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Tuesday, June 10, 2008
Fair State
Art Basel, the largest international fair of contemporary art, wound up Sunday after registering some major sales but with a suggestion that the overall market may be slowing in reaction to the world's financial turmoil.
The show management's final report said the results were "outstanding" and that all participants "considered it a very good year," but it gave no overall sales figures.
Headlines were chiefly made by Roman Abramovich, the Russian multibillionaire and owner of Chelsea soccer club, who topped the list of collectors present.
Abramovich appeared to have stayed below his spending spree last month in New York, where he paid US$120 million (€77 million) at Sotheby's record-breaking auction, including US$86 million (€55 million) for the top lot, a Francis Bacon triptych.
In Basel, he bought one of Alberto Giacometti's elongated woman sculptures for a seemingly modest US$14 million (€9 million), according to The Art Newspaper's special Basel edition.
The sale of a Lucian Freud, "Girl in Attic Doorway," for US$12 million (€7.7 million) to an undisclosed buyer was also confirmed.
The organizers said their surveys showed that "all the exhibiting galleries were able to find buyers for their works."
The 300 participating galleries offered works by more than 2,000 artists, priced between a few thousand and millions of dollars.
It was left to the individual galleries to disclose sales, and many did not.
Despite the positive report of the organizers, the weekend edition of The Art Newspaper headlined, "Market keeps moving, but the brakes start to go on."
The reports that I have been getting directly from dealers have (as always) been mixed. Later this week I will be going to the Affordable Art Fair New York, the art fair that I consider to be at the front battle lines of the art fair world, since it limits prices of work to be sold to a max of $10,000 per piece.
I should be able to discuss what the state of "affordable" art is once I get a feeling how this fair is doing.
Florida Gallery Seeks Street Art
The 621 Gallery, a contemporary exhibition space in Tallahassee, FL, seeks entries for an exhibition dealing with contemporary street art scheduled for July 2009. They are interested in themes relating to contemporary street art including graffiti, murals, stenciling, and guerilla art. Send them a CD of images (at 300 dpi) of your work, your contact info (mailing address, phone, email), and a short statement (1 page maximum) on why you make what you make. Send materials to:
Street Art c/o 621 Gallery 621 Industrial Drive Tallahassee, FL 32310
Opportunity for Artists
Deadline: July 1, 2008.
The Art Gallery at Lower Columbia College in Longview, Washington is accepting submission for exhibitions for the 2008-2009 and 2009-2010 academic years. The gallery functions as a resource for students, educators, artists and the public-at-large. Submissions are limited to 2-D, 3-D and installation work. This is an open call, but preference will be given to proposals received by July 1, 2008. For more information, go to this website.
Art-In-Architecture Artist Registry
Deadline: July 31, 2009.
The GSA Art in Architecture Program commissions the nation's leading artists to create large-scale works of art for new federal buildings. These artworks enhance the civic meaning of federal architecture and showcase the vibrancy of American visual arts. Together, the art and architecture of federal buildings create a lasting cultural legacy for the people of the United States. For more information, go to this website.
Studio Visit
My studio visit with Maria Magdalena Campos-Pons is here. Read it and prepare to be impressed by this dynamo of an artist.
“When I am not here/Estoy Alla” c. 1994 by Maria Magdalena Campos-Pons
Monday, June 09, 2008
Art-O-Sound
Scion and The Pink Line Project present Art-O-Sound!
Thursday, June 12, from 7 - 9:30 pm at the 6th Floor of Artomatic 2008 (1st and M Street, NE).
Artists: Lauren Bender, Bonner Sale, Ding Ren, Matt Sargent.
There are some terrific shows currently at the Katzen Museum in DC and I will be writing about them soon. Meanwhile, you got to drop by and see the installation "Living Without Them" by Lilianne Milgrom/Saul Sosnowski on the museum's first floor.
Lorton Arts
Last month I juried the Lorton Arts Foundation exhibition at the University of Phoenix, Reston Campus. Below is a quick video of that exhibit.
Mr Margulies, who estimates he now owns around 4,500 works, is among the more respected of a growing group of collectors who choose to create independent spaces, rather than donating works to public museums, where it might stay in storage “for the first 15 years”, he said.
Read Lindsay Pollock and Georgina Adam discuss why the rise of the private museum is rewriting the rules of the market - in the Art Newspaper here.
Art Fairs
Art Basel, one of the world's largest and oldest contemporary art fairs, opens to the public today; about 55,000 people will throng to it and its satellite events. Whether you consider the crowd lemmings or pilgrims may depend upon your bias -- and your bank account -- but one thing is certain: Fairs are a power shift in the art world. For good or ill, they are changing where you buy art, how you look at it, and even how artists make it.
Alexandra Peers on art fairs at the WSJ. Read it here.
Early Look Video
Last night's opening of Early Look, an exhibition of undergraduate art students selected by me from various schools in the Mid Atlantic, opened at DC's Long View Gallery and below I have a quick video of the opening and artwork.
Several pieces sold, including what I think is perhaps the show's major work, a huge pastel by GMU's Tanya Wilson, which sold to a major Virginia ubercollector. There is a lot of good work at superb prices at this exhibition, make sure to stop by and buy some art!
Saturday, June 07, 2008
Come to the Early Look opening tonight
Drop by the Long View Gallery in DC today from 5-8PM for the opening reception of Early Look, my curated exhibition of some outstanding young artists from undergraduate programs along the Mid Atlantic.
You will see work by Moore College of Art & Design students Krista Rothwell, Erika Risko, Lauren Albert, Catherine Badger and Melanie Bergwall, Corcoran College of Art + Design student Marissa Valko, MICA student Anton Merbaum, American University student Caitlin Servillo, Virginia Commonwealth University student Deborah Shapiro, St. Mary’s College of Maryland student Jenny Davis, George Mason University students Aaron Miller, Ryan McCloy and Tanya Wilson, and West Chester University of Pennsylvania student Meghan Buozis.
The Long View Gallery is at 1302 9th ST NW, Washington, DC 20001 (202.232.4788) just a short walk from the Convention Center. This is an excellent opportunity for beginning collectors.
I have never seen these pictures or knew that we had gone this far to protect industrial and defense operations. During World War II the Army Corps of Engineers needed to hide the Lockheed Burbank Aircraft Plant from Japanese air attack. They covered it with camouflage netting to make it look like a rural subdivision from the air.
Below is Lockheed before the camouflage was created:
And below are some amazing images after it was hidden away:
Dance: Choreography Music Composition (World, Classical and Non Classical) Playwriting Poetry Visual Arts: Crafts Visual Arts: Photography Visual Arts: Sculpture
All applications must be submitted online. Applicants can click here to access the MSAC Individual Artists Fellowships Application. The deadline for 2009 applications is July 31, 2008.
