Wanna learn how to self-publish your own photography book?

Transformer partners with Anacostia's Honfleur Gallery as part of FotoWeek DC to bring you: Underexposed: Self-Publishing Your Photo Book , today November 22, 2008 starting at 2pm at Honfleur Gallery in Anacostia

Free and open to the public!

Bringing together a diverse group of photographers via a facilitated panel discussion, the participating speakers will address the processes and challenges of self-publishing books of photographic work. Participants will share their experiences as both photographers and editors, followed by a question and answer segment with the audience. Participating panelists include Melissa Catanese, Chan Chao, Lely Constantinople, Ed Panar, and Max Hirshfeld.

Honfleur Gallery
1241 Good Hope Rd. SE
Washington , D.C. 20020

For further information call 202.483.1102

Wanna go to some open studios in DC tomorrow?

19 countries, 37 artists and 57 works of art

Is what you will discover at the XVII Ibero-American Art Salon opening today, November 22, 2008 from 6-9 PM at the Katzen Arts Center- American University in DC. This exhibit will remain open until December 21st.

Job in the Arts: at the WPA in DC

Position Title: Executive Director- Washington Project for the Arts (WPA)

Reports to: WPA Board of Trustees via Board Chair

Qualifications: Master of Arts degree in Arts Administration, a Master of Business Administration degree or commensurate experience (at least five to seven years) to meet the qualifications outlined below:

• Leadership experience in management of a professional staff (5-10 full or part-time employees and consultants)
• Experience in developing and managing outreach and public programs
• Experience in creating and managing complex budgets of at least $500,000
• Ideally, the three aforementioned “experiences” should have been with an “Arts Organization”
• Being a self-starter with initiative and excellent organizational skills
• Grant writing experience
• Experience with fundraising and corporate development
• Excellent communication skills including speaking, writing and conceptualization and being comfortable dealing with the public and public speaking
• Nimbleness, flexibility, and being able to respond quickly to change
• A team player with strong motivational skills
• Public affairs and media experience
• Experience with organizing publications and internet marketing a plus

Position Summary: The WPA is an independent, 501 c (3) entity that supports, develops and promotes regional artists and art programs. The organization works to achieve that goal via programming that includes, but is not limited to: exhibitions; lecture series; performances; publications; design, arts administration, and arts internships; educational outreach and general arts related initiatives. In addition, the organization creates and maintains Art File Online, a digital art file, and print materials, for regional, national, and international access to artist members.

The Executive Director oversees, manages, and directs the organization’s programming, internet-based materials, writes fundraising proposals and identifies development prospects and is tasked with developing strategies to maintain and increase membership, both artistic and general, and to generally and strategically position the organization as the major leader in contemporary art for the Washington, D.C. region and beyond. The Executive Director also works with the WPA Board of Trustees and related committees, which include, but are not limited to: Governance; Development/Membership; Finance; Programming; Publications and Auction Committees. The Executive Director works with arts leaders at various D.C. arts organizations and through city-wide events, to support and maintain a healthy visual arts community which requires advocating for funding and space for individual artists and the organizations which support their efforts.

S/he oversees the WPA’s annual operating budget, reserves, and “special projects” budgets; actively manages the staff, consultants and interns responsible for programming, membership, finance, and development. S/he oversees all printed and online materials which include the organization’s website, Art File Online, exhibition catalogues, auction catalogues, the bi-annual Artist Directory, the WPA Annual Report and other materials as needed. In addition, s/he works closely with the development team to identify new revenue sources from private philanthropy, foundations, public funds and other sources to maintain and enhance the WPA’s programs, products, and regional visibility

Duties and Responsibilities:
 Serves as Executive Directors of the WPA in all endeavors including programs, educational workshops, exhibitions and community outreach initiatives aimed at building a broader audience base and local constituency.

 Works with local arts leaders to support programs, exhibitions, arts spaces, and events that focus on regional artists.

 Work with the Board of Trustees and others to identify and secure off-site locations for programming and membership initiatives.

 Works directly with Board and board committees to carry out projects and programs that fulfill the goals and initiatives set through the mission.

 Supervises a Program Director, Membership Director, Development Director, Bookkeeper, and other staff, interns, and consultants.

 Develops new strategies and objectives aimed at growing the WPA’s membership.

 In conjunction with the Director of Development develops fundraising proposals and and identifies development and fundraising prospects outlined above.

 Oversees the organization, execution, maintenance and production of all WPA materials and artist resources, including but not limited to Art File Online, biannual Artist Directory, and other critical community service and fundraising efforts.

 Oversees annual operating budget and project budgets.

 Serves as a liaison with area artists, regional arts organizations, local governments and philanthropic entities, staff, general public, donors, and volunteers.

Washington Project for the Arts provides essential resources to support the creative spirit and success of regional artists. The WPA presents contemporary art through imaginative and provocative programs, and connects artists with the community in both traditional and unexpected ways.

Please send cover letter/ resume to: Kim Ward kward@wpadc.org until December 12, 2008.

WPA Executive Director Kim Ward Resigns‏

From the WPA:

Dear Artists and WPA Friends,

In the next few months I will be transitioning from my role as Executive Director of the Washington Project for the Arts and join the WPA Board of Trustees. The decision to leave as Executive Director is solely precipitated by my desire to spend more time with my immediate and extended family. In the next few years my children will begin leaving home and starting college and I would like to be more present in their lives and see them as much as possible.

Working in various capacities at the WPA over the last six years has been richly rewarding and unequivocally, one of my best life experiences. The organization has given me far more than I have contributed. I am honored to have been a part of this incredible arts group that has served the greater DC community for almost 35 years. Whether you have created contemporary art, attended WPA events, purchased artwork, or written checks to support and sustain all connected with such, you have helped move us to the healthiest position the organization has held in over 20 years. While leaving the WPA staff is difficult for me, it is easier knowing that all of our hard work has placed the organization in a solid position to continue serving artists and the contemporary visual arts community in the years to come. In recent years, the WPA has:

- Created the digital ArtFile Online, a benefit and resource for all artist members, and the arts community

- Achieved complete independence at the end of 2007, separating from the Corcoran Gallery of Art

- Grown from 300 to 1200 artist members

- Maintained five continuous years of profitability and budget growth

- Featured over 1000 artists in exhibitions in the last five years

In the next few weeks I will begin working part-time, and remain on the staff to ensure a smooth transition of responsibilities to the new Executive Director. I would like to encourage members and friends of the WPA to send any qualified candidates my way. The position description will be posted on our website and a variety of arts job banks.

Again, it is a pleasure to pause and thank all of you for your generous support, direction and guidance over the years. There are too many people to thank who gave me a “leg up,” going out of their way to help me in all possible ways. I am looking forward to staying involved and rooted in the local arts community, while continuing to support the WPA through my new role in the organization. Please stay in touch, keep me on your lists, and finally, I want to wish all of you and your families a happy and healthy holiday season.

Best,

Kim Ward

Primera Nieve

I was surprised to look out my backyard window this morning and see this:

Get your book signed this Sunday

Some of my favorite photographers in all the world will be signing their books at Fraser Gallery in Bethesda this Sunday as part of Fotoweek DC; here's the schedule:

Sunday November 23, from 12PM - 5PM

Noon - Joyce Tenneson "A Life in Photography: 1968 - 2008"

1PM - Frank Van Riper and Judith Goodman "Serenissima"

2PM - Maxwell MacKenzie "Markings," "Abandonings" and "American Ruins"

3PM - Karen Keating "Cuba: Watching and Waiting"

4PM - Danny Conant "Vanishing Tibet"

Pat Goslee opens tomorrow at DCAC

Pat Goslee: Flow, new mixed media works by Pat Goslee opens at the District of Columbia Arts Center with an opening reception on November 21, 7-9pm.

"Flow" represents the most recent work by Washington, DC's Pat Goslee, an intuitive artist whose paintings seek to part the curtain that, according to Kabbalah, separates the physical world from the spiritual. The work raises the questions: How do we store information, emotional baggage, and awareness? What do we absorb and what do we filter out? What layers need to be removed, or rearranged, in order to achieve change?

