Sandra Ramos lecture at George Mason University

Thursday Oct 28th at 1:30 at the School of Art - Room 2001. The talk and slide lecture will discuss the state of contemporary Cuban art. It is free and open to the public.

Sandra Ramos groundbreaking work in the 1990s was amongst the first to challenge and expose the harsh realities of Cuban life. By addressing forbidden issues such as mass migration, the plight of Cuba’s raft people, racism in Cuban society and the inequalities of Cuban life, Ramos found a voice through her art that has brought her worldwide fame and inclusion in many private and museums' permanent collections, such as the Museum of Modern Art in New York, the Museum of Fine Arts in Boston, Dallas Art Museum, Miami Art Museum, Fuchu Art Museum in Japan, Thyssen Bornemisza in Vienna and regionally at the University of Virginia Art Museum.

Sandra Ramos resides in Havana, Cuba. Her work has also been showcased at Art Basel Switzerland, ARCO Madrid, Art Basel Miami Beach, multiple Biennials and many other worldwide art fairs.

Her second US solo show, "Exodus", showcasing her latest paintings, videos and etchings, opens this coming Saturday, Oct. 23rd at Norfolk's Mayer Fine Art Gallery.

Modus Union Salon party: Pencil this one in

Mary Schmidt Amons, cast member of Bravo's "The Real Housewives of DC" and founder of Labels for Love, created “Modus Union” this one of a kind unique event to collaborate our active philanthropic, political, and artistic communities within the Nation's Capital.

Modus Union was formed from two words that represent unification with positive intent. The Washington, DC area is the leading world capital and we are seeing the combination of artistic talent and a youthful energy not seen since the Kennedy era. The time has come to collaborate with these disparate groups of influence to showcase opportunities in an effort to make a positive social and philanthropic impact by maximizing our impact on the Nation's Capital and its global influence. Labels For Love beneficiary partner this year is Fran Drescher and her Cancer Schmancer Foundation.

Cancer Schmancer is dedicated to saving women's lives through early detection and prevention of cancer. As you may know, Fran Drescher is a 10-year uterine cancer survivor and a leading advocate for the early detection of women's cancer. Fran and her Foundation are continuing to make a major global impact, through sharing her personal story as well as educating women on the causes of cancers and the importance and methods of early detection

Event Location:
The Yards Park
10 Water St SE Washington, DC
(Intersection of 3rd St SE and Water St SE)
Three blocks from the Navy Yard Metro (New Jersey Ave Exit)

Thursday, November 4th, from 5:30pm – 9:30pm
Lumber Shed Pavilion - Fully Covered outdoor 13,000 sqft Space which will be heated for the event. 23 Artist Juried Art Show on exhibit and the Exhibit Jurors were Shane Pomajambo: Art Whino, Maggie O'Neill: O'Neill Studios/ Maggie O'Neill Fine Art, Margaret Heiner : Aesthetica Art Consulting, Lauren Gentile: Irvine Contemporary, Philippa Hughes: Pink Line Project, Marsha Ralls: Ralls Collection and yours truly.

There is also a curated art exhibit by Art Whino and they will showcase a special 6000 sqft art exhibit and live painting by Brandon Hill, Ariit Das, Cita, Michael Owen, James Walker, Josh Taylor, Maggie O'Neill and Sylvia Ortiz. Vicki DaSilva will also be doing special Light Graffiti portraits throughout the night.

Complimentary Parisian centered food by Bonaparte / Peacock Cafe/ Mortons. Open Bar all evening by Vitamin Water/ Dirty Martini

Performers: Modern Thieves / Sam James / Trapeze School New York (TSNY)
Eclectic Mix of Dazzling Performers such as Unicyclist, Jugglers, Mimes, Stilt-walking, Sword swallowing and much more!

Wearable Art: Nycholis Maziejka / Charm / Lentz

$50 Non Profit Donation Entry Fee. To purchase tickets go to www.labelsforlove.org/events.html .

The juried artists are:

Rodger Shultz

Gwenn Zaberer

Collette Burmester

Jamea Richmond-Edwards

Fierce Sonia

John Osgood

Terry Plater

Vicki Thomas

Shawn Bishop-Leo

Yanique Moore

Elese Clake

David Barr

Tomi Balogun

Lydia Cutler

Sandra Leonard

Sharon Buhen

Mike O’Brien

Celeste Chen

Vennessa Ortiz

Maria Gracia Canedo

Eugene Pool

Maria Lujan

Martin Figueroa-Ramirez

Farrah Ahmed

Rosalba Alarcon de Lujan

Aaron Wilder

Aasiya Townsell

Ira Natalushko

Maria Miller

Jeff Williams

Mary Rieser Heintjes

Stacey Hill

Marielle Mariano

Anna Kathryn Carlson

Carrie Nobus

See ya there!

The Friday opening to go to next week is...

My good bud and one of the DMV's most talented and courageous painters, Scott Brooks opens at Longview Gallery this Friday.

When: Friday, October 29th, 6:30 - 8:30pm. Food and beverages provided by Design Cuisine; Featuring live music by J.E.L.

Wanna go to an opening this week?

Marymount University's Fine Art and Graphic Design Faculty Show has an opening Friday, October 22, 5-7:30 pm. The dates for the show are: October 22-December 12, 2010.

Auction alert: Campello original

This Ebay auction offers a drawing that I did while in Art School. It is circa 1980. It is being offered by some antique store in Washington state.