Fallon & Rosof Curate
Philly's Northern Liberties neighborhood is rapidly developing (no pun intended) into one of my favorite areas - it reminds me a lot of Brooklyn when I was a kid.
This exhibition will put the gallery lights on a number of emerging Philadelphia artists united in pushing the boundaries of myth and persona in contemporary art. From what I know of the show so far, we will see video, performance, sculpture, and photography, as the exhibition explores "broad and self-focused concepts ranging from issues of applied identity to the id of the artist."
As Roberta and Libby put it, "the works are metaphorical in ways that come out of the core of who they are and what they see around them." Artists include:
Samantha Hill - Moore College of Art and Design Andria Bibiloni and Carl Marin - Tyler School of Art Jay Hardman, Alex Gartelmann, and Phil Jackson - The University of the Arts Jamie Diamond, Katy Rose Glickman, and Sarah Zimmer - University of Pennsylvania
And Philadelphia-based artist Diedra Krieger from the Vermont College of Fine Arts.
ID opens tonight with an artist reception from 5-8 p.m. and continues through July 26. There will be a performance of artist Samantha Hill’s “Black Iconography” at 7 p.m. The reception is free and open to the public.
Thursday, June 05, 2008
Funny
Someone emailed me the following:
I came across an artist at Artomatic the other day who listed his painting medium as “gauche” – is that like gouache, only crude and tacky? It was topped only by the guy at Glen Echo who painted in “tempura.”
More Congrats!
Kudos to Silver Spring artist Steve Resnick who was asked by the US State Department to create gifts for President Bush to give out while the Prez was visiting Israel.
Resnick created a six-sided glass "tzedakah" box. The box will be given to the state of Israel and put on permanent display in the Israel Museum.
Congratulations
Kudos to Bert GF Shankman of Olney, MD who had three of his photographs chosen for the permanent collection of the Museum of Fine Art, Houston. They were chosen by Anne Wilkes Tucker Chief Curator of Photography of the museum. This top notch museum has over 22,000 photos in its collection of photography which is the largest and easily amongst the finest in the country.
Bert will be having an Open Studio and Sale on June 7 and 8 from 12-5 PM where you may see the award winning photographs plus others,. Admission is free to this show and sale at his home gallery and open to the public. Call: 301-774-0655.
Top 20 Must-See US Museum Exhibitions for Summer 2008
· Making It New: The Art and Style of Sara and Gerald Murphy (Dallas Museum of Art)
· Los Angelenos/Chicano Painters of L.A.: Selections from the Cheech Marin Collection (Los Angeles County Museum of Art)
· Gilbert & George (Milwaukee Art Museum)
· Everything's Here: Jeff Koons and His Experience of Chicago (Museum of Contemporary Art, Chicago)
· The Baroque World of Fernando Botero (New Orleans Museum of Art)
· Calder Jewelry (Philadelphia Museum of Art)
· Life on Mars, the 2008 Carnegie International (Carnegie Museum of Art, Pittsburgh)
· Frida Kahlo (San Francisco Museum of Modern Art)
· Louise Bourgeois (Solomon R. Guggenheim Museum in New York City)
· Buckminster Fuller: Starting with the Universe (Whitney Museum of American Art in New York City)
Good story!
The CP's Angela Valdez has a really interesting article on DC area ubercollector and museumeister Mitch Rales. Read it here.
Opportunity for DC Artists
Deadline: Wednesday, July 9, 2008 at 5:30 pm
The DC Commission on the Arts and Humanities (DCCAH) is purchasing artwork that captures archetypes of Washington DC. Subjects include specific neighborhoods, parks and circles, festivals, gathering places, or cultural events. Less obvious motifs include downtown redevelopment, restaurants, shops and businesses, work places, or Metro stations. Artists should consider a broad range of subject matter as long as the works have an unmistakable subject reflecting life in the District. Artists should also consider submitting images of Washington that depict the changing neighborhoods and the parts of the city that are disappearing. The Committee is very interested in depictions of all wards of the city. The collection serves to honor and embrace life in the District.
This opportunity is open to all artists who reside and have their studio in the District of Columbia.
For more information and to download the Call to Artist, please visit www.dcarts.dc.gov or to request an application in HTML format, email Beth Baldwin or call (202) 724-5613.
Open Studio in Baltimore
Our own Rosetta DeBerardinis will host an open studio on Saturday, June 7th; Time: 1-7 pm at:
School 33 Art Center 1427 Light Street Studio #201 Baltimore, Maryland 21230
The surprise isn't that Douglas couldn't overcome all the obstacles there were to making the first fully convincing black art. It's that the young Lawrence, in his "Migration of the Negro," did.
"Black Art"????? Is there really such a genre? If there is, then haven't Africans been making "Black Art" for milennia?
And yes, I do know that there are commercial art fairs that are focused to attract collectors of art about African American subjects, just like there are art fairs focused on Latin American artists, European artists, Australian artists, Asian, etc. They all create art, and their race and ethnicities are part of the processes and cultural contributions to the end commodity, but in the end, it is art.
But Gopnik really means "African-American art," doesn't he?
It's just American art; it happens to depict African American subjects and history, and its talented creators were African American, but the end result is no more "black art" than Andy Warhol's art is "white art" and Morris Louis' art is "Jewish Art" and so on.
It's just "American Art."
Makes my head hurt.
10 Great Towns for Working Artists
10. Oil City, Pennsylvania
What makes it special: The birthplace of the oil industry and former headquarters of Standard Oil, Quaker State and Pennzoil, this northwestern Pennsylvania town is reinventing itself into a lively, committed arts community. With affordable Victorian homes and mixed-use properties (many under $50,000), theater, music, a branch campus of Clarion University, easy accessibility to art markets from Cleveland to Buffalo, and dozens of artists who have already claimed this small town as home, Oil City is one of the best deals on the market.
What it offers: 100 percent fixed-rate financing up to $150,000 on live-work space (when using First National Bank). This includes rehab costs, and mortgage insurance is waived. $7,500 toward down payment and closing costs on a residence through Venango County Affordable Housing (income guidelines apply). Plus there are opportunities for facade grants and loans, tax abatements for commercial properties and tax breaks for certain properties in the Historic District. Downtown studio space is available at $0.49 per square foot, with the first three months rent free.
Read this excellent article by Kim Hall to discover the other nine cities here.