The exhibition runs through January 4, 2009.

Mellema on Cuban Show

Kevin Mellema reviews "Aqui Estamos (Here We Are)" which is currently on exhibit at H&F Fine Arts through November 30th.

Read the review here.

Go see this show and go buy some artwork.

When Absence Becomes Presence

Curated by Sonja Simonyi and Niels Van Tomme and part of the WPA's Experimental Media Series, the opening reception is today Thursday November 20th, 7-9pm at the WPA and there's a Screening & Curator’s Talk on Thursday, December 11, 6pm at The Phillips Collection in DC.

This event is the launch of the fourth annual Experimental Media Series and "When Absence Becomes Presence," is an exhibition that "explores the play between two separate, but linked conditions of absence and presence, and which reflects upon the very nature of time based media. Curators Sonja Simonyi + Niels Van Tomme have selected a staggering variety of experimental artworks that include sound art, music, literary readings, video art, as well as a mysterious sound recording."

Artworks from: Herman Asselberghs, The Conet Project, Paul Chan, Martin Creed, Andrea Geyer, Ibro Hasanovic, Miranda July, Damir Niksic, and Douglas Ross

Stay tuned for a screening of selected works and a discussion with the curators at The Phillips Collection on Thursday, December 11, at 6pm. During the screening, the Kraft Prize for New Media and the WPA Experimental Art Prize will be presented to two winning artists from the When Absence Become Presence Call for Entries competition.

Aquilino at Neptune in Bethesda

“Another Level” is the title of John Aquilino’s new exhibition on the elevated walls of Neptune’s new loft like gallery in their beautiful renovated green building in Bethesda, MD.

Aquilino had a highly successful solo sold-out debut at Neptune in May, 2007, and an impressive year at the art fair circuit.

Reception for the artist is on November 22, at 7 PM and the gallery is also open for the Bethesda Art Walk, December 12, 6-9 PM. The show runs through December 20, 2008.

Cuban show opens in Baltimore this coming Sunday

At Wilmington: Art for the Masses

200 Delaware, Maryland and Pennsylvania Regional artists are pleased to invite you to purchase artwork directly from them priced at $250 or less.

Artwork available in pottery, painting, fiber, mixed media, jewelry, photography, watercolor, wood, metalsmith, digital, collage, illustration, mosaic, screen printing, sculpture, printing, glass, and drawing and more.

Saturday, November 22, 2008 from 10am - 5pm at:

Hanover Center
3501 Oleander Drive
Wilmington, NC
(behind Stein Mart inside a 30,000 square foot warehouse)
Rain or Shine

$3 donation requested at the door. Among the 200 artists will be:

Abigail Blackerby
Abigail Perry
Aiden Kenny
Alisha Payne
Amy Winston
Angela Johnson
Anita Larko
Ann Conner
Anuzia Rodriguez
Barb Scalia
Barbara Tuzzeo
Barton Hatcher
Ben Keys
Bonnie Gaynor
Brian Peterson
Brooks Pearce
Camden Noir
Candy Pegram
Cape Fear Art Studio
Cape Fear Camera Club
Carol Williams
Carroll Crouch
Casey Scharling
Cassandra Skrzypek
Charles Bowden
Charles Wilkinson
Cheryl Snyder
Christine Maclellan
Christine O'Connell
Cilla Dahlbeck
Cindy Ella Rhodes
Cindy Martin
Cindy Weaver
Claudia Croom-Cole
Courtney Chappell
Dana Laymon
Deborah Cavenaugh
Deborah Hendricks
Deborah Petoskey
Dixon Stetler
Doug Kazantzis
Dreams of Wilmington
Edge of Urge
Elizabeth Bender
Elizabeth Norton
Eric Paige
Erika Lawrence
Erin Owens
Erin Wenzig
Flo Simpson
Francisca Dekker
Frank Bielski
Gail Henderson
Gail O'Neil
Gail Powell
Gail Smith
Gail Sue
Garrett Clark
Gaye Murphy
George Rabito
Ginnie Kuhn
Grayson Bowen
Harry Davis
Heather Pack
Holly Diehl
Holly Nettles
Jan Beyma
Jane Baldridge
Jane Hanck
Jean Chasmer
Jennifer Marano
Jennifer Royall
Jennifer Stockman
Jeremy Millard
Jim Edwards
jo bellamy
Joan Croft-Jones
John Gaynor
John Golden
John Greenwood
Julia Jensen
Julie Olson
Julie Reed
Karen Mason
Karen Pait
Kathleen Dentinger
Kathryn Bilisoly
kathryn graham
Katie Palacios
Katrina Fairbank
Kay Ballard
Kee Wilde-Ramsing
Keely Steelman
Keith Ketchum
Kelly Starbuck
Kids Making It
Kimberly Baker
Kinga Baransky
Kyle Page
Lauren Caddell
Lee Chappell Monroe
Lee Spivey
Leslie Isaksen
Leslie Pearson
Linda Hudspeth
Linda Kidd
Linda Parker
Lisa Haskins
Liz Hosier
Logan Mock-Bunting
Lois DeWitt
Loraine Scalamoni
Lynette Ashby
Lynn Graham
Lynn Manock
Macon Cathey
Marcelle Hooks
Marie Szendrey
Marissa Coley
Marlene McDonald
Martha Odins
Marty Relan
Matthew Dols
Maureen Mountcastle
McKenzie Constantino
Meg McGrew
Meghann Smith
Melanie Walter
Merv Wilkinson
Michael Baker
Michael Polomik
Michael Steele
Michelle Connolly
Mike Bryand
Miles Lewis
Mitzi Jonkheer
MJ Cunningham
Monique Mueller
Nancy McCurtin
Natasha Caine
Nicolle Nicolle
Noel Wilcox
Pam Toll
Patrick Raynor
Paul Boroznoff
Paul Hill
Paul Krauss
Peggy Cleary
Pete Cozart
Pete Paterson
Phil Meade
Polly Tait
Quentin Warshauer
Rachel Kastner
RDG Designs and Glassblowing
Rebecca Romulus
Rebecca Yeomans
Renato Abbate
Rhonda Willett
Robert L. Bullock
Robyn Chapman
Ronald Williams
Sally Bullers
Sandra Sharpe
Sandra Siemering
Sandra Wagnon Honeycutt
Sara Pepper
Sara Westermark
Sarah Collier
Sarah Holstein
Sarah Tector
Satu Harris
Sean Carr
Shade Maret
Simone Barbe
Stephen Cain
Steven Heiner
Susan Day
Susan Kirkendol
Tammy Clark
Teresa Bland
Three Hounds Gallery
Timothy Dols
Todd Carignan
Tony Forrest
Tracy Kellogg-Brodeur
Tracy Kirchmann
Tracy Weaver
Wendy Pittillo-Rae
Will Olney
Willard Fields
William Hubbard

Opportunity for Spineless Art

Deadline: November 30, 2008

Atrium Art Gallery, University of Southern Maine, Lewiston-Auburn College, 51 Westminster Street, Lewiston, ME 04240. September 8 - December 18, 2009. Reception, Friday, September 18, 2009. "Spineless Wonders" celebrates the diversity of species for the 2009 bicentennial of Charles Darwin's birth and the 150th anniversary of "On the Origin of Species."

Paintings, prints, sculpture, poetry, sound, and work in clay, metal, fiber, glass, wood, and stone will all be part of the multi-dimensional exhibition. Invertebrates are animals without a spine, comprising 97% of all animal species. This vast group includes worms, insects and their larva, spiders, jellyfish, shellfish such as crabs and shrimp, sponges, and more. From fairy shrimp and glow worms to luna moths and giant squid, invertebrates include both aquatic and terrestrial forms. If it's not a fish, reptile, amphibian, bird, or mammal - it's an invertebrate. They are seeking paintings, drawings, printmaking, textiles, and work in clay, metal, fiber, glass, wood, and stone. Also poetry and projects that include sound, video, or any combination of media. Please contact Robyn Holman, director of exhibitions, holman@usm.maine.edu, 207-753-6554 for more information. Web: www.usm.maine.edu/lac/art

Be Still my heart

"Decades ago, when a husband and wife moved into their new home, a friend gave them a painting by the man's former college professor.