It's pen and ink of an unicorn. The piece, as I recall, was one of many, many different unicorn and fantasy drawings that I did during that period for a fantasy periodical in Seattle (name escapes me now, but that stuff was hot in Seattle in the 1980s). I would get a small chunk of money for each drawing they used, and then I'd get the original back and sell it at the Pike's Place Market in Seattle.

Between 1977-1981 I sold artwork at Pike's Place Market... everything including all of my art school assignments once they were graded and all of the pen and ink illustrations that I did for this periodical (and others). I'm guessing that I probably sold anywhere from two to three thousand drawings, paintings, watercolors, etchings and woodcuts at Pike's Place Market in those four years - don't be too impressed, the price point ranged from $5 to $100 or so.

The unicorn pen and ink original, framed is starting at only $20 bucks! Hurry, there's only a day left in the auction!

Bid for it here.

Scope Art Fair "freefall" continues?

A while back I noted the various artblogsphere posts describing the various issues surrounding the once mighty Scope Art Fair and describing what's happening to Scope as a "freefall."

Scope had to cancel its Hamptons fair this summer, doing so at the very last minute possible and getting a lot of irate grumbling from the scheduled exhibitors.

And there's something odd going on now with the exhibitor selection process for Scope's Miami version.

Initially, the deadline for announcing the final set of exhibitors for Miami was supposed to be in early October. When that didn't happen I called Scope to find out why and I was told that the date was "October 14 all along."

This is not what I had been told (and what I had in my notes) earlier on, but I said OK and waited.

When October 14 came and went, and no exhibitors had been notified, I called them again and after being put on hold for a bit, I was told that the new date was November 1st.

When fairs keep extending deadlines for applications and/or notifications of exhibitors there are usually a few things that drive this train wreck:

1. Not enough applicants (and thus not enough application fees and deposits gathering interest in bank accounts)

2. Not enough "good" applicants, at least from the self described "cutting-edge contemporary art from around the world" art fair. Judging from the Miami Scopes of the last two years, this fair has been slow in deciphering that because of the drastic economic slowdown, both galleries and collectors are becoming a little more grounded in the plebeian realities of selling artwork than in trying to get attention through the often salesless avenues of cutting-edge art tricks.

3. Not enough cash at hand to actually make the fair happen

I don't know if any of the above applies to Scope and its reason for once again delaying notifying applicants of their acceptance status, and I think that Scope Miami will take place one way or the other (after all, they have a shiny new 80,000 square foot pavilion next to Art Asia and Red Dot and across the street from Art Miami; all of them centrally located in the center of the Wynwood Arts District).

But I do know that this continuing delay in notifying applicants of their acceptance or rejection status is not only highly unprofessional, but it is also creating havoc with galleries' art fair schedules as alarmed artists keep putting pressure to know if their particular dealer is in Scope or not.

Why? Because in the complex chess game that is Art Basel week in Miami, any artist worth his or her artsy business cards must be in an art fair somewhere from the 25 or so art fairs that surround Art Basel Miami Beach. In the 21st century visual arts games, you gotta be in Miami somewhere or you're still so 20th century.

But fairs like Scope demand that galleries, if showing in Scope, can't show in any other fairs.

And art dealers/gallerists, being the over-protecting cabal that we are, usually demand that only one dealer show the artist in Miami (I've always thought the opposite - that is, that the more dealers that show the same artist in various fairs, the better for both the artist and the various dealers - but in that line of thought I am alone in the art dealer universe). And thus one can have the case where an artist has said to his "other" dealers: "Look, my New York gallery has applied to Scope, and if they get in, only they can show my work in Miami during Art Basel week."

In the past, when Scope actually stuck to its timetables, if a dealer got rejected from Scope, they could always (and usually) did, apply to another art fair, and another, until accepted in one of them. But with about six weeks left before Art Basel Week, and Scope still delaying the process, by the time November 1st comes along, there are only four weeks left to find hotels, ship artwork (imagine this nightmare if you're an overseas gallery trying to ship artwork from your location in Europe or Asia to Miami in four weeks), etc. It's a train wreck in the making for the selected exhibitors and a train wreck already in process for those who will be rejected, and scrambling - with four weeks to go - to find another art fair with some booth space still available.

All of this maelstrom because a once mighty art fair appears to be scratching its ass trying to figure out what to do next, not realizing that they've already thrown a huge wrench in the gear works of a couple of hundred galleries and a couple of thousand artists.

Hurry! Opportunity for Photographers

Deadline: Tonight at 11PM, October 18, 2010

This competition has an interesting twist to it. It features figurative and Fine Art Nude photography with a twist of fetish to celebrate Halloween. It is titled the "Halloween Fine Art Nude/Figurative Photography Show" and it is being held at the The Carriage House Studio and Gallery in DC. All entries are submitted online.

Submission Guidelines: Content may be any image in the realm of fine art nude photography. Winners will be selected and exhibited in the following categories:
1) best figurative image
2) best costume/fetish image
and two special exhibits
3) best figurative/fine art nude image shot on film and
4) best image of Nika (www.modelmayhem.com/853632), who is returning to to Washington DC from Germany and will attend the show as their Feature Model.

The images for the exhibit will be selected by three judges with background in fine art photography, who will be announced shortly. The top selection in each category will receive a complementary shoot at the Carriage House studio during the 60 days following the exhibit. Participants whose work is not selected will also have their work displayed on a wide-screen display.

All images must be received by 11 pm on Mon, October 18th. You may send up to 5 jpegs (1200 px x 1200 px max) for consideration.

All the details are here. The show will be at The Carriage House Studio and Gallery, a new arts cooperative in Washington, DC, located in the historic Logan Arts Circle District. The studio is located in a historic landmark 1860's carriage house.