Dora Patin

As I noted earlier this week, this March, we will return to our 17th year in a row (less the year of the attack of the Covidian monster) to the Affordable Art Fair in New York City, we're bringing in a whole new group of artists from the DMV, most of whom I first met via their artwork when I juried the 2022 Paint the Town event in the pretty area of downtown Kensington, Maryland.

Let me repeat myself: jurying any art show always exposes the juror to new talent, and when I juried this show, as 2022 Paint the Town I often do, I selected some of my fave artists to bring to NYC for an art fair.  In my mind we wanted to "curate" a booth for the fair that showcased realist work at its best. Booth curation is a somewhat subjective process (pun intended).

And one of my prizewinners (in fact the Best in Show winner!) Dora Patin is coming to NYC with us in booth D-10 at the fair!

I think that Patin is a painting prodigy.  She has only been painting for a handful of years, and yet her trompe l'oeil paintings are breathtaking in their ability to fool the eye. She's yet another great testimony to the teaching skills of Glen Kessler at The Compass Atelier.

Note the facility in delivering one of the hardest subjects to fool the eye: paper. 

In this new series focusing on cards, Patin flexes her painting skills to deliver superb work that not only fools the eye, but also subtly reminds us that it is a painting.  These are opposite goals on the horizon of an artist as he/she commences a new work, and yet, in these works she accomplishes both of them easily. This is sooooo hard to do, and yet she accomplishes it with deceptive ease.

The Optimist by Dora Patin
c. 2023, 5x7 inches, oil on panel

Monarch by Dora Patin
5x7 inches - Oil on Panel c. 2023 

Luck or Skill? by Dora Patin
c. 2023, 12x12 inches, oil on panel

Patin's works will be in booth D-10 at the Affordable Art Fair New York City, March 22-26 in Chelsea.

Jennifer Kahn Barlow

As I noted earlier, this March, we will return to our 17th year in a row (less the year of the attack of the Covidian monster) to the Affordable Art Fair in New York City, we're bringing in a whole new group of artists from the DMV, most of whom I first met via their artwork when I juried the 2022 Paint the Town event in the pretty area of downtown Kensington, Maryland.

Let me repeat myself: jurying any art show always exposes the juror to new talent, and when I juried this show, as I often do, I selected some of my fave artists to bring to NYC for an art fair.  In my mind I wanted to "curate" a booth for the fair that showcased realist work at its best. Booth curation is a somewhat subjective process (pun intended).

And one of my prizewinners is coming to NYC: Jennifer Kahn Barlow! She is "an oil painter inspired by food.  She is stirred by vibrant, texturally dynamic, and unique cuisine, which leads much of her subject matter to be of confectionary, the gooier and more colorful the better."

She is that... but what Kahn Barlow truly is goes beyond that - she's a master artist who elevates and transforms the visual aspect of food to the visual beauty of food as only a well-executed work of art can do. 

Blossom Stack by Jennifer Kahn Barlow

In Blossom Stack there are three stacks of color disguised as macaroons... the brushwork comes through first and foremost - it's a painting first and a painting about dessert second.  At the risk of repeating myself: Only a really good artist can elevate the mundane to the sublime through the gift of art!

Kahn Barlow's works will be in booth D-10 at the Affordable Art Fair New York City, March 22-26 in Chelsea.

Jennifer Lynn Beaudet

I was at Strathmore yesterday to review the Compass Atelier show on the second floor - amazing show. The review will be in the next issue (February) of the Crier Media Newspapers.

I first came across Jennifer Lynn Beaudet’s work at the Paint the Town event last year which was my honor to jury -- as I recall she was an honorable mention winner at that show.

Her work at Strathmore is amongst the best in a show where there is not a single bad painting.

This artist has that hard-to-describe ability to capture the human essence of her subjects in paint. 

Connections - 24x24 oil on canvas by Jennifer Lynn Beaudet

That sentence is so easy to write and so immensely difficult to deliver on canvas. Her human subjects in two dimensions of paint are able to transmit visual clues and nuances that help to decipher and understand something individual about them.  

This is an exceptional gift that few artists have in such abundance as this artist does, and she flexes this gift via her artistic muscles in nearly every work in this show!

Big Warrior Goddess at Strathmore

I was at Strathmore today to review the Compass Atelier show on the second floor.  On the main floor, the O Street Studios artists had their own show, and this terrific print by Kimberly King caught my eye.