Fast-forward 40 or 50 odd years and the oil painting, still in the same family, is appraised during an "Antiques Roadshow" stop in Palm Springs, Calif., for a cool half-million bucks - the most valuable object ever discovered in the show's history."

Read all about it here.

MFA Auction at Penn

From what I am told, the annual MFA auction at Penn is a hot ticket in town and usually sells out.

As I've often advised, student artwork is a great way to get started collecting art and this auction is a great a good place to start, although it is also attended by a lot of savvy collectors.

It takes place this coming Friday, Nov. 21st to benefit the 2009 MFA thesis exhibition.

Again... there you will find one of the nation's best venues to get some good original artwork on your walls and finally get rid of those college posters (and if you are a gallerist, a terrific opportunity to scope out some new talent).

The auction is from 5:30-9 PM at the University's Meyerson Gallery. Work from over 40 artists will be available including work by Terry Atkins, Jane Irish, Doug Martenson, Eileen Neff, Nigel Rolfe, Judith Shea, and Jackie Tileston.

The art being offered includes drawings, paintings, ceramics, prints, sculptures, and photographs. There will also be gift certificates from Philadelphia restaurants and businesses. Everything is affordably priced with some items starting as low as $10. Appetizers, beer, and wine will be served and DJs will provide music through out the evening. Free and open to the public.

For more information check out this blog or contact the Graduate Department of Fine Arts at the University of Pennsylvania at 215-898-8374.

The gallery is at 210 S. 34th St. at Walnut. For building locations on Penn's campus, please consult the online maps here.

The Palin Hoax

This story in the New York Times got me to thinking...

"It was among the juicier post-election recriminations: Fox News Channel quoted an unnamed McCain campaign figure as saying that Sarah Palin did not know that Africa was a continent.

Who would say such a thing? On Monday the answer popped up on a blog and popped out of the mouth of David Shuster, an MSNBC anchor. “Turns out it was Martin Eisenstadt, a McCain policy adviser, who has come forward today to identify himself as the source of the leaks,” Mr. Shuster said.

Trouble is, Martin Eisenstadt doesn’t exist. His blog does, but it’s a put-on. The think tank where he is a senior fellow — the Harding Institute for Freedom and Democracy — is just a Web site. The TV clips of him on YouTube are fakes.

And the claim of credit for the Africa anecdote is just the latest ruse by Eisenstadt, who turns out to be a very elaborate hoax that has been going on for months. MSNBC, which quickly corrected the mistake, has plenty of company in being taken in by an Eisenstadt hoax, including The New Republic and The Los Angeles Times."

Are there more hoaxes out there in other realms of information? - of that I am pretty sure, but my focus is the visual arts and thus my question to myself is: could such a hoax be executed in the fine arts?

I don't think so, and the reason that I don't think so is because unlike the need to demonize our political opponents that exist in places like Fox and MSNBC, the fine arts world is sort of a self-licking ice cream where 95% of the people who pay attention to it and want a lick at the ice cream are somehow involved in the art world itself, and very few are interested "outsiders," who are the ones needed to consume such a hoax and spread it eagerly.

And I'm not sure if the people who write about art lack the very basic "check the story" and "check it again" mentality of the political press, always frothing at the mouth to report something negative about the other side.

And of course, news outlets generally could give a rat's ass about the fine arts unless it involves some sort of scandal, sex, censure or shock.

Mmmm...

New Art Scam

This is a scam... posted exactly as received, with all the grammar errors which usually characterize this sort of scam...

From: kevinstokes12345@rocketmail.com
Date: Mon, Nov 17, 2008 at 10:59 AM
Subject: Artists File Online: Your artworks
To:

**This following message was sent to you by a person who found your artwork on Artists Space's Artists File Online website. www.artistsspace.org/artistsfile Please report any problems or concerns regarding this email to artfile@artistsspace.org

My name is kevin, I am an individual art agent and interior decorator from Glasgow, scotland. I got an order for the supply of some artworks from a group of client, and when i came across your portfolio on your site, while searching for good artworks, I found some of them to interest me and fit what i am looking for, and I intend to market these items to my client and also negotiate a price that will include your price (i.e your selling price) and a mark-up as a profit for my effort.
Payment will be made directly to you at the price i am selling and i will expect you to ship after payment clears and send me my commission /margin afterwards.
My client prefers to make payment using a credit card as this is much easier and cost effective for an international transaction thus will provide you directly their credit card for payment.
Please let me know if you do commission work and if you accept master card payment after which I will let you know the items we are interested in, and we can proceed with the order.
I am looking forward to a long term working relationship beyond this order.I am sorry I do not have a website yet but it should be ready soon however you can always contact me if you have any question and I would get back to you as soon as possible.
Hope to hear from you soon.
Best Regards.
kevin Stokes
kevinstokes12345@rocketmail.com

Delete this email if you get it or email Kevin back and tell him to go fuck himself.

Lauren Sherman on the new art fairs

Forbes' Lauren Sherman has an interesting article on the "other" art fairs at Miami and elsewhere.

Gallerists are holding their breath at Miami; I know now of four dealers in DC and Philly who have pulled out of the fairs in Miami because of economic fears.

On the other hand, I have been told that SOFA Chicago, after a dreadful start, ended up being surprisingly good for many galleries.

Read the Sherman report here.

Artists Websites: Priscilla de Lima

Greater DC area photographer Priscilla de Lima-Ledesma has been "assembling photos, video, art installations internationally since 1997," and her works focuses on social realism.

Visit her website here and her blog here.

Working and Surviving as an Artist Seminar

When: Wednesday November 19, 2008 6:00pm - 9:00pm

Working and Surviving as an Artist: Establishing and Maintaining Professional Relationships: The seminar will examine strategies and practices needed to work and survive as a visual artist. The seminar panelists: June Linowitz, artist and founder of ArtSeen, Inc; Ellyn Weiss, artist and curator; and Claudia Rousseau, PhD, art historian and critic.

The panelists will draw on their professional visual arts experiences as artists, curators, gallery directors, art historians and art critics to provide valuable strategies for conducting business in the visual arts world. Susie Leong, Director of the Arts and Humanities Council of Montgomery County's Public Arts Trust will serve as moderator for the seminar.

This seminar is the first in a series on working as a visual artist. Reception & Tour 6:00 - 6:45pm Join them for a reception with light fare, open gallery, Cafritz Art Center tour and viewing of the Cafritz Art Center exhibition American Psyche, curated by the Brooklyn Arts Alliance and sponsored by Pyramid Atlantic and Montgomery College's Takoma Park/Silver Spring Visual Arts Department.

At the Lecture Hall of The Morris & Gwendolyn Cafritz Foundation Art Center, 930 King Street, Takoma Park/Silver Spring Campus of Montgomery College.

Registration is required. Advanced registration $20. Day of registration, $25.

Please visit www.creativemoco.com for more information, or contact Mark Puryear at 301-565-3805, or mark.puryear@creativemoco.com

Want some alabaster stones?

The Soviet Socialist Republic of Montgomery County government in Maryland will be taking down pieces of white and tan alabaster stone from one of its buildings in Rockville soon.

They are striated in color (like bacon strips). I am not sure how long the pieces are, but I am told tha they are about 2-3 feet wide, 3/4 inch thick.

If you are a sculptor and would like to reuse it, then please contact Susie Leong at the Arts and Humanities Council, susie.leong@creativemoco.com, 301-565-3805, ext 26.