Tuesday, June 03, 2008
“If you don’t move, you get fat”
The “If you don’t move, you get fat” campaign is found found in Hamburg and is creative genius of the German ad agency, Scholz & Friends, for the German Olympic Sport Federation.
The Outwin Boochever Portrait Competition 2009
Enter the Outwin Boochever Portrait Competition 2009, sponsored by the Smithsonian’s National Portrait Gallery. Call for Entries in all visual arts media: June 2 – July 31, 2008. First prize: $25,000 and an opportunity for a commission to create a portrait of a remarkable living American for the permanent collection of the National Portrait Gallery.
The competition and resulting exhibition will celebrate excellence and innovation, with a strong focus on the variety of portrait media used by artists today. The juried competition will result in an exhibition of approximately 60 of the finalists’ works. The National Portrait Gallery welcomes single figure, group, or self-portraits—from classical drawing and painting or hyperrealistic sculpture to large-scale photography to prints and new media. The competition is named for Virginia Outwin Boochever (1920–2005), a former Portrait Gallery volunteer whose generous gift has endowed this program.
Arlington County (Virginia) Government is looking to hire someone to "provide collection, project management and program support to the Public Art Program responsible for developing and implementing art projects at sites identified as priorities in Arlington County’s Public Art Master Plan."
Duties include: Perform annual site visits develop condition reports, coordinating maintenance and conservation of projects; Manage and update picture library and public art database, prepare PR materials; Oversee the delivery and installation of temporary and permanent public art projects and the removal of de-accessioned artworks or completed exhibitions; Coordinate meetings, selection panels, presentations, and dedication ceremonies; Represent Arlington at national and state conferences and create and give presentations for public meetings and internal lectures.
Requires related BA and one year experience in an arts, public arts or design related discipline. Prefer MA and previous public art administration experience. This is a flexible, 32 hr/week, benefit eligible position. Pays $19.36 - $32.01 hourly.
How to apply: An Arlington Internet application is required by the closing date of 6/19/08. You may also use your browser to go to www.arlingtonva.us/pers, click on COUNTY JOBS and scroll down to click on the job title from the alphabetical list. Email questions to pers@arlingtonva.us
Secrets
What you see below is Frank Warren holding the original container that he bought to hold the postcards that have now become over a quarter million secrets that his amazing worldwide PostSecret Art Project has generated.
The Funk Aesthetic
The Funk Aesthetic: Chocolate Coated, Freaky & Habit Forming, opens on June 4th – 29th at the H&F Fine Arts Gallery in Mount Rainier, MD, just outside the District lines.
Curated by Tonya Jordan with commentary by author Thomas T. Stanley, the exhibition presents "new art grounded in the aesthetic of Funk music of the mid-sixties to early eighties and features international and locally based artists visually interpreting the music form through various media."
There will be work by Aniekan, Pedro Bell, S. Ross Browne, Deadra Bryant, Miles Bumbray, K. Wesley E. Clark, Jamel Craig, Ronald 'Stozo' Edwards, Dejon N. Gee, Gary Johnson, Alexis Peskine, Akia 'Space Lady' Quander-Jordan, William Rhodes, Jerome Spinner, Katurah Thomas, Hank Willis Thomas, and Tedra Wilson.
An opening reception will be held Saturday, June 7th, 5-8pm followed by a musical performance by Mind Over Matter Music Over Mind (featuring Bobby Hill, Thomas T. Stanley, and Chris Downing) and an after party with a special guest DJ at Artmosphere Café, 3311 Rhode Island Avenue, Mount Rainier, MD.
Public programs include a panel discussion the Funk movement and aesthetic on June 21st 4-6 PM and an artist talk/closing reception June 28th.
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G'day mate!
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The discussion will occur Friday, June 6, from 5:30 - 8:00pm at 1632 U Street N.W., Washington, DC 20009. All are welcome to attend. This exhibit is up through June 27, 2008.
PMA Director dies
Anne d'Harnoncourt, 64, the formidable, high-spirited personification of the Philadelphia Museum of Art and an indefatigable advocate for the arts as central to the city's identity, died late Sunday night.
A big thank you to all of you who came by yesterday to my question-answering session at Artomatic... even after two hours, when the band kicked me offstage, people were asking questions!
Afterwards I went to the multiple openings at American University's gorgeous Katzen Arts Center, easily one of the most beautiful art spaces in the Mid Atlantic. There are some really interesting shows at the Katzen, none more bipolarly attractive than Joe Shannon and Noche Crist sharing the third floor of the Katzen.
Review coming on the Shannon-Crist coming together... let's just say that after seeing how those two most unlikely of art partners coupled together, I am now a believer that anything can happen... even a Obama-Clinton ticket!
Saturday, May 31, 2008
Talk to me
Today, starting at 4PM at the Cabaret Stage in Artomatic, I will be having a discussion with artists about anything that you want to talk about: how to get affordable framing, how to get a review, how to price your art, how to expand your resume, the who's and what's of DC and Philly art galleries, website design, press, museums, copyright, contracts, artists' success stories and how they did it... anything and everything that you want to ask or talk about. Just ask questions... no fluff.
Time permitting, afterwards I will also be available to personally criticize and give you feedback on your work (bring thick skin). This is all free and open to anyone,not just AOM artists.
A lot of panels spend a lot of time talking and then at the end people have tons of questions, so this time we will start with questions and move on.
Remember, my stuff will take place at the Artomatic Cabaret Stage, 1st Floor instead of the Education Room. AOM is doing this in order to accommodate more people, so come early; it starts at 4PM.
Friday, May 30, 2008
Opportunity for Artists
Deadline: July 1, 2008
Virginia's Arlington Arts Center seeks contemporary fine artists working in all media for solo exhibitions in their 2009 season. Ten to fifteen artists will be chosen to show in our seven separate galleries — or on our grounds, in the case of outdoor sculpture.
Jurors include: Anne Ellegood, Curator for the Hirshhorn Museum and Sculpture Garden, and Philip Barlow, the tall and notable Washington, D.C., art collector.
Deadline for applications is July 1st; notifications will go out no later than September 30th, 2008. For more information and a prospectus, visit their website at www.arlingtonartscenter.org. Or send a self-addressed stamped envelope (SASE) to:
Arlington Arts Center 3550 Wilson Boulevard Arlington, VA 22201
The exhibition features more than 50 works by internationally-renowned artists such as Cathy de Monchaux, Candida Höfer, Elizabeth Turk, and Jane and Louise Wilson as well as others.
Thursday, May 29, 2008
Early Look Peek
Here's another early peek at another student whose work I've selected for the "Early Look" student exhibition at the Long View Gallery in DC next month.