Kimberly King - Big Warrior Goddess

Seen at Strathmore Mansion

I was at Strathmore today to review the Compass Atelier show on the second floor.  On the main floor, the O Street Studios artists had their own show, and this this wall of striking abstract work by Cianne Fragione caught my eye.

Cianne Fragione at Strathmore 

Go to this opening tonight

The Compass Atelier has what I consider the best artist schooling in the DMV -- better in fact that all the major Universities in our area.  That's a big statement to make, but it comes from me, and thus I am ready to back it up as needed.

Want proof? Then go tonight to the opening of the first of two thesis exhibitions at the beautiful Strathmore Mansion galleries on Rockville Pike.  

I plan to visit the show and write about it.  The Mansion's galleries are at 10701 Rockville Pike in North Bethesda/Rockville, MD 20852 within walking distance of the Metro stop by the same name and with plenty of free parking.

MASTER ARTIST PROGRAM - THESIS EXHIBITIONS (GROUP 1)

JANUARY 14-FEBRUARY 11, 2023

ARTISTS RECEPTION: THURS, JAN 19  7-10PM

SUZI BALAMACI

JENNIFER LYNN BEAUDET

ANNE BROONER

SHEILA HADLEY

KARA LIN

CHRISTINE MERRY

ROB PEARLMAN

DEBORAH POLLACK

SAMEER SHARMA

MICHAEL SCHOPPMAN

SOPHIE SPENCER

DIANNE STEWART

ANDREA VAN DEN HEEVER

Amanda Coelho

This March, as we return to our 17th year in a row (less the year of the attack of the Covidian monster) to the Affordable Art Fair in New York City, we're bringing in a whole new group of artists from the DMV, most of whom I first met via their artwork when I juried the 2022 Paint the Town event in the pretty area of downtown Kensington, Maryland.

Jurying any art show always exposes the juror to new talent, and when I juried this show, as I often do, I selected some of my fave artists to bring to NYC for an art fair.  In my mind I wanted to "curate" a booth for the fair that showcased realist work at its best.

One of them is the superbly talented Amanda Coelho.

Coelho has only been painting since 2018, and thus in artistic developmental years, she's still a baby, but a baby with formidable crawling skills, and one who can already wield brush superpowers which emerge here and there in several of her works.

A Bear Necessity by Amanda Coelho

In "A Bear Necessity", she lets the color (green in this case) tell the entire narrative of the work. In doing so, with just the barest hint of white highlights, she not only illuminates the subject gummy bear, but creates the depth and illusion of depth in the painting.  She has accomplished what only a good painting can do: deliver a most common and trivial subject to the sublime status afforded by a good painting.

See it again on another trivial subject, a chocolate kiss, now forever immortalized as a spectacular triumph of painting skills over subject matter.

A Kiss is just a Kiss by Amanda Coelho

Coelho's works will be in booth D-10 at the Affordable Art Fair New York City, March 22-26 in Chelsea.

Call for artists

Click on the image for details!

Congrats to Meg Medina

The Library of Congress and Every Child a Reader will soon announce the appointment of Cubana author Meg Medina, who lives in Virginia, as the next National Ambassador for Young People’s Literature for 2023-24. 

Medina, who is of Cuban ancestry  will be the first Latina to serve as the national ambassador!

Congrats Meg!!!!

Ally Morgan

The more that I look at Ally Morgan's works, the more that I like the hints of narrative in these wonderful watercolors. We will be bringing some of these works to New York for the Spring version of the Affordable Art Fair.

The ones below are from my fave series from her current work. She calls these series Concerning the Divide.

"Among the Wolves" by Ally Morgan
Watercolor on Paper, 30x22 c. 2020

"Girls" by Ally Morgan
Watercolor on Paper, 19x12, c. 2016

She writes about this work:

Is there a point where animal ends and human begins? Western philosophy suggests that the being known as “Animal” is forever positioned on the complete opposite side of the divide; a divide that reassures “Man” as superior. But, is that divide permeable? I would say yes. Nonhuman animals, especially those species that interact with us transcend that divide on a daily basis. Not human yet not animal, these species occupy a new type of existence. They are instead referred to as “Other”.