Have Art? Will Lend $$$$

One art-world business is booming: collectors looking to borrow against works they own, especially before the fall sales threaten to lower values. “We’ve been contacted by lots of people who are feeling some sort of margin call,” says Sotheby’s CEO, Bill Ruprecht. Other lenders have virtually stopped lending against art recently, but Ruprecht says Sotheby’s is still “very comfortable” doing so. (At 2007’s end, the auction house had $176.4 million loaned out; by the middle of this year, it was $212 million.)

Read the entire NY Magazine piece here.

Paper at Projects in Philly

No matter how you print, fold, layer or carve it, paper is often the primary media to which an artist applies their talent.

“Paper” at Philadelphia's Projects Gallery seeks to engage the audience in both the simplicity and the complexity, the universality and the uniqueness and even the humor of paper in the hands of about 20 multi-faceted artists.

Work by Henry Bermudez, Elizabeth Bisbing, Jim Brossy, Peter Gourfain, Frank Hyder, Florence Putterman, Alex Queral, and Caleb Weintraub. Also participating are Virginia Batson, Aubrie Costello, Michael Edwards, Talia Greene, Brooke Holloway, Itsuki Ogihara, Mia Rosenthal, Krista Rothwell, Gregory Farrar Scott, Heather Sundquist and yours truly!

“Paper” opens November 19th with an artists’ reception First Friday, December 5th from 6-9 p.m. The exhibition continues through December 20th.

Volkova at Flashpoint

A few years ago I curated the work of Ukranian-born photographer Elena Volkova into a few exhibitions around the Greater DC area, and she also showed at my former gallery. At that time I was attracted to her ethereal imagery of the Baltic and her sensitive treatment of the subject as shape and form, rather than what it was in itself.

Elena Volkova’s Airscapes, part of the inaugural, city-wide FotoWeek DC is a whole new line of subject matter that still shows this talented artist's sensitive eyes and hand.

“Airscapes is a collection of photo-based prints of clouds that deal with the human perception of boundaries and the essence of a subject against a background of nothingness,” says Volkova whose show opens Friday, November 21 from 5-7pm at The Gallery at Flashpoint and runs through December 20, 2008.

Gallery moves

Michael O'Sullivan yesterday had an excellent spread in the WaPo's Weekend section detailing an assortment of gallery moves and new spaces in the Greater DC region. Read it here.

Barista Art

As I've often repeated myself, I have fond memories of when I was an art student at the University of Washington in Seattle and used to sell all my art school assignments at the Pike Place Market.

I also have fond memories of the original Starbucks there, and the great deals that they would give artists and craftspeople and farmers at the market.

Now, if you are in DC area, you can experience the art beyond the apron at "Avant-Grande 2008," Washington DC's exhibition of visual art and spoken word created by Starbucks baristas.

The event will be hosted at DC's House of Sweden on November 17, starting at 7:30pm. The evening will include hors d'oeuvres and cocktails at this one-of-a kind location on the Georgetown waterfront overlooking the Potomac. Tickets are $20 (including the open bar and food). 100% of ticket sales will benefit Sol y Soul, an arts based organization whose focus is on supporting, creating and inspiring artists of varied backgrounds and proficiencies.

If you would like more information please check out the website at www.starbucksavant-grande.com or contact Aubrey Davis at aubrey@bwfcom.com.

Open bar for twenty bucks! C'mon it's a great deal at a gorgeous location and great views.

Red Dirt Open Studios


Red Dirt is having their Fall Open Studio show and sale this Sunday from 1-5 PM, and the cool thing is that you can also walk to and visit Flux Studios, Washington Glass School, Blue Fire Studio and other neighborhood artists at the same time.

Work by Margaret Boozer, Kate Hardy, Ani Kasten, J.J. McCracken, Joanie Turbek, Irma Alba, Graham Boyle, Sara Caspi, Sandy Dwiggins, Joe Hicks, Leila Holtsman, Ume Hussain, Sean Lundgren and Tetyana Wittkowski. The last time that I visited Red Dirt, visiting artist Joanie Turbek was working on her Prostethic Lawn installation, which will be ready for the open studios.

Red Dirt Studio is at 3706-08 Otis Street, Mt. Rainier, MD 20712... next to the Washington Glass School and a bunch of other artists' studios. More info at:202/607-9472.

Call for a new MLK statue

Deadline: December 5, 2008November 2008

The City of Hollywood, Florida invites interested artists with bronze sculpting expertise to submit a proposal to create a sculpture of Dr. Martin Luther King, Jr. to be displayed at the newly renovated ArtsPark at Young Circle in Historic Downtown Hollywood. Adult artists with bronze sculpting expertise are encouraged to apply. Artist teams are eligible to apply, including teams of artists from multiple disciplines.

The artist will also provide a schematic design for the bust’s concrete base to include the incorporation of Dr. King’s “I Have A Dream” speech in its entirety. The project will be publicly displayed outdoors at the ArtsPark at Young Circle and provide a new platform of public art to facilitate community interaction of diverse populations. The maximum budget is $20,000. For Questions or an Application Please Call: Renée Jéan, Grants Manager, at 954-921-3201.

Tonight: Fixation photography exhibit at Fight Club‏ in DC


This Friday, November 14, from 8:30 pm - 2 am at the Fight Club (1250 9th Street, NW, enter through the rear in Blagden Alley, from N St., between 9th and 10th).

Taxing Botero

"Colombian painter and sculptor Fernando Botero is being investigated on suspicion of tax evasion, Italian authorities said Tuesday.

Tax police in the northern town of Viareggio said they are investigating whether Botero, famous for works of plump figures, should have declared 7 million euros ($8.92 million) in earnings from 2003-2008.

They allege that Botero must pay taxes in Italy because his artworks are produced entirely by companies and foundries in the country that distribute them to galleries worldwide."

Read the AP story here.

Opportunity for Artists

Deadline: December 9, 2008.

Florida's Art in State Buildings Program announces a new public art project at the University of North Florida. The College of Education & Human Services has a budget of $40,000 and the art selection committee is open to commissioning site-specific work and/or purchasing existing artwork. Interested artists can view the new Call by going to the University of North Florida's Facilities Planning & Construction website and clicking on Art in State Buildings under Quick Links, and then Call to Artists: www.unf.edu/dept/facplan. For more information, contact the Project Administrator:

Linda Sciarratta
University of North Florida
1 UNF Drive
Jacksonville, FL 32224.

Call 904.620.281 or email lsciarra@unf.edu.

Viva Chile in Philly

Later today Philadelphia Mayor Michael Nutter will make a proclamation naming this week in November the “Viva Chile in Philadelphia!” week for Philadelphia.

He will be joined by Chilean Ambassador Mariano Fernandez who will honor Hizzoner with the Orden de Bernardo O’Higgins, Grado Comendador, Chile’s highest commendation for non-Chilean citizens. The award, which is approved by the President of Chile, is the first such commendation from Chile a Philadelphia Mayor has ever received. Bernardo O'Higgins was the son of an Irish-born Spanish colonial administrator in Chile (figure that one out) and he rose from obscurity to become the Hero of the Wars of Independence from Spain. His father, Ambrosio O'Higgins, Marquis of Osorno, was a Spanish officer born in County Sligo in Ireland, who later became governor of Chile and later viceroy of Peru. Because Spanish government officials in the Americas were forbidden to marry locals, and Bernardo's mother was a Chilean creole, Chile's independence hero was born as an illegitimate son, and yet rose to lead the new nation's asskicking of Spanish rulers.

Philadelphia will then open its cultural arms to embrace Chilean culture as the city celebrates the sights, sounds and flavors of Chile in a series of events called Viva Chile in Philadelphia.

This set of events will offer performances of Chilean musicians, an exhibition of Chilean Art from the 1960s, a celebration of Chile’s gastronomy, tastings of Chilean wine, a film festival, seminars, talks and much more.

Events take place November 13-21, 2008 and details are here. Most events are free and open to the public.

Viva Chile everywhere!

New DC gallery

LUMAS has 14 galleries around the world and they represent over 120 contemporary photographers and classic estates. Their Grand Opening reception and "Foto Week DC Blowout" in their brand new 3500 square foot Georgetown space is Thursday, November 20, 2008 from6:00pm - 11:00pm.