Her name is Catherine Badger and she's a graduating senior at Moore College of Art & Design in Philly.
Psychedelic Sausage Factory, mixed media on Yupo by Catherine Badger
The show opens at Long View Gallery DC on June 7 with an opening reception from 5-8PM. Come and meet the undergrads and recent BFA grads and me...
To DC area artist and art critic John Blee, whose paintings open in a solo show in Paris, France's Jane Roberts Fine Arts on June 11, 2008. The show runs through 11 July 2008.
Gallery owner arrested
An East Hampton art gallery owner was led away in handcuffs Saturday after she refused to stop serving drinks at an opening bash for a celebrity photo exhibit.
The Arts Center of the Capital Region has a call for curatorial proposals and artists’s slides. Often there are specific thematic exhibitions called for in addition to an open call. The open call is used to support a slide registry for future curators, possible residency projects and one-person exhibitions for regional artists in the President’s Gallery. Artwork is called for in any and all media including installation and video. Selections are made by a committee.
The real reason that most art critics hate Artomatic is that they get visual overload very quickly. After all, how does a writer cover an arts extravaganza of the size of Artomatic once the eyes and mind become numb after the 200th artist, or the 400th or the 600th?
Artomatic has returned to the Greater Washington, DC region. It opened in May and runs through mid June.
By freeling accepting anywhere from 600 - 1,000 painters, sculptors, printmakers, actors, musicians and bartenders and then finding an empty building and filling it with artwork, stages, theatres, parties, lectures and controversy, the AOM model has managed to incite the dislike of most art critics and the love and passion of thousands of artists and art lovers.
They also create the Greater Washington DC’s uber arts event of the year – it happens irregularly every couple of years or so. About 40,000 people will visit the event.
As an art critic, I once started a review of a past AOM by complaining how much my feet hurt after my 5th or 6th visit to the show, in what at the time was a futile attempt to gather as much visual information as possible in order to write a fair review of the artwork and artists.
No one can do that.
Over the years that I have visited past Artomatics (and I have seen them all) I have discovered that it is impossible to see everything and to be fair about anyone; the sheer size and evolving nature of the show itself makes sure of the impossibility of this task. In fact, I think that I may have missed a whole floor so far.
We know that art critics tend to savage Artomatic; they demand a curatorial hand; they want order; they want “bad” art out and only “high art” in; and year after year, they all miss the point!
AOM is not just about the artwork, it is about the artistic energy that it radiates, it is about community, it is about a free for all, it is about controversy, it is above all, about art of all ranges and tastes and quality.
The current AOM is at a gorgeous location at the Capitol Plaza I building at 1200 First Street, NE in DC. There are seven, maybe eight, floors of artwork all the way up to the 11th floor, in many mini galleries with spectacular views of the city. The main impression at this year's AOM: space.
Plenty of space yields a really decent opportunity to display your work well, and one interesting maturity factor in this AOM is how well many artists are displaying their work. On the other side, all the space also yields a significant number of really bad "installations" with all sorts of furniture and stuff.
Each AOM has produced amazing artistic discoveries for art lovers, art collectors and dealers. People like Tim Tate, Frank Warren, Kathryn Cornelius, the Dumbacher Brothers, etc., all showed at AOM; some still do.
And so part of the fun is “discovering” who will be the 2008 AOM emerging art star. In that spirit I will ignore all the well-known names who are exhibiting this year at AOM and try to find artists whose work is new or little known to me. In this review I will create a sort of short list based on two trips; on my third trip I will finalize my initial picks for emerging art stardom.
On the 4th floor I quite liked the work of Amanda Engels, who is showing a series of portraits that work well in capturing a sense of time and presence about the subject. I also liked Genna Gurvich’s painterly and almost surreal work, especially her innovative and intelligent take on the often visited Campbell’s soup can. My key artist on that floor is Cristina Montejo, whose quirky and sexy drawings stand to draw attention from collectors. Keep an eye on Montejo, and buy some of this artwork now.
On the 5th floor I liked the severe abstract paintings of Matthew Langley and on the 6th floor Holly Burns’ pen and ink drawings on napkins are a treasure trove for beginning art collectors. They are fresh and young but also superbly done and I bet that we’ll hear about this artist again and again; she seems perfect for Curator's Office in DC.
I also like Michelle Chin’s over simplified bug cut-outs and Nancy Donnelly’s glass dresses. The latter are elegant, simple pieces that should attract a gallerist or two to them.
Shannon McCarty’s inventive set of burned iron marks reveal the surprising achievement of minimalism when employed smartly. Also minimalist are the hi tech (looking) works by Paul So. Also visit Keith Thomas on that floor.
The 7th floor is a treasure trove of good artists amongst the masses. Nana Bagdavadze is somewhat channeling Amy Lin to the third dimension as she takes the small circle to an illusion of three-D. Teague Clare’s small but very cool pieces are also quite good as are Juan del Alamo photographic test strips. Both these artists also know how important presentation is and have done well in maximizing their space while giving it a clean look. Also visit Damien Gill’s elegant digital works.
I know Rania Hassan’s works, but in this AOM she re-invents herself in a very elegant installation that goes from 2D to 3D right before our eyes. It is sophisticated and elegant, and a clear indication of the level of maturity that AOM has achieved over the years.
Dale Hunt’s monster art is also fresh and reflects a clear AOM trend for young, hip, simple art that is deceptively complex beneath the first visual impression. There is a lot of this "young art" in AOM this year, as well as a lot of tattoo art. Also visit Brad Taylor and see what an artist can do with those tabs in beer and soda cans.
The 8th floor brings us Michael Auger’s day glow mini paintings – like Dale Hunt, this artist fits into that young, smart art that is both attractive, simple and yet appealing to the visual senses; at $35 for an original, they’re also a helluva good deal.
The DC area is a Mecca for world class glass and its leader in bringing glass to a higher place and away from the craft world. David D’Orio’s works join that new emerging movement and are very good. I also liked the fresh skill in Todd Gardner’s portraits. This floor also brings you Matt Sesow and Alison Sigethy.
The 9th opens with the very cool mini photos by Erin Antognoli, really good work by Jeanette Herrera and Barbara Johnson-Grener.
Also Kim Reyes’ ceramic wall figures caught my eyes as a good find for sculpture lovers. On this floor you’ll also find Andrew Wodzianski and Kirk Waldroff (OK, OK… so I know them).
The 10th floor has the key find for AOM. And it is not a single artist but a highly sophisticated multi-artist exhibition titled “Coincide.” This is the AOM find of the year.
