Happy 2017!

Here's a wish for a Happy New Year's wish to all planetary life, but especially to all my fellow veterans, and all Americans on active duty; and to all of the men and women in our Armed Forces all over the planet, and who are away from their families and their nation on New Year's Day, with a special cyber hug to all my U.S. Navy brothers and sisters at sea - we've got your back!

Goodbye 2016

Through the wonders of Al Gore's Internets, I've become aware that there are a lot of people whining about 2016 being the worst year ever, blah, blah, blah? Not hard to avoid, as one is constantly being barraged by the whinesturm.

Really?

I'm not even going to go back to history to discuss 1939, 1347, 476, 2001, and personally 1959.

But I am going to put it in context (I hope)... 

What do we remember about Western history from 2,000 years ago - the year 16? Mostly what we have from the Romans, right? The ironically named Germanicus kicked butt in Germany, Drusilla was born, cough, cough...

Get to the point Lenster!

Here's my theory: In 5,000 years or so, the only thing that will be taught about the 20th century will be one name.

Note that I piled on the centuries: 5,000 years from now, or the year 7016.

WWI and WWII will be little blips in the multi-millennial history course - unless some Ivy League college will have a quaint "History of the second millennial" history course. No one will know off the top of their heads who Hitler was, or Roosevelt, or Kennedy, or Castro, or Ghandi.

The only name who will anchor the 20th century will be Neil Armstrong, the first man to set foot on another world, and possibly Yuri Gagarin, the first man technically in space.

Odds overwhelmingly favor the existence of other civilizations, and although our solar system's remote location in the outskirts of the Galaxy make it hard for any enterprising civilization to find us, I suspect that in the next few hundred years or so, first contact will be made, and that will be an important milepost in human history.

In comparison to Gagarin, Armstrong, and First Contact: Trump, Hillary, Obama? 2016? Naaah... no one will remember any of that in a few years... in fact, by the time the next President is elected in four years or eight years, it will be a dim memory, sort of like Carter, or Ford...

Just sayin'... and whine on...

May The Purple Reign again tomorrow!

Super Art Scam Alert!

It first came to my attention yesterday when DMV artists Viktor Epkuk, and then Anna U. Davis both posted on Facebook that their artwork had been illegally appropriated and was being displayed for sale on an online website titled wallpart dot com - Warning - do not go there: there have been reports that the site itself may have malware and can infect your computer just by visiting it.

The list of DMV artists whose work is offered for sale (as "prints") on this site grew; Sean Hennesey, Erin Antognoli, John M. Adams, and others... and someone noted that:

my flickr stream is on there. This is the weirdest site, it seems to pull images automatically without any sort of human intervention - there are stock images there with huge watermarks, google images, images from ebay, images from wikipedia, images where the "title" is actually the copyright and credit, it's a random assortment, and my favorite part is the "we respect copyright, if you see your stuff just email us these 50 things and we'll take it down. Maybe. If we believe you.

 Viktor Epkuk went into research mode and notes that:

For other artists whose works are caught up in this theft scheme and for those looking for cheap art posters. DO NOT FALL FOR IT. 

Wallpart is an elaborate scam site created more to steal your data than art.
Graphic Artist Guild released the warning below in 2015. "It now appears the Wallpart is actually an elaborate phfishing scheme, devised to trick visitors into entering in their personal data. Comic artist John Ponikvar summarized his findings on his blog, Peter & Company. The site features a prominent “Report Violation” link, which appears to collect the personal data from anyone filling out the form. As Ponikvar reported, the Report Violation form “…is actually the main purpose for the site’s existence – they completely anticipate artists being upset about their work supposedly being sold, so they developed a system to exploit those who complain.” Additionally, the site‘s source code is larded with malware and malicious code; one of our board members reported that her personal computer was hijacked by the website as she was looking into the site’s functionality."

Read that report here. 

What to do? First, do not fill out - or even visit the website - but if you have, and your work is there, then report the violation to the FBI's Internet Crime Complaint Center here. 

There have already been complaints and Hyperallergenic reports that:

Artists and photographers are up in arms over a website that is selling cheap posters and prints of their work, without their knowledge or permission. Called the Poster Shop and located at Wallpart.com, the site is tied to an incomplete address in Sydney, Australia, its phone number follows a British format, its packages ship from China, and according to Kotaku the domain was registered by a man named Sergo Zuikov, who lives in Moscow. It has been the subject of many articles and forum discussions warning artists and would-be buyers of its shady ways, and a petition calling for the site to be shut down has garnered over 62,000 signatures.

 See and sign the petition here.

Artists interpret "blue" with 140+ diverse works

Strathmore is experiencing a different kind of blues this winter—beginning January 7, the arts center presents La Vie en Bleu, its 26^th annual juried exhibition, featuring 146 works by 101 artists in the D.C. metro region and beyond. A complement to Strathmore’s season-long exploration of blues music, Shades of Blues, the art center tasked artists to interpret “blues” however they like, using their medium of choice. More than 1,000 works were submitted, and the resulting exhibition is exceptionally diverse.

This is paired with the companion exhibition, Crossfade, an exploration of technology and perception featuring up-and-coming artists from Baltimore.

More information below. Images from Bleu can be found in DropBox for your perusal.