Finding Equilibrium tomorrow in Alexandria

I'm hearing all kinds of good things about a really cool sculpture exhibit at Alexandria's Target Gallery by Tennessee artist Travis Graves.

I'm hearing it from people’s reactions when they get a glance from the hallway of the Torpedo Factory and see his work and it draws them right in to see if they can figure out just how he did that. His craftsmanship is impeccable and the unsettling feeling that he is trying to convey is quite successful.


At first glance it appears to be just logs that he has cleverly balanced or suspended in unlikely ways, but further inspection into the artist’s process leads to discovery of exceptional talent and craftsmanship. He is taking real logs and completely deconstructing and putting them back together again, bark and all, and visitors can’t even tell from the naked eye how he did it.

Graves is coming in from Tennessee for the reception and he will be providing a brief gallery talk about his process and message on Thursday, November 13 at 7pm.

Rosetta DeBerardinis Interview

Our own Rosetta DeBerardinis gets interviewed by Radar Magazine... see it below:

Driving criticism

Jay Busbee at Yahoo! Sports has a reoccurring thread about NASCAR fan consumption. Recently he reviewed one of DC area artist Andrew Wodzianski's 'Android' pieces, "Tony, I'll be there soon."

Jay's report, and his readers' comments, may be the funniest criticism that has ever been written. Read it here.

Tony, I'll be there soon, by Andrew Wodzianski

Insane

"A legal battle rages over the rights to works given away by a Mexican artist confined in US asylums...

A row has erupted over the legacy of one of the most celebrated exponents of "outsider art", more than 40 years after his death.

During his deeply troubled lifetime, Martín Ramírez's paintings were ignored by the art establishment. A poor Mexican immigrant to the United States, Ramírez painted in near obscurity for more than 30 years while incarcerated in Californian mental hospitals until his death in 1963.

But Ramírez's artistic reputation has undergone an extraordinary re-evaluation in the last few years, with his paintings now fetching hundreds of thousands of dollars at auction. Now a multi-million dollar legal battle has begun over the ownership of his paintings, hundreds of which he simply gave away in the hospital ward. An auction of 17 paintings at Sotheby's was recently halted when lawyers for the Ramírez family claimed them."

Read the story from the Guardian here.

Opportunity for Artists

Deadline: December 12, 2008.

The Athens Area Arts Council of Athens, Georgia, in partnership with the Athens Transit System and the Unified Government of Athens Clarke County, announces its second Art Bus Shelter Design Competition. This year's theme, Art Rocks! asks designers to pay artistic tribute to the musical talent of Athens. Eight bus shelters will be installed along two major arteries near downtown Athens. Winning designs will receive an award of $5,000 per shelter. Bus shelter fabrication, materials and shipping budget limited to $9,160 per shelter. This is a nationwide competition open to all artists, architects, students and designers. Deadline for submissions is December 12, 2008 (extended from November 30). Details are available on the Arts Council website at www.athensarts.org.

Art Sales

Not surprisingly, last week's Impressionist and modern art sales in New York were unable to live up to the price estimates set months ago, when the full scale of the credit crisis had yet to affect the upper end of the art market. In the summer it seemed possible these sales would make at least $800 million (£508 million) - the same amount as this time last year. But by the time the art had been hung, billions of dollars had been lost in financial markets worldwide. As Marc Porter, president of Christie's America, put it before the sales: "Prices of assets have fallen - stocks, gold, oil, real estate - and it would be unrealistic to expect art to be immune to the market's pressures."

The extent of the downturn, from $800 million to a final count of $470 million by Friday night, looked bad. Seven lots estimated to fetch more than $10 million each did not sell, and the total accumulated was the equivalent to the amount fetched in New York two and a half years ago.

Read the Telegraph story here.

Veterans Day

I went into a public-'ouse to get a pint o' beer,
The publican 'e up an' sez, "We serve no red-coats here."
The girls be'ind the bar they laughed an' giggled fit to die,
I outs into the street again an' to myself sez I:

O it's Tommy this, an' Tommy that, an' "Tommy, go away";
But it's "Thank you, Mister Atkins", when the band begins to play,
The band begins to play, my boys, the band begins to play,
O it's "Thank you, Mister Atkins", when the band begins to play.

I went into a theatre as sober as could be,
They gave a drunk civilian room, but 'adn't none for me;
They sent me to the gallery or round the music-'alls,
But when it comes to fightin', Lord! they'll shove me in the stalls!

For it's Tommy this, an' Tommy that, an' "Tommy, wait outside";
But it's "Special train for Atkins" when the trooper's on the tide,
The troopship's on the tide, my boys, the troopship's on the tide,
O it's "Special train for Atkins" when the trooper's on the tide.

Yes, makin' mock o' uniforms that guard you while you sleep
Is cheaper than them uniforms, an' they're starvation cheap;
An' hustlin' drunken soldiers when they're goin' large a bit
Is five times better business than paradin' in full kit.

Then it's Tommy this, an' Tommy that, an' "Tommy, 'ow's yer soul?"
But it's "Thin red line of 'eroes" when the drums begin to roll,
The drums begin to roll, my boys, the drums begin to roll,
O it's "Thin red line of 'eroes" when the drums begin to roll.

We aren't no thin red 'eroes, nor we aren't no blackguards too,
But single men in barricks, most remarkable like you;
An' if sometimes our conduck isn't all your fancy paints,
Why, single men in barricks don't grow into plaster saints;

While it's Tommy this, an' Tommy that, an' "Tommy, fall be'ind",
But it's "Please to walk in front, sir", when there's trouble in the wind,
There's trouble in the wind, my boys, there's trouble in the wind,
O it's "Please to walk in front, sir", when there's trouble in the wind.

You talk o' better food for us, an' schools, an' fires, an' all:
We'll wait for extry rations if you treat us rational.
Don't mess about the cook-room slops, but prove it to our face
The Widow's Uniform is not the soldier-man's disgrace.

For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!"
But it's "Saviour of 'is country" when the guns begin to shoot;
An' it's Tommy this, an' Tommy that, an' anything you please;
An' Tommy ain't a bloomin' fool -- you bet that Tommy sees!

-- Rudyard Kipling

Matchmaker Finds Patrons for Artists’ Work

They also represent a small success story for a new arts fellowship program, United States Artists, a nonprofit group in Los Angeles that has developed a knack for bringing patrons and artists together. Ms. Early discovered Mr. Millepied’s work just over a year ago, not onstage but in the Los Angeles boardroom of United States Artists, where she agreed to provide a $50,000 fellowship for him.

Such relationships are “bridge builders,” said Katharine DeShaw, executive director of United States Artists. “It’s a great thing for artists to find someone who cares deeply about the arts, who might introduce them to others who care deeply about arts, who might support other projects of theirs, who could really open doors.”

Read the NYT story here.

Los Cubanos

Video of the work at "Aqui Estamos" (Here We Are) at H&F Fine Arts.

The show is on exhibit through November 30, 2008. Go buy some artwork.

Sidney Lawrence at DFA

I hear that Sidney Lawrence is a pretty good jazz vocalist, but Lawrence has visual arts in his genes and this coming Nov. 15, from 5-8PM he opens his second solo show with DC's District Fine Arts gallery in Georgetown.

Tribe, 2008 by Sidney Lawrence.
Oil and modeling paste on paper canvas and compressed board, 17 3/4 x 22

This show of oil portraits, including a small painting of Martin Luther King Jr., an island wall relief, a dog head, ink drawings of cities, and an illustrated travel diary is Lawrence's first solo exhibition at DFA since 2005.

One of DC's key arts presences, Lawrence is also a writer, curator and art-PR specialist. He served as the Hirshhorn Museum's press officer from 1975 to 2003 and as an occasional curator there, and more recently organized "Roger Brown: Southern Exposure," for the Jule Collins Smith Museum at Auburn University, Alabama.