If you are a harsh critic of AOM’s free for all art approach, and don’t want to look at the work of 800 artists, just drive up to AOM, go to the 10th floor and look at the work of the 17 artists in “Coincide.”
Using Star Trek technology, we can teleport this entire massive contemporary ceramic art installation to any gallery or museum in the world and no one would blink an eye. It is a triumph of severe presentation and talented artists, and it is also a giant leap forward in the maturation process of AOM itself.
These are skilled, innovative, ordained ceramic artists, whose work is as far from “amateur” – the usual adjective applied wholesale to AOM – as Warp 9 is far from 55 MPH.
Big names like Laurel Lukaszewski, who shows locally at Project 4 Gallery (one of the best, fresh new galleries in DC) and nationally at other various venues are complemented by (new to me) artists like Leila Holtsman (whose piece I hereby select as the best single work of art in AOM and should be immediately picked up by Habatat Gallery), Novie Trump, Ani Kasten, Kate Hardy (gorgeously displayed) and others in this spectacular group.
Leila Holtsman at AOM
Also on that floor I quite liked the brilliantly yellow installation work by Bryan Rojsuontikul, who joins the tradition of artists working with common materials (in this case yellow and silver Duck tape) to deliver breathtaking minimalist works of art. Also check out Alexandra Zealand.
On the 11th floor visit Krissy Downing and Gregory Ferrand and marvel at Veronica Szalus floor sculpture of painted ball objects. Also on this floor be prepared to be quite taken by Tracy Lee’s familial installation of family memorabilia (and I just broke my rule again, since I know Lee’s work well, but this installation doesn’t fit with her previous set of photographs). Since I broke that rule, also on this floor, super sexy abstract work by Pat Goslee and representational by Candace Keegan.
If you want a quick video walkthrough AOM, check out the video below. The music has been married to this video on purpose from the perspective of AOM dealing with art critics. The art that pops up when Lennon first sings "they're going to crucify me" is bordering on being one of the art world's oddest coincidences, since I didn't time the music to video to pre-arrange for that art to pop up at that time... it is worth viewing the video just for that!
AOM is free and open to the public and runs through June 15. All the info that you need is online at www.artomatic.org.
The Pink Line Project has been presenting a series of panel discussions to educate the emerging and experienced art collector at Art-O-Matic. Click on the image below for details.
On Saturday, May 31 at 2 pm Phillipa will be moderating Collectin 101: Inspiration and Passion with collectors Minna Nathanson, Veronica Jackson, Mel & Juanita Hardy and Brian Aitken & Andrea Evers.
After that's over and starting at 4PM at the Cabaret Stage in AOM, I will be having a discussion with artists about anything that you want to talk about: how to get affordable framing, how to get a review, how to price your art, how to expand your resume, the who's and what's of DC and Philly art galleries, website design, press, museums, copyright, contracts, artists' success stories and how they did it... anything and everything that you want to ask or talk about.
Afterwards I will also be available to personally criticize and give you feedback on your work (bring thick skin). This is all free and open to anyone,not just AOM artists.
A lot of panels spend a lot of time talking and then at the end people have tons of questions, so this time we will start with questions and move on.
Remember, my stuff will take place at the Artomatic Cabaret Stage, 1st Floor instead of the Education Room. AOM is doing this in order to accommodate more people, so come early; it starts at 4PM.
DeBerardinis on Malone
Once Lost, But Now Found at Zenith Gallery!
By Rosetta DeBerardinis
Once in awhile, Margery Goldberg from Zenith Gallery, a major gallerist in Washington, D.C., a dynamic woman who has far exceeded the historical curve for art galleries nationwide by celebrating its thirtieth year; exhibits work that blows your socks off. Several years ago, while working as the DC art tour guide, I recall Ms. Goldberg disclosing her criteria for selecting artists. “The work has to give me an orgasm,” I recall her declaring. Figuratively of course! Chris Malone, a mixed media artist in the current two-person exhibit “Drama Queens” with Shelly Laffel, obviously did just that. My response was not as personal as Ms. Goldberg’s; however, it compelled me to view the work twice.
Malone, a self-taught D.C. artist with exceptional talent creates large-scale soft sculptures influenced by the different tribes of Africa and New Guinea. Work that is too sophisticated to be classified as "dolls." He uses soft materials, e.g. fabric, kapok rope, canvas to define his shapes from a genre made popular in the 60’s by artists such as the Claus Oldenburg (Sweden) and Robert Morris (American).
Malone, reared in the Midwest, was once a zookeeper at the National Zoo, caring for the giant pandas Hsing-Hsing and Ling-Ling. He now sits and sews together pieces of fabric from Pakistan, Africa and other nations.
Colorful feathers, beads, yarns, mirrors adorn the textile surface and the extremities of the clay figures, with twinkling prosthetic eyes; twist, turn, sway, shout and even some pray with hands outstretched to the heavens.
For years, I have been in search of my ethnic past and looking to different tribes of Africa and New Guinea has brought a peace in me. - Chris Malone, from Zenith press release
This exhibit marks Chris Malone’s introduction at Zenith Gallery. And, I doubt now that he’s been discovered by Margery Goldberg, that he will ever be lost again.
Drama Queens through June 1st Zenith Gallery 413 Seventh Street, N.W. Washington, DC 2004 Information: 202-783-2963 www.Zenithgallery.com art@zenithgallery.com
Monday, May 26, 2008
Memorial Day
Have a grand Memorial Day!
Sunday, May 25, 2008
Rik Freeman at GRACE
If you a collector or lover of good, solid narrative painting with a focus on African American or blues themes, then you gotta go see Rik Freeman's current show at the Greater Reston Arts Center in Reston, Virginia. Meanwhile, below is a quick video walkthrough of the show:
Saturday, May 24, 2008
Richard Misrach at the NGA
Richard Misrach, one of today’s most prolific photographers, will be giving an artist talk at the National Gallery of Art on the work featured in his exhibition opening on May 25. Accompanying the traveling exhibition is the one-of-a-kind Aperture monograph, Richard Misrach: On the Beach.
Misrach will discuss the spirit of his images and sign copies of his book.
Talk & Book Signing: Sunday, June 8; 2:00 p.m.
Exhibition on view: Sunday, May 25 — Monday, September 01, 2008.
AOM
I will be discussing my Artomatic finds later on - I visited twice and still managed (I think) to miss a whole floor - but meanwhile I have a little Artomatic history here. I would love if you would add in the comments section there your own anecdotes and stories about past Artomatics.