Anatomy of an art commission

It all started at the 2016 SOFA Art fair in Chicago last November, where my work was being shown by the hard-working Audrey Wilson, when (after the fair ended) a well-known Chicago area art consultant emailed me:

Hi,
I am an Art Consultant from the Chicago area. Saw your work at SOFA and would be interested in talking about a possible commission piece, for a client
What would be the best way to reach you?

I respond to her that I am very interested and that I am forwarding her email to the gallery which was showing me there, which is the right thing to do, so that the gallery can coordinate the possible commission.

Lesson One to artists: Do not screw your art dealer, who put up the sheckels to show your work at a fair, or a gallery show, and thus deserve a commission for the possible… ahhh… commission.

How much commission does the gallery take for a private commission of an art piece? This should be clearly stated in your contract between the artist and the gallery.

Lesson One point one: Make sure that you have a written contract with your gallery.

Emails later, I am dealing directly with the art consultant. She emails me an image of a drawing that she saw in SOFA and is looking to see if I’m interested in doing two very large versions of the drawing which are to be mirror images of each other.

Like a good art consultant, she then reminds me:

Please keep in mind when considering pricing that I do need to get a percentage of the sale  I will charge my client retail value but just like a gallery I take a percentage and that is negotiated with artist per piece. Just wanted to bring that to your attention.

Lesson two to artists: The industry standard in these cases is about a 20% commission to the consultant.

I then prepare a commission proposal for her:

Description: Two 36x66 inches original charcoal and conte drawings on pH-balanced, acid free paper, medium weight paper. The drawings will be mirror images of each other and as close as possible to the image depicted below. They will be shipped, unframed and rolled in a large tube. Work includes a Certificate of Authenticity and Provenance signed by the artist. Artist will also deliver all preparatory sketches. All artwork will be signed and dated in pencil recto on front and verso.  

Total artwork cost: $ USD
Shipping (via FedEx): $75
Commissions:
* Gallery: 25%
* Consultant: 25%
* F. Lennox Campello: 50%

Approval: Work will commence once approval to proceed is given via email. Approval to proceed is understood to mean that both have parties agreed on size, composition, substrate, cost, and commissions. 

Payment: Artist is acting on good faith and requires no advance deposit. Full payment is due upon completion of the work (estimate is no later than December 25, 2016 provided that approval to proceed is given by December 5, 2016). Payment via check is preferred in order to save bank charges. Artwork will be shipped immediately after receipt of payment and clearance of payment by bank.

The proposal is briefed to her clients and accepted. I then send her a sketch of the commission as I understand it, but I have the orientation of the works wrong and it needs correction – at the end she sends me a rough sketch:

It matches my last proposal drawing, so we are set to go.

I get started on the first drawing, and as soon as it is done, I take a photo of it and email it to her so that she can see it immediately.

Lesson Three to artists: Keep communicating at all times so that there are no surprises.

I finish the second drawing, which is a friggin’ bear, since it has to be a mirror match for the first one, and because of the huge size of the paper, not easy to deal with… but then it is finished.

I send her an image of the second one, and all is good.

Then I ask for more data, and send her a note:

Question: I always sign the work both on the back and the front.... some people (as long as it is signed somewhere) prefer not to have a signature on the front of these minimalist pieces.... I'm OK with either... you may want to ask your clients if they want the front all clear (no siggie) or if it's OK if it is signed and dated on the front as well.

She asks, and they’re good with both signatures. Do you see the importance of good communications?

I am now ready to ship, but being the good Virgo that I am, I worry about her framer, so I take the time to draft and email her this:

I'm sure that you use a great framer who knows all of this ahead of time... but I'm sending this from the bottom of my heart and speaking from experience:

1. The drawings are on pH-balanced, acid free, cotton paper - please only use conservation materials in framing.

2. Drawings are signed both on front and back - if any trimming is needed, please be aware of signatures - space has been left to accommodate the desired final size. The paper needs to be trimmed for the correct width - trim from the edge opposite the leaping figure and from bottom as needed. The drawings have also been fingerprint-signed on the verso.

3. Because of the size of the paper, it needs to be relaxed before framing - this is done by unrolling paper from shipping box and laying on top of a table long enough to accommodate the length of the paper. Warning: If the paper rolls on too-short a table when opened, it can be damaged if it "bends" over the edge of the table - this may cause crescents on the paper - if this happens, they can be removed by dampening the back of the area where the crescent occurred and laying to dry on a table long enough to accommodate the paper. It is very important that the framer knows ahead of time that artwork should only be unrolled on a long table that can accommodate the length!

4. If clients require "float framing", recommend 1/4 white conservation spacers, but of course, whatever size they end up framing to, the drawing must not be allowed to touch the glass... use either spacers of 8-ply museum mat board.

Payment is ready to be processed, but speaking from experience, I advise her to call her credit card company and warn it that an online charge for the agreed amount is about to take place from the gallery. This saves time, as if a significant amount(as this is) shows up froma DMV source for a Chicago credit card, chances are that it won’t happen.

I then pack the work myself, ensuring than nothing short of a small nuke can damage the work. As soon as it is shipped, I email the tracking number to the consultant.

Next: What happens next!

Goodbye Princess