Mark Planisek

Just received the terrible news that DC area artist Mark Planisek had a horrible accident over the weekend.

Apparently Mark was coming out of the Arlington Arts Center and about to was crossing the street, when a car peeled off, causing him to retreat backwards onto the sidewalk; he tripped on the curb and fell backwards, and was struck by a car and received a really bad head injury.

Planisek is in ICU and we're all hoping and praying for the best, but I am sad to say that his family has been told to prepare for the worst.

AOM Benefactor Letter 2

(Via Tammy Vitale):

If you got one...

The last "benefactor claimant asserted that he/she had mailed out 50 letters to AOM artists.

If you got one, either drop me an email or leave a comment.

Tammy Vitale's AOM Top 10

From DC area artist Tammy Vitale:

Wanted to give a shout out to some artists whose work I have really enjoyed this year. I hate to call it a Top Ten...mostly because I have others I really like. These folks, however, took the time to "talk" with me (via interviews on my blog), so I know them better and appreciate their work even more.

Patricia Hartnett: there is an underlying magic to the small paintings of a girl and a bird (birds), the twig tree - all things that call me in to visit with the work and hear it's stories. There are secrets here and I want to spend time learning them.

Tracey Clarke: also weaves a mythological land for her work. "The Guardian" caught my eye, the LLama with butterflies (whose title I don't know) kept me there delightedly smiling. I could live with any of her work forever (pretty much my criteria for "great art").

Krissy Downing - and not the first time. Her whimsical sense of humor always makes me smile. But this year, she added "Child in Branches"...not whimsical. More melancholy. Wonderful!

Alex Zealand - because I never quite know what it is I'm looking at. This year's piece was first rain, then harp strings, then a flock of birds. Doesn't get boring!

Jane Braoaddus - because her dolls are slightly wicked, and call forth the dark side. I like that (not to mention wonderfully and imaginatively executed).

Sofya Mervis: more dark side, pursuing a quest I visit in Body Politics: what is real beauty? why do women allow themselves to be co-opted by a marketing media that does not have their best interests in mind as it totes that "perfect" look? Pretty much: when will we (women) learn?

Susan LaMont - color. Lots of lush color. And underlying all that color, some tale is being told by juxtaposition of light and shadow. Mesmerizing!

Kim Reyes - always shows something that absolutely captures me. More often than not, several somethings. This year she has returned to her necklaces with ceramic focal pieces - the work that first caught my eye at AOM02. And Departing (ceramic and chicken bones) stopped me in my tracks. Reminescent of her work last year, it has to be a personal story, but there wasn't a tour for me learn the back history on it - my loss. (I don't have an interview with her but I have known and loved her work since my first ArtOMatic so I'd be remiss if I didn't mention her).

John Grunwell because I fell in love with his cat portrait at AOM02 and have enjoyed watching his style emerge and develop.

David Alfuth - His work amazes me. And he really really worked with me to get an interview in for my blog (computer troubles). I guess you have to have infinite patience as a characteristic to make his creations!

And like I said, there are many many more pieces I could cite and artists I could name. What I like about ArtOMatic lately is that one can watch certain artists as they move forward in their artistic process. Fascinating to watch unfold, inspiring to see their tenacious movement toward unrealized vision that is revealing itself as they go.

Dueling Benefactors

Remember when I pointed you to artdc.org for the fascinating thread discussion on Artomatic's "Benefactor?"

The WaPo's Reliable Source picks up the story and wrote a little piece on it here. This apparently stirred up a hornet's nest and now there are two dueling entities who both claim to be the "benefactor."

The first one is allegedly an older lady and she wrote this letter:

To Whom It May Concern:

I wish to convey my regrets for any concern I have caused the artists of Artomatic. I meant no harm. You may well imagine my surprise at seeing my small gesture reported upon in the Washington Post.

Allow me to explain myself. Since the passing of my husband of 43 years I have not been as socially active as I once was. My daughter, Margaret, accompanied me to the Artomatic Fair some weeks ago. I was enchanted by the work I was able to view. I was not able to tour the entire show but the work that I saw touched my heart and brightened my day. My income is limited so Margaret suggested I send a small token of my appreciation to some of the artists who touched me most.

I have asked Margaret to leave this note with the Directors of Artomatic. I do so hope that I have caused no lasting distress to all of the delightful artists in your show.

I wish you well in all of your future endeavors.

With warmest regards,

The Benefactor

Which caused someone else to become an artdc poster and he/she added this on their forum:

I don't have time to make this rhyme:

The letter "Rebecca" received was a fake

my letters are center-justified, the fake was left justified

I sent everything by US mail

the fake was delivered in person

I have sent out about 50 letters and I know to whom

can the impostor give you a list of all the artists that were sent letters? I doubt it

I would have ignored the fake letter, but I decided to clear things up when I heard Tammy V was offering art to the writer of the fake letter.

Please don't expect any response to questions or comments. I am only here to expose the fake.

I prefer the printed word to the internet.

don't worry, be happy

Thanks for the art

The Benefactor

All the details here.

Wanna go to an art opening in Baltimore this week?

Robin Tierney's Artomatic picks

Robin Tierney is a freelance writer and art critic who writes for a lot of different magazines, newspapers and online outlets, including this one. She responds to my call for AOM favorites and sends the below report, which once again proves that my Billy Artsy critic caricature is imperfect to say the least!

10 works that I enjoyed at Artomatic by artists I’ve never written about before:

* Edward Hahn’s photographs of a wrecked sailing vessel in Oregon, eroded moorings in Ocean City and other images in the series “The Planet Fights Back.”

* Tracey Clarke’s oil painting of The Guide with her telling of new mythology.

* Johanna Mueller’s intricate prints of animals in mythical and mysterious settings that suggests really good fables and dreams.

* Pam Barton’s “I thought you loved me” metal art in her motif jewelry display.

* Lisa Schumaier’s raku-fired, papier mache, mixed media sculpted beings. Eerie and wondrous stories there.

* Deb Jansen’s fiber Homewrecker Dolls $100 per skank accompanied by Catharisis & Karma open letter. Ouch. Oooh. Fury, the great motivator.

* Jenny Walton’s big monotypes that seem to visually articulate some deep thought. Or maybe just random ones. In any case, she snagged a Pyramid Atlantic residency.

* Nabila Isa-Odidi’s acrylic of the little girl in “Yellow Dress.”

* David Alfuth’s funny surreal cut-paper stories. Go on be snarky...some folks like reality TV; I like things that tell stories.

* Noisebots by Elliot Williams. Artful, amusing science projects/audio sculptures. Photocells respond to light. Did you move the mic around? Flip the switch? Go back and check ‘em out. Nice view of the new stadium from there too.

And while not exactly enjoyable, Antomatic by Rebecca and Eric Gordon calls attention to the plight of the bumble bee. The world is losing the bees pollinate the crops that feed us. This easy-to-miss multimedia installation prompts thought. A good addition to the sensory arcade that makes Artomatic worth multiple visits. Go.