For over two decades he exhibited at Gallery K (until that venerable gallery closed when both owners suddenly died) and other DC venues and has also exhibited work in Massachusetts and California. Lawrence's self-revealing, funky style draws from influences as diverse as Red Grooms, JMW Turner, Lucian Freud and Edward Koren.

Sidney Lawrence, Recent Works, through January 17, 2009 at DFA, with an opening reception, on Saturday, November 15, 5 - 8 pm and an Artist Talk, 5:30 - 6 pm and a Book Signing, Ink Cities on Saturday, December 13, 4-6 pm.

FotoWeekDC

The week of November 15-22, 2008 will mark the launch of FotoWeek DC, the first annual gathering of a diverse and wide-ranging photography community in the nation’s capital, including photographers, museums, universities and all those involved in the profession across the metro D.C. area, including Virginia and Maryland. Unique among American cities, Washington, D.C. is a nexus of artistic, business, political and public sector energy, in which photography plays an integral role. FotoWeek DC seeks to bring together all photographers and imaging professionals from every discipline to join with the public in celebration of the medium.

Details here.

There are dozens and dozens of gallery shows, dozens of lectures by famous photographers, loads of book signings, many workshops for all you photo geeks and everything associated with making lovers of the silver gelatin happy.

This is a massive, city-wide event and clearly a ton of work by the organizers has taken place; my kudos to all of them!

Now let's see how the (a) city fathers and mothers, (b) DCCAH and (c) the media add their part to the event so that (d) the local collectors and buyers react to it so that (e) the international photography market and (f) other collectors and (g) curators and (i) national museum curators pay attention and thus make it impossible for (j) for local DC area museum curators to ignore it.

This is a once in a decade opportunity for DC area museum curators to get off their butts and go visit a couple of dozen art venues and see a myriad of photography shows (and earn their pay) and perhaps discover a good local photog here and there, and even a gallery here and there. Get the fuck out of your offices and do your jobs!

This is a once in a decade opportunity for the Washington Post and the Washington Times and the Washington City Paper and Washingtonian magazine and all those other thick, full of ads DC area magazines to record for posterity this important local effort on behalf of art and photography in a city and region where the moniker "local" raises semantic eyebrows. And yes... I know several of these media outlets are "sponsoring" the event - thank you! But now I'd like for all of them to leave a newsprint and digital footprint of the event.

Visit this website, learn all about it, and visit DC, Bethesda, Virginia and all of that great artsy area known as the Greater Washington DC region to see some great photography and then buy some photos!

Cheerleader in Chief and proud of it.

Mona Lisa painted in 80 milliseconds

You gotta see this to believe it (wait until end of video):

Wanna go to a Russian opening in DC this week?

"Inspired by Russia" is a show that features both paintings and sculpture by eight Russian artists from around the world - Natalia Vetrova (Canada), Serguei Zlenko (Finland), Vladimir Popov (France), Galina Lopatina (Russia), Vladimir Fomichev (Russia), Evgeny Vereshchagin (Russia), Olga Karpeisky (USA), Luba Sterlikova (USA). The exhibit official opening for registered guests is on November 12,2008 at 6 p.m at the Embassy of Russia.

The reception to meet the artists is on Saturday, November 15, 2008, 4-7 p.m. at the Russian Cultural Centre at 1825 Phelps Place NW, Washington, D.C. 20008.

You must RSVP to (202) 265-3840 or rcc@rccusa.org. The show runs at the Russian Cultural Centre through November 22, 2008.

DC area debut

As far as I know, two of the Cuban artists that I have included in the "Aqui Estamos" (Here We Are) exhibition at H&F Fine Arts are making their Greater DC area debut, even though they are both rather important artists in the rarified upper artmosphere.

Alexis Leyva Machado, known to the art world as Kcho, was born in Nueva Gerona, Isla de la Juventud (nee Isla de Pinos), Cuba in 1970. He studied at the National Art School in Havana from which he graduated in 1990. Five years later Kcho won the Grand Prize at the Kwang-Ju Biennial in South Korea and began attracting international attention.

A year later, at age 26, he became the youngest Latin American artist ever to be included in the permanent collection of the Museum of Modern Art in New York.

His work has been exhibited worldwide in dozens of solo shows in galleries and museums in Europe, the Americas, and Asia. His work is often associated, because of its recurring use of boats and rafts, as referencing the plight of the Cuban Diaspora, which has seen the largest per capita migration of any nation in modern history since the Castro takeover in 1959. Kcho lives and works in Havana, Cuba.

Maria Magdalena Campos-Pons was born in Matanzas province in Cuba in 1959. Her work has been described as bearing a powerful familial history that is intermingled and mixed with the sugar industry’s omnipresence in her hometown of La Vega. The focus and roots of her work can be traced from the US, where she has resided since 1992, to a Cuban homeland, to the enslaved Africans who were brought to Cuba by white Spanish colonists and finally back to what is today Nigeria.

She has also been described as "one of the most significant artists to emerge from post-Revolutionary Cuba. Her evocative works probe questions of race, class, cultural hybridism, and national identities in African diasporic communities."

Campos-Pons has been exhibited internationally since 1984 when she won the Honorable Mention at the XVIII Cagnes-sur-Mer Painting Competition in France, and the Bunting Fellowship in Visual Arts at Harvard 1993.

At the age of 29 she had a solo show at the Museum of Modern Art in New York, and subsequently at the Venice Biennale 2001, Johannesburg Biennial, the First Liverpool Biennial, and the Dak’ART Biennial in Senegal.

Most recently the Guangzhou Triennial in China hosted her work. A 20-year retrospective of Campos-Pons’s work, Everything is Separated by Water: Maria Magdalena Campos-Pons, opened at the Indianapolis Museum of Art in 2006 and traveled to the Bass Museum in Miami. A new museum show will open in Nashville in 2010.

Campos-Pons has been celebrated as one of the upcoming young leaders of the Commonwealth of Massachusetts by the Women’s Chapter, is usually included among the 100 Most Influential Latinos, and was honored in 2008 as Harvard launched its campaign to build the new Harvard Art Museum, as well as the Indianapolis Museum of Art’s 125th Anniversary Gala in 2008.

Last year, Campos-Pons was selected to receive the Rappaport Prize. She has lectured in many museums worldwide, including MoMA, the Tate Modern, the Brooklyn Museum and the School of Art in Dakar. She works and lives in Boston.

The opening is tonight, Saturday Nov. 8 from 5-8PM at H&F Fine Arts, located at 3311 Rhode Island Avenue, Mount Rainier, Maryland and their gallery phone is 301/887-0080.

See ya there!

Come join me tonight

Tonight H&F Fine Arts proudly and elegantly hosts artwork by some of the best known Cuban artists from Cuba and from the Cuban Diaspora. I called the show "Aqui Estamos" or "Here We Are," as sort of a footprint statement for these important artists making an exclamation point to the Greater DC area.

On the walls are drawings, photographs, paintings and etchings by Magdalena Campos-Pons, Kcho, Sandra Ramos, Cirenaica Moreira, Marta Maria Perez Bravo, Aimee Garcia Marrero and Roberto Acosta Wong.

Read this about Magda Campos-Pons and then come see the gorgeous triptych titled "Island Treasure" that I selected for the show.

María Magdalena Campos-Pons. Island Treasures. Large Format Polaroids
The opening is tonight, Saturday Nov. 8 from 5-8PM at H&F Fine Arts, located at 3311 Rhode Island Avenue, Mount Rainier, Maryland and their gallery phone is 301/887-0080.

See ya there!

Podcasting

My good friend Sharon Burton interviewed me recently for "New ArtCast: Art Collecting 101 - Navigating the Art Fair".

Listen to it here.

El Mejor Arte Cubano

The work is hung and looks beautiful, and the usual hiccups are mostly out of the way, and the really cool spaces of H&F Fine Arts look great full of work by some of the best known Cuban artists from Cuba and from the Cuban Diaspora.

On the walls are drawings, photographs, paintings and etchings by Magdalena Campos-Pons, Kcho, Sandra Ramos, Cirenaica Moreira, Marta Maria Perez Bravo, Aimee Garcia Marrero and Roberto Acosta Wong.

