary celebration, the Inter-American Commission of Women (CIM) of the Organization of American States (OAS), in coordination with the Art Museum of the Americas (AMA), invites all 11 to 14 year old girls from OAS Member States to participate in the Photography Contest “When I Grow Up…”

This competition aims to capture the vision young girls have about their future: their dreams, their personal and professional ambitions, and what they imagine that their world will be like when they reach adulthood. Through their photographs, the girls will reflect the evolving changes in gender stereotypes due to women’s empowerment. Moreover, they will illustrate how the new generations assess the progress achieved by women regarding their role in society and what is still to be achieved by young women such as themselves when they grow up…

Click here for terms and more information about the contest.

Opening Ceremonies Blues

I watched the Beijing Olympics opening ceremonies last night, and while admiring the spectacular artistry and synchronization of 2008 humans on the field doing all sorts of unbelievable things, slowly this sort of mental connectivity to the Berlin Olympics from decades ago began to emerge.

When the Chinese soldiers goose-stepped to raise the Chinese flag, and the Chinese children representing the 50-odd ethnic groups in China began singing the Chinese national anthem while doing a curious arm salute to the anthem, at least for me the Olympic connection between Nazi Germany and Communist China was cemented in an odd way.

By the time that the ceremonies got to the part where China, perhaps one of the world's worst human rights offenders, and a nation who is destroying its own environment at a brisk pace, does the bit on the future of the planet, global warming, peace, etc. I was a way beyond skeptical about the heavy handed, sometimes hypocrythical messaging of the opening ceremonies.

Let's just get the competitions going, shall we?

The Chinese Art Market

In all this foment, the contemporary art scene is somewhat at a standstill. Yes, new records are being set for contemporary Chinese works at every successive Sotheby’s and Christie’s auction. And every foreign visitor to Beijing, art aware or not, now has to walk around “798”, the chic factory café and gallery area, formerly a wonderfully anarchic artist community. And it seems that “millions” are being made by all concerned within this bustling, over-heated art market. But the art itself isn’t moving. The big five names are all producing exactly the same cartoonish works they have done for years, because that is what sells. Every new artist who arrives on the scene produces not-so-subtle variants of that same work because that is what sells. And even reproduction specialists have switched from copying Degas, Monet and Rembrandt, to producing “genuine” Wang Guangyi, Zhang Xiaogang and Yue Minjun knockoffs, because…

Read the Art Newspaper article here.

Olympic Predictions

The Olympics start tomorrow - we'll be watching avidly and predict that:

Several Chinese athletes whom no one has ever heard of, will win gold medals in some arcane sports that no one watches.

An American sprinter, favorite to win a medal, will pull a muscle in one of the qualifying rounds.

Sullen-looking Russian female gymnasts will battle it out with very young Chinese gymnasts who never smile either, but somehow manage not to look sullen.

Cuban boxers with years and years of "amateur" experience will beat up on everybody.

Skinny African-born long distance runners will run for a variety of non-African nations - where they are now citizens - and sometimes still lose to someone still running for Kenya.

Because of the way that she looks, Americans (and only Americans) will wonder in silence how come Dara's last name is "Torres."

Some nation which has never won the FIFA World Cup will nevertheless win the Olympic gold medal for soccer.

The United States better win the gold medal in basketball or someone is getting their butt kicked.

The Franz and Virginia Bader Fund

Deadline: September 15, 2008

The Franz and Virginia Bader Fund welcomes applications from visual artists aged 40 years or older, who live within 150 miles of Washington, D.C. and can demonstrate that they have the potential to benefit as artists from a grant.

The Franz and Virginia Bader Fund does not, however, accept applications from filmmakers, video artists, and performance artists. In 2006 the Franz and Virginia Bader Fund awarded three grants totalling $50,000.

The deadline for applications is September 15, 2008. Application forms may be downloaded from the fund's web site: www.baderfund.org or may be requested by sending an email to grants@baderfund.org or by sending a request to:

Bader Fund
5505 Connecticut Avenue, NW #268
Washington, D.C. 20015

Wanna go on an art tour in DC?

On Saturday, August 9th at 11a.m., artist Craig Kraft and my good friend and art collector and founder of Pink Line, Philippa Hughes, will give a tour of the Foggy Bottom Outdoor Sculpture Exhibit – sharing their unique points-of-view with the audience.

"We are so excited about having both Craig and Philippa lead the tour," says Jill Nevius, Arts in Foggy Bottom organizer. "We think this will make for an informative and lively conversation about art."

The tour will begin at the corner of New Hampshire Avenue and I Street NW (a few blocks from the Foggy Bottom Metro) and there will be a reception to follow at the Watergate Gallery. You can download the brochure here which shows the pieces in the exhibit with a map of the neighborhood.

Wanna try for a book?

Deadline: September 5, 2008.

The Center for Documentary Studies/Honickman First Book Prize in Photography is a biennial prize offering $3,000 in grant money, inclusion in an exhibition, and most importantly, the publication of a book of photography, published by Duke University Press in association with CDS Books of the Center for Documentary Studies at Duke University. To learn more, go to this website or send an SASE to:

CDS/THF First Book Prize in Photography
Center for Documentary Studies
1317 West Pettigrew Street
Durham, NC 27705