Closing the book on Seven

Now that Seven has ended, I wanted to do a littlre recap and toot my horn, and review what was accomplished by this massive show.

One of the goals of Seven was to expose as many new WPA/C artists as possible to the public. At least half of the artists included in Seven had never participated in a WPA/C exhibition before, and 24,000 slides later (twice-viewed) a full third of them were new names to me.

A second goal was as a fundraiser for the WPA/C, and this exhibition has, I am told, become their best selling gallery show ever. Among the dozens of sales made during the show, three of Washington's best-known power collectors and one major corporate buyer came away with artwork from Seven.

A third goal (my goal) was to bring some fellow gallerists to the exhibition, in the hope that they would find some new artists among the lot that I selected for the exhibition. To date, several artists that I know of have been picked up for (or offered) representation by DC area galleries (and one by a California gallery!).

Furthermore, the focus of the "Text" gallery in Seven has become of interest to a couple of area curators, and look for that group of artists to push the theme and focus in an area art venue soon, and later in a Virginia museum.

Seven was widely reviewed in the press, with the expected range of flavors from such a large exhibition, from the expected dismissal by the WaPo, to online reviews by G.P. and by The Artery, to a rousing endorsal of a review by The Georgetowner.

The show was also discussed on CNN and was filmed as part of a new art documentary film.

And, although the City Paper did not review this massive show (tsk, tsk), they did profile several of the artists who came across to their writers and critics' attention through Seven (such as Samantha Wolov and Ben Tolman).

And last but not least, a rousing "well done!" to Kim Ward of the WPA/C for busting her tail in all aspects of this show, as well as to my two co-curators, Sandra Fernandez and Adrian Schneck, and to the the Rupert family for the generous donation of their magical spaces.