In my art, I explore the concept of the “Animal Other” as well as my relationship with them. Animals are not just beings of beauty and awe, but rather rich, complex, knowing individuals. As an artist, I feel compelled to reconstruct the human, nonhuman animal relationship as well explore our experiences with those of other species in order to examine the deep symbiotic relationship between all living creatures.

Ally Morgan's works will be in booth D-10 at the Affordable Art Fair New York City, March 22-26 in Chelsea.

Adam Bradley opening

I went to the Adam Bradley opening at the Stone Tower Gallery in Glen Echo - more on the spectcaular work by Bradley later - meanwhile that's me with Erik Sandberg and Adam Bradley... and yes, they're both pretending to be my height!

Erik Sandberg, Lenny Campello and Adam Bradley

Wanna go to an opening tonight?

Adam Bradley is without a doubt one of the most talented sculptors in the DMV, and one who seems to be under the radar for many - NOT for me! This artist is easily one of the most creative manipulators of objects to deliver images that challenge the perceptions of sculpture.

If you go to an opening this year - come with me tonight to Bradley's solo show opening at Glen Echo's Stone Tower Gallery in historic Glen Echo Park... The exhibition is titled "Furies: Within the Wilderness" and it is from 6-8PM.

Adam Bradley

Within the Wildness  |  January 14 - February 19, 2023

Stone Tower Gallery Hours: Saturdays & Sundays, 12 pm – 6 pm

Opening Reception: Saturday, January 14, 6 - 8 pm

The Stone Tower Gallery presents Within the Wildness, a solo exhibition by sculptor Adam Bradley. Bradley's current body of work deals with the isolation of anxiety and the loneliness of grief.  The characters struggle to maintain identity while trying to find reason in a world that no longer makes sense. Some cling desperately to a thread of self, while others have given in, letting go of logic to cope with a situation they cannot control.  They are at the same time vulnerable and predatory, innocent and savage.  Within the wildness, there is tender fragility, a sliver of hope so delicate it could crumble apart leaving nothing but fear and instinct.

7300 MacArthur Blvd.   

Glen Echo, MD 20812  

Phone: (301)634-2222

Closings: (301)320-2330

info@glenechopark.org

Call for Art for Global Climate Summit

Eligibility: National

State: District of Columbia

Entry Deadline: 1/27/23

Days remaining to deadline: 10

More info here

The U.S. Global Change Research Program, in collaboration with Smithsonian Institution, the National Oceanic and Atmospheric Administration, the National Science Foundation, and the Federal Emergency Management Agency, invites artists to engage in the development of the Fifth National Climate Assessment by creatively visualizing climate change in the United States: its causes, impacts, and manifestations; our shared vulnerabilities; and the strength of our collective response.

Art x Climate seeks to strengthen partnerships between science and art and demonstrate the power of art to advance the national conversation around climate change. Up to 100 selected art submissions will be featured in the Fifth National Climate Assessment, a report seen by hundreds of thousands of people across the country and around the world. Selected artworks may also be used in case studies or public events. The top finalist will receive $1000 for their submission. A second finalist will receive $600.

Bookmaking 101: Making a Soft Cover Sketchbook

From Washington Printmakers Gallery:

Bookmaking 101 Making a Soft Cover Sketchbook with Arthur Kohn Friday, February 10, 2023 3:00-6:00 pm

Make Your own sketchbook with mixed media pages and a marbled softcover. Learn to fold and bind a text block and attach a marbled sumi paper cover. Although this sketchbook will be bound with blank watercolor pages the same process can be applied to pre-printed pages as well. Take a bone folder and roll of waxed thread home with your final book for future bookbinding projects!  This workshop or Bookmaking 101 are prerequisites for Bookmaking 201 to be offered in March. Click here to sign up through Eventbrite the cost is $130, all materials included class size 5-15, masks optional Arthur's Instagram

A Rainy Weekend, Elvis, and a Harbor Called Gig

We’re airborne as I wrote this somewhat odd and unusual column, sitting in row 21 of a 737, which puts us right over the wings. The roar of the engines drowning everything else out, and I think about that fact that the sound produced by the mighty Boeing is now and always a perennial part of the universe, traveling in all directions forever, perhaps to be picked up by alien and faraway sensors, who will perhaps also wonder as to the origin of such mighty sounds.

