Two young boys gleefully destroyed a piece of art at a museum in Shanghai last week while adults, presumed to be their mothers, filmed the incident.
Read the story here.
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Two young boys gleefully destroyed a piece of art at a museum in Shanghai last week while adults, presumed to be their mothers, filmed the incident.
The city’s controversial move last week to temporarily take control of the Torpedo Factory Art Center caught many in Alexandria off guard. While three years seems to be pushing the boundary of what’s truly “temporary,” on face value the action makes sense.Read that Alexandria Times story here.
“The expectation now is that if we are leasing directly with the artists, now the city is bringing in that income, so we’re expecting the business model to still be self-perpetuating as it currently is but in a slightly different channel,” Ruggiero said. “Especially since this is a temporary measure, we will set it up within our system as a separate budget so it won’t be absorbed into the office of the arts. It’ll be a separate thing so we can track it better.”Read that other Alexandria Times story here.
Artists and art patrons have been expressing concern about the future of the center since a consultant’s report in January excoriated how the Torpedo Factory is organized. The report called the management structure dysfunctional, citing distrust among those involved and a lack of diversity among the artists. It also described the center as “continually hampered by disruptive politics about the distribution of power and authority.”Read that WaPo story here.
A laboratory experiment in Hungary has spotted an anomaly in radioactive decay that could be the signature of a previously unknown fifth fundamental force of nature, physicists say—if the finding holds up.Details here.
The meaning of 'axiom' is a self-evident truth. These recent graduates of Cuba’s University of the Arts, now in their 30’s, face their realities with a new gaze, free of political elements that nonetheless penetrate their works, their discourses are more autobiographical than politically contextualized. Moreover, they reconcile their independently managed studios and work with government cultural organizations and international galleries and institutions.
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Mabel Poblet Pujol |
The exhibition celebrates ten artists who left Latin America for many different reasons over the last sixty years – primarily for safety, freedom, and opportunity – and made their homes, and their artistic careers and contributions, in the Washington region. They include Joan Belmar and Juan Downey from Chile, Carolina Mayorga from Colombia, Ric Garcia, Lenny Campello, and Jose Ygnacio Bermudez from Cuba, Muriel Hasbun from El Salvador, Frida Larios from El Salvador/Honduras, Irene Clouthier from Mexico, and Naul Ojeda from Uruguay. They brought with them artistic traditions that took root and bore fruit here in the United States.As the show focuses on immigrant artists to the DMV, in this piece, the embedded video component plays a video loop (6.5 minutes) covering my life so far, with a special focus on why my family had to leave the brutal world of the Castro Brothers' Workers Paradise in the 1960s. The small boy to the left is me (as a four year old) running around my grandfather's farm just outside of Guantanamo
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"Cuban by Ancestry, But American by the Grace of God." Charcoal and Conte and Embedded Video. 18x24 inches, circa 2016. |
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"Cuban by Ancestry, But American by the Grace of God." Charcoal and Conte and Embedded Video. 18x24 inches, circa 2016. |
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"Cuban by Ancestry, But American by the Grace of God." Charcoal and Conte and Embedded Video. 18x24 inches, circa 2016. |
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"Cuban by Ancestry, But American by the Grace of God." Charcoal and Conte and Embedded Video. 18x24 inches, circa 2016. |