Job in the Arts

The Boston Center for the Arts (BCA), a nonprofit performing and visual arts center located in Boston's South End, is seeking a new Executive Director. The Search Committee intends to identify the successful candidate by fall 2008 with full-time employment beginning shortly thereafter.

Compensation will be competitive with similar positions throughout the country and will be negotiable. The range of benefits includes medical insurance, vacation pay, paid sick leave, and a 403(b)-retirement program.

The consulting firm retained to assist in the search will welcome qualified applications:

Stephen J. Albert and Thomas Hall
Albert Hall & Associates
942 Main Street #300
Hartford, CT 06103
Tel: (860) 808-3000 #321
Fax: (860) 808-3009
Email preferred:salbert@alberthallassociates.com

Artists Websites: Chawky Frenn

My good friend Lebanese-American painter Professor Chawky Frenn is a DC area painter who needs little introduction.

Having proved several times to be one of the the most controversial figurative artists in the United States, Frenn was born in Zahle, Lebanon and migrated to the United States in the 1980s. He is a currently a professor on the Art faculty at George Mason University in Virginia.

Art critic Donald Kuspit, one of the most visible art voices of the 21st century, has written that Frenn "constructs a spiritual space in which the contemporary public can feel emotionally at home, however troubling the emotions his imagery evoke in them."

The New York Times wrote that "Chawky Frenn is a painter who has nailed down the figurative mode, and this accomplishment gives him the license to convey anything he wants, including the grand theme: the elusive meaning of human existence."

The Washington Post wrote: "From a classical nude contemplating a human skull to his latest series of still lifes of slaughtered animal carcasses, Frenn is an artist's artist (as opposed to a critic's artist)."

Frenn's works are used to controversy. In 2001, his Boston gallery decided to cancel a Frenn solo show at the last minute as a result of the Sept. 11 attacks.

In 2004, his exhibition at Dartmouth caused an uproar on campus. Frenn, who was exhibiting at the same time at Damien Hirst, managed to outshock Hirst.

Visit his website here.

2008 Lucelia Artist Award Nominees

The Smithsonian American Art Museum announced a few days ago the nominees for the museum's 2008 Lucelia Artist Award.

The 15 nominees are Doug Aitken, Jennifer Allora and Guillermo Calzadilla, Slater Bradley, Matthew Buckingham, Mark Dion, Keith Edmier, Spencer Finch, Harrell Fletcher, Mark Grotjahn, Trenton Doyle Hancock, Rachel Harrison, Zoe Leonard, Suzanne McClelland, Wangechi Mutu and Dana Schutz.

Nominated artists work in a diverse range of media including film, installation, mixed media, painting, photography, sculpture and video.

The one artist in this list that continues to be a question mark for me is Dana Schutz.

OAS Show

Artsy Raincoats


Ahhh... the glamorous life of an art dealer...

Earlier this year we peddling art at a New York art fair, and when the fair ended one day, at the end of the day all the gallerists marched out as the building closed.

Except that it was raining out like a Florida rain; buckets and buckets of water. The sidewalks were like rivers, with at least a couple of inches of running, dirty New York City sidewalk water covering shoes and sandals.

You don't want your feet soaked in NYC sidewalk dirty water.

So everyone had to wait until the monsoon ended, and slowed down to a trickle. Since we didn't have umbrellas or raincoats, a little tape and bubbling wrap and voila!

Art on Trial

Souheil Chemaly turns us all onto Art on Trial.

Developed in part to increase public awareness of such restrictions, Art on Trial is a virtual exhibit of artworks that were once at the center of actual courtroom battles.

Check it out here.

The collector's mind

Edward Sozanski, the Philly Inky's art critic has an interesting article titled Art: What motivates big collectors to do what they do?

The Cone sisters of Baltimore, Claribel and Etta, might have seemed eccentric to some of their contemporaries, not only because they continued to dress like staid and proper Victorians well into the 20th century but also because they collected avant-garde art.
Anyone who has seen the Matisse-rich Cone collection at the Baltimore Museum of Art will realize that the sisters - who otherwise lived the most conventional of spinster lives - were more aesthetically adventurous than 99 percent of Americans who witnessed the birth of the modern world.

Like Albert C. Barnes, a contemporary of younger sister Etta, they enthusiastically patronized the two most prominent European modernists, Picasso and Matisse, along with other progressive artists such as Cezanne and Gauguin.

Mainly, though, they concentrated on Matisse. Of the approximately 3,000 objects in the Cone collection in Baltimore, about 500 are by him, the largest group of Matisse works anywhere.

Even since I first visited the collection years ago, I've wondered how and why two Victorian spinsters from a wealthy but nonartistic mercantile family made such an astonishing conceptual leap. The question of what ignites such a passion for collecting art never fails to fascinate.

Read the article here.