Read about my recent trek to the Great Pacific Northwest here - I suspect that you'll enjoy the writing.

Call for artists: National Art Competition

Click on the image for details!

John Grazier

DC area artist John Grazier died at the end of December in Pennsylvania as reported in this excellent obit by Emily Langer in the Washington Post.

John Grazier, an artist who at times lived homeless even as his works were housed at galleries and museums in Washington and beyond, his slanted depictions of Victorian houses, Greyhound buses and empty phone booths beckoning viewers into worlds at once familiar and strange, has died at 76.

He was found dead at his home in Shamokin, Pa., on Dec. 28 and was believed to have died the previous day of a heart attack, said his daughter Rebecca Grazier. He had spent much of his professional career in Washington before settling in Pennsylvania approximately two decades ago.

Although as far as I can recall I never met Grazier personally, I corresponded electronically with him multiple times over the years.  He was an immensely talented artist and draftsman, and an acute and observant critic of other artists artwork! He writes to me in an email on October 10, 2009:

Nice drawing of Christ.  I generally do not criticize other artists' works, but don't you think Christ might have looked more like a skinny, abused Jew, rather than a muscular Schwartzenegger?  It is a very nicely done drawing.  Keep up the good work, your great hand in creating artworks, and also your significant contributions as a journalist.

I am not going to repeat all the points made by Langer in the WaPo obit, but now let us observe how the art world - mostly the DC artwork "discovers" Grazier after his death.  By the way, not sure how Langer missed the fact that Grazier was and is represented (for many years) in the DC area by Zenith Gallery.

Dalhousie Arch

This is "Dalhousie Arch, Edzell, Angus, Scotland." 

It's from around 1990 and one of the many ink drawings of the arch that I did while stationed at NSGA Edzell. 

It has been part of the US Navy art collection since then. 

"Dalhousie Arch, Edzell, Angus, Scotland"

After the base closed, it hung at the old CNSG... it is now hanging at Fleet Cyber Command/US TENTH Fleet in Fort Meade.

Upcoming exhibition: wanna go to an opening this Friday?

Ubertalented Adam Griffiths recently opened a new Comics and Cartooning Arts arts compound / workshop / gallery in downtown Silver Spring called DWIGHTMESS.

Here's the info about the show:

D W I G H T MESS

Cartooning & Comic Arts Compound

Upcoming exhibition: Art Hondros: CHIMERA POLITICK - examines creativity through the symbolic language of #comics and #cartooning when the same artist makes both political and surreal narratives for publication.

When: NEXT FRIDAY the 13th at the gallery in Silver Spring, 6-8pm, light refreshments [Address listed on map, entrance on Ripley St.]. :: IG: @dwightmess

On the anniversary of a superhero's death

 Eight years ago my father died on this day... here's my eulogy from that date:

"Hoy se ha caido otro roble en la selva del amargo exilio" is how I always thought that my father's eulogy would begin once he died.

"Today another oak falls in the jungle of bitter exile," began the eulogy for the man whose bloodlines my children and I carry on.

Florencio Campello Alonso died today at age 90 in Miami, the heart of the bitter Cuban Diaspora. Like many Cubans of his generation, he was the son of European immigrants to Cuba. His Galician parents left the scraggy mountains of northern Spain's ancient Celtic kingdom and in the first decade of the 1900s migrated to the new nation of Cuba upon its liberation from Spain.

Galicians have always been uneasy subjects of the Spanish crown, stubbornly hanging on to their ancient Celtic traditions, to their own language and to their bagpipes, so it is no historical surprise that they left their mountain homelands en-masse and headed to the new tropical paradise of Cuba, free from the heavy hand of the Spanish monarchy.

And thus it was never a surprise to me that my father was both a fighter against heavy-handed rulers, a lover of freedom, and one who was never afraid to re-start a life for the better, even if it involved discarding the old. 

My father could have been one of the privileged few who currently rule  atop the food chain of Cuba's Workers' Paradise. But instead of accepting the benefits of oppression, this most valiant of men chose the harsh path of right over wrong.

And he paid for it dearly (he spent years in Concentration Camps), but when he died, his soul was clean.

In his youth, my dad worked the brutal hours of the son of an immigrant who was slowly building a small financial empire in eastern Cuba. My father was pulled from school as soon as he learned to read and write, and like his two other brothers and eight sisters, he was expected to work and contribute to building a familial empire.