"Isla" Mixed media collage by Sandra Ramos
As far as I know, these will be the first time that both Kcho (Alexis Leyva Machado) and Magda Campos-Pons have exhibited in the Greater DC area, although they are both in the permanent collection of MoMA and other major museums around the world.

The opening is tomorrow night, Saturday Nov. 8 from 5-8PM at H&F Fine Arts, located at 3311 Rhode Island Avenue, Mount Rainier, Maryland and their gallery phone is 301/887-0080.

See ya there!

Wanna go to an opening tonight in Baltimore

Recent artworks by Dan May, Jason Limon, Michael Page, Benji Williams, Martin Wittfooth, Andy Kehoe, Benjamin Lacombe, Chris Ryniak and Colin Johnson will be on view at Baltimore's Definition Gallery's "Dreamscapes", an exhibition featuring nine national artists that explore surreal landscapes and the creatures that inhabit them. Opens Friday, November 7th from 7-11pm.

This Saturday in DC

While we hold our breath for the photographic orgy coming to DC in Fotoweek, you can get a good vision of what the medium can deliver as Heather Goss' Ten Miles Square opens their second show with Looking Sideways by Cesar Lujan at Big Bear Cafe. Saturday, opening reception 6:30 to 8:30 p.m.

Opportunity for artists

New deadline: Saturday, November 15, 2008

Details The Arlington Arts Center has extended the deadline for their "Unlimited Edition" juried show. This "is a juried show about the relationship of the art world to reproduction and marketing. They are looking for artists who produce lots of unnumbered multiples of an image or an object...or who incorporate mass-produced products into their work...or who simply explore the commodification and mass-reproduction of art through various means."

Eligibility: Artists living or working in Virginia, DC, Maryland, West Virginia, Delaware, and Pennsylvania may submit up to 5 jpegs, along with a statement-max length: 300 words-explaining what they propose to exhibit, and how it addresses the show's theme. Existing works must have been completed after 2005. Proposals for new work that take into account the AAC's exhibition spaces are encouraged.

Details here.

Friday opening in DC

"Visions of Paradise: National Geographic Contemporary Masters" at the Joan Hisaoka Healing Arts Gallery, Nov 5 - Jan 2 at Smith Farm Center,, 1632 U St NW, DC

Opening Reception with National Geographic Photographer David Doubilet on Friday, Nov 7, 5:30-8:00pm.

This collaboration between Smith Farm Center and National Geographic brings the work of nine photographers to the Healing Arts Gallery in participation with FotoWeek DC.

Asterism at Gallery Four in B'more

Gallery Four's newly renovated 4,000 sq.ft. gallery in Baltimore will feature work by five artists from Chicago, New York, Washington D.C., and Baltimore. The show will include site specific painting and recent sculpture by Maggie Michael, new sculpture and installation by Bryan Savitz, Jan Razauskas, Nikki Romanello, and photography by Steve Nyktas.

Opening Reception: November 8th, from 5 - 10 pm.

New DC gallery

Caos on F is a new artist owned, artist operated collective at 923 F St. NW in DC launched last September as part of F St|arts, the suite of art studio spaces in the newly developed Carroll Square building.

On exhibit at Caos on F for its inaugural show will be the work of painters Michael Berman and Quint Marshall, ceramic artist Joe Hicks and furniture by Matthew Falls. The show continues until January 5 and is open to the public every Friday 2-8 pm and by special appointment.

Starting Friday November 7 and continuing every first Friday, Caos on F will host an open studio event featuring Fine Art, Fine Furniture and Fine Friends. Lively and provocative discussions are sure to abound and will feature wine and treats from our neighbors: gourmet cheeses from Cowgirl Creamery and delectible chocolates from CoCo Sala.

Frieze Report

"Two weeks ago, the Death Star that has hovered over the art world for the last two years finally fired its lasers. It was October 15, the day the stock market fell more than 700 points—again—and a month after Lehman Brothers and Merrill Lynch collapsed and Damien Hirst pawned off $200 million worth of crapola on clueless rubes at Sotheby’s. Against this backdrop, at 11 a.m., the gates of London’s Frieze Art Fair opened, and in streamed the international traveling circus of bigwigs, collectors, curators, advisers, museum directors, trustees, models, movie stars, and critics like moi.

Talk of financial doom filled the air. Karl Schweizer, UBS’s head of art banking, told one reporter, “We are in a liquidity crisis.” Money manager Randy Slifka added, “There is blood on the streets on Wall Street.” Collectors talked about “sewing up our pockets.” Yet much of the art world was playing on as if nothing had happened. A German dealer told Artforum.com, “This economic mess will all be over by January.” Christie’s Amy Cappellazzo spun her house’s recent sales: “If you bought something, you bought something real.” In truth, most of the speculators are buying something real bad or badly overpriced.

In fact, though, things were different. Those of us who have frequented Frieze could see that something was off. Dealers and assistants who in recent years were always busy with clients now stood or sat quietly. Sales were happening, but slowly, one at a time. The claim of “It’s sold” was replaced by “I have it on several holds.” Although the megagalleries like Gagosian and White Cube teemed with moneyed types and very tall women in very high heels, many younger dealers looked perplexed. A gallerist who entered the field in the go-go aughts and who had sold only two pieces by 5 p.m. that first day asked, 'What’s going on?'"

Read Saltz on Frieze here.

Congrats A few minutes ago CNN projected that Obama wins Pennsylvania, and so let me be the first visual arts blog on the planet to congratulate President-elect Obama. Are CNN holograms cool or what? I predicted this a few years ago, but I bet that a whole new wave or ism or genre in art will be art holograms, and some poor, unknown artist somewhere in the world is toiling away right now building them from scratch, but some rich artist will be the one that pops out as the innovator once he/she buys the technology and starts showing them in a NYC gallery.

Here's a litho of the soon-to-be new Prez that I did a couple of years ago when he was a young Senator from Illinois.

Senator Barack Obama
2007 by F. Lennox Campello

History

Stop reading blogs and go vote and make history today.

Opening at Loyola in Baltimore

Julio Fine Arts Gallery at Loyola College will have "Amanda Burnham: Denominator" starting on November 3 – December 10, 2008 with an Opening Reception on Thursday, November 6, 5 – 7 pm.

The new exhibition features the artist’s newest work on paper as well as an installation drawing on site at the Gallery.

Julio Fine Arts Gallery is located on the Loyola College campus at 4501 N. Charles Street, Baltimore, MD 21210.

Vote Tomorrow

By Tuesday night, you should have voted; if you didn't vote, then until 2012, shut the fuck up.

By Wednesday morning when we wake up, regardless of who wins, history will have been made.

By Wednesday, one of two good Americans will be President-elect of this great nation.

Vote tomorrow... or you could be the guy being discussed below...

Airborne



Airborne today and heading home after a wonderful visit to Beantown and a quick studio visit to Magdalena Campos-Pons.

Move that fucking umbrella!

Remember that I told you that Obama came to Widener University a few days ago?

My wife teaches there and is a hardcore Obamista and she braved the cold rain and went to the rally and she video'd Obama.

Problem is that there were a couple of rows of people in front of her, and because it was raining, they had umbrellas. But the people behind her couldn't see Obama and so they kept asking for the umbrellas to be moved, politely at first, and then finally the F-bomb is shouted.

Tim Taunton Opening in C'ville


Migration: A Gallery will be opening an exhibit of Tim Taunton’s new oil paintings. The exhibit, Through the Looking Glass, will open with a reception on Friday, November 7th from 5:30 – 8pm and will continue through November 26th.

Migration is really setting a new course for Charlottesville's galleries with their super exhibition program and aggressive art fairs presence. They are located at 119 5th St., SE, Charlottesville. More information is available at 434-293-2200 and info@migrationgallery.com.

Wanna go to a Philly Opening Tonight?

Airborne



Airborne today and heading to Beantown for a fund raiser function and a studio visit to Magdalena Campos-Pons.