Also next Saturday, May 31, starting at 4PM at the Cabaret Stage in AOM, I will be having a discussion with artists about anything that you want to talk about: how to get affordable framing, how to get a review, how to price your art, how to expand your resume, the who's and what's of DC and Philly art galleries, website design, press, museums, copyright, contracts, artists' success stories and how they did it... anything and everything that you want to ask or talk about.
Afterwards I will also be available to personally criticize and give you feedback on your work (bring thick skin). This is all free and open to anyone,not just AOM artists.
A lot of panels spend a lot of time talking and then at the end people have tons of questions, so this time we will start with questions and move on.
Remember, this will take place at the Artomatic Cabaret Stage, 1st Floor instead of the Education Room. AOM is doing this in order to accommodate more people, so come early; it starts at 4PM.
See ya there!
Friday, May 23, 2008
Affordable Art Fair
Organized by the same outfit that presents the Pulse Art Fairs, in my opinion the Affordable Art Fairs are one of the prime international art fairs to explore... if you are a new or beginning collector, or a collector on a limited budget.
From my past experience loads of experienced collectors also attend and buy, since the artwork ranges from $100 to $10,000 for original artwork from around 80 galleries from around the world are invited to exhibit. Click on the image below for details or visit this website. The fair will be in NYC on June 12-15, 2008.
If you want a free pass to the fair, send me an email and I will send you one.
See ya there!
ARTtistics
A while back I teased you with some big news to come... OK so it is big news for me.
I'm going national!
Not "Daily Campello Art News" - we're staying here and we're gonna be here for a long time, but I have joined a three person team of visual art bloggers over at ARTtistics to begin something new and interesting in the visual arts blogsphere.
Together with Annette Monier from Philly's Fallon & Rosof artblog and Connecticut's Bill Gusky, we've been fotunate enough to have been invited by Mind's Eye to begin a new blog that will allow us to be funded to travel around to see exhibitions and artists around the nation, review them, interview them, discuss them, etc.
I will be posting there often, so make sure that part of your daily ritual, after you check in here, is to visit Arttistics every day.
Goin' Nat!
Another art scam revealed
Email received this morning (no editing, displayed as received):
From: jack tom (tjacktom@hotmail.com)
Hello How are you doing? my name is Jack tom i live and based in australia i am interested in ordering some of your artwork and ship them to me here in australia my method of payment is via my credit card details kindly let me know if you can assist me with the order ,kindly get back to me with your website address or photos of some of your works you have instock so that we can proceed with this transaction I will await your prompt response as soon as you receive this mail,i will be be very glad if you treat this email with good concern Thanks with Regards Jack tom.
My response:
Dear Jack,
Thank you for your interest. I am honored by your interest in my work.
I must advise you that I am very choosy as to whom I allow to own my work, and will need to know a little about you and your family and also where you intend to display and hang my art. I also need to know how you intend to frame it.
My prices range from $1,000 to $100,000 - what price range are you interested in?
Before I decide to allow you to own one of my pieces, and you can only buy one per family, I'd like to know a little more about you and what you do in Australia.
Have a G'day!
The Lenster
Let's see if he bites.
Penis Guy
Amanda Hess of the Washington City Paper has an interesting article about an even more interesting controversy at the current Artomatic.
Seems like Eduardo Rodriguez, a DC area artist who has been known as Artomatic’s "Penis Guy," had a rules issue in nearly rule-less AOM. Hess writes:
Why did Penis Guy take down his penis pictures? The controversy originated in the spot adjacent to Rodriguez’s now-abandoned space (at NW B1 on the 9th floor) where Moore Photography, a mother-daughter team, exhibit their work. Photos of flowers, butterflies, and fireworks are carefully matted and labeled with titles like “Reflections,” “Delectable,” and “Simply Elegant.” Rodriguez’s Cocksure Series was a bit different: neck-down nudes, mostly male, with message-inscribed torsos — easy to swallow reads one. Another: i am not hung.
The visual irony of a 15-year-old’s flora mounted alongside Rodriguez’s phallic extravaganza wasn’t part of Artomatic’s vision and juxtaposition sets up a vintage Artomatic drama. This one plays out in the following sequence:
• On Wednesday, May 7, the last day of Artomatic’s two-week installation period, Rodriguez enters the Artomatic building at 1200 First St. NE and begins hanging his Cocksure Series.
• The next day, Rodriguez reenters the building, officially closed to artists, to apply some finishing touches.
• In the meantime, another artist notices Rodriguez’s last-minute installation and notifies Moore Photography of the content. The Moore family, unimpressed by Penis Guy’s pedigree, complains to Artomatic without having seen Rodriguez’s work.
• Artomatic officials confront Rodriguez at his space. On the night before Artomatic’s opening, two hours before the building’s close, Rodriguez is asked to remount his penis pictures in another spot, away from a minor.
Even a free for all extravaganza like AOM has a few rules and sounds like Rodriguez may have had his share of ignoring some of them, but I also think that artists should be able to work out things like this between themselves... and by artists I include the hardworking volunteers who run AOM, Rodriguez and the Mom & Daughter team.
So... someone in this mini drama is an asshole. A lot of the commenting masses in the CP think that Rodriguez is the asshole as do a lot of comments at the ArtDC forum... maybe they're right, maybe 80% right... maybe 50%.
The power of representational visual art to offend is immense; it is one of its key ingredients and an easy way to your 15 minutes of fame for a lot of artists. Over the years AOM has had what a lot of people may consider offensive art. I'm familiar with Rodriguez's imagery from past AOMs and it doesn't offend me at all.
But I have seen a lot of visual art imagery of erect and flaccid penises in my lifetime.
But I can also see a mother's desire in delaying her daughter's discovery of penis imagery and thus not desiring to be next to the "Penis Guy." And then again, she should also have known that AOM features all kinds of imagery - in my first visit I saw a lot of penises, a lot of vaginas, and a lot of tits. So her minor daughter is probably going to be exposed to them anyway.
But I can see that mom doesn't want to be "next" to a constant visual barrage of a male's reproductive organ in various states of excitement.
This should have been an easy thing to solve; the two neighboring artists should have worked this out and one of them should have moved. This year's AOM is in an amazing, huge, spacious environment and there are hundreds of great spots open.
If Mom & Daughter didn't want to be next to Rodriguez, then if Rodriguez is the "non confrontational" guy that he says he is, then for penis' sakes, take the fucking high road and move your penis photos to another spot. Rodriguez already screwed up by not following the set-up time rules to start with, so clearly set-up was not an issue for him.
If Mom & Daughter didn't want to be next to Rodriguez, then for daughter's sake take the fucking high road and move your nice photos to another spot.
Problem solved.