And he did, as my mother relates the stories of my father's childhood in the fields of eastern Cuba, a blond creole in a land of jingoist natives... he trying to out-Cuban the "real Cubans"... how he organized a labor union of the exploited Haitians who worked almost as slaves at the Los Canos Sugar Mill, how he joined a group of bearded rebels in the mountains of the Sierra Maestra in the fight against a tyrant, how he ran for the leadership of the Sugar Workers' Union and beat the Communists to the post, and how he spent years in a Castro Concentration Camp, jailed for the crime of refusing to join the Party, because he believed in Democracy and not Communism. 

And because of that stubbornness, in the 1960s he was offered the bitter pill of exile, and this brave man decided to choose family... and left his birth place, and thus became another immigrant within two familial generations and brought his wife and child to another new land.

And it is to him that I owe the greatest gift that a father can give a son: the opportunity to grow in freedom in the greatest nation in the history of this planet.

It is because of my father's courage that I was raised in this country and not in a land bloodied by brutality and oppression.

It is because of my father's teachings that I was raised with the conviction that freedom is not free and never to be taken for granted; after all, he fought for freedom and then Castro, the man who inspired  the fight, ended up being a worse dictator, eventually destroying all notions of freedom for all of his people.

It is because of my father that I was taught that every citizen owes his  nation some form of service, and that's the main reason that I signed (at age 17) to serve in the US Navy.

It is because of my father that I despise anyone who hides behind the mask of victimism to excuse failures and shortcomings.

When our family arrived in New York in the 1960s, my father began to work in a factory three days after he landed at the airport; my mother (who came from a privileged Cuban family and had never worked a day in her life) found a job as a seamstress five days later. That pattern was repeated for decades as they worked their way in a new nation.

"We thought we'd be back within a few years," was the answer given to me when I once asked the question about leaving their birthplace. When that didn't materialize, they became fierce Americans in the "United States of Americans" sense... these were the "America None Better!" set of immigrants, and in my Dad's case, you better be ready to fight if you dissed the USA.

"Americans"!

Always a fighter he was... and always for the right reasons.

Cubans are archaic immigrants... we love this great nation because we  recognize its singular and unique greatness; perhaps it is because our forebears had the same chance at greatness and blew it.

And my Dad loved this nation even more than he once loved Cuba... perhaps it is the genetic disposition of the serial immigrant. After all, his father had left his own ancient Celtic lands and kin for a new land... which he learned to love dearly.

My father always wanted to make sure that I knew that I was an "Americano" and not another forced-on label.

"Labels," he'd say, "are just a way to separate people."

By labels he meant "Hispanic" or "Latino" or anything with a "-" between two ethnic words.

I also remember as a kid in New York, when he bought a huge Hi-Fi record player-color-TV console... that thing was enormous. He bought it "lay-away" and he'd pay $10 a week to the store and him and I would walk all the way from our house on Sackman Street to the store on Pitkin Avenue to make the payments every Saturday - he never missed a single payment, and that taught me a lesson.

It was soon playing my Dad's favorite music, which oddly enough was Mexican music (Cuban music was a close second)... and he knew all the words to every charro song.

Guadalajara en un llano, Mejico en una laguna... 

Guadalajara en un llano, Mejico en una laguna...Me he de comer esa tuna 

Me he de comer esa tuna.... aunque me espine la mano.

That Jorge Negrete song... being shouted often on weekends at the top of his lungs from our apartment in a mostly Italian neighborhood in East New York in Brooklyn must have raised some eyebrows.

My dad and I watched Neil Armstrong land on the moon on that TV set... we also watched loads of Mets games... and in 1969 and 1972 went to Shea Stadium to see the Mets win in '69 and lose in '72. He really loved baseball and he really loved those Mets!

When I joined the Navy at age 17, my first duty station was USS SARATOGA, which at the time was stationed in Mayport in Florida, so my Dad decided to migrate south to Florida and moved to Miami... just to be close to me.

He and my mother spent the next 40 years in the same apartment while I was stationed all over the world.

When I visited him today in Miami, he looked good and freshly shaven... this is a good thing, as my father was a freak about hygiene... and that's a common "creole" trait.

The Hospice nurse almost teared up when I told her that my parents have been married for 60 years.