Wanna go to a Halloween Show in Alexandria tonite?


ARTery 717 in Alexandria, VA is having a Halloween show today Friday entitled “EARTH Beings on Exhibit,” with live music, bodypainting, fire dancers, etc. Their last show “Voces de la Tierra” is still up in the front galleries and I hear that it is quite remarkable. Artery 717 is at 717 N. St. Asaph St., Alexandria, VA. 22314. From 8-12PM tonite!

Project 4

DC's Project 4 gallery has a new abode at 1353 U Street NW, 3rd floor and their next show and first there will be a solo exhibition of work by Los Angeles-based artist Thomas Müller.

The Opening Reception is Saturday, November 8, 6:00 - 9:00 pm and there's an Artist talk earlier on Saturday, November 8, at 4:00 pm.

At Studio 4903

21st Annual Washington Craft Show

November 7-9 at Walter E. Washington Convention Center in DC.

Washington’s major fall showcase for the best contemporary American craft arrives November 7 to 9, 2008 at the Walter E. Washington Convention Center. Demonstrating imagination and mastery, 190 artists chosen by jury will gather from 34 states and D.C. to exhibit and sell their one-of-a-kind and limited-edition arts at the 21st Annual Washington Craft Show.

The 2008 show theme, “Making It Personal,” highlights independent styles of both artists and visitors. Each piece, designed and created in the artist’s studio, represents a signature concept in glass, jewelry, ceramics, basketry, wood, furniture, fiber, metal arts, paper, mixed media, and wearable art.

Also new this year:
- In a special display by rising talent, craft students selected by jury from the Corcoran College of Art + Design exhibit their work.
- Artists will be identified who demonstrate Green Vision through creative use of recycled or sustainably harvested materials or renewable energy.
- An evening party, “Master Crafts and Music,” benefits the scholarship and outreach programs of Washington’s Levine School of Music on Friday, November 7. For benefit tickets and information: www.levineschool.org or 202.686.8000, ext. 1051.

For more Washington Craft Show information, visit www.craftsamericashows.com or call 800-832-7813.

Washington Craft Show hours are Friday, November 7, 10 a.m. to 6 p.m.; Saturday, November 8, 10 a.m. to 6 p.m.; and Sunday, November 9, 11 a.m. to 5 p.m.
Admission is $15, seniors and students $13. Children under 12 are admitted free.

Walter E. Washington Convention Center. located at 801 Mt. Vernon Place NW, is easily accessible by Metro: Mt. Vernon Square/Convention Center on Yellow or Green Lines.

Congrats!

Let me be the first arts blog on the planet to congratulate the Phillies on kicking butt and winning the world series.

Art jobs: Atlanta

Gallery Director for a new Atlanta photography gallery. The Director will manage both the artistic and business sides of this unique new photography gallery in Atlanta. They are looking for someone with at least 3-5 years in a similar capacity. The salary is $50-70K + benefits. Contact George Olmstead at george@olksearch.com

Iranian Campaign Medal

Tomorrow, Thursday Oct. 30th is the opening for Art Without Frontiers, put together by Joan Belmar to raise funds for The Family Place.

The opening reception is Oct. 30th from 6:30 - 9:30PM at the beautiful Cultural Institute of Mexico in DC. Details here and RSVP required to lfleitas@thefamilyplace.org. The Mexican Cultural Institute is located at 2829 16th Street, N.W., Washington, D. C. 20009.

Artists include Sondra Arkin, Joseph Barbaccia, Constance Bergfors, Salvados Casco, Nina Falk, Carles Guasch, Willem De Looper, Adrienne Moumin, Linn Meyers, Martha Jackson-Jarvis, Minna N. Nathanson, Kevin Postupack, Katya Romero, Raimundo Rubio and I am proud to also be part of this effort.

For this show I am exhibiting "The Iranian Campaing Medal Ribbon."

As I've discussed here before, around 1997 I started a series of large non representational paintings which were based on the military awards, ribbons and medals that I earned while serving in the U.S. Navy. In 2007 my focus changed slightly, and I began to design and paint imaginary or futuristic medals, ribbons and awards based on imaginary (some would say anticipated) world events involving the United States of American armed forces.

In a sense my futuristic social commentary on the barbarity and regularity of armed conflict yesterday, today and now, tomorrow.

"Iranian Campaign Medal", Oil on Canvas, 24 x 48 inches, c.2007
By F. Lennox Campello (from the Digitalia series)

The Iranian Campaign Medal was established by Executive Order 13975 signed by the President on 13 January 2012. It may be awarded to American military and naval personnel for participating in prescribed operations, campaigns and task forces ranging in dates from 2 February 2011 to present.

The area of operations for these various campaigns includes the total land area and air space of Iran, and the waters and air space of the Persian Gulf and Indian Ocean within 12 nautical miles of Iranian coastline.

Personnel must be members of a unit participating in, or be engaged in direct support of, the operation for 30 consecutive days in the area of operations or for 60 non-consecutive days provided this support involves entering the area of operations or meets one of the following criteria:

• Be engaged in actual combat, or duty that is equally as hazardous as combat duty, during the operation with armed opposition, regardless of time in the area of operations;
• While participating in the operation, regardless of time, is wounded or injured and requires medical evacuation from the area of operations;
• While participating as a regularly assigned aircrew member flying sorties into, out of, within, or over the area of operations in direct support of the military operations.

One bronze service star shall be worn on the ribbon for qualifying participation during an established campaign. However, that if an individual's 30 or 60 days began in one campaign and carried over into another, that person would only qualify for the medal with one service star. The medal is not awarded without at least one service star.

The executive order provides that service members who qualify for either the Armed Forces Expeditionary Medal or the Armed Forces Service Medal for service in Iran between 2 February 2011 and 13 January 2012, remain qualified for those medals. However, upon application, any such member may be awarded the Iranian Campaign Medal in lieu of the Armed Forces Expeditionary Medal or the Armed Forces Service Medal, but no Service member may be awarded more than one of these three medals for the same period of service in Iran.

The suspension ribbon for the medal's purple and gold colors were suggested by the historical Imperial colors of Iran’s millennial Persian history and the golden sunsets of the Persian Gulf.

The theory: speculation in art (and young art) is over

What is the silver lining in all this cloudiness? Perhaps a return to the importance of museums, critics and alternative spaces for validation and the introduction of new art.

Read Josh Baer's article in the Art Newspaper here.

For the first time ever an auction house will act as dealer for a living artist

"Phillips de Pury is to represent the photographer Annie Leibovitz in a move which further blurs the boundaries between auction houses and dealers. According to Simon de Pury, Phillips’s energetic chairman, Leibovitz approached the auction house through Charlie Scheips, its worldwide director of photographs, who joined in 2007 and has known the photographer since 1987."

You could see that one coming when Hirst started going solo and dealing directly with auction houses.

"The auction house would not disclose what commission it will take from these sales, although it is unlikely to vary dramatically from the usual contemporary gallery level of around 50%. Phillips says no Leibovitz works from its selling exhibitions will be offered at auction. The two strands of the business are completely separate, says Mr de Pury.

Read the full article here.

Antognoli at R. Coury Fine Art Gallery

Erin Antognoli's latest solo exhibit of her Holga artwork is now hung and ready to be seen by the public at R. Coury Fine Art Gallery in Savage, Maryland. There are 29 of her works hanging in all, some of them never before exhibited.

There's an opening reception from 6:00 PM to 8:00 PM ON Friday, October 31st. The artist will be present for questions and conversation! R. Coury Fine Art Gallery is located in Historic Savage Mill in the Spinning Building suite 217A, 8600 Foundry St., Savage, MD 20763. The gallery is open by appointment, and is owned and operated by artist Jill Hackney.

Feel free to bring the kids as there will be trick-or-treating throughout the mill or if you're in the mood, there is a Halloween costume party at the Ramshead (also in Savage Mill)_ from 5:00 PM to Midnight. The exhibit will run from October 13 to November 14, 2008.