An event of the size of AOM always has mini dramas and controversy... some of us recall Kathryn Cornelius' closing her installation at an AOM a few years ago because of water issues and someone destroying JW Mahoney's swastikas on the wall.
Go see AOM and buy some art.
Tonite
I will be judging the Lorton Arts Foundation exhibition at the University of Phoenix, Reston, VA (11730 Plaza American Drive, Suite 200, Reston, Virginia 20190).
The opening for the show is tonight, Friday, May 23rd from 7 - 9pm. Come and say hi...
Open to Mid-Atlantic artists, this content-driven glass exhibit will investigate new ideas, narratives, concepts and directions in regional contemporary glass. Entry fee.
For more information, contact: Harriet Lesser, Director of Exhibitions and Programming, 301-315-8200 or gallery@visartscenter.org Call for entries deadline: July 1, 2008.
Thinking of changing my "official" Internet photo from this (taken in 2004 or so):
To this, taken a few weeks ago:
Crooked nose courtesy of a bar fight at the Texas bar in Naples, Italy a long time ago... any comments???
Read This
DCist reports on the draconian measures of the District's closing of an art show. Read it here and the follow up here.
AOM Visit One
On the way to my AOM panel I did a whirlwind tour through the 700 artists at Artomatic and my very first impressions is that this is the best AOM ever.
I know that this comes from an AOM supporter without objectivity on the subject, but it also comes from someone who has examined and visited every single AOM in details, explored every gallery and every artist since it all started a decade ago.
The work that the ceramicists have self-curated and installed is worthy of being in a museum show, both in quality and presentation.
I will be back with a more detailed visit, my top picks from the show, my "new discoveries" and a review and videos.
Below is a photo from last night's panel, which was very well attended and could have gone for hours! There is soooooo much thirst out there for information!
Memo to Philippa: Let's do this again soon with a 2-3 hour window for questions and discussions - I'm game!
Above: Philippa Hughes introduces the panel: Dr. Fred Ognibene, (me missing and taking photo), Martin Irvine, JW Mahoney and Sharon Burton.
Update: Ann Marchand has a great report and pics here.
Congrats
To DC area artist Dana Ellyn whose solo show in Wilmington, NC is doing really well!
Dana's show at the ERA Gallery is titled "Up For Discussion" and prior to the show, she received two write-ups in two local papers and today a review of the show was published.
Check out all the interviews, articles and review here. The show is up through June 28, 2008.
Silly Rabbit, Myths are for Kids. 22"x28" Acrlylic on Canvas by Dana Ellyn
Wednesday, May 21, 2008
Millennium Arts Salon: Scholars Speak
Against the backdrop of the Jacob Lawrence Migration Series (he's one of my former professors and now on view at The Phillips Collection through October 26), three leading scholars on African American art speak:
- Dr. Beth Turner, University Professor at the UVA and curator of two major national traveling exhibitions on Jacob Lawrence, Over the Line: The Art and Life of Jacob Lawrence (2001-03) and The Migration Series (1993-1995) for The Philips Collection, former senior Phillips curator and vice-provost for the arts at the University of Virginia.
- Dr. Leslie King-Hammond, Dean of Graduate Studies and Professor of Art History, at the Maryland Institute College of Art and Chair of the Board of The Reginald F. Lewis Museum of Maryland African American History and Culture.
- Dr. David Driskell, an emeritus professor at the University of Maryland, College Park where the David C. Driskell Center of African American and African Diaspora Visual Arts and Culture was founded in his honor, artist, collector, and cited as one of the world's leading authorities on the subject of African American Art.
One scholar asks, the others respond. All reflect on artists of the 20th century and look ahead to artists in the new millennia.
Here's another early peek at another student whose work I've selected for the "Early Look" student exhibition at the Long View Gallery in DC next month.
Her name is Deborah Shapiro and she's a student at Virginia Commonwealth University in Virginia. See more of her work here.
On Thursday May 22, 2008 at 7:30PM at AOM. The panel includes Arthur Mason, lawyer and art collector with his wife Jane Mason, Lee Eagle, Eagle Associates, Collector and Specialist in the DC secondary art market, Zenith Gallery owner, Margery Goldberg, Gallery Directors Amy Cavanaugh and Briony Evans from Honfluer Gallery, and artists Joyce McCarten and Matt Sesow.
They will each offer their own unique perspective on the subject of pricing art. Free and Open to the Public. For more information contact Adah Rose Bitterbaum, Studio Gallery, 202-232-8734. Sponsored by the Washington Project for the Arts.
Tonight is the "Information Overload: Finding Reliable and Useful Information About Art Collecting" panel at 7PM.
It will be moderated by DC ubercollector Dr. Fred Ognibene and will include JW Mahoney, Sharon Burton, Martin Irvine and yours truly.
See ya there!
Tuesday, May 20, 2008
Rik Freeman at GRACE
Last weekend when I was in Reston I had an opportunity to look at the current GRACE exhibition, the Chittlin' Circuit Review which features the gorgeous paintings of DC area artist Rik Freeman at the Greater Reston Arts Center.
They are powerfully painted, sensual imagery of dancing, singing, sweating, moving, shouting... in a sort of visual musical African American experience.
And on Wednesday May 21 from 7:30 - 9pm (Free and no reservations required) you can join artist Rik Freeman for an insightful and very personal evening of discussion about his work, the Chittlin' Circuit Review.
Participants will be taken on an imaginative journey of blues history and treated to a recitation of his original spoken-word poem The Ballad of the Grit Gal.
I like this course
The course "Gallery and Museum Resources for Contemporary Art" is being offered on both a credit and non-credit basis in the School of Art + Design at Montgomery College, Takoma Park/Silver Spring Campus in MD. It will be taught by Dr. Claudia Rousseau.
It will meet on Wednesdays, 7/9/08 - 8/06/08, all day. Mornings will meet in the new Morris and Gwendolyn Cafritz Foundation Arts Center at 930 King Street (just off Georgia Ave) for a lecture, followed by field trips to galleries in the afternoon.
Here's the course description in the non-credit tab:
Gallery and Museum Resources for Contemporary Art
Field trips to Washington DC and Montgomery County galleries, museums and art centers will provide a working laboratory for this course which will expose students to contemporary art in the area and to the extraordinary range of resources available for viewing contemporary art. The course will focus on developing a critical approach to modern and contemporary art through understanding of its recent history and current trends. The goal is to make students more confident about individual encounters with contemporary art, especially in gallery settings. Tuition waiver applies; seniors pay fee only.
Course: ART041, 5 sessions, Wed., 7/9-8/6.