I looked at this old "gallego"... his skin as white as paper, his eyes as blue as the sky, and his head (once full of blond hair) as bald and shiny as the old Cuban sing song ("Mira la Luna, mira al Sol... mira la calva de ese.....") and I saw the generations of Neanderthals, Denisovans and Gallego Homo Sapiens that led to my bloodlines... the generations of fighters, of strugglers, and of tough guys who didn't take no for an answer and who made a better place for others. 

And I felt at peace and grateful.

And as my father died tonight, after an extubation,  all that I can think  to say to him is "Thank you for your courage... from me, and from my children... and soon from their children. You opened a whole new world for them."

I love you Dad... Un Abrazo Fuerte! Thank you for your gifts to me and my children and it is no coincidence that you died on El Dia de Los Reyes.

The Trawick Prize for Contemporary Art at AU

Winter exhibitions at American University Museum at the Katzen Arts Center will open Feb. 4, 2023. Exhibits include Madayin, the first major exhibition of Aboriginal Australian bark painting to tour the U.S., photojournalism from World War II, and The Trawick Prize for Contemporary Art.

The opening reception, free and open to all, takes place from 6 p.m. to 9 p.m. on Feb. 4. Please refer to the museum’s website for the most up-to-date information on museum events and visiting the museum. 

The Trawick Prize: 20th Anniversary Emerald Award celebrates the impact of The Trawick Prize for Contemporary Arts, a visual arts prize that honors artists from Maryland, Washington, D.C., and Virginia in an annual juried competition. 

Now in its 20th year, the prize was established by Bethesda, Md.-based community activist and philanthropist Carol Trawick in 2002. To date, The Trawick Prize has awarded over $300,00 to local contemporary artists and has exhibited the work of more than 200 artists who reached the level of finalists in each year’s competition. 

This exhibition presents the work of artists who were awarded the “Best in Show” in the competition over the last 20 years, and features contemporary paintings, sculptures, film, mixed media, and many others. 

This year, the juried competition will result in selecting “the best of the best” over the past 20 years, awarding the artist with The Trawick Prize Emerald Award. On view through March 19.

The exhibition features artists working in a variety of media including sculpture, painting, mixed media, film, and more. Works from artists such as Neil Feather, Jiha Moon, Jo Smail, and many others will be displayed in the galleries. Themes span a range of concepts important to each artist from race, oppression, and genealogy to culture, humanity, and emotion to name a few.

In the words of Carol Trawick “there is no need to travel to see great art, there are numerous talented artists right in our backyard!” 

Featured artists:

Lauren Adams 

WonJung Choi 

Richard Cleaver 

Larry Cook 

Oletha Devane 

Neil Feather 

Mia Feuer 

Caroline Hatfield 

Lillian Hoover 

Gary Kachadourian 

Cecilia Kim 

Maggie Michael 

Jonathan Monaghan 

Jiha Moon 

David Page 

James Rieck 

Jo Smail 

Lomax & Wickerham

2023 Northern National Art Competition

Click on the image for details!

Washington Printmakers Gallery has a new home!

WPG has exciting news! Their gallery is moving to a larger space at 1675 Wisconsin Ave NW, Washington DC, a short walk from their old space!

The opening date for the new space is Friday, January 6, 2023.

With over thirty years in the greater DC metro area as a primary source for contemporary fine art prints and photographs, WPG also contributes to the Washington DC community via teaching, internships, lectures, and the promotion of public art shows. We plan to expand in many ways: not only will our large gallery will let us show more artwork, but we will also initiate a new membership drive – we wish to accept eight to ten new full members. For information on applying, click here.

WPG will also be offering more classes and workshops in a dedicated space for learning: printmaking and photography techniques, three dimensional works on paper, art-related lectures and more. Check our calendar for listings.

The new gallery includes an open air patio in addition to two gallery spaces, and we invite local businesses to hold events amongst our lively artworks. We look forward to seeing you in our new space.

Call for Artists! DO THIS!

 Northern National Art Competition

The 36th Northern National Art Competition is a juried art exhibition in Rhinelander, Wisconsin, co-sponsored by Nicolet College and the Northern Arts Council. The Northern National Art Competition (NNAC) began in 1987 with a mere 37 entries. Today, the show attracts the work of artists from all across the United States with hundreds of entries as diverse as the artists themselves, and showcases a wide array of contemporary art in a variety of two-dimensional mediums.