For credit the course is listed under ART, School of Art + Design AR285L Individual Workshop Art History, 3 credits.
Early Look Peek
Here's another early peek at another student whose work I've selected for the "Early Look" student exhibition at the Long View Gallery in DC next month.
His name is Aaron Miller and he's a student at George Mason University in Virginia. Below is "Banana," which will be in the show:
A national juried exhibition of photographs created by current and former Peace Corps Volunteers. No entry fee. Submission is completed online. For more information, contact:
Phone: (970) 224-1010; or check website: www.c4fap.org.
Grants for Artists
The George Sugarman Foundation makes grants available for artists in need of financial assistance. Award amounts are open, but the artist must provide a budget for the amount requested. For information, contact:
George Sugarman Foundation 448 Ignacio Blvd. Novato, CA 94949
Phone: 415/713-8167
Fulbright grants are available for artists for 2-6 week lecturing and research abroad. No application fee, stipends are available. Contact:
Fulbright Senior Specialist Program Council for International Exchange of Scholars 3007 Tilden St NW, Suite 5L Washington, DC 20008-3009
phone: 202/686-7877; email: apprequest@cies.iie.org; website: www.cies.org The Charles A. Lindbergh Fund - Deadline: June 12, 08. Offers grants for research and educational projects in various subjects, including the arts and humanities. Grant amounts up to $10,580 awarded. Application deadline: June 12, 2008. For more information, contact:
This week I will judging the Lorton Arts Foundation exhibition at the University of Phoenix, Reston, VA (11730 Plaza American Drive, Suite 200, Reston, Virginia 20190).
The opening for the show will be on Friday, May 23rd from 7 - 9pm.
Monday, May 19, 2008
Opportunity for Sculptors
Deadline: June 30, 2008
The Polk Museum of Art is now accepting submissions from North American sculptors for their annual public art exhibition, Sept 2008 - Aug 2009. Three artists will be selected to exhibit 4-5 works each (depending on size). Each artist will receive a $5,000 honorarium.
Only completed, maintenance-free works will be considered. Work must be able to be anchored to concrete. Submit slides or digital images of 5-10 available works, 1-3 views each, resume, and artist statement to:
Polk Museum of Art Lakeland Sculpture Invitational 800 E Palmetto St Lakeland FL 33801
Or call 863-688-7743x241 or email Tbehrens@PolkMuseumofArt.org
Opportunity for Artists
Deadline: August 1, 2008
The Art Renewal Center's International 2008 ARC Salon 5th Annual Competition. Over $44,000 in cash awards with $10,000 Best in Show. Jury of Awards: Nelson Shanks, Gabriel P. Weisberg, Paul W. McCormack and Fred Ross.
Have your work seen by 5.5 million yearly visitors. Visit: www.artrenewal.org for a prospectus, or send a #10 SASE to:
Throughout the evening, more than 1,500 guests will enjoy culinary tastings from local chefs, as well as participate in live and silent auctions, which help raise thousands of dollars to help support Food & Friends clients.
Please consider becoming a vital part of this year’s event through donation of an item to their auction (I will). For more information on auction donations, or to contribute to either the live or silent auction, please contact Dorota Porawska, Development Coordinator, at (202) 269-2277 or dporawska@foodandfriends.org.
Along with nutrition counseling, Food & Friends prepares, packages and delivers meals and groceries to more than 1,400 people living with HIV/AIDS, cancer and other life-challenging illnesses throughout Washington, DC, seven counties of Maryland and seven counties and six independent cities in Virginia. Since 1988, Food & Friends has provided food and companionship to their clients, their loved ones and caregivers.
Please donate.
Santa Fe
As the official Tim Tate cheerleading site, it would be remiss of me not to mention that Tate received this really good review in Santa Fe during his gallery debut there.
I've been hearing good things about Irvine Contemporary's current exhibition of James Marshall (Dalek) in his only 2008 solo exhibition, Overweight. The show opened last weekend in DC and sold out on opening night!
A new limited edition print published by Irvine Contemporary accompanies the exhibition, but it also sold out on opening night!
It’s the biggest hit by an international-level artist in a solo DC show in a long time, and I can't think of a recent DC gallery show that has done this well in recent memory. This is James Marshall’s only 2008 solo show, and a terrific coup for a DC gallery to host it. Congrats to Martin and the Irvine staff.
James Marshall (Dalek), Untitled (2008.4). Acrylic on panel, 30 x 30 in.
This Wednesday night at AOM
The Pink Line Project will be presenting a series of panel discussions to educate the emerging and experienced art collector at the soon to open a Art-O-Matic. Click on the image below for details.
I will part of a panel which will be held this coming Wednesday, May 21 at 7 pm in the 7th Floor Education Room. It is the "Information Overload: Finding Reliable and Useful Information About Art Collecting."
It will be moderated by DC ubercollector Dr. Fred Ognibene and will include JW Mahoney, Sharon Burton, Martin Irvine and yours truly.
See ya there!
Back
I was at an art fair all weekend long... 300 plus emails to deal with, so loads to post soon. More later...
Saturday, May 17, 2008
Today: Glass party and open house
The Washington Glass School is having their big annual open house and 7th Anniversary Party today. Tons of glass sculpture and bowls for sale.
This annual event is always a load of fun and a great way to grab some real bargains! Over two dozen artists from the DC area will be participating... so you don't want to miss this one!
Saturday, May 17th from 12noon to 5pm! Details here.
Friday, May 16, 2008
Early Look Peek
Here's another early peek at another student whose work I've selected for the "Early Look" student exhibition at the Long View Gallery in DC next month.
Her name is Lauren Albert and she's a senior at Moore College of Art & Design in Philly. Below is an animated video which will be in the show. See some of her 2D artwork here.
Corpus by Jason Horowitz at Curator's Office (through June 21, 2008). Gallery Reception: Saturday, May 17th, 6 - 8 pm (in conjunction with the gallery receptions at 1515 14th Street NW, Washington, DC).
Thursday, May 15, 2008
Artists' Talk: DC
Christine Gray's "Spring Thaw" exhibition ends on May 4, but there's a closing reception at Project 4 in DC and an artist's talk this coming Saturday, May 17 at 3:00pm.
Because of Janis’ strong architectural background, he works with industrial glass, giving it new meaning, context and function. Much of Janis’ work deals with self identification, and how luck and chance have influenced his life, work, and how one views oneself. Drawing with crushed glass powder, he uses static electricity to take away the powder and reveal the desired image
Read it here. Michael Janis (whom I now represent in my new art venture) has been on my "Buy Now" list for a long while and he's in my own collection; buy Michael Janis now.