MORE THAN $8,500 AWARDED WITH THREE $1,000 AWARDS OF EXCELLENCE

CALENDAR 2023

• Monday, January : Registration opens via CaFÉ
• (Call for Entry) online registration system
• Friday, March 24: Registration deadline
• Friday, April 21: Acceptance notification
• Friday, May 12: Hand delivery by appointment
• Monday, May 15: All shipped work due
• Thursday, June 15: Opening Reception
• Thursday, July 28: Show Closes
• Friday, July 29: Pick up hand delivered work by appointment 

All the details here!

Happy New Year's - Enter this!

Northern National Art Competition

The 36th Northern National Art Competition is a juried art exhibition in Rhinelander, Wisconsin, co-sponsored by Nicolet College and the Northern Arts Council. The Northern National Art Competition (NNAC) began in 1987 with a mere 37 entries. Today, the show attracts the work of artists from all across the United States with hundreds of entries as diverse as the artists themselves, and showcases a wide array of contemporary art in a variety of two-dimensional mediums.

MORE THAN $8,500 AWARDED WITH THREE $1,000 AWARDS OF EXCELLENCE

CALENDAR 2023

• Monday, January : Registration opens via CaFÉ
• (Call for Entry) online registration system
• Friday, March 24: Registration deadline
• Friday, April 21: Acceptance notification
• Friday, May 12: Hand delivery by appointment
• Monday, May 15: All shipped work due
• Thursday, June 15: Opening Reception
• Thursday, July 28: Show Closes
• Friday, July 29: Pick up hand delivered work by appointment 

All the details here!

Wanna get rid of artwork and get a line in your resume?

I'm always baffled by artists who destroy their own work because of "fill-in-the-blank" reason.

Here's a no fee opportunity to donate your artwork for a good cause and at the same time get a museum show line in your resume.

Deadline: January 10, 2023

This exhibition will feature 6" x 6" artwork displayed in a grid, and auctioned off of sale to raise funds for the Grants Pass Museum of Art. Display your work in the museum and support the arts in Southern Oregon during this fundraising exhibit. The Grants Pass Museum of Art is raising funds that provide free admission for museum visitors, affordable art classes, and amazing programs for kids. This will also be an online auction.

Original artwork(s) get mailed to:

Grants Pass Museum of Art

1630 Williams Hwy, PMB 501

Grants Pass, OR 97527

The artwork will be exhibited in the museum and online from January 20 - February 16, 2023. All accepted work will be exhibited. All work needs to be suitable for audience of all ages, and not infringe on copyright laws. Other than that it is up to you!

No application in advance required. Please fill out the entry form for each entry, and mail it with your work. 

Anyone is eligible to submit artwork. Please be aware that unsold work may not be returned. 100% of the proceeds go to fund the Grants Pass Museum of Art in Southern Oregon. 

Details here.

Pat Goslee at Artists & Makers

Artists & Makers Studios on Parklawn Drive in Rockville starts the new year with Artist Pat Goslee and the exhibit “Patch” along with two additional exhibits and an Open Studio event. The January 6th First Friday evening opening will run from 5pm – 9pm. Enjoy “Open Window” with Resident Artists, and Gallery 209 Artists exhibiting their latest work. Pat Goslee’s arrangements in “Patch” bring hope and joy as patchy remarks on uneven inequalities of time. These are beauty-impregnated substrates operating as patches of visual code suggesting amelioration. A dream of water so clean it can’t be seen. Flora that references the healing powers found in the Peyer’s Patch. And the pleas of fauna for continued mending of ecosystems before more life is lost. In “Open Window” Resident Artists explore landscape from many varied perspectives and practices. The Members’ exhibit is always a visual treat in the long Gallery Hall.

“Patch” with Invited Artist Pat Goslee

“Open Window” with Resident Artists

The Artists of Gallery 209

Opening Reception

5:00 PM – 9:00 PM, Friday, January 6th, 2023

Meet the Artist - January 14th, 2-4pm

Artists & Makers Studios

11810 Parklawn Drive, Suite 210

Rockville, MD 20852

Exhibits for Pat Goslee, the Resident Artists, and Gallery 209 will run from January 4th through January 25th. Viewing hours are 10:00 AM – 4:00 PM, Monday-Saturday, and Sundays by chance or appointment.

Job in the arts

 Arts Capital Program Coordinator, Public Art Project Manager

Deadline to apply: January 13, 2023 at 4 p.m.

This position is primarily responsible for building the arts capital grant program outlined in Maryland SB323 (2021) and managing public art and projects for MSAC. Incumbent reports to the Executive Director of MSAC and works closely with the Public Art Program Director and with other staff in the management and administration of public art commissions through the Maryland Public Art Commission (MPAC). The focus will be on building an arts capital grant program that distributes $3 million annually to arts organizations and county arts agencies beginning in fiscal year 2024.

The duties for this position include: providing technical assistance, professional development and program evaluation, building the grant program to include researching existing programs in other state agencies and arts councils; facilitating constituent listening sessions; developing program rationale; establishing grant eligibility and criteria; building an application process, form, and rubric; developing applicant and grantee communication templates; establishing grantee reporting requirements; and developing program outcomes and a program evaluation framework. The position manages Commission projects of the Public Art Across Maryland program, assists in the artist selection process for artwork in new or renovated state buildings and public spaces throughout Maryland and works closely with state user agency partners and contracted artists.

For more information and to apply, click here.

Day Eight

 Day Eight is one of the really good art drivers in the the tapestry that makes up the DMV's art scene - Day Eight's accomplishments in 2022 include:

• They published six books of poetry:

•    Ashes to Justice by Shaquetta Nelson (Feb, 2022);
•    The Great World of Days edited by Gregory Luce, Anne Becker and Jeffrey Banks (Mar, 2022);
•    Why We Write, edited by Robert Bettmann, a youth and faculty anthology (June, 2022);
•    Diaspora Café edited by Maritza Rivera and Jeffrey Banks (Aug, 2022);
•    Breaking the Blank by Rebecca Bishophall and Dwayne Lawson-Brown (Nov, 2022);
•    I’d Rather Be A Nerd by 2022 Poet Project winner Dominic McDonald (Dec, 2022)

• They hired six early-career arts writers who authored more than thirty articles through their arts journalism fellowship. They also hosted a conference on The Crisis in Book Review that featured Joyce Carol Oates, Brian Broome, and other literary luminaries, and they produced a week-long summer institute offering intensive training for professional arts writers, including faculty members Geoff Edgers (Washington Post), Emma Sarappo (the Atlantic), and more.

• They produced a group of opportunities for young writers, including an after school series for LGBT youth and allies, five weeks of summer writing camp, and a monthly writing club for girls.

If you support their work, thank you for considering an end of year donation to Day Eight. All contributions are tax deductible. Whether you donate $5 or $500, every little bit helps. Thank you for your support!

To donate on  their Facebook fundraiser, click here.

To make a donation on their website, click here.

Here Are 6 of the Worst Artworks Around the World in 2022

Sarah Cascone and others from ArtNet News pops in with their top bottom... cough... cough... artworks from around the world...

Who says criticism is dead? Sometimes, despite an artist’s best intentions, an artwork misses the mark—at least according to some opinions. Art is delightfully subjective, and we are sure that many people hold dear some of the art our editorial staff found, well, less than perfect.

Read their picks here...

William H. Anderson, R.I.P

It is with deep sadness that I share my father-in-law's passing on Christmas Eve, William H. Anderson (June 29, 1933 - December 24, 2022) - fair winds and following seas shipmate! RIP - we have the watch!

We called him "Pop Pop", and he was perhaps the kindest, gentlest man that I have ever met. Pop Pop welcomed me to his family from the very first day, and we shared Navy stories and that comradery that only Navy shipmates can share. He loved sports, and we all loved watching soccer with him - one of his favorite sports... "Don't kick it back!" was his favorite commentary and one which will always be associated with Pop Pop. This gentle, hard-working, and loving man will be missed, but his teachings and presence will live in his descendants and in our hearts. Fair winds and following seas, old shipmate - we have the watch now.

Wanna show in Howard County, Maryland?

The Howard County Arts Council (HCAC) in Maryland manages two galleries at the Howard County Center for the Arts with over 21,000 square feet of exhibit space. 

HCAC presents 11-12 exhibits per year of national, regional, and local artists, including two-person, small and large group, juried, curated, and community shows.

Visit HCAC's application portal